Items where Subject is "PR111 Women authors"

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Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2009) Adopting Identities: Images and Fragments of the Maternal and Representations of Identity in Adoption and Growing up ‘in Care’ in Texts by Jackie Kay and Isha Mckenzie-Mavinga. In: M(o)ther Trouble, 30-31 May 2009, Birkbeck. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) "Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery. In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) ‘Bags stuffed with the offal of their own history’: Place and crime fiction in the short story collection Crimespotting: An Edinburgh Crime Collection. In: The Singer not the Song: Narration in the Short Story, 24 June 2011, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Centring Women of Colour: Decolonising the Literature Curriculum with Kamila Shamsie’s Home Fire and Bolu Babalola’s Love in Colour. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 45-64. ISBN 978-3030912888

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) Chicago Crime, Blue Collar and White: Sara Paretsky’s V. I. Warshawski Novels. In: Chicago: A Literary History. Cambridge University Press, Cambridge, pp. 356-369. ISBN 9781108763738

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Crime Fiction in the Age of #MeToo. Anthem Press, London. ISBN 9781785278556

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Crime Writing: Exploring Gender and Genre. In: Teaching Elements of Crime Writing for AQA B A Level, 18 October 2017, English & Media Centre, London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) “Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar. Clues: A Journal of Detection. pp. 69-79.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Decolonising the Literature Curriculum Through British-Chinese Writing: Xiaolu Guo, Once upon a Time in the East. In: Uncovering British Chinese Cultures, 2-3 December 2023, Technische Universität Dresden, Germany.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Depictions of human trafficking in contemporary crime fiction. In: Networks and Connections in the Crime Genre, 26-27 May 2017, NUI Galway. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) Dolls and Dead Babies: May Sinclair’s Social Critique of Constructions of Motherhood in Life and Death in Harriett Frean. In: May Sinclair symposium, 18 July 2014, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) Dolls and Dead Babies: Victorian Motherhood in May Sinclair's Life and Death of Harriett Frean. In: May Sinclair: Re-Thinking Bodies and Minds. University of Edinburgh Press, Edinburgh, pp. 156-176. ISBN 9781474415750

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) “A Dreadful Wicked Woman”: Dorothy Sayers’ Strong Poison and #MeToo. In: Dorothy Sayers in the 21st Century, 11 October 2024, Institute of Advanced Studies, UCL, London.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (1995) From Violent Duality to Multi-culturalism: Margaret Atwood’s Post-Colonial Cultural and Sexual Politics. In: O Canada Essays on Canadian Literature and Culture. Aarhus Universitetsforlag, pp. 97-108. ISBN 8772883766

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Gender on the Agenda: The review of: Heather Duerre Humann, “Gender Bending Detective Fiction: A Critical Analysis of Selected Works” (McFarland, 2017, Kindle edition). American, British and Canadian Studies, 28 (1). pp. 156-159. doi:10.1515/abcsj-2017-0015

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Glocal Crime: Human Trafficking and Forced Migration in Crime Fiction. In: 4th "TRAVELLING, TRANSMISSION AND TRANSGRESSION" International Interdisciplinary Conference, 21-22 March 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) “I Act the Part of the Dutiful Daughter”: Human Sex Trafficking and Gender-Based Violence in Patricia McCormick’s Children’s Novel Sold (2006). In: Southwest Popular/American Culture Association summer salon, 8-9 June 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) “I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown. American, British and Canadian Studies, 28 (1). pp. 91-110. doi:10.1515/abcsj-2017-0006

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) “I Stand Out Like a Raven”: The Female Detective and Tudor History in Nancy Bilyeau’s The Crown. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 39-60. ISBN 9781527564060

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) “Imagination or Memory?” The Search for Self in Paula Hawkins’ Crime Novel The Girl on the Train. In: 7th "MEMORY, FORGETTING AND CREATING": International Interdisciplinary Conference, 18-19 January, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Intersectionality and Decolonisation in Contemporary British Crime Fiction. Cambridge Scholars Publishing. ISBN 9781527591585

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) Introduction: Researching and Re-Imagining Mothers Without Their Children. In: Mothers Without Their Children. Demeter Press, pp. 11-23. ISBN 9781772581737

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Investigating Crime in Margaret Atwood’s Oeuvre. The review of: Shead, Jackie, “Margaret Atwood: Crime Fiction Writer: The Reworking of a Popular Genre”. American, British and Canadian Studies, 28 (1). pp. 149-152. doi:10.1515/abcsj-2017-0013

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction. Clues: A Journal of Detection, 40 (2). pp. 119-122.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Invited talk: Crime of Passion: Investigating Love and Agatha Christie. In: International Agatha Christie Festival, 10-17 September 2022, Torquay, UK.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Keynote: “TERF Wars”: Intersectionality and Decolonisation in Contemporary Crime Fiction. In: Futures of Crime: Exploring the Evolving Terrain of Crime Fiction, 20 May 2022, Queen's University Belfast.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Keynote: “The Men Came Looking for Girls”: Sex Trafficking in Contemporary Crime Fiction and the Politics of Representation. In: Carnal Crimes, 21-22 January 2022, Dublin City University, Ireland (online conference).

