Items where Subject is "PR English literature"

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Bailey, Rebecca A (2012) James Shirley. In: The Encyclopedia of English Renaissance Literature (Wiley-Blackwell Encyclopedia of Literature). Wiley-Blackwell. ISBN 978-1405194495

Bailey, Rebecca A (2013) Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage. Theatre Journal, 65 (2). pp. 197-214. doi:10.1353/tj.2013.0051

Bailey, Rebecca A (2009) Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625-1642. Manchester University Press. ISBN 978-0719076732

Bailey, Rebecca A (2013) William Habington (1605-1654): New Biographical Information from a Previously Unremarked upon Document. Notes and Queries, 60 (1). pp. 40-41. doi:10.1093/notesj/gjs215

Barker, Simon (2009) ‘Like a Soldier to the Stage’ Field Commander Hamlet and the ends of tragedy. The Cyder Press, University of Gloucestershire, Cheltenham. ISBN 978-1-86174-197-4

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Andrew Nestingen and Paula Arvas, eds., Scandinavian Crime Fiction. American, British and Canadian Studies, 17 (2). pp. 149-152.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) “Angel Makers”: Recent True Crime Stories of Baby Farming. In: True Crime: Fact, Fiction, Ideology, 7 June 2014, Manchester. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) "Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery. In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) 'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection. Short Fiction in Theory and Practice, 3 (1). pp. 37-52.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Brian Cliff, Irish Crime Fiction (Palgrave, 2018). Irish Literary Supplement. p. 4.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Crime Fiction and Migration. In: Routledge Companion to Crime Fiction. Routledge, pp. 379-387. ISBN 9781138320352

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Crime Fiction in the Age of #MeToo. Anthem Press, London. ISBN 9781785278556

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Crime Writing: Exploring Gender and Genre. In: Teaching Elements of Crime Writing for AQA B A Level, 18 October 2017, English & Media Centre, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) “Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar. Clues: A Journal of Detection. pp. 69-79.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) 'Death of the Author’ - Maj Sjöwall and Per Wahlöö’s Police Procedurals. In: Crime Fictions, Crime Histories, Crime Films, 19 September 2009, University of Nottingham. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Depictions of human trafficking in contemporary crime fiction. In: Networks and Connections in the Crime Genre, 26-27 May 2017, NUI Galway. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) Dolls and Dead Babies: May Sinclair’s Social Critique of Constructions of Motherhood in Life and Death in Harriett Frean. In: May Sinclair symposium, 18 July 2014, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Dolls and Dead Babies: Victorian Motherhood in May Sinclair's Life and Death of Harriett Frean. In: May Sinclair: Re-Thinking Bodies and Minds. University of Edinburgh Press, Edinburgh, pp. 156-176. ISBN 9781474415750

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2000) Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry. Literature and Theology, 14 (3). pp. 276-298. doi:10.1093/litthe/14.3.276

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “Four Lost Souls”: Crisis and Crime in Neville Thompson’s Writing. In: 2015 Annual British Association for Irish Studies Conference. Ireland: Agents of Social Transformation, 4th September – 5th September 2015, St Mary's University Twickenham, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (1995) From Violent Duality to Multi-culturalism: Margaret Atwood’s Post-Colonial Cultural and Sexual Politics. In: O Canada Essays on Canadian Literature and Culture. Aarhus Universitetsforlag, pp. 97-108. ISBN 8772883766

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Haunting the Text: Nicola Pierce’s Spirit of the Titanic and Irish Historical Children’s Fiction. Women's Studies: An Inter-disciplinary Journal, 44 (7). pp. 956-976. doi:10.1080/00497878.2015.1071615

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) “How could something as small as this sail such a long way”: Recent Irish and Australian Children’s Books Portraying Irish Migration in the Long Nineteenth Century. In: Travelling Irishness in the Long Nineteenth Century, 28-29 August 2014, University of Limerick, Ireland. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) “I never made those marks on my girl”: Challenging Cultural Narratives about Mothers who Kill in Sara Paretsky’s Crime Novel Brush Back. In: Mothers who Kill. Demeter Press, Toronto, pp. 333-353. ISBN 9781772583571

