Items where Subject is "PR English literature"

Article

Bailey, Rebecca A (2013) Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage. Theatre Journal, 65 (2). pp. 197-214. doi:10.1353/tj.2013.0051

Bailey, Rebecca A (2013) William Habington (1605-1654): New Biographical Information from a Previously Unremarked upon Document. Notes and Queries, 60 (1). pp. 40-41. doi:10.1093/notesj/gjs215

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Andrew Nestingen and Paula Arvas, eds., Scandinavian Crime Fiction. American, British and Canadian Studies, 17 (2). pp. 149-152.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) 'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection. Short Fiction in Theory and Practice, 3 (1). pp. 37-52.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Brian Cliff, Irish Crime Fiction (Palgrave, 2018). Irish Literary Supplement. p. 4.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) “Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar. Clues: A Journal of Detection. pp. 69-79.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2000) Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry. Literature and Theology, 14 (3). pp. 276-298. doi:10.1093/litthe/14.3.276

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Haunting the Text: Nicola Pierce’s Spirit of the Titanic and Irish Historical Children’s Fiction. Women's Studies: An Inter-disciplinary Journal, 44 (7). pp. 956-976. doi:10.1080/00497878.2015.1071615

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Imagining Mother: Representations of Contested Maternal Identities and Loss in Jackie Kay’s The Adoption Papers and Isha McKenzie-Mavinga’s “Yearning To Belong”. MP: An Online Feminist Journal, Vol.2, (6). pp. 72-83.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) In Memoriam Doris Lessing. American, British and Canadian Studies (2). pp. 5-7.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction. Clues: A Journal of Detection, 40 (2). pp. 119-122.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook. American, British and Canadian Studies, 15 (2). pp. 207-209.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (1995) Margaret Atwood’s Innovative Vision of Gender, Genre, Postmodernism and the City in The Robber Bride. British Journal of Canadian Studies, 10. pp. 146-55.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Mediatization and mothers accused of murder in Sophie Hannah’s crime novel A Room Swept White. Northern Lights: Film and Media Studies Yearbook, 9 (1). pp. 79-93. doi:10.1386/nl.9.79_1

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scenes in “The Blood-Stained Pavement” and “Ingots of Gold”. Clues: A Journal of Detection, 41 (1). pp. 95-105.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Performing Scottish Crime: Ian Rankin's Dark Road. Mystery Readers Journal, 31 (3). pp. 3-4.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Representations of Ageing and Black British Identity in Andrea Levy’s Every Light in the House Burnin’and Joan Riley’s Waiting in the Twilight. Entertext, 9. pp. 105-121.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon. Oscholars, N/A (N/A). pp. 1-20.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) "There's nothing people won't do to one another, if the circumstances are right": Male Rape and the Politics of Representation in John Harvey's Police Procedural Easy Meat. Clues: A Journal of Detection, 31 (2). pp. 102-111. doi:10.3172/CLU.31.2.102

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “The Third Ireland”: Inheritance and Postcolonialism in Irish Crime Writing. Journal of Commonwealth and Postcolonial Studies, 4 (1). pp. 61-81.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) True Crime and Baby Farming: Representing Amelia Dyer. Human, 5. pp. 101-117.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) 'What are Words?' Symbolism and Romance in Agatha Christie’s Short Stories 'Within a Wall', 'The House of Dreams' and 'The Lonely God'. Short Fiction in Theory and Practice, 10 (1). pp. 27-42. doi:10.1386/fict_00012_1

Burke, Alison and Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.

Daly, Kirsten ORCID: 0000-0002-0220-9559 (2020) Dispossession in The Death of the Heart. Essays in Criticism, 70 (4). pp. 409-427. doi:10.1093/escrit/cgaa022

Ferry, Emma ORCID: 0000-0002-1295-8430 (2008) Lucy Faulkner and the'ghastly grin': Reworking the title page illustration to Goblin Market. Journal of the William Morris Studies, 18 (1). pp. 65-84.

Ferry, Emma ORCID: 0000-0002-1295-8430 (2022) ‘“A pair of scissors, and one daring, if trembling snip-!” Making Mrs Oliphant’s Dress’. Victorian Review. (In Press)

France, Angela ORCID: 0000-0001-8308-4868 (2016) Finding Poetry in the Archives: Working with historical Documents. Artemis Poetry (17).

France, Angela ORCID: 0000-0001-8308-4868 (2014) Growth. Wales Art Review.

France, Angela ORCID: 0000-0001-8308-4868 (2014) Poetry Makes Nothing Happen. Interpreter’s House (57). p. 22.

France, Angela ORCID: 0000-0001-8308-4868 (2018) Stratigraphies: The Long Poem of Place. Long Poem Magazine (20). pp. 1-9.

France, Angela ORCID: 0000-0001-8308-4868 (2008) Teaching Creative Writing: the role of the tutor. Writing in Education, 45.