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) “Life Was a State in Which a War Was On”: A. S. Byatt’s Portrayal of War and Norse Mythology in Ragnarok: The End of the Gods. In: War, Myths and Fairy Tales. Palgrave, Basingstoke, pp. 195-218. ISBN 9789811026836

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2009) ‘The Living Fabric of the World’: Willa Cather's Travel Journalism. In: South West American Studies Forum, 19 May 2007, University of Exeter. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Migrant Mothers and Diasporic Daughters: Tracing the Mother’s Story in the Black British Writer Andrea Levy’s Novels. In: 7th "Migration, Adaptation and Memory": International Interdisciplinary Conference, 13-14 June, 2024, Gdansk, Poland.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Minette Walters’ The Cellar: Conveying the Trauma of Human Trafficking in Crime Fiction. In: 4th “MEMORY, TRAUMA AND RECOVERY” International Interdisciplinary Conference, 21-22 September, 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Murder in a Few Words: Gender, Genre and Location in the Crime Short Story. McFarland, Jefferson. ISBN 9781476673721

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “No Girl Could Keep Her Baby”: Depictions of Irish Mother and Baby Homes in June Goulding’s Memoirs The Light in the Window. In: Mothers Without Their Children. Demeter Press, pp. 93-110. ISBN 9781772581737

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scene. In: The Golden Age of Crime: A Reappraisal, 22-23 June 2022, Bournemouth University.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scenes in “The Blood-Stained Pavement” and “Ingots of Gold”. Clues: A Journal of Detection, 41 (1). pp. 95-105.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “No Ship Is Going to Sink With My Family On It”: Motherhood and Travel in Jackie French’s Children’s Novel How the Finnegans Saved the Ship. In: Travellin’ Mama: Mothers, Mothering, and Travel. Demeter Press. ISBN 9781772581799

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) ‘Not ‘the Scenic Route’ through Pain and Old Age: Representations of Old Age in Black British Writing. In: Pain and Old Age: Centuries of Suffering in Silence?, The Birkbeck Pain Project and the Birkbeck Institute for the Humanities, University of London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) “Now Those Words Want to be Spoken:” Trauma and the Politics of Representation in Stella Duffy’s Crime Novel Mouths of Babes. In: 7th "TRAUMA AND NIGHTMARE" International Interdisciplinary Conference, 14-15 March 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) “Pedagogical strategies for teaching LGBTQ+ YA American Literature in the undergraduate classroom”. In: British Association for American Studies Conference 2022, 21-23 April 2022, University of Hull, UK. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) 'Putting back the voices that were left out’: Storytelling, Slavery and Spectres of the Past in Andrea Levy’s The Long Song’. In: Narrating the Caribbean Nation: A Celebration of Literature and Orature, 14-15 April 2012, Leeds Metropolitan University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2006) Rabbit-Proof Fence: Text and Film. In: For Love or Money? Contemporary Women's Fiction in the Marketplace’, Contemporary Women’s Writing Network, 21-23 April 2006, University of Bangor. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) Reimagining Myth and the Maternal with Ruth Fainlight, Margaret Atwood and Katie Donovan. In: Women Versed in Myth: Essays on Modern Poets. McFarland, Detroit, MI, pp. 50-58. ISBN 9780786471928

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Resisting Invisibility: Mothers and Human Trafficking in Ruth Dugdall’s Nowhere Girl and Susanne Staun’s Skadestuen. Clues: A Journal of Detection, 38 (1). pp. 37-47.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “Seeing the Actual Physical Betty Kane”: Reading the Fille Fatale in Josephine Tey’s The Franchise Affair in the Age of #metoo. Open Library of Humanities, 5 (1). pp. 1-20. doi:10.16995/olh.470

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “Seeing the actual physical Betty Kane”: Slut-shaming the victim in Josephine Tey’s The Franchise Affair. In: Literature, Law and Psychoanalysis, 1890-1950, 11-13 April 2019, University of Sheffield. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) “She Looked West”: Martha Grimes’ Environmental Crime Novel Biting the Moon. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 187-208. ISBN 9781527564060

