Items where Subject is "PN Literature (General)"

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Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2014) A Figure of Speech. Brain, Child Magazine.

Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2023) From Post-Yugoslavia to the Female Continent: A Feminist Reading of Post-Yugoslav Literature. Modern Language Review, 118 (1). pp. 155-156. doi:10.1353/mlr.2023.0034

Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2015) HALF. Lampeter Review: Journal of the Lampeter Creative Writing Centre, N/A (12). pp. 95-103.

Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2017) The Party. Storgy Literary Magazine. [1-4].

Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2016) The Queue. Wrong Quarterly (4). pp. 1-8.

Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2014) Sleeping on his own. Scary Mommy.

Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2017) Theotokos. Scrutiny. pp. 1-9.

Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2016) The Wall. [Artefact]

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Bailey, Rebecca A (2009) Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625-1642. Manchester University Press. ISBN 978-0719076732

Bailey, Rebecca A (2013) William Habington (1605-1654): New Biographical Information from a Previously Unremarked upon Document. Notes and Queries, 60 (1). pp. 40-41. doi:10.1093/notesj/gjs215

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Adventures and Affect: The Character of the Boy Detective and Orphan in Astrid Lindgren’s Rasmus and the Tramp. In: Boy Detectives: Essays on the Hardy Boys and Others. McFarland, pp. 120-131. ISBN 978-0786460335

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) BACLS book prize seminar: Charlotte Beyer, Decolonising the Literature Curriculum. In: BACLS Seminar, 31 May 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) 'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection. Short Fiction in Theory and Practice, 3 (1). pp. 37-52.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Bernadine Evaristo and Daljit Nagra (Eds.), Ten New Poets: Spread the Word. Iota.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Chicago Crime, Blue Collar and White: Sara Paretsky’s V. I. Warshawski Novels. In: Chicago: A Literary History. Cambridge University Press, Cambridge, pp. 356-369. ISBN 9781108763738

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Contemporary Children's and Young Adult Literature: Writing Back to History and Oppression. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527595965

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Contemporary Crime Fiction: A Surfeit of Riches. American, British and Canadian Studies, 28 (1). pp. 5-16.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “Contemporary Crime Fiction: A Surfeit of Riches”. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781527564060

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Crime Fiction and Migration. In: Routledge Companion to Crime Fiction. Routledge, pp. 379-387. ISBN 9781138320352

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Crime Writing: Exploring Gender and Genre. In: Teaching Elements of Crime Writing for AQA B A Level, 18 October 2017, English & Media Centre, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) “Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar. Clues: A Journal of Detection. pp. 69-79.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) Dolls and Dead Babies: May Sinclair’s Social Critique of Constructions of Motherhood in Life and Death in Harriett Frean. In: May Sinclair symposium, 18 July 2014, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2000) Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry. Literature and Theology, 14 (3). pp. 276-298. doi:10.1093/litthe/14.3.276

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “Four Lost Souls”: Crisis and Crime in Neville Thompson’s Writing. In: 2015 Annual British Association for Irish Studies Conference. Ireland: Agents of Social Transformation, 4th September – 5th September 2015, St Mary's University Twickenham, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Gender on the Agenda: The review of: Heather Duerre Humann, “Gender Bending Detective Fiction: A Critical Analysis of Selected Works” (McFarland, 2017, Kindle edition). American, British and Canadian Studies, 28 (1). pp. 156-159. doi:10.1515/abcsj-2017-0015

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Glocal Crime: Human Trafficking and Forced Migration in Crime Fiction. In: 4th "TRAVELLING, TRANSMISSION AND TRANSGRESSION" International Interdisciplinary Conference, 21-22 March 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) “How could something as small as this sail such a long way”: Recent Irish and Australian Children’s Books Portraying Irish Migration in the Long Nineteenth Century. In: Travelling Irishness in the Long Nineteenth Century, 28-29 August 2014, University of Limerick, Ireland. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) “I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown. American, British and Canadian Studies, 28 (1). pp. 91-110. doi:10.1515/abcsj-2017-0006

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) “In the Suitcase was a Boy”: Representing Transnational Child Trafficking in Contemporary Crime Fiction. In: Representations of Transnational Human Trafficking: Present-day News Media, True Crime, and Fiction. Palgrave, Houndmills, pp. 89-115. ISBN 9783319782140

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) ‘In the suitcase was a boy’: Representing transnational child trafficking in contemporary crime fiction. In: Symposium, 12 September, 2017, Carriageworks, Leeds. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Investigating Crime in Margaret Atwood’s Oeuvre. The review of: Shead, Jackie, “Margaret Atwood: Crime Fiction Writer: The Reworking of a Popular Genre”. American, British and Canadian Studies, 28 (1). pp. 149-152. doi:10.1515/abcsj-2017-0013

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook. American, British and Canadian Studies, 15 (2). pp. 207-209.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Katie Donovan, Rootling: New and Selected Poems. Iota, 90.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Keynote: “The Men Came Looking for Girls”: Sex Trafficking in Contemporary Crime Fiction and the Politics of Representation. In: Carnal Crimes, 21-22 January 2022, Dublin City University, Ireland (online conference).