France, Angela ORCID: 0000-0001-8308-4868 (2014) Three Poems. Domestic Cherry (67). pp. 12-13.

Freeman, Margaret H and McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2021) “To pile like Thunder": The Advantages of Reading Emily Dickinson’s Poetry from a Cognitive Perspective. Emily Dickinson Journal, 30 (1). pp. 1-26. doi:10.1353/edj.2021.0001

Griffiths, Hywel M, Goodwin, Gavin, Keevil, Tyler, Salisbury, Eurig, Tooth, Stephen and Roberts, Dewey (2017) Searching for an Anthropo(s)cene in the Uplands of Mid Wales. Geohumanities, 3 (2). pp. 567-579. doi:10.1080/2373566X.2017.1329631

Hughes, John D ORCID: 0000-0002-2187-2911 (2000) The Affective World of Charlotte Brontë's Villette. Studies in English Literature 1500-1900, 40 (4). pp. 711-726.

Hughes, John D ORCID: 0000-0002-2187-2911 (2001) Charlotte Brontë's Art of Sensation. Transactions of the Brontë Society, 26 (1). pp. 19-26. doi:10.1179/030977601794173268

Hughes, John D ORCID: 0000-0002-2187-2911 (2006) "The Exile’s Harp”: Tennyson’s Lost World of Music. Nineteenth Century Music Review, 3 (2). pp. 113-135.

Hughes, John D ORCID: 0000-0002-2187-2911 (2002) "For Old Association's Sake": History and Hardy's The Woodlanders'. Thomas Hardy Journal, xviii (2). pp. 57-64.

Hughes, John D ORCID: 0000-0002-2187-2911 (2007) “Hang there like fruit, my soul”: Tennyson’s Feminine Imaginings. Victorian Poetry, 45 (2). pp. 95-115. doi:10.1353/vp.2007.0024

Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Hardy and Music. English, 46 (185). pp. 113-129.

Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Hardy and the Life of Birds. Thomas Hardy Journal, xiv (3). pp. 68-77.

Hughes, John D ORCID: 0000-0002-2187-2911 (2015) Hardy's Music in a Snowy Street: Metrical Reading of the Opening Stanzas. Explicator, 73 (2). pp. 92-96. doi:10.1080/00144940.2015.1028876

Hughes, John D ORCID: 0000-0002-2187-2911 (2017) ‘Hardy’s Two Voices: A Metrical Reading of “The Oxen”. Hardy Review.

Hughes, John D ORCID: 0000-0002-2187-2911 (2016) ‘Hardy’s Two Voices: “The Oxen” and its Contexts'. Hardy Review, XVIII (ii). pp. 41-50.

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) 'Metre and Context’: Hardy’s ‘Neutral Tones’. Victorian Poetry, 51 (1). pp. 81-97. doi:10.1353/vp.2013.0004

Hughes, John D ORCID: 0000-0002-2187-2911 (2015) ‘Metre and Mourning: Thomas Hardy’s “The Going” and Poems of 1912-13. Hardy Review, XVII (i). pp. 19-34.

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) A Metrical Reading of Thomas Hardy’s “Afternoon Service at Mellstock”. Explicator, 69 (4). pp. 207-211. doi:10.1080/00144940.2011.640925

Hughes, John D ORCID: 0000-0002-2187-2911 (2006) Owen’s “Dulce et Decorum Est”. Explicator, 64 (3). pp. 160-162. doi:10.3200/EXPL.64.3.164-166

Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Tennyson Revisited: Hardy’s “After a Journey". Thomas Hardy Journal, xxi (3). pp. 152-157.

Hughes, John D ORCID: 0000-0002-2187-2911 (2018) Towards a Reading of Wordsworth’s ‘Now ye meet in the cave’. Romanticism on the Net (71). pp. 1-24. doi:10.7202/1074534ar

Hughes, John D ORCID: 0000-0002-2187-2911 (2007) William Wordsworth, ‘A Slumber did my Spirit Seal’. Explicator, 65 (2). pp. 71-74. doi:10.3200/EXPL.65.2.71-75

Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Wittgenstein and Literature. Philosophical Inquiry, xxiv. pp. 13-21.

Hughes, John D ORCID: 0000-0002-2187-2911 (2008) Wordsworth’s Poetics of Orphanhood; ‘Tintern Abbey’, ‘The Vale of Esthwaite’ and ‘Salisbury Plain’. Romanticism, 14 (3). pp. 219-231.

Hughes, John D ORCID: 0000-0002-2187-2911 (2012) Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading. Studies in Romanticism, 51 (2).