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) "I, Too, Mourn The Loss": Mrs Hudson and the Absence of Sherlock Holmes. In: Sherlock Holmes in Context. Crime Files . Palgrave, Basingstoke, pp. 61-82. ISBN 9781137555946

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) "I, Too, Mourn the Loss": The Absence of Holmes in Neo-Victorian Representations. In: New Directions in Sherlock: Past and Present, 11 April 2014, UCL. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Imagining Mother: Representations of Contested Maternal Identities and Loss in Jackie Kay’s The Adoption Papers and Isha McKenzie-Mavinga’s “Yearning To Belong”. MP: An Online Feminist Journal, Vol.2, (6). pp. 72-83.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) In Memoriam Doris Lessing. American, British and Canadian Studies (2). pp. 5-7.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) “In the Suitcase was a Boy”: Representing Transnational Child Trafficking in Contemporary Crime Fiction. In: Representations of Transnational Human Trafficking: Present-day News Media, True Crime, and Fiction. Palgrave, Houndmills, pp. 89-115. ISBN 9783319782140

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Intersectionality and Decolonisation in Contemporary British Crime Fiction. Cambridge Scholars Publishing. ISBN 9781527591585

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction. Clues: A Journal of Detection, 40 (2). pp. 119-122.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Invited talk: Crime of Passion: Investigating Love and Agatha Christie. In: International Agatha Christie Festival, 10-17 September 2022, Torquay, UK.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook. American, British and Canadian Studies, 15 (2). pp. 207-209.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Keynote: “The Men Came Looking for Girls”: Sex Trafficking in Contemporary Crime Fiction and the Politics of Representation. In: Carnal Crimes, 21-22 January 2022, Dublin City University, Ireland (online conference).

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “Last Girl Alive”: Kirsty Murray’s Dystopian YA Novel Vulture’s Gate. In: The Age of Dystopia: One Genre, Our Fears and Our Future. Cambridge Scholars Press, pp. 141-162. ISBN 9781443886949

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “Life Was a State in Which a War Was On”: A. S. Byatt’s Portrayal of War and Norse Mythology in Ragnarok: The End of the Gods. In: War, Myths and Fairy Tales. Palgrave, Basingstoke, pp. 195-218. ISBN 9789811026836

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) “Like the memory of an evil dream”: Tracing Nordic Noir and Crime History in Steen Steensen Blicher’s “The Rector of Veilbye” (1829). In: Crime Fiction or Fact: Blurring the Boundaries c. 1680-1880, 11 June 2018, Institute of Historical Research, School of Advanced Study, Senate House, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (1995) Margaret Atwood’s Innovative Vision of Gender, Genre, Postmodernism and the City in The Robber Bride. British Journal of Canadian Studies, 10. pp. 146-55.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) #MeToo and the Nordic Noir Crime Short Story: “Antti Tuomainen’s “The Script”. In: Northeast Popular Culture Association (NEPCA) Annual Conference, 12-14 October 2023, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Mediatization and mothers accused of murder in Sophie Hannah’s crime novel A Room Swept White. Northern Lights: Film and Media Studies Yearbook, 9 (1). pp. 79-93. doi:10.1386/nl.9.79_1

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Murder in a Few Words: Gender, Genre and Location in the Crime Short Story. McFarland, Jefferson. ISBN 9781476673721

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “My Mama Had a Story”: Mothers and Intergenerational Relations in Andrea Levy’s Fiction. In: Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing. Demeter Press, Toronto, pp. 121-142. ISBN 9781926452708