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Minette Walters’ The Cellar: Conveying the Trauma of Human Trafficking in Crime Fiction. In: 4th “MEMORY, TRAUMA AND RECOVERY” International Interdisciplinary Conference, 21-22 September, 2023, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) Motherhood and 21st Century Feminism: Reaching out across the Divide. Feminist Encounters: A Journal of Critical Studies in Culture and Politics (Double Issue: Feminism and Motherhood in the 21st Century), 3 (1-2). pp. 1-6.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Murder in a Few Words: Gender, Genre and Location in the Crime Short Story. McFarland, Jefferson. ISBN 9781476673721

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “No Girl Could Keep Her Baby”: Depictions of Irish Mother and Baby Homes in June Goulding’s Memoirs The Light in the Window. In: Mothers Without Their Children. Demeter Press, pp. 93-110. ISBN 9781772581737

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Nordic Noir: the Other Side of Hygge. Scandinavia On My Mind.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Objects and Subjects: Exploring Representations of Amelia Dyer and Victorian Baby Farming Through True Crime Texts and Material History. In: Criminal Heritage: Crime, Fiction, and History, 5 September 2017, Leeds Beckett University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Pia Tafdrup, Tarkovsky's Horses and Other Poems. Iota, 88.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (1996) Re-Imagining Metropolis and Wilderness: Margaret Atwood's Life Before Man, Cat's Eye,Death by Landscape. London Journal of Canadian Studies, 12. pp. 69-94.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Representations of Ageing and Black British Identity in Andrea Levy’s Every Light in the House Burnin’and Joan Riley’s Waiting in the Twilight. Entertext, 9. pp. 105-121.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Resisting Invisibility: Mothers and Human Trafficking in Ruth Dugdall’s Nowhere Girl and Susanne Staun’s Skadestuen. Clues: A Journal of Detection, 38 (1). pp. 37-47.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) Ruth Fainlight, New and Collected Poems. Iota, 93. pp. 128-131.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “Seeing the Actual Physical Betty Kane”: Reading the Fille Fatale in Josephine Tey’s The Franchise Affair in the Age of #metoo. Open Library of Humanities, 5 (1). pp. 1-20. doi:10.16995/olh.470

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Teaching Golden Age Crime Fiction in the Age of #MeToo. In: Culture, Continuity, and Transformation Conference: Academic research and cultural change, 13 - 14 June 2021, University of Gloucestershire.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Using Creative Writing in English Literature Assessment: Diversity and Inclusion on an Undergraduate Crime Fiction Module. Clues: A Journal of Detection, 41 (2). pp. 107-110.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “Who Can See into the Heart of a Man either Righteous or Wicked”: Guilt, Transgression, and Shame in John Wilson’s Crime Short Story “Tale of Expiation”. In: 5th "MEMORY, GUILT AND SHAME": International Interdisciplinary Conference, 26-27 October 2023.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) The living fabric of the world: Willa Cather's travel journalism. European Journal of American Culture, 28 (3). pp. 207-223. doi:10.1386/ejac.28.3.207_1

Beyer, Charlotte ORCID: 0000-0002-2701-5443, Eich, Sandro and Davison-Vecchione, Daniel (2024) Panel: The role of literature in the institutionalisation of emergent scholarly disciplines. In: International Conference of Three Societies on Literature and Science, 10-12 April 2024, University of Birmingham.

Beyer, Charlotte ORCID: 0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Into the World Around Us and Into the World Within. In: Travellin’ Mama: Mothers, Mothering, and Travel. Demeter Press. ISBN 9781772581799

Beyer, Charlotte ORCID: 0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Travellin’ Mama: Mothers, Mothering and Travel. Demeter Press, Bradford. ISBN 9781772581799

Beyer, Charlotte ORCID: 0000-0002-2701-5443 and Savarese, Josephine (2022) Uncovering the Complexities and Silences: Mothers Who Kill. In: Mothers Who Kill. Demeter, pp. 9-22. ISBN 9781772583571

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2017) American, British and Canadian Studies. Special Issue: Contemporary Crime Fiction. The Academic Anglophone Society of Romania, Sibiu, Romania. ISBN 1841-1487

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2021) Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527564060

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

Bradshaw, Tom ORCID: 0000-0003-0780-416X (2023) Complicity and Sports Journalism. In: The Routledge Handbook of Philosophy and Media Ethics. Routledge Handbooks in Applied Ethics . Routledge, pp. 169-180. ISBN 9780367682156

Bradshaw, Tom ORCID: 0000-0003-0780-416X (2017) John Stuart Mill: Freedom of expression and harm in the 'post-truth' era. Ethical Space: The International Journal of Communication Ethics, 14 (1). pp. 15-25.