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) Wordsworth’s “Catechizing” Sonnet and Family History. Explicator, 69 (4). pp. 184-188. doi:10.1080/00144940.2011.635610

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) Wordsworth’s “I Travell’d Among Unknown Men”: A Metrical Reading. Explicator, 68 (2). pp. 90-95. doi:10.1080/00144941003723733

Innes, Paul ORCID: 0000-0001-5375-5341 (2013) Catherine Bates, The Cambridge Companion to The Epic & Chloe Wheatley, Epic, Epitome, and the Early Modern Historical Imagination. Notes and Queries, 60 (2). pp. 309-311. doi:10.1093/notesj/gjt003

Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Cymbeline and Empire. Critical Survey, 19 (2). pp. 1-18. doi:10.3167/cs.2007.190201

Innes, Paul ORCID: 0000-0001-5375-5341 (2011) David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford University Press, 2010. Bryn Mawr Review of Comparative Literature.

Innes, Paul ORCID: 0000-0001-5375-5341 (2016) Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello. Anglica. An International Journal of English Studies, 25 (3). pp. 69-80.

Innes, Paul ORCID: 0000-0001-5375-5341 (2014) Sensory Confusion and the Generation Gap in Much Ado About Nothing. Critical Survey, 26 (2). pp. 1-20. doi:10.3167/cs.2014.260201

Innes, Paul ORCID: 0000-0001-5375-5341 (2015) Some of the most important events in Shakespeare do not happen. English, 64 (247). pp. 254-267. doi:10.1093/english/efv024

Innes, Paul ORCID: 0000-0001-5375-5341 (2012) Titus Andronicus and the Violence of Tragedy. Journal of Literature and Trauma Studies, 1 (1). pp. 27-48. doi:10.1353/jlt.2012.0008

Keevil, Tyler (2017) Cassandra to the Sea. Prairie Fire, 38 (1).

Keevil, Tyler (2016) Defamiliarised. HARTS and Minds: Journal of the Humanities and Arts, 2 (3). pp. 2-8.

Keevil, Tyler (2016) Foul Is Fair. Black Static (50). pp. 46-58.

Keevil, Tyler (2014) Hot Feet. Black Static, 39. pp. 1-17.

Keevil, Tyler (2015) It's In You To Give. On Spec: The Canadian Magazine of the Fantastic (99).

Keevil, Tyler (2015) Samhain. Black Static (44). pp. 46-59.

Keevil, Tyler (2016) The Search. PRISM: International, 54 (4). pp. 91-100.

Keevil, Tyler (2016) Starlings. Interzone (264). pp. 14-33.

Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.

Knight, Lania ORCID: 0000-0003-1024-8889 (2016) Blue Limitless Emptiness. Short Fiction. pp. 1-11.

Knight, Lania ORCID: 0000-0003-1024-8889 (2020) I Find My Three Girls. Shooter Literary Magazine, 11. pp. 46-50.

Knight, Lania ORCID: 0000-0003-1024-8889 (2018) I Was Kissing Someone. Litro.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2020) Text-worlds, blending, and allegory in ‘Flamingos in Dudley Zoo’ by Emma Purshouse. Language and Literature, 29 (4). pp. 389-403. doi:10.1177/0963947020968664

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2014) Connection, disconnection and the self in Alice Oswald’s Dart. Green Letters: Studies in Ecocriticism, 19 (2). pp. 157-169. doi:10.1080/14688417.2014.972427

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2016) Edward Thomas, Poetry and the Languages of Nature. English, 65 (251). pp. 310-329. doi:10.1093/english/efw044

Randall, Martin C (2008) The First Cuckoo You've Ever Heard. Aesthetica, 1 (20). p. 16.

Randall, Martin C (2013) Oostende (a novel fragment). American, British and Canadian Studies, 20. pp. 143-159.

Saguaro, Shelley (2018) Cultivating Environmental Justice: A Literary History of U.S. Garden Writing. Green Letters, 22 (1). pp. 120-122. doi:10.1080/14688417.2018.1496663

Saguaro, Shelley (2013) 'Something that would stand for the conception': the inseminating world in the last writings of Virginia Woolf. Green Letters: Studies in Ecocriticism. doi:10.1080/14688417.2013.800340

Book Section

Bailey, Rebecca A (2012) James Shirley. In: The Encyclopedia of English Renaissance Literature (Wiley-Blackwell Encyclopedia of Literature). Wiley-Blackwell. ISBN 978-1405194495

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Crime Fiction and Migration. In: Routledge Companion to Crime Fiction. Routledge, pp. 379-387. ISBN 9781138320352

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Dolls and Dead Babies: Victorian Motherhood in May Sinclair's Life and Death of Harriett Frean. In: May Sinclair: Re-Thinking Bodies and Minds. University of Edinburgh Press, Edinburgh, pp. 156-176. ISBN 9781474415750

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (1995) From Violent Duality to Multi-culturalism: Margaret Atwood’s Post-Colonial Cultural and Sexual Politics. In: O Canada Essays on Canadian Literature and Culture. Aarhus Universitetsforlag, pp. 97-108. ISBN 8772883766

