Items where Subject is "PR1 Literary history and criticism"

B

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) "Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery. In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Brian Cliff, Irish Crime Fiction (Palgrave, 2018). Irish Literary Supplement. p. 4.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Centring Women of Colour: Decolonising the Literature Curriculum with Kamila Shamsie’s Home Fire and Bolu Babalola’s Love in Colour. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 45-64. ISBN 978-3030912888

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “Contemporary Crime Fiction: A Surfeit of Riches”. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781527564060

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Crime Fiction in the Age of #MeToo. Anthem Press, London. ISBN 9781785278556

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Dolls and Dead Babies: Victorian Motherhood in May Sinclair's Life and Death of Harriett Frean. In: May Sinclair: Re-Thinking Bodies and Minds. University of Edinburgh Press, Edinburgh, pp. 156-176. ISBN 9781474415750

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Gender on the Agenda: The review of: Heather Duerre Humann, “Gender Bending Detective Fiction: A Critical Analysis of Selected Works” (McFarland, 2017, Kindle edition). American, British and Canadian Studies, 28 (1). pp. 156-159. doi:10.1515/abcsj-2017-0015

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Glocal Crime: Human Trafficking and Forced Migration in Crime Fiction. In: 4th "TRAVELLING, TRANSMISSION AND TRANSGRESSION" International Interdisciplinary Conference, 21-22 March 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “I Stand Out Like a Raven”: The Female Detective and Tudor History in Nancy Bilyeau’s The Crown. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 39-60. ISBN 9781527564060

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Intersectionality and Decolonisation in Contemporary British Crime Fiction. Cambridge Scholars Publishing. ISBN 9781527591585

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “Life Was a State in Which a War Was On”: A. S. Byatt’s Portrayal of War and Norse Mythology in Ragnarok: The End of the Gods. In: War, Myths and Fairy Tales. Palgrave, Basingstoke, pp. 195-218. ISBN 9789811026836

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) “Like the memory of an evil dream”: Tracing Nordic Noir and Crime History in Steen Steensen Blicher’s “The Rector of Veilbye” (1829). In: Crime Fiction or Fact: Blurring the Boundaries c. 1680-1880, 11 June 2018, Institute of Historical Research, School of Advanced Study, Senate House, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Murder in a Few Words: Gender, Genre and Location in the Crime Short Story. McFarland, Jefferson. ISBN 9781476673721

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “No Ship Is Going to Sink With My Family On It”: Motherhood and Travel in Jackie French’s Children’s Novel How the Finnegans Saved the Ship. In: Travellin’ Mama: Mothers, Mothering, and Travel. Demeter Press. ISBN 9781772581799

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “Now Those Words Want to be Spoken:” Trauma and the Politics of Representation in Stella Duffy’s Crime Novel Mouths of Babes. In: 7th "TRAUMA AND NIGHTMARE" International Interdisciplinary Conference, 14-15 March 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Resisting Invisibility: Mothers and Human Trafficking in Ruth Dugdall’s Nowhere Girl and Susanne Staun’s Skadestuen. Clues: A Journal of Detection, 38 (1). pp. 37-47.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Resisting the Seduction of “The Golden Age” and Nostalgia: Decolonising British Crime Fiction. In: 8th "MEMORY, MELANCHOLY AND NOSTALGIA": International Interdisciplinary Conference, 7 December 2023, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) The Supernatural Selkie in Una McCormack's Story "The Sea is Not Full". In: Romancing the Gothic (independent online education project), 25 May 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) 'What are Words?' Symbolism and Romance in Agatha Christie’s Short Stories 'Within a Wall', 'The House of Dreams' and 'The Lonely God'. Short Fiction in Theory and Practice, 10 (1). pp. 27-42. doi:10.1386/fict_00012_1

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

Burke, Alison and Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.

F

France, Angela ORCID: 0000-0001-8308-4868 (2015) Hide: A 21st century woman’s response to the first person in poetry. PhD thesis, University of Gloucestershire.

France, Angela ORCID: 0000-0001-8308-4868 (2018) Stratigraphies: The Long Poem of Place. Long Poem Magazine (20). pp. 1-9.