Bradshaw, Tom (Ed) ORCID: 0000-0003-0780-416X, Joseph, Sue (Ed), Keeble, Richard L (Ed) and Matheson, Donald (Ed) (2023) Ethical Space - Journal With a Difference: Celebrating 20 Years. Abramis Academic Publishing. ISBN 9781845498177

Bradshaw, Tom (Ed) ORCID: 0000-0003-0780-416X, Joseph, Sue (Ed), Keeble, Richard L (Ed) and Matheson, Donald (Ed) (2024) Ethical Space - Journal With a Difference: Celebrating 20 Years Volume 2. Abramis Academic Publishing. ISBN 9781845498337

Burke, Alison and Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.

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Catherwood, Dianne F (2017) The Very Last Sunrise. lulu.com. ISBN 978-0244035549

Cobby, Heather M (2012) Paths to Glory :a study of Edward Thomas's journeys towards Epiphany. Masters thesis, University of Gloucestershire.

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Daly, Kirsten ORCID: 0000-0002-0220-9559 (2020) Dispossession in The Death of the Heart. Essays in Criticism, 70 (4). pp. 409-427. doi:10.1093/escrit/cgaa022

Dolan, Josephine ORCID: 0000-0002-7669-9060 (2019) Aging, Stardom, and “The Economy of Celebrity”. In: Encyclopedia of Gerontology and Population Aging. Springer Nature, pp. 1-10.

Dolan, Josephine ORCID: 0000-0002-7669-9060 (2002) Anchorage and Play in 'Frenchman's Creek': Children, Gender, and National Identity. Yearbook of English Studies, 32. pp. 95-109. doi:10.2307/3509050

Dolan, Josephine ORCID: 0000-0002-7669-9060 (2020) Older Women and Cinema: Audiences, Stories, and Stars. In: The International Encyclopedia of Gender, Media, and Communication. The Wiley Blackwell-ICA International Encyclopedias of Communication . Wiley, pp. 1-9. ISBN 9781119429104

Dolan, Josephine ORCID: 0000-0002-7669-9060 (2007) Post-war Englishness: Maytime in Mayfair, utopian visions and consumer culture. In: Approaches to Englishness: Differences, Diversity and Identities. Midrash Publishing, pp. 45-53. ISBN 9780955124419

Dolan, Josephine ORCID: 0000-0002-7669-9060 (2016) The cooking of friendships: Nora Ephron and the life-work of “mediated intimacy”. In: Literary Creativity and the Older Woman Writer: A Collection of Critical Essays. Critical Perspectives on English and American Literature, Communication and Culture . Peter Lang, Bern & Oxford, pp. 103-128. ISBN 9783034321990

Dolan, Josephine ORCID: 0000-0002-7669-9060, Gordon, Suzy and Tincknell, Estella (2009) The "postfeminist" biopic: Re-telling the past in The Hours, Sylvia and Iris. In: Textual Infidelities: Adaptations in Print and Visual Cultures. Continuum. ISBN 9780826424648

Dolan, Josephine ORCID: 0000-0002-7669-9060 and Hallam, Julia (2017) Introduction: Screening Old Age. Journal of British Cinema and Television, 14 (2). pp. 119-124. doi:10.3366/jbctv.2017.0358

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El Hajj, Sleiman Y (2017) I Am Not Naked: A Fictional and Theoretical Exploration of Home and the Flâneuse in 21st-Century Lebanon and Syria. PhD thesis, University of Gloucestershire.

Esler, Philip F ORCID: 0000-0002-4889-4889 (2012) The Great Sermon Tradition as a Fiscal Framework in 1 Corinthians: Towards a Pauline Theology of Material Possessions. Review of Biblical Literature, 14. pp. 364-368.

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Ferry, Emma ORCID: 0000-0002-1295-8430 (2014) “Any Lady Can Do This without Much Trouble…”: Class and Gender in The Dining Room (1878). Interiors, 5 (2). pp. 141-159. doi:10.2752/204191214X14038639021126

Ferry, Emma ORCID: 0000-0002-1295-8430 (2018) Writing home: the colonial memories of Lady Barker, 1870--1904. In: Biography, Identity and the Modern Interior. Routledge. ISBN 9781138548275

Ferry, Emma ORCID: 0000-0002-1295-8430 (2011) The other Miss Faulkner': Mrs Orrinsmith and the 'Art at home series'. Journal of William Morris Studies, 23 (3). pp. 47-64.

Fletcher-Louis, Crispin ORCID: 0000-0001-6758-6913 (2020) Son of God: Divine Sonship in Jewish and Christian Antiquity. Edited by Garrick V. Allen, Kai Akagi, Paul Sloan, and Madhavi Nevader. Journal of Theological Studies, 71 (1). pp. 327-331. doi:10.1093/jts/flz174

France, Angela ORCID: 0000-0001-8308-4868 (2014) Gender Disparity in Poetry Publishing: it’s about more than the numbers. Litro (132).

France, Angela ORCID: 0000-0001-8308-4868 (2014) Growth. Wales Art Review.