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) “I never made those marks on my girl”: Challenging Cultural Narratives about Mothers who Kill in Sara Paretsky’s Crime Novel Brush Back. In: Mothers who Kill. Demeter Press, Toronto, pp. 333-353. ISBN 9781772583571

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) "I, Too, Mourn The Loss": Mrs Hudson and the Absence of Sherlock Holmes. In: Sherlock Holmes in Context. Crime Files . Palgrave, Basingstoke, pp. 61-82. ISBN 9781137555946

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) “In the Suitcase was a Boy”: Representing Transnational Child Trafficking in Contemporary Crime Fiction. In: Representations of Transnational Human Trafficking: Present-day News Media, True Crime, and Fiction. Palgrave, Houndmills, pp. 89-115. ISBN 9783319782140

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “Last Girl Alive”: Kirsty Murray’s Dystopian YA Novel Vulture’s Gate. In: The Age of Dystopia: One Genre, Our Fears and Our Future. Cambridge Scholars Press, pp. 141-162. ISBN 9781443886949

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “Life Was a State in Which a War Was On”: A. S. Byatt’s Portrayal of War and Norse Mythology in Ragnarok: The End of the Gods. In: War, Myths and Fairy Tales. Palgrave, Basingstoke, pp. 195-218. ISBN 9789811026836

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “My Mama Had a Story”: Mothers and Intergenerational Relations in Andrea Levy’s Fiction. In: Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing. Demeter Press, Toronto, pp. 121-142. ISBN 9781926452708

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) P.D.James. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, Farmington, MI, pp. 105-116. ISBN 9780787696528

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Reimagining Myth and the Maternal with Ruth Fainlight, Margaret Atwood and Katie Donovan. In: Women Versed in Myth: Essays on Modern Poets. McFarland, Detroit, MI, pp. 50-58. ISBN 9780786471928

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Sarah Waters. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, pp. 336-343. ISBN 9780787696528

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) "Still a Respected Man": Irish Masculinity in Crisis and Crime Fiction. In: Masculinity in Crisis: Depictions of Modern Male Trauma in Ireland. Carysfort Press, Dublin, Ireland, pp. 155-170. ISBN 9781909325883

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) “Their Mother Was Waiting For Her”: Mother-Daughter Relations and Irish Identity in Deirdre Madden’s One by One in the Darkness. In: Mothers and Daughters. Demeter Press, Toronto, pp. 234-250. ISBN 9781772581331

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Transnational Female Sex Trafficking in Naja Marie Aidt’s “Women in Copenhagen,” Matt Johnson’s Deadly Game and Stuart Neville’s Stolen Souls. In: Transnational Crime Fiction Mobility, Borders and Detection. Crime Files . Palgrave, pp. 115-131. ISBN 9783030534127

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) What’s Eating Her? Anorexia and Female Identity in Ruth Rendell’s Domestic Noir Novella Heartstones. In: Blood on the Table: Essays on Food in International Crime Fiction. McFarland, Jefferson, pp. 75-86. ISBN 9781476671758

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “With Practised Eyes”: Feminine Identity in The Mysterious Mr. Quin. In: The Ageless Agatha Christie: Essays on the Mysteries and the Legacy. McFarland, Detroit, MI, pp. 61-80. ISBN 9781476663135

Coe, Kate (2016) High Flight & Flames. In: High Flight & Flames. Kristell Ink, pp. 1-5. ISBN 978-0993576638

France, Angela ORCID: 0000-0001-8308-4868 (2014) Lir. In: The other side of sleep. Arachne Press, London, pp. 40-47. ISBN 978-1-909208-18-6

France, Angela ORCID: 0000-0001-8308-4868 (2014) Three Poems. In: The Book of Love and Loss. Belgrave Press, Bath, pp. 131-132. ISBN 9780954621520

Hitchman, Beatrice ORCID: 0000-0001-6088-6497 (2019) 'Minor Scandal': Lesbian Contexts for The Bell Jar. In: Sylvia Plath in Context. Cambridge University Press, Cambridge, pp. 169-179. ISBN 9781108470131

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Hardy and Music. In: Thomas Hardy in Context. Cambridge University Press, Cambridge, pp. 425-435. ISBN 978-0521196482

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) Hardy’s Ambivalent Attitude Towards Music. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 114-118. ISBN 9780791078914

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) “Moments of Vision”: Hardy’s Visual Inspiration. In: Palgrave Advances in Thomas Hardy Studies. Palgrave Macmillan, pp. 229-254. ISBN 1403902577

Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Music and Inspiration in Blake’s Poetry. In: The Figure of Music in Nineteenth-Century British Poetry. Music in Nineteenth-Century Britain . Ashgate, Aldershot, pp. 85-106. ISBN 978-0-7546-0547-8

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) Music as a Link to the Transcendent. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 67-68. ISBN 9780791078914