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scene. In: The Golden Age of Crime: A Reappraisal, 22-23 June 2022, Bournemouth University.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scenes in “The Blood-Stained Pavement” and “Ingots of Gold”. Clues: A Journal of Detection, 41 (1). pp. 95-105.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Not ‘the Scenic Route’ through Pain and Old Age: Representations of Old Age in Black British Writing. In: Pain and Old Age: Centuries of Suffering in Silence?, The Birkbeck Pain Project and the Birkbeck Institute for the Humanities, University of London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “Now Those Words Want to be Spoken:” Trauma and the Politics of Representation in Stella Duffy’s Crime Novel Mouths of Babes. In: 7th "TRAUMA AND NIGHTMARE" International Interdisciplinary Conference, 14-15 March 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) P.D.James. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, Farmington, MI, pp. 105-116. ISBN 9780787696528

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) "A Partial Autobiography and a Defence": PD James’ Life Writing. In: Writing Women's Lives, 25-16 April 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Performing Scottish Crime: Ian Rankin's Dark Road. Mystery Readers Journal, 31 (3). pp. 3-4.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “A Pimple of So-Called Civilisation”: Annie Cossins’ Australian True Crime Story of Convicts and Baby-Farmers. In: Captivating Criminality: Crime Fiction, Traditions and Transgressions, 25-27 June 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) 'Putting back the voices that were left out’: Storytelling, Slavery and Spectres of the Past in Andrea Levy’s The Long Song’. In: Narrating the Caribbean Nation: A Celebration of Literature and Orature, 14-15 April 2012, Leeds Metropolitan University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Reimagining Myth and the Maternal with Ruth Fainlight, Margaret Atwood and Katie Donovan. In: Women Versed in Myth: Essays on Modern Poets. McFarland, Detroit, MI, pp. 50-58. ISBN 9780786471928

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Representations of Ageing and Black British Identity in Andrea Levy’s Every Light in the House Burnin’and Joan Riley’s Waiting in the Twilight. Entertext, 9. pp. 105-121.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) Requiems for the Departed: Contemporary Recasting of Irish Myth in the Crime Short Story. In: The 2nd Colloquium on Thinking About Celtic Mythology in the 21st Century, 8-9 November 2014, University of Edinburgh. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Resisting the Seduction of “The Golden Age” and Nostalgia: Decolonising British Crime Fiction. In: 8th "MEMORY, MELANCHOLY AND NOSTALGIA": International Interdisciplinary Conference, 7 December 2023, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Sarah Waters. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, pp. 336-343. ISBN 9780787696528

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “Seeing the actual physical Betty Kane”: Slut-shaming the victim in Josephine Tey’s The Franchise Affair. In: Literature, Law and Psychoanalysis, 1890-1950, 11-13 April 2019, University of Sheffield. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon. Oscholars, N/A (N/A). pp. 1-20.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) "Still a Respected Man": Irish Masculinity in Crisis and Crime Fiction. In: Masculinity in Crisis: Depictions of Modern Male Trauma in Ireland. Carysfort Press, Dublin, Ireland, pp. 155-170. ISBN 9781909325883

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction in the 1990s and post-2000, and Strategies for Teaching and Learning. In: Crime Fiction and Women, Experiences and Functions (Invitation-only conference), 30 November - 1 December 2009, Mols, Denmark. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) The Stuff of Legend, or Unpacking Cultural Baggage: Introducing first-year Humanities students to foundational Western literary texts. In: Research in Education for Active Learning Conference, 17 June 2010, University of Gloucestershire. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Teaching Golden Age Crime Fiction in the Age of #MeToo. In: Culture, Continuity, and Transformation Conference: Academic research and cultural change, 13 - 14 June 2021, University of Gloucestershire.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) “Their Mother Was Waiting For Her”: Mother-Daughter Relations and Irish Identity in Deirdre Madden’s One by One in the Darkness. In: Mothers and Daughters. Demeter Press, Toronto, pp. 234-250. ISBN 9781772581331

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) "There's nothing people won't do to one another, if the circumstances are right": Male Rape and the Politics of Representation in John Harvey's Police Procedural Easy Meat. Clues: A Journal of Detection, 31 (2). pp. 102-111. doi:10.3172/CLU.31.2.102