France, Angela ORCID: 0000-0001-8308-4868 (2013) Hide. Nine Arches Press, Rugby, UK. ISBN 978-0957384712

France, Angela ORCID: 0000-0001-8308-4868 (2011) Lessons in Mallemaroking. Nine Arches Press, Rugby, UK. ISBN 978-0956551481

France, Angela ORCID: 0000-0001-8308-4868 (2014) Lir. In: The other side of sleep. Arachne Press, London, pp. 40-47. ISBN 978-1-909208-18-6

France, Angela ORCID: 0000-0001-8308-4868 (2009) Occupation. Ragged Raven Press, Snitterfield, UK. ISBN 978-0955255267

France, Angela ORCID: 0000-0001-8308-4868 (2014) Poetry Makes Nothing Happen. Interpreter’s House (57). p. 22.

France, Angela ORCID: 0000-0001-8308-4868 (2014) Tailor's Chalk. International Journal for the Practice and Theory of Creative Writing, 11 (2). p. 167. doi:10.1080/14790726.2014.912332

France, Angela ORCID: 0000-0001-8308-4868 (2014) Three Poems. Domestic Cherry (67). pp. 12-13.

France, Angela ORCID: 0000-0001-8308-4868 (2014) Three Poems. In: The Book of Love and Loss. Belgrave Press, Bath, pp. 131-132. ISBN 9780954621520

Freeman, Margaret H and McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2021) “To pile like Thunder": The Advantages of Reading Emily Dickinson’s Poetry from a Cognitive Perspective. Emily Dickinson Journal, 30 (1). pp. 1-26. doi:10.1353/edj.2021.0001

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Gardner, Abigail S ORCID: 0000-0003-2994-741X, Grist, Hannah ORCID: 0000-0001-9751-8014 and Jennings, Ros ORCID: 0000-0002-5852-9420 (2015) Editorial. Postgraduate Journal of Women, Ageing and Media (2).

Griffiths, Robin M (2002) The Modern Fantastic: The Films of David Cronenberg. Scope: An Online Journal of Film and Television Studies.

Griffiths, Robin M (2008) Queering Cinema in Europe. In: Iris Prize: Cardiff International Gay and Lesbian Short Film Festival, 3rd October 2008, ATRiuM Media Centre, Cardiff School of Creative and Cultural Industries. (Unpublished)

Griffiths, Robin M (2018) “You miserable, no good, dirty sons of bitches!”: Queer(y)ing the Politics of Identity in 1970s Canuxploitation Cinema. In: Society for Cinema and Media Studies (SCMS) 59th Annual Conference, 14-18 March 2018, Toronto, Ontario, Canada. (Unpublished)

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Hall, Grace (2015) Women with attitude: Photographic project. Postgraduate Journal of Women, Ageing and Media (2). pp. 15-25.

Hitchman, Beatrice ORCID: 0000-0001-6088-6497 (2013) Petite Mort. Serpent's Tail, London. ISBN 9781846689079

Hodgson, Vicky (2014) Still Working: Photograpahic Essay. Postgraduate Journal of Women, Ageing and Media (1).

Horne, Maxine (2015) Are you lonesome tonight? Exploring experiences of loneliness in older age through and with pop song lyrics. Postgraduate Journal of Women, Ageing and Media (2).

Hughes, John D ORCID: 0000-0002-2187-2911 (2014) 'Ain’t Gonna Go To Hell For Anybody': Bob Dylan’s Christian Years. Popular Music History, 8 (2). pp. 205-221. doi:10.1558/pomh.v8i2.205

Hughes, John D ORCID: 0000-0002-2187-2911 (2016) Bob Dylan, Nobel Laureate: Yah-Boo! Bridge (56).

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Deleuze, Bergson and Woolf's Monday or Tuesday. Deleuze Studies, 7 (4). pp. 496-514. doi:10.3366/dls.2013.0126

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) Deleuze, Style and Literature. Lit: Literature Interpretation Theory, 21 (4). pp. 269-284. doi:10.1080/10436928.2010.523616

Hughes, John D ORCID: 0000-0002-2187-2911 (2017) The Expression of Things: Themes in Thomas Hardy's Fiction & Poetry. Sussex Academic Press, Brighton. ISBN 9781845198121

Hughes, John D ORCID: 0000-0002-2187-2911 (2017) ‘Hardy’s Two Voices: A Metrical Reading of “The Oxen”. Hardy Review.

Hughes, John D ORCID: 0000-0002-2187-2911 (2016) ‘Hardy’s Two Voices: “The Oxen” and its Contexts'. Hardy Review, XVIII (ii). pp. 41-50.

Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Lines of Flight: Reading Deleuze with Hardy, Gissing, Conrad, Woolf. Sheffield Academic Press/Continuum. ISBN 9781850758075

Hughes, John D ORCID: 0000-0002-2187-2911 (2015) ‘Metre and Mourning: Thomas Hardy’s “The Going” and Poems of 1912-13. Hardy Review, XVII (i). pp. 19-34.

