Benjamin, Karen (2023) Inspirationally Playful: Spontaneity by Keith Johnstone. In: Internationally Playful IPA Glasgow, 6th-9th June 2023, Glasgow.
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2022)
“I never made those marks on my girl”: Challenging Cultural Narratives about Mothers who Kill in Sara Paretsky’s Crime Novel Brush Back.
    
      In:  
      Mothers who Kill.
    
    
    Demeter Press, Toronto, pp. 333-353.
     ISBN 9781772583571
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2022)
Introduction: Decolonising English.
    
      In:  
      Decolonising the Literature Curriculum.
    
    
      Teaching the New English
      .
    
    Palgrave, pp. 1-21.
     ISBN 9783030912888
  
  
    Griffiths, Jason ORCID: https://orcid.org/0000-0002-4827-4508 and Deeks, Roger 
ORCID: https://orcid.org/0000-0003-3012-8913
  
(2016)
"An evening of..." series of three public cultural history lectures each on a Forest of Dean author.
    [Audio]
  
   (Unpublished)
    Innes, Paul ORCID: https://orcid.org/0000-0001-5375-5341
  
(2016)
The Merry Wives by William Shakespeare (review).
    Theatre Journal, 68 (4).
     pp. 664-665.
     doi:10.1353/tj.2016.0118
  
  
    Innes, Paul ORCID: https://orcid.org/0000-0001-5375-5341
  
(2005)
”Pluck but his name out of his heart”: A Caesarean cross-section.
    
      In:  
      Refiguring Mimesis: Representation in Early Modern Literature.
    
    
    University of Hertfordshire Press, Hatfield, pp. 79-98.
     ISBN 1902806352
  
  
    Innes, Paul ORCID: https://orcid.org/0000-0001-5375-5341
  
(2019)
Resources for Teaching and Studying Antony and Cleopatra.
    
      In:  
      Antony and Cleopatra a Critical Reader.
    
    
      Arden Early Modern Drama Guides
      .
    
    Bloomsbury, pp. 201-227.
     ISBN 9781350049901
  
  
    Innes, Paul ORCID: https://orcid.org/0000-0001-5375-5341
  
(2012)
Titus Andronicus and the Violence of Tragedy.
    Journal of Literature and Trauma Studies, 1 (1).
     pp. 27-48.
     doi:10.1353/jlt.2012.0008
  
  
Lowe, Sarah Elizabeth (2008) Players and Performances in Early Modern Gloucester, Tewkesbury and Bristol. PhD thesis, University of Gloucestershire.
Saguaro, Shelley and Tyler, Lucy (2014) 'Nature Once More Had Taken Her Part': Recuperating Anon, the Common Voice and the Uncovered Theatre. In: Bloomsbury Influences: Papers from the Bloomsbury Adaptations Conference. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 205-226. ISBN 9781443854344
    Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472
  
(2022)
Narratives of the Future: Immersive Stories/Indigenous Roots.
    Body Space and Technology, 21.
     pp. 1-16.
     doi:10.16995/bst.7960
  
  
    Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472
  
(2015)
What Do Audiences Do and How Can Computers Help us to Understand Spectating as ‘Doing’?
    In: Theatre and Spectatorship. Annual Contemporary Drama in English Conference., May 15-17 2015, Barcelona..
    
    
  
   (Unpublished)
    Walker, Miranda ORCID: https://orcid.org/0000-0003-3925-6989
  
(2018)
Diddy TV Sketches.
    [Artefact]
  
  
    Walker, Miranda ORCID: https://orcid.org/0000-0003-3925-6989
  
(2018)
Gigglebiz Sketches.
    [Artefact]
  
  
    Walker, Miranda ORCID: https://orcid.org/0000-0003-3925-6989 and Childs, Michael
  
(2018)
Atmosphere The Musical.
    [Artefact]
  
   (Unpublished)