G

Griffiths, Jason ORCID: 0000-0002-4827-4508 and Deeks, Roger ORCID: 0000-0003-3012-8913 (2018) A Fortunate Man remembered...50 Years On. [Show/Exhibition]

H

Hitchman, Beatrice ORCID: 0000-0001-6088-6497 (2019) 'Minor Scandal': Lesbian Contexts for The Bell Jar. In: Sylvia Plath in Context. Cambridge University Press, Cambridge, pp. 169-179. ISBN 9781108470131

Hughes, John D ORCID: 0000-0002-2187-2911 (2015) Hardy's Music in a Snowy Street: Metrical Reading of the Opening Stanzas. Explicator, 73 (2). pp. 92-96. doi:10.1080/00144940.2015.1028876

I

Innes, Paul ORCID: 0000-0001-5375-5341 (2013) Catherine Bates, The Cambridge Companion to The Epic & Chloe Wheatley, Epic, Epitome, and the Early Modern Historical Imagination. Notes and Queries, 60 (2). pp. 309-311. doi:10.1093/notesj/gjt003

Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Class and Society in Shakespeare. Continuum Shakespeare Dictionaries . Bloomsbury, London. ISBN 978-0826477972

Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Cymbeline and Empire. Critical Survey, 19 (2). pp. 1-18. doi:10.3167/cs.2007.190201

Innes, Paul ORCID: 0000-0001-5375-5341 (2011) David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford University Press, 2010. Bryn Mawr Review of Comparative Literature.

Innes, Paul ORCID: 0000-0001-5375-5341 (2013) Epic (The New Critical Idiom). Routledge, London. ISBN 978-0415587396

Innes, Paul ORCID: 0000-0001-5375-5341 (2005) ”Pluck but his name out of his heart”: A Caesarean cross-section. In: Refiguring Mimesis: Representation in Early Modern Literature. University of Hertfordshire Press, Hatfield, pp. 79-98. ISBN 1902806352

Innes, Paul ORCID: 0000-0001-5375-5341 (2014) Sensory Confusion and the Generation Gap in Much Ado About Nothing. Critical Survey, 26 (2). pp. 1-20. doi:10.3167/cs.2014.260201

Innes, Paul ORCID: 0000-0001-5375-5341 (1997) Shakespeare and the English Renaissance Sonnet: Verses of Feigning Love. Palgrave Macmillan, Basingstoke. ISBN 9780333683712

Innes, Paul ORCID: 0000-0001-5375-5341 (2015) Shakespeare's Roman Plays. Palgrave Macmillan, Basingstoke. ISBN 9781137025913

Innes, Paul ORCID: 0000-0001-5375-5341 (1999) Shakespeare: The Barriers Removed. Studymates. ISBN 978-1842850510

Innes, Paul ORCID: 0000-0001-5375-5341 (2015) Some of the most important events in Shakespeare do not happen. English, 64 (247). pp. 254-267. doi:10.1093/english/efv024

Innes, Paul ORCID: 0000-0001-5375-5341 (2012) Titus Andronicus and the Violence of Tragedy. Journal of Literature and Trauma Studies, 1 (1). pp. 27-48. doi:10.1353/jlt.2012.0008

L

Latham, Kate (2016) Stories we tell about dementia. PhD thesis, University of Gloucestershire.

M

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2013) Myth, Place and Ecopoetry: a Poetic and Writerly Investigation. PhD thesis, University of Gloucestershire.

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2020) “The game is afoot”: Sherlock Holmes, hermeneutics and collaborative writing. Ars Aeterna, 12 (1). pp. 29-39. doi:10.2478/aa-2020-0003

Murray, Matthew ORCID: 0000-0001-8956-8062 (2018) Matthew Murray wins Professional Book, Monograph at the International Photography Awards, 2018, in New York. [Artefact]

P

Prevallet, Kristin (2022) Medicines of Language: Ecosomatic Poetics and Embodied Practice. PhD thesis, University of Gloucestershire. doi:10.46289/M5L9H22E

R

Randall, Martin C (2022) Book Review: Training for Catastrophe: Fictions of National Security after 9/11 by Lindsay Thomas. Literature and History, 31 (1). pp. 113-115. doi:10.1177/03061973221096310

S

Saguaro, Shelley (2018) Cultivating Environmental Justice: A Literary History of U.S. Garden Writing. Green Letters, 22 (1). pp. 120-122. doi:10.1080/14688417.2018.1496663