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) “Moments of Vision”: Hardy’s Visual Inspiration. In: Palgrave Advances in Thomas Hardy Studies. Palgrave Macmillan, pp. 229-254. ISBN 1403902577

Hughes, John D ORCID: 0000-0002-2187-2911 (2020) Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’. In: The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities . Edinburgh University Press, Edinburgh, pp. 447-452. ISBN 9780748693122

Hughes, John D ORCID: 0000-0002-2187-2911 (2014) The Only Blonde in the World: Pauline Boty and Bob Dylan’s 1962 London Visit. Bridge, 48. pp. 86-105.

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) ‘Peter Widdowson’, ”Literature as History”:. In: Literature as History: Essays in Honour of Peter Widdowson. Continuum literary studies . Continuum International Publishing Group, London, pp. 173-175. ISBN 978-1441174314

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Poetry, Thomas Hardy, and the Inaugural. [Film / Video] (Unpublished)

Hughes, John D ORCID: 0000-0002-2187-2911 (2020) ‘That Pirate Radio Signal’: Dylan’s Rough and Rowdy Ways. Bridge, 67. pp. 85-93.

Hughes, John D ORCID: 0000-0002-2187-2911 (2012) "There Was No In-Between”: Dylan’s Voice in the 1960s. Bridge, 43 (Summer).

Hughes, John D ORCID: 0000-0002-2187-2911 (2016) “This Time We Shall Escape”: Bob Dylan’s Rolling Thunder Years. Rock Music Studies, 3 (1). pp. 62-79. doi:10.1080/19401159.2015.1129830

Hughes, John D ORCID: 0000-0002-2187-2911 (2014) "A strange respect for the individual": Gilles Deleuze and Hardy the Novelist. In: Understanding Deleuze, Understanding Modernism. Bloomsbury, London, pp. 135-150. ISBN 9781623563493

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Innes, Paul ORCID: 0000-0001-5375-5341 (2011) Harming Macbeth: A British Translation. In: Shakespeare and the Translation of Identity in Early Modern England. Continuum, London, pp. 103-130. ISBN 9780826441690

Innes, Paul ORCID: 0000-0001-5375-5341 (2011) “Out of the Repertoire: Women Beware Women and Performance History”. In: Women Beware Women: A Critical Guide. Continuum Renaissance Drama Guides . Continuum, pp. 43-58. ISBN 978-1-8470-6093-8

Innes, Paul ORCID: 0000-0001-5375-5341 (2019) Resources for Teaching and Studying Antony and Cleopatra. In: Antony and Cleopatra a Critical Reader. Arden Early Modern Drama Guides . Bloomsbury, pp. 201-227. ISBN 9781350049901

Innes, Paul ORCID: 0000-0001-5375-5341 (2019) SHAKESPEARE AND REPUBLICAN ROME. (P.) Gray Shakespeare and the Fall of the Roman Republic. Selfhood, Stoicism and Civil War, Edinburgh, Edinburgh University Press, 2019. Classical Review, 69 (2). pp. 636-638. doi:10.1017/S0009840X1900091X

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Jackson, Roy ORCID: 0000-0003-3923-9513 (2018) Hayy ibn Yaqzan: A Philosophical Novel by Ibn Tufayl. Alfinge (29). pp. 83-101. doi:10.21071/arf.v0i29.10111

Jennings, Ros ORCID: 0000-0002-5852-9420 (2016) Ageing in, and with, popular culture. [Film / Video] (Unpublished)

Jennings, Ros ORCID: 0000-0002-5852-9420 (2015) Popular Music and Ageing. In: Routledge Handbook of Cultural Gerontology. Routledge International Handbooks . Routledge, Abingdon, Oxon. ISBN 9780415631143

Jennings, Ros ORCID: 0000-0002-5852-9420 and Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2015) Call the celebrity: Voicing the experience of women and ageing through the distinctive vocal presence of Vanessa Redgrave. In: Women, Celebrity and Cultures of Ageing: Freeze Frame. Palgrave Macmillan, pp. 178-196. ISBN 9781137495112

Johnston, D D ORCID: 0000-0001-9989-6895 (2011) The Deconstruction of Professor Thrub. Barbican Press. ISBN 978-0956336460

Johnston, D D ORCID: 0000-0001-9989-6895 (2022) Disnaeland. Barbican Press. ISBN 9781909954533

Johnston, D D ORCID: 0000-0001-9989-6895 (2012) The Invitation. Lampeter Review: Journal of the Lampeter Creative Writing Centre, 1 (6). pp. 89-96.

Johnston, D D ORCID: 0000-0001-9989-6895 (2011) Peace, Love & Petrol Bombs. A K Press. ISBN 978-1849350617

Johnston, D D ORCID: 0000-0001-9989-6895 (2015) The Secret Baby Room. Barbican Press, London. ISBN 9781909954182

Johnston, D D (Ed). ORCID: 0000-0001-9989-6895 (2019) Heritage, New Writing VIII. Horseplay Press, University of Gloucestershire. ISBN 9780464437017

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Keevil, Tyler (2014) Burrard Inlet. Parthian, Cardigan. ISBN 9781908946898

Keevil, Tyler (2016) Defamiliarised. HARTS and Minds: Journal of the Humanities and Arts, 2 (3). pp. 2-8.