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “The Third Ireland”: Inheritance and Postcolonialism in Irish Crime Writing. Journal of Commonwealth and Postcolonial Studies, 4 (1). pp. 61-81.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Transnational Female Sex Trafficking in Naja Marie Aidt’s “Women in Copenhagen,” Matt Johnson’s Deadly Game and Stuart Neville’s Stolen Souls. In: Transnational Crime Fiction Mobility, Borders and Detection. Crime Files . Palgrave, pp. 115-131. ISBN 9783030534127

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “The Trouble with Identity”: Contesting Racism and Xenophobia with the British-Pakistani Author M.Y. Alam’s Crime Novel Annie Potts Is Dead. In: 7th Racism, Nationalism and Xenophobia: International Interdisciplinary Conference, 23-24 May 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) True Crime and Baby Farming: Representing Amelia Dyer. Human, 5. pp. 101-117.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) 'What are Words?' Symbolism and Romance in Agatha Christie’s Short Stories 'Within a Wall', 'The House of Dreams' and 'The Lonely God'. Short Fiction in Theory and Practice, 10 (1). pp. 27-42. doi:10.1386/fict_00012_1

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “What are Words?” Representing Consciousness Through Symbolism in Agatha Christie’s Early Short Stories. In: Agatha Christie - Investigating the Queen of Genre, 5-6 September 2019, Southampton Solent University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) What’s Eating Her? Anorexia and Female Identity in Ruth Rendell’s Domestic Noir Novella Heartstones. In: Blood on the Table: Essays on Food in International Crime Fiction. McFarland, Jefferson, pp. 75-86. ISBN 9781476671758

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “Who Can See into the Heart of a Man either Righteous or Wicked”: Guilt, Transgression, and Shame in John Wilson’s Crime Short Story “Tale of Expiation”. In: 5th "MEMORY, GUILT AND SHAME": International Interdisciplinary Conference, 26-27 October 2023.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) ‘With Practised Eyes’: Reading Agatha Christie’s The Mysterious Mr Quin Short Stories and Gender. In: Agatha Christie: Crime, Culture, Celebrity, 14 April 2014, University of Exeter. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “With Practised Eyes”: Feminine Identity in The Mysterious Mr. Quin. In: The Ageless Agatha Christie: Essays on the Mysteries and the Legacy. McFarland, Detroit, MI, pp. 61-80. ISBN 9781476663135

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Writing Back to History: Using Andrea Levy’s “Uriah’s War” as a Case Study for Decolonisation on a Level 4 Skills Module for English and Creative Writing Students. In: BACLS What Happens Now 2023, 6-8 September 2023, University of Birmingham.

Beyer, Charlotte ORCID: 0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Travellin’ Mama: Mothers, Mothering and Travel. Demeter Press, Bradford. ISBN 9781772581799

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 and Robertson, Andrea (Ed) (2019) Mothers Without Their Children. Demeter Press. ISBN 9781772581737

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2021) Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527564060

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

Burke, Alison and Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.

Burnett, Frances Hodgson, Walker, Miranda ORCID: 0000-0003-3925-6989, Dzierzawska, Zosia and Gibbons, Dave (2016) The Secret Garden. Oxford University Press, Oxford. ISBN 9780198367574

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Coe, Kate (2015) Green Sky & Sparks. Kristell Ink. ISBN 190984571X

Coe, Kate (2015) Grey Stone & Steel. Kristell Ink. ISBN 1909845906

Coe, Kate (2016) High Flight & Flames. In: High Flight & Flames. Kristell Ink, pp. 1-5. ISBN 978-0993576638

Cox, Rachael (2015) A Shoebox of One’s Own – Virginia Woolf: building feminist discourse on the foundations of modernist architecture in Hampstead. In: Literary London Society Annual Conference - London in Love, 22-­24 July 2015, Senate House, London. (Unpublished)

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Daly, Kirsten ORCID: 0000-0002-0220-9559 (2020) Dispossession in The Death of the Heart. Essays in Criticism, 70 (4). pp. 409-427. doi:10.1093/escrit/cgaa022

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Ferry, Emma ORCID: 0000-0002-1295-8430 (2008) Lucy Faulkner and the'ghastly grin': Reworking the title page illustration to Goblin Market. Journal of the William Morris Studies, 18 (1). pp. 65-84.