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) "Tune and Thought”: The Uses of Music in Hardy’s Poetry. In: The Ashgate Research Companion to Thomas Hardy. Ashgate, Aldershot, pp. 269-284. ISBN 978-0-7546-6245-7

Innes, Paul ORCID: 0000-0001-5375-5341 (2019) Resources for Teaching and Studying Antony and Cleopatra. In: Antony and Cleopatra a Critical Reader. Arden Early Modern Drama Guides . Bloomsbury, pp. 201-227. ISBN 9781350049901

Keevil, Tyler (2015) Fabrications. In: A Fiction Map of Wales. H'mm Foundation, Swansea. ISBN 9780992756062

Keevil, Tyler (2015) Night Start. In: New Welsh Short Stories. Seren Books, Bridgen, pp. 7-19. ISBN 9781781722343

Keevil, Tyler (2014) Sealskin. In: The Journey Prize Stories 26. McClelland & Stewart, Toronto. ISBN 9780771050503

Keevil, Tyler (2016) The Weeds & The Wildness. In: Strangers Among Us: Tales of Underdogs and Outcasts. Laksaw Media Groups Inc., Calgary, Alberta, pp. 91-107. ISBN 9780993969607

Knight, Lania ORCID: 0000-0003-1024-8889 (2021) An American Walks into a Bar (with her British Creative Writing Students). In: The Place and the Writer: International Intersections of Teacher Lore and Creative Writing Pedagogy. Research in creative writing . Bloomsbury Academic, London. ISBN 9781350127159

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Chekhov's Gun. In: Eating My Words: National Flash-Fiction Day 2014 Anthology. National Flash Fiction Day, Southampton, pp. 82-83. ISBN 9781500110871

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2012) Making Poems. In: In Their Own Words: Contemporary Poets on their Poetry,. Salt, London, pp. 102-106. ISBN 9781907773211

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2021) Making worlds out of silence: A text-world analysis of the unspoken in ‘Not an Ending’ by Andrew Waterhouse. In: Breaking the Silence. Routledge, London. ISBN 9780367467630

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2012) Minutes. In: Jawbreakers: An anthology of flash fictions. National Flash Fiction Day, Winchester, pp. 37-38.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Three poems. In: The Echoing Years: An Anthology of Poetry from Ireland and Canada. W.I.T. School of Humanities Publications, pp. 915-917. ISBN 978-0954028169

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2020) Poetry and Potatoes: A Rhizomatic Approach to Teaching Creative Writing and Literature. In: Responding to Creative Writing. Cambridge Scholars Press, Newcastle upon Tyne, pp. 27-39.

Peters, Erin ORCID: 0000-0002-8128-234X (2021) Cultural Trauma, Exile, and the Birth of Jacobitism. In: Early Modern Trauma: Europe and the Atlantic World. University of Nebraska Press, Lincoln. ISBN 9781496208910

Saguaro, Shelley and Thacker, Deborah Cogan (2013) 'Tolkien and Trees'. In: J.R.R. Tolkien. New Casebook . Palgrave Macmillan. ISBN 978-1-137-26399-5

Saguaro, Shelley and Tyler, Lucy (2014) 'Nature Once More Had Taken Her Part': Recuperating Anon, the Common Voice and the Uncovered Theatre. In: Bloomsbury Influences: Papers from the Bloomsbury Adaptations Conference. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 205-226. ISBN 9781443854344

Screech, Ben ORCID: 0000-0001-8644-9607 (2024) “Xanadu Hidden in the Heart of Bootle”: Place and Foreignness in The Unforgotten Coat. In: Children’s Literature in Place. Taylor & Francis, New York, pp. 13-20. ISBN 9781003355502

Weeks, Hilary ORCID: 0000-0002-9845-016X (2014) Acts of Translation: George Borrow's Letters to the British and Foreign Bible Society, 1833-40. In: Foreign Correspondence. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 150-164. ISBN 9781443862110