Keevil, Tyler (2013) The Drive. Myriad Editions. ISBN 978-1908434319

Keevil, Tyler (2015) Fabrications. In: A Fiction Map of Wales. H'mm Foundation, Swansea. ISBN 9780992756062

Keevil, Tyler (2010) Fireball. Parthian Books. ISBN 978-1908069788

Keevil, Tyler (2016) Foul Is Fair. Black Static (50). pp. 46-58.

Keevil, Tyler (2015) It's In You To Give. On Spec: The Canadian Magazine of the Fantastic (99).

Keevil, Tyler (2009) Knockout. New Welsh Review, 85. p. 47.

Keevil, Tyler (2014) Mangleface. In: Rarebit. Parthian Books, Cardigan, pp. 75-87. ISBN 978909844407

Keevil, Tyler (2015) Night Start. In: New Welsh Short Stories. Seren Books, Bridgen, pp. 7-19. ISBN 9781781722343

Keevil, Tyler (2018) No Good Brother. Borough Press, London. ISBN 9780008228880

Keevil, Tyler (2014) Sealskin. In: The Journey Prize Stories 26. McClelland & Stewart, Toronto. ISBN 9780771050503

Keevil, Tyler (2016) The Search. PRISM: International, 54 (4). pp. 91-100.

Keevil, Tyler (2016) Starlings. Interzone (264). pp. 14-33.

Keevil, Tyler (2008) Tokes From the Wild. In: Brace: A New Generation in Short Fiction (New Writer Showcase). Comma Press. ISBN 978-1905583225

Keevil, Tyler (2016) The Weeds & The Wildness. In: Strangers Among Us: Tales of Underdogs and Outcasts. Laksaw Media Groups Inc., Calgary, Alberta, pp. 91-107. ISBN 9780993969607

Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.

Keevil, Tyler (2017) Writing Kerouac’s bookmovie: cinematic influence and imagery in the modern road novel. New Writing: The International Journal for the Practice and Theory of Creative Writing, 14 (2). pp. 167-175. doi:10.1080/14790726.2016.1277764

Knight, Lania ORCID: 0000-0003-1024-8889 (2016) Crowded City, Tuesday. Quiddity, 9 (1). pp. 28-30.

Knight, Lania ORCID: 0000-0003-1024-8889 (2020) I Find My Three Girls. Shooter Literary Magazine, 11. pp. 46-50.

Knight, Lania ORCID: 0000-0003-1024-8889 (2018) I Was Kissing Someone. Litro.

Knight, Lania ORCID: 0000-0003-1024-8889 (2019) Susurration. Rattle.

Koval, Erin and Hackett, Paul M ORCID: 0000-0002-9365-8084 (2016) Hermeneutic Consistency, Structured Ontology and Mereology as embodied in Facet Theory and the Mapping Sentence. In: Structure and Measurement in Interdisciplinary Research Collaboration. Facet Theory Association, pp. 106-113.

Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2010) “Darling Judi’s” Transgressive Performance of Age and Gender. In: Screen Studies Conference, 2-4 July 2010, Glasgow.

Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2012) 'If These Walls Could Talk 2': The Prosthetic memory of lesbian Feminism and the Ageing Other. In: NECS Conference, Time Networks: Screen Media and Memory, ,21-23 June 2012, Lisbon.

Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2015) Unsettling heteronormativity: Abject ageing bodies and transgressive desire in 'Notes on a Scandal'. In: NANAS: Aging and Age Studies: Foundations and Formations, May 19 - 22, 2015, Miami University, Oxford Ohio. (Unpublished)

Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2009) ‘You should see a doctor’ – Aging, disease and contagion in Tony Scott’s The Hunger. In: Joint Conference of the National Popular Culture and American Culture Associations, April 8 – 11, 2009, New Orleans Marriott.

Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2013) A figura da “invertida” congénita em 'The Well of Loneliness' (1928) de Radclyffe Hall e as origens da lésbica “máscula”. LES Online: Publicação Digital Sobre Questões Lésbicas, 5 (1).

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Large, William ORCID: 0000-0003-0447-5364 (2015) Kafka’s Letter. Word and Text, A Journal of Literary Studies and Linguistics (1). pp. 209-215.

Latham, Kate (2015) Carnival and dementia: is it heresy? Postgraduate Journal of Women, Ageing and Media (2). pp. 26-33.

Liddy, Susan (2014) ‘Missing Persons’? Representations of Mature Female Sexuality in British and Irish Film 1998-2011. Postgraduate Journal of Women, Ageing and Media (1).