Ferry, Emma ORCID: 0000-0002-1295-8430 (2022) ‘“A pair of scissors, and one daring, if trembling snip-!” Making Mrs Oliphant’s Dress’. Victorian Review. (In Press)

Fisher, James (2009) I came here a Stranger, as a Stranger I Depart: an Investigation into the Relationship between Drawing and Narrative of Place. PhD thesis, University of Gloucestershire.

France, Angela ORCID: 0000-0001-8308-4868 (2016) Finding Poetry in the Archives: Working with historical Documents. Artemis Poetry (17).

France, Angela ORCID: 0000-0001-8308-4868 (2014) Growth. Wales Art Review.

France, Angela ORCID: 0000-0001-8308-4868 (2013) Hide. Nine Arches Press, Rugby, UK. ISBN 978-0957384712

France, Angela ORCID: 0000-0001-8308-4868 (2011) Lessons in Mallemaroking. Nine Arches Press, Rugby, UK. ISBN 978-0956551481

France, Angela ORCID: 0000-0001-8308-4868 (2014) Lir. In: The other side of sleep. Arachne Press, London, pp. 40-47. ISBN 978-1-909208-18-6

France, Angela ORCID: 0000-0001-8308-4868 (2009) Occupation. Ragged Raven Press, Snitterfield, UK. ISBN 978-0955255267

France, Angela ORCID: 0000-0001-8308-4868 (2014) Poetry Makes Nothing Happen. Interpreter’s House (57). p. 22.

France, Angela ORCID: 0000-0001-8308-4868 (2018) Stratigraphies: The Long Poem of Place. Long Poem Magazine (20). pp. 1-9.

France, Angela ORCID: 0000-0001-8308-4868 (2008) Teaching Creative Writing: the role of the tutor. Writing in Education, 45.

France, Angela ORCID: 0000-0001-8308-4868 (2021) Terminarchy. Nine Arches Press. ISBN 978913437176

France, Angela ORCID: 0000-0001-8308-4868 (2014) Three Poems. Domestic Cherry (67). pp. 12-13.

France, Angela ORCID: 0000-0001-8308-4868 (2014) Three Poems. In: The Book of Love and Loss. Belgrave Press, Bath, pp. 131-132. ISBN 9780954621520

Freeman, Margaret H and McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2021) “To pile like Thunder": The Advantages of Reading Emily Dickinson’s Poetry from a Cognitive Perspective. Emily Dickinson Journal, 30 (1). pp. 1-26. doi:10.1353/edj.2021.0001

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Gilmore, Nicola A (2012) The Whole Play of Parts: a Study of Cued Parts in English Renaissance Drama 1590 – 1620. PhD thesis, University of Gloucestershire.

Griffiths, Hywel M, Goodwin, Gavin, Keevil, Tyler, Salisbury, Eurig, Tooth, Stephen and Roberts, Dewey (2017) Searching for an Anthropo(s)cene in the Uplands of Mid Wales. Geohumanities, 3 (2). pp. 567-579. doi:10.1080/2373566X.2017.1329631

Griffiths, Jason ORCID: 0000-0002-4827-4508 (2019) Reading the Forest: A history and analysis of Forest of Dean literature A history and analysis of Forest of Dean literature. PhD thesis, University of Gloucestershire. doi:10.46289/WESX0876

Griffiths, Jason ORCID: 0000-0002-4827-4508, Deeks, Roger ORCID: 0000-0003-3012-8913 and Cousins, Tom (2018) Forest Writers Mural Project. [Artefact]

Griffiths, Jason ORCID: 0000-0002-4827-4508, Deeks, Roger ORCID: 0000-0003-3012-8913 and Peck, Julia ORCID: 0000-0001-5134-2471 (2019) A Fortunate Man: The Photographs of Jean Mohr. [Show/Exhibition]