Conference or Workshop Item

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) “Angel Makers”: Recent True Crime Stories of Baby Farming. In: True Crime: Fact, Fiction, Ideology, 7 June 2014, Manchester. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) "Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery. In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Crime Writing: Exploring Gender and Genre. In: Teaching Elements of Crime Writing for AQA B A Level, 18 October 2017, English & Media Centre, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) 'Death of the Author’ - Maj Sjöwall and Per Wahlöö’s Police Procedurals. In: Crime Fictions, Crime Histories, Crime Films, 19 September 2009, University of Nottingham. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Depictions of human trafficking in contemporary crime fiction. In: Networks and Connections in the Crime Genre, 26-27 May 2017, NUI Galway. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) Dolls and Dead Babies: May Sinclair’s Social Critique of Constructions of Motherhood in Life and Death in Harriett Frean. In: May Sinclair symposium, 18 July 2014, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “Four Lost Souls”: Crisis and Crime in Neville Thompson’s Writing. In: 2015 Annual British Association for Irish Studies Conference. Ireland: Agents of Social Transformation, 4th September – 5th September 2015, St Mary's University Twickenham, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) “How could something as small as this sail such a long way”: Recent Irish and Australian Children’s Books Portraying Irish Migration in the Long Nineteenth Century. In: Travelling Irishness in the Long Nineteenth Century, 28-29 August 2014, University of Limerick, Ireland. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) "I, Too, Mourn the Loss": The Absence of Holmes in Neo-Victorian Representations. In: New Directions in Sherlock: Past and Present, 11 April 2014, UCL. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Invited talk: Crime of Passion: Investigating Love and Agatha Christie. In: International Agatha Christie Festival, 10-17 September 2022, Torquay, UK.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Keynote: “The Men Came Looking for Girls”: Sex Trafficking in Contemporary Crime Fiction and the Politics of Representation. In: Carnal Crimes, 21-22 January 2022, Dublin City University, Ireland (online conference).

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) “Like the memory of an evil dream”: Tracing Nordic Noir and Crime History in Steen Steensen Blicher’s “The Rector of Veilbye” (1829). In: Crime Fiction or Fact: Blurring the Boundaries c. 1680-1880, 11 June 2018, Institute of Historical Research, School of Advanced Study, Senate House, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) #MeToo and the Nordic Noir Crime Short Story: “Antti Tuomainen’s “The Script”. In: Northeast Popular Culture Association (NEPCA) Annual Conference, 12-14 October 2023, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scene. In: The Golden Age of Crime: A Reappraisal, 22-23 June 2022, Bournemouth University.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Not ‘the Scenic Route’ through Pain and Old Age: Representations of Old Age in Black British Writing. In: Pain and Old Age: Centuries of Suffering in Silence?, The Birkbeck Pain Project and the Birkbeck Institute for the Humanities, University of London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “Now Those Words Want to be Spoken:” Trauma and the Politics of Representation in Stella Duffy’s Crime Novel Mouths of Babes. In: 7th "TRAUMA AND NIGHTMARE" International Interdisciplinary Conference, 14-15 March 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) "A Partial Autobiography and a Defence": PD James’ Life Writing. In: Writing Women's Lives, 25-16 April 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “A Pimple of So-Called Civilisation”: Annie Cossins’ Australian True Crime Story of Convicts and Baby-Farmers. In: Captivating Criminality: Crime Fiction, Traditions and Transgressions, 25-27 June 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) 'Putting back the voices that were left out’: Storytelling, Slavery and Spectres of the Past in Andrea Levy’s The Long Song’. In: Narrating the Caribbean Nation: A Celebration of Literature and Orature, 14-15 April 2012, Leeds Metropolitan University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) Requiems for the Departed: Contemporary Recasting of Irish Myth in the Crime Short Story. In: The 2nd Colloquium on Thinking About Celtic Mythology in the 21st Century, 8-9 November 2014, University of Edinburgh. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Resisting the Seduction of “The Golden Age” and Nostalgia: Decolonising British Crime Fiction. In: 8th "MEMORY, MELANCHOLY AND NOSTALGIA": International Interdisciplinary Conference, 7 December 2023, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “Seeing the actual physical Betty Kane”: Slut-shaming the victim in Josephine Tey’s The Franchise Affair. In: Literature, Law and Psychoanalysis, 1890-1950, 11-13 April 2019, University of Sheffield. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction in the 1990s and post-2000, and Strategies for Teaching and Learning. In: Crime Fiction and Women, Experiences and Functions (Invitation-only conference), 30 November - 1 December 2009, Mols, Denmark. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) The Stuff of Legend, or Unpacking Cultural Baggage: Introducing first-year Humanities students to foundational Western literary texts. In: Research in Education for Active Learning Conference, 17 June 2010, University of Gloucestershire. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Teaching Golden Age Crime Fiction in the Age of #MeToo. In: Culture, Continuity, and Transformation Conference: Academic research and cultural change, 13 - 14 June 2021, University of Gloucestershire.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “The Trouble with Identity”: Contesting Racism and Xenophobia with the British-Pakistani Author M.Y. Alam’s Crime Novel Annie Potts Is Dead. In: 7th Racism, Nationalism and Xenophobia: International Interdisciplinary Conference, 23-24 May 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “What are Words?” Representing Consciousness Through Symbolism in Agatha Christie’s Early Short Stories. In: Agatha Christie - Investigating the Queen of Genre, 5-6 September 2019, Southampton Solent University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “Who Can See into the Heart of a Man either Righteous or Wicked”: Guilt, Transgression, and Shame in John Wilson’s Crime Short Story “Tale of Expiation”. In: 5th "MEMORY, GUILT AND SHAME": International Interdisciplinary Conference, 26-27 October 2023.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) ‘With Practised Eyes’: Reading Agatha Christie’s The Mysterious Mr Quin Short Stories and Gender. In: Agatha Christie: Crime, Culture, Celebrity, 14 April 2014, University of Exeter. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Writing Back to History: Using Andrea Levy’s “Uriah’s War” as a Case Study for Decolonisation on a Level 4 Skills Module for English and Creative Writing Students. In: BACLS What Happens Now 2023, 6-8 September 2023, University of Birmingham.