Lloyd, Andy (2008) Ezekiel One. Timeless Voyager Press, Santa Barbara, California. ISBN 9781892264251

Lloyd, Andy (2010) The Followers of Horus. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264275

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Martindale, Kym (2000) Seeking the Queer Self Along the Textual Continuum. PhD thesis, University of Gloucestershire.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Anaesthesia. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) At Bridge and Exodus. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) Being Gone: A Text-World Analysis of Ambiguity in Eavan Boland’s ‘Suburban Woman: A Detail’. In: Old and New, Tried and Untried: Creativity and Research in the 21st Century University. Common Ground Publishing., Champaign, IL. ISBN 9781612298405

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2012) Building a better elephant machine: A case-study in creative writing programme design. In: Key Issues in Creative Writing. Multilingual Matters, Clevedon, pp. 159-168. ISBN 978-1-84769-846-9

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) Cellular Teaching: The Creation of a Flexible Curriculum Design and Mode of Delivery in Response to the Effects of Higher Education Policy on the Way we Teach Creative Writing. New Writing: The International Journal for the Practice and Theory of Creative Writing, 6 (2). pp. 124-132. doi:10.1080/14790720903215240

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Chorus. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2008) Creating an integrated model for teaching creative writing - one approach. In: Creative Writing Studies: Practice, Research, Pedagogy. Multilingual Matters, Clevedon, pp. 88-100. ISBN 978-1847690197

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2006) Decentring Everything. Writing in Education (39). pp. 37-41.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Dissonances. Bluechrome, Bristol, pp. 1-79. ISBN 978-1-906061-14-2

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2015) 'Eels' and ‘Event Horizon 4, 9, 13 and 20’. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) Emergences: Towards a Cognitive Affective Model for Creativity in the Arts. In: The Cognitive Humanities: Embodied Mind in Literature and Culture. Palgrave, London, pp. 169-189. ISBN 9781137593283

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 11. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 15 and Vanishing Point VII. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 5. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon numbers 2, 8, 16 and 19. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon numbers 3, 6, 14 and 18. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Fire Rituals. Axon: Creative Explorations (online).

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2006) A Hill Farmer Speaks and Crosses. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Homecoming, Crab Apples and Poem. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Iced Over. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2015) Interpretation, Affordance and Realised Intention: the transaction(s) between reader and writer. In: Creative Writing and Education. Multilingual Matters, Clevedon, pp. 107-119. ISBN 9781783093526

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) Into the Futures of their Makers: A cognitive poetic analysis of reversals, accelerations and shifts in time in the poems of Eavan Boland. In: World Building: Discourse in the Mind. Advances in Stylistics . Bloomsbury Academic, London, pp. 259-276. ISBN 9781472586537

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Lighting the Tree. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2021) Liminal islands: A cognitive stylistic analysis of “Beyond the Pale” and “Rathlin” by Derek Mahon. In: Place: Stylistic Perspectives on Landscape, Place and Environment. Linguistic Approaches to Literature (37). John Benjamins, Amsterdam. ISBN 9789027208415

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2020) Making creative use of cognitive stylistic frameworks in the revising process. In: Creative Writing: Drafting, Revising and Editing. Macmillan Education, London, pp. 83-95. ISBN 9781137609564

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2021) Making worlds out of silence: A text-world analysis of the unspoken in ‘Not an Ending’ by Andrew Waterhouse. In: Breaking the Silence. Routledge, London. ISBN 9780367467630

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) The Marvellous as We Know It: A text world analysis of Heaney’s Squarings: Lightenings VIII. New Writing: The International Journal for the Practice and Theory of Creative Writing, 11 (2). pp. 228-239. doi:10.1080/14790726.2013.837934

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2012) Minutes. In: Jawbreakers: An anthology of flash fictions. National Flash Fiction Day, Winchester, pp. 37-38.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2013) Modelling Creativity: How Might It Help Us Understand What We Do? Axon: Creative Explorations (4).

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2013) Negative Polarity in Eavan Boland's ‘The Famine Road’. New Writing: The International Journal for the Practice and Theory of Creative Writing, 10 (2). pp. 219-227. doi:10.1080/14790726.2013.777460

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2006) News. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Night Fire. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2019) Resonance and Absence: A text world analysis of “Tuonela” by Philip Gross. New Writing: The International Journal for the Practice and Theory of Creative Writing, 16 (1). pp. 89-99. doi:10.1080/14790726.2018.1511735

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2008) Room To Rhyme: Intellectual Space in Creative Writing. Writing in Education (44). pp. 59-62.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2017) Shape-shifting Instabilities: Using blending theory to understand metamorphosis as metaphor in Eavan Boland’s poetry. In: Inside History: The work of Eavan Boland. Arlen House, Dublin, pp. 195-218. ISBN 9781851321407

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2010) Stress Weight: Unwilled Order, Clothes Lines & Crowned Teeth. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7 (3). pp. 226-234. doi:10.1080/14790726.2010.508838

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2020) Text-worlds, blending, and allegory in ‘Flamingos in Dudley Zoo’ by Emma Purshouse. Language and Literature, 29 (4). pp. 389-403. doi:10.1177/0963947020968664

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) Theorising the Teaching of Creative Writing. Word Play (2). pp. 40-42. doi:10.1080/14790726.2010.508838

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Three poems. In: The Echoing Years: An Anthology of Poetry from Ireland and Canada. W.I.T. School of Humanities Publications, pp. 915-917. ISBN 978-0954028169