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Haque, Md Azabul (2018) Teaching of Western Literary Theories in Higher Education Institutions in Bangladesh: An Empirical Case Study. PhD thesis, University of Gloucestershire. doi:10.46289/9BV62KL8

Hitchman, Beatrice ORCID: 0000-0001-6088-6497 (2019) 'Minor Scandal': Lesbian Contexts for The Bell Jar. In: Sylvia Plath in Context. Cambridge University Press, Cambridge, pp. 169-179. ISBN 9781108470131

Hughes, John D ORCID: 0000-0002-2187-2911 (2000) The Affective World of Charlotte Brontë's Villette. Studies in English Literature 1500-1900, 40 (4). pp. 711-726.

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) ‘Affective Worlds’: Writing, Feeling, Nineteenth-Century Literature. Sussex Academic Press. ISBN 978-1-84519-442-0

Hughes, John D ORCID: 0000-0002-2187-2911 (2001) Charlotte Brontë's Art of Sensation. Transactions of the Brontë Society, 26 (1). pp. 19-26. doi:10.1179/030977601794173268

Hughes, John D ORCID: 0000-0002-2187-2911 (2001) 'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy. The Nineteenth Century Series . Ashgate. ISBN 9781840146332

Hughes, John D ORCID: 0000-0002-2187-2911 (2006) "The Exile’s Harp”: Tennyson’s Lost World of Music. Nineteenth Century Music Review, 3 (2). pp. 113-135.

Hughes, John D ORCID: 0000-0002-2187-2911 (2017) The Expression of Things: Themes in Thomas Hardy's Fiction & Poetry. Sussex Academic Press, Brighton. ISBN 9781845198121

Hughes, John D ORCID: 0000-0002-2187-2911 (2002) "For Old Association's Sake": History and Hardy's The Woodlanders'. Thomas Hardy Journal, xviii (2). pp. 57-64.

Hughes, John D ORCID: 0000-0002-2187-2911 (2007) “Hang there like fruit, my soul”: Tennyson’s Feminine Imaginings. Victorian Poetry, 45 (2). pp. 95-115. doi:10.1353/vp.2007.0024

Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Hardy and Music. English, 46 (185). pp. 113-129.

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Hardy and Music. In: Thomas Hardy in Context. Cambridge University Press, Cambridge, pp. 425-435. ISBN 978-0521196482

Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Hardy and the Life of Birds. Thomas Hardy Journal, xiv (3). pp. 68-77.

Hughes, John D ORCID: 0000-0002-2187-2911 (2015) Hardy's Music in a Snowy Street: Metrical Reading of the Opening Stanzas. Explicator, 73 (2). pp. 92-96. doi:10.1080/00144940.2015.1028876

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) Hardy’s Ambivalent Attitude Towards Music. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 114-118. ISBN 9780791078914

Hughes, John D ORCID: 0000-0002-2187-2911 (2017) ‘Hardy’s Two Voices: A Metrical Reading of “The Oxen”. Hardy Review.

Hughes, John D ORCID: 0000-0002-2187-2911 (2016) ‘Hardy’s Two Voices: “The Oxen” and its Contexts'. Hardy Review, XVIII (ii). pp. 41-50.

Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Lines of Flight: Reading Deleuze with Hardy, Gissing, Conrad, Woolf. Sheffield Academic Press/Continuum. ISBN 9781850758075

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) 'Metre and Context’: Hardy’s ‘Neutral Tones’. Victorian Poetry, 51 (1). pp. 81-97. doi:10.1353/vp.2013.0004

Hughes, John D ORCID: 0000-0002-2187-2911 (2015) ‘Metre and Mourning: Thomas Hardy’s “The Going” and Poems of 1912-13. Hardy Review, XVII (i). pp. 19-34.