Cox, Rachael (2015) A Shoebox of One’s Own – Virginia Woolf: building feminist discourse on the foundations of modernist architecture in Hampstead. In: Literary London Society Annual Conference - London in Love, 22-­24 July 2015, Senate House, London. (Unpublished)

Book

Randall, Martin C, Murray, Tiffany and McLoughlin, Nigel F, eds. (2008) Under surveillance : An anthology of work from the Creative Writing programme at the University of Gloucestershire 2008. Bluechrome, Bristol. ISBN 9781906061449

Bailey, Rebecca A (2009) Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625-1642. Manchester University Press. ISBN 978-0719076732

Barker, Simon (2009) ‘Like a Soldier to the Stage’ Field Commander Hamlet and the ends of tragedy. The Cyder Press, University of Gloucestershire, Cheltenham. ISBN 978-1-86174-197-4

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Crime Fiction in the Age of #MeToo. Anthem Press, London. ISBN 9781785278556

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Intersectionality and Decolonisation in Contemporary British Crime Fiction. Cambridge Scholars Publishing. ISBN 9781527591585

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Murder in a Few Words: Gender, Genre and Location in the Crime Short Story. McFarland, Jefferson. ISBN 9781476673721

Beyer, Charlotte ORCID: 0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Travellin’ Mama: Mothers, Mothering and Travel. Demeter Press, Bradford. ISBN 9781772581799

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 and Robertson, Andrea (Ed) (2019) Mothers Without Their Children. Demeter Press. ISBN 9781772581737

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2021) Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527564060

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

Burnett, Frances Hodgson, Walker, Miranda ORCID: 0000-0003-3925-6989, Dzierzawska, Zosia and Gibbons, Dave (2016) The Secret Garden. Oxford University Press, Oxford. ISBN 9780198367574

Coe, Kate (2015) Green Sky & Sparks. Kristell Ink. ISBN 190984571X

Coe, Kate (2015) Grey Stone & Steel. Kristell Ink. ISBN 1909845906

France, Angela ORCID: 0000-0001-8308-4868 (2013) Hide. Nine Arches Press, Rugby, UK. ISBN 978-0957384712

France, Angela ORCID: 0000-0001-8308-4868 (2011) Lessons in Mallemaroking. Nine Arches Press, Rugby, UK. ISBN 978-0956551481

France, Angela ORCID: 0000-0001-8308-4868 (2009) Occupation. Ragged Raven Press, Snitterfield, UK. ISBN 978-0955255267

France, Angela ORCID: 0000-0001-8308-4868 (2021) Terminarchy. Nine Arches Press. ISBN 978913437176

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) ‘Affective Worlds’: Writing, Feeling, Nineteenth-Century Literature. Sussex Academic Press. ISBN 978-1-84519-442-0

Hughes, John D ORCID: 0000-0002-2187-2911 (2001) 'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy. The Nineteenth Century Series . Ashgate. ISBN 9781840146332

Hughes, John D ORCID: 0000-0002-2187-2911 (2017) The Expression of Things: Themes in Thomas Hardy's Fiction & Poetry. Sussex Academic Press, Brighton. ISBN 9781845198121

Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Lines of Flight: Reading Deleuze with Hardy, Gissing, Conrad, Woolf. Sheffield Academic Press/Continuum. ISBN 9781850758075

Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Class and Society in Shakespeare. Continuum Shakespeare Dictionaries . Bloomsbury, London. ISBN 978-0826477972

Innes, Paul ORCID: 0000-0001-5375-5341 (2013) Epic (The New Critical Idiom). Routledge, London. ISBN 978-0415587396

Innes, Paul ORCID: 0000-0001-5375-5341 (1997) Shakespeare and the English Renaissance Sonnet: Verses of Feigning Love. Palgrave Macmillan, Basingstoke. ISBN 9780333683712

Innes, Paul ORCID: 0000-0001-5375-5341 (2015) Shakespeare's Roman Plays. Palgrave Macmillan, Basingstoke. ISBN 9781137025913

Innes, Paul ORCID: 0000-0001-5375-5341 (1999) Shakespeare: The Barriers Removed. Studymates. ISBN 978-1842850510

Knight, Lania ORCID: 0000-0003-1024-8889 (2018) Remnant. Burlesque Press. ISBN 9780996485081

Lloyd, Andy (2010) The Followers of Horus. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264275

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) Chora: New & Selected Poems. Templar Poetry, Matlock. ISBN 9781906285395