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Vanishing Point I, II and III. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2013) Writing Poetry. In: A Companion to Creative Writing. Wiley-Blackwell, pp. 40-55. ISBN 978-0-470-65693-8

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) from Event Horizon. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) ‘from Event Horizon’. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2012) The workshop as a creative, critical and intellectual space. In: Beyond the Workshop. Kingston University Press, London, pp. 17-30. ISBN 978-1899999521

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2016) Edward Thomas, Poetry and the Languages of Nature. English, 65 (251). pp. 310-329. doi:10.1093/english/efw044

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2019) 'Practice', 'Gloucester Tall Ships' and 'The Hill'. In: Wool: Wool and Water. Yew Tree Press, Stroud, 25, 27-28, 30. ISBN 9781916145429

Monckton-Smith, Jane ORCID: 0000-0001-7925-5089 (2011) The Paradox of Cinematic Sexualized Violence as Entertainment. In: The Problem of Pleasure. Routledge, pp. 9-19. ISBN 978-0415672580

Moore, Kayleigh J (2012) Closer to home: a creative and critical autoethnographical analysis of the motivations and creative process behind writing violence. PhD thesis, University of Gloucestershire.

Moore, Kayleigh J (2019) #horrible. Redline . Bloodbound Books, Arizona.

Moorey, Gerard (2014) Aging, Death, and Revival: Representations of the Music Industry in Two Contemporary Novels. Popular Music and Society, 37 (1). pp. 65-84. doi:10.1080/03007766.2012.726036

Morris, Nic ORCID: 0000-0001-9426-2172 (2016) Beowulf. [Film / Video]

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Obata, Fumio ORCID: 0000-0001-8548-9092, France, Angela ORCID: 0000-0001-8308-4868, Morrison, Andrew, McLoughlin, Nigel F ORCID: 0000-0002-0382-6831, Phelps, Kieren, McMillan, Ian, Phelps, Dolores, Saunders, Anna, Evans, Emma and Hegley, John (2016) Duplex. [Show/Exhibition]

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Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Eco-aesthetics: art, literature and architecture in a period of climate change. Visual Studies, 31 (2). pp. 172-173. doi:10.1080/1472586X.2015.1024516

Pengelly, Anne ORCID: 0000-0002-1912-8691 (2003) The Gulf of Mankind. In: A Short Anthology of Short Stories. First Time Publishers, Cheltenham, pp. 36-41. ISBN 0954679709

Peters, Erin ORCID: 0000-0002-8128-234X (2021) Cultural Trauma, Exile, and the Birth of Jacobitism. In: Early Modern Trauma: Europe and the Atlantic World. University of Nebraska Press, Lincoln. ISBN 9781496208910

Peters, Erin ORCID: 0000-0002-8128-234X and Richards, Cynthia (2021) Early Modern Trauma: Europe and the Atlantic World. University of Nebraska Press, Lincoln. ISBN 9781496208910

Peters, Fiona (2006) The waiting game :anxiety, evil and lack of desire in the writings of Patricia Highsmith. PhD thesis, University of Gloucestershire.

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Randall, Martin C (2005) 'Appointments to keep in the past' : history, memory and representation in British fiction of the 1990s : writing about the Holocaust. PhD thesis, University of Gloucestershire.

Randall, Martin C (2008) The First Cuckoo You've Ever Heard. Aesthetica, 1 (20). p. 16.

Randall, Martin C (2010) Giving Them Back Their History': Peter Widdowson and Literature. In: Literature as History: Essays in Honour of Peter Widdowson. Continuum literary studies . Continuum International Publishing Group, London, pp. 95-105. ISBN 978-1441174314

Randall, Martin C (2013) Oostende (a novel fragment). American, British and Canadian Studies, 20. pp. 143-159.

Rivers, Nicola (2022) Situating the Feminist Classroom: Between Free Speech and Media Myth. In: Gender in an Era of Post-truth Populism Pedagogies, Challenges and Strategies. Bloomsbury Gender and Education . Bloomsbury Academic, pp. 99-112. ISBN 9781350194595

Rowan, Middleton ORCID: 0000-0002-5729-0171 (2015) The East Wing. [Artefact]

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Saguaro, Shelley (2000) 'Bosom Secrets': Decrypting Hawthorne's Blithedale Romance. European Journal of American Culture.

Saguaro, Shelley (2020) Botanical Tentacles and the Chthulucene. In: Plants in Science Fiction Speculative Vegetation. New Dimensions in Science Fiction . University of Wales Press. ISBN 9781786835598

Saguaro, Shelley (2006) How Does your Cyber Garden Grow? International Journal of the Humanities, 3 (6). pp. 263-270.

Saguaro, Shelley (2014) Much Madness, Such Sanity: Growing in the Garden of the Humanities. [Film / Video] (Unpublished)

Saguaro, Shelley (2013) 'The Republic of Arborea': Trees and the Perfect Society. Green Letters: Studies in Ecocriticism, 17 