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) A Metrical Reading of Thomas Hardy’s “Afternoon Service at Mellstock”. Explicator, 69 (4). pp. 207-211. doi:10.1080/00144940.2011.640925

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) “Moments of Vision”: Hardy’s Visual Inspiration. In: Palgrave Advances in Thomas Hardy Studies. Palgrave Macmillan, pp. 229-254. ISBN 1403902577

Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Music and Inspiration in Blake’s Poetry. In: The Figure of Music in Nineteenth-Century British Poetry. Music in Nineteenth-Century Britain . Ashgate, Aldershot, pp. 85-106. ISBN 978-0-7546-0547-8

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) Music as a Link to the Transcendent. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 67-68. ISBN 9780791078914

Hughes, John D ORCID: 0000-0002-2187-2911 (2006) Owen’s “Dulce et Decorum Est”. Explicator, 64 (3). pp. 160-162. doi:10.3200/EXPL.64.3.164-166

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Poetry, Thomas Hardy, and the Inaugural. [Film / Video] (Unpublished)

Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Tennyson Revisited: Hardy’s “After a Journey". Thomas Hardy Journal, xxi (3). pp. 152-157.

Hughes, John D ORCID: 0000-0002-2187-2911 (2018) Towards a Reading of Wordsworth’s ‘Now ye meet in the cave’. Romanticism on the Net (71). pp. 1-24. doi:10.7202/1074534ar

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) "Tune and Thought”: The Uses of Music in Hardy’s Poetry. In: The Ashgate Research Companion to Thomas Hardy. Ashgate, Aldershot, pp. 269-284. ISBN 978-0-7546-6245-7

Hughes, John D ORCID: 0000-0002-2187-2911 (2007) William Wordsworth, ‘A Slumber did my Spirit Seal’. Explicator, 65 (2). pp. 71-74. doi:10.3200/EXPL.65.2.71-75

Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Wittgenstein and Literature. Philosophical Inquiry, xxiv. pp. 13-21.

Hughes, John D ORCID: 0000-0002-2187-2911 (2008) Wordsworth’s Poetics of Orphanhood; ‘Tintern Abbey’, ‘The Vale of Esthwaite’ and ‘Salisbury Plain’. Romanticism, 14 (3). pp. 219-231.

Hughes, John D ORCID: 0000-0002-2187-2911 (2012) Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading. Studies in Romanticism, 51 (2).

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) Wordsworth’s “Catechizing” Sonnet and Family History. Explicator, 69 (4). pp. 184-188. doi:10.1080/00144940.2011.635610

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) Wordsworth’s “I Travell’d Among Unknown Men”: A Metrical Reading. Explicator, 68 (2). pp. 90-95. doi:10.1080/00144941003723733

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Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Class and Society in Shakespeare. Continuum Shakespeare Dictionaries . Bloomsbury, London. ISBN 978-0826477972

Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Cymbeline and Empire. Critical Survey, 19 (2). pp. 1-18. doi:10.3167/cs.2007.190201

Innes, Paul ORCID: 0000-0001-5375-5341 (2011) David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford University Press, 2010. Bryn Mawr Review of Comparative Literature.

Innes, Paul ORCID: 0000-0001-5375-5341 (2013) Epic (The New Critical Idiom). Routledge, London. ISBN 978-0415587396

Innes, Paul ORCID: 0000-0001-5375-5341 (2019) Resources for Teaching and Studying Antony and Cleopatra. In: Antony and Cleopatra a Critical Reader. Arden Early Modern Drama Guides . Bloomsbury, pp. 201-227. ISBN 9781350049901

Innes, Paul ORCID: 0000-0001-5375-5341 (2016) Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello. Anglica. An International Journal of English Studies, 25 (3). pp. 69-80.

Innes, Paul ORCID: 0000-0001-5375-5341 (2014) Sensory Confusion and the Generation Gap in Much Ado About Nothing. Critical Survey, 26 (2). pp. 1-20. doi:10.3167/cs.2014.260201

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Innes, Paul ORCID: 0000-0001-5375-5341 (2015) Shakespeare's Roman Plays. Palgrave Macmillan, Basingstoke. ISBN 9781137025913

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