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Dissonances. Bluechrome, Bristol, pp. 1-79. ISBN 978-1-906061-14-2

Nesvet, Rebecca. and McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Desire and madness : an anthology of work from the Creative Writing Programme at the University of Gloucestershire. Desire & madness . Boho Press,, Portishead, Bristol :. ISBN 9781904781998

Peters, Erin ORCID: 0000-0002-8128-234X and Richards, Cynthia (2021) Early Modern Trauma: Europe and the Atlantic World. University of Nebraska Press, Lincoln. ISBN 9781496208910

Randall, Martin C (2011) 9/11 and the Literature of Terror. Edinburgh University Press Ltd, Edinburgh. ISBN 9780748638529

Saguaro, Shelley (2006) Garden Plots: The Politics and Poetics of Gardens. Ashgate. ISBN 9780754637530

Thesis

Fisher, James (2009) I came here a Stranger, as a Stranger I Depart: an Investigation into the Relationship between Drawing and Narrative of Place. PhD thesis, University of Gloucestershire.

Gilmore, Nicola A (2012) The Whole Play of Parts: a Study of Cued Parts in English Renaissance Drama 1590 – 1620. PhD thesis, University of Gloucestershire.

Griffiths, Jason ORCID: 0000-0002-4827-4508 (2019) Reading the Forest: A history and analysis of Forest of Dean literature A history and analysis of Forest of Dean literature. PhD thesis, University of Gloucestershire. doi:10.46289/WESX0876

Haque, Md Azabul (2018) Teaching of Western Literary Theories in Higher Education Institutions in Bangladesh: An Empirical Case Study. PhD thesis, University of Gloucestershire. doi:10.46289/9BV62KL8

Johnstone, D D ORCID: 0000-0001-9989-6895 (2011) Liberty or death: a practical and theoretical exploration of alternatives to free will and determinism in contemporary historical fiction. PhD thesis, University of Gloucestershire.

McGrath, Niall (2012) Clay: a Poetic Exploration of the Transcendental and an Analysis of the Otherworldly in Contemporary Ulster Poetry. PhD thesis, University of Gloucestershire.

Randall, Martin C (2005) 'Appointments to keep in the past' : history, memory and representation in British fiction of the 1990s : writing about the Holocaust. PhD thesis, University of Gloucestershire.

Smialkowska, Monika (2001) Skipping sports and solemn rites: Popular and high culture in the early Stuart court masque. PhD thesis, University of Gloucestershire.

Smith, Oliver S. (2019) Empty Your Eyes and Bite the Star: Fragments, Entropy, Confabulation, and Structure in Cut-up Methods. PhD thesis, University of Gloucestershire. doi:10.46289/MLUP7418

Artefact

Griffiths, Jason ORCID: 0000-0002-4827-4508, Deeks, Roger ORCID: 0000-0003-3012-8913 and Cousins, Tom (2018) Forest Writers Mural Project. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Anaesthesia. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) At Bridge and Exodus. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Chorus. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2015) 'Eels' and ‘Event Horizon 4, 9, 13 and 20’. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 11. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 15 and Vanishing Point VII. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 5. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon numbers 2, 8, 16 and 19. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon numbers 3, 6, 14 and 18. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2006) A Hill Farmer Speaks and Crosses. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Homecoming, Crab Apples and Poem. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Iced Over. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Lighting the Tree. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2006) News. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Night Fire. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) Rain and Names of Things. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Three Poems. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) Topography. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Vanishing Point I, II and III. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) from Event Horizon. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) ‘from Event Horizon’. [Artefact]

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2015) Pine. [Artefact]

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2014) 'St Cuthbert'. [Artefact]

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2020) ‘Sunday’, ‘Grove Street Gardens’, and ‘La Ferme dans les Arbres’. [Artefact]

Rowan, Middleton ORCID: 0000-0002-5729-0171 (2015) The East Wing. [Artefact]

Show/Exhibition

Griffiths, Jason ORCID: 0000-0002-4827-4508, Deeks, Roger ORCID: 0000-0003-3012-8913 and Peck, Julia ORCID: 0000-0001-5134-2471 (2019) A Fortunate Man: The Photographs of Jean Mohr. [Show/Exhibition]

Obata, Fumio ORCID: 0000-0001-8548-9092, France, Angela ORCID: 0000-0001-8308-4868, Morrison, Andrew, McLoughlin, Nigel F ORCID: 0000-0002-0382-6831, Phelps, Kieren, McMillan, Ian, Phelps, Dolores, Saunders, Anna, Evans, Emma and Hegley, John (2016) Duplex. [Show/Exhibition]

Film / Video

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Poetry, Thomas Hardy, and the Inaugural. [Film / Video] (Unpublished)

Audio

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2013) Nigel McLoughlin: poems. [Audio]

Other

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Fire Rituals. Axon: Creative Explorations (online).