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) ‘Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction and Strategies for Teaching and Learning’. In: Research Seminar, 10 February 2010, Centre for Research in Crime, Violence, and Disorder, University of Gloucestershire. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2009) Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction in the 1990s and post-2000, and Strategies for Teaching and Learning. In: Crime Fiction and Women, Experiences and Functions (Invitation-only conference), 30 November - 1 December 2009, Mols, Denmark. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) The Supernatural Selkie in Una McCormack's Story "The Sea is Not Full". In: Romancing the Gothic (independent online education project), 25 May 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) The Sweet Transgressiveness of Female Rage and Revenge in Kim Moritsugu’s Crime Short Story “A Taste of Honey” (2008). In: Memory, Transgression, and Change: International Interdisciplinary Conference, 18-19 April 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) Teaching Golden Age Crime Fiction in the Age of #MeToo. In: Culture, Continuity, and Transformation Conference: Academic research and cultural change, 13 - 14 June 2021, University of Gloucestershire.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) “Their Mother Was Waiting For Her”: Mother-Daughter Relations and Irish Identity in Deirdre Madden’s One by One in the Darkness. In: Mothers and Daughters. Demeter Press, Toronto, pp. 234-250. ISBN 9781772581331

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Transnational Female Sex Trafficking in Naja Marie Aidt’s “Women in Copenhagen,” Matt Johnson’s Deadly Game and Stuart Neville’s Stolen Souls. In: Transnational Crime Fiction Mobility, Borders and Detection. Crime Files . Palgrave, pp. 115-131. ISBN 9783030534127

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2005) ‘Unbelonging’ and the Child’s Experience of Separation and Migration in Joan Riley’s The Unbelonging and Doris Pilkington's Rabbit-Proof Fence’. In: Literature Travels: Literature and Cross-Cultural Exchange, 12-14 September 2005, University of Wolverhampton. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) 'What are Words?' Symbolism and Romance in Agatha Christie’s Short Stories 'Within a Wall', 'The House of Dreams' and 'The Lonely God'. Short Fiction in Theory and Practice, 10 (1). pp. 27-42. doi:10.1386/fict_00012_1

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “What are Words?” Representing Consciousness Through Symbolism in Agatha Christie’s Early Short Stories. In: Agatha Christie - Investigating the Queen of Genre, 5-6 September 2019, Southampton Solent University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) “What are words?” Love, art and bondage in Agatha Christie’s short story “Within a Wall” (1925). In: Christie for Christmas: 100 Years of Crime Fiction with Style, 21 December 2020, University of Calabria, University of Lisbon, University of Turin.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) What’s Eating Her? Anorexia and Female Identity in Ruth Rendell’s Domestic Noir Novella Heartstones. In: Blood on the Table: Essays on Food in International Crime Fiction. McFarland, Jefferson, pp. 75-86. ISBN 9781476671758

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Windrush Postmemory: Representations of Black British Identity and Intergenerational Trauma in Andrea Levy’s Every Light in the House Burnin’. In: 5th "Postmemory and the Contemporary World:" International Interdisciplinary Conference, 22-23 February 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) ‘With Practised Eyes’: Reading Agatha Christie’s The Mysterious Mr Quin Short Stories and Gender. In: Agatha Christie: Crime, Culture, Celebrity, 14 April 2014, University of Exeter. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Writing Back to History: Using Andrea Levy’s “Uriah’s War” as a Case Study for Decolonisation on a Level 4 Skills Module for English and Creative Writing Students. In: BACLS What Happens Now 2023, 6-8 September 2023, University of Birmingham.

Beyer, Charlotte (Ed) ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895

Beyer, Charlotte (Ed.) ORCID: https://orcid.org/0000-0002-2701-5443 (2021) Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527564060

Beyer, Charlotte (Ed.) ORCID: https://orcid.org/0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

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Daly, Kirsten ORCID: https://orcid.org/0000-0002-0220-9559 (2020) Dispossession in The Death of the Heart. Essays in Criticism, 70 (4). pp. 409-427. doi:10.1093/escrit/cgaa022

Davie, Rosalind (2018) The Other Side of Silence: The Life and Work of Mary Webb. PhD thesis, University of Gloucestershire.

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Freeman, Margaret H and McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2021) “To pile like Thunder": The Advantages of Reading Emily Dickinson’s Poetry from a Cognitive Perspective. Emily Dickinson Journal, 30 (1). pp. 1-26. doi:10.1353/edj.2021.0001

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Hitchman, Beatrice ORCID: https://orcid.org/0000-0001-6088-6497 (2019) 'Minor Scandal': Lesbian Contexts for The Bell Jar. In: Sylvia Plath in Context. Cambridge University Press, Cambridge, pp. 169-179. ISBN 9781108470131

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Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889 (2020) I Find My Three Girls. Shooter Literary Magazine, 11. pp. 46-50.

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McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2020) Text-worlds, blending, and allegory in ‘Flamingos in Dudley Zoo’ by Emma Purshouse. Language and Literature, 29 (4). pp. 389-403. doi:10.1177/0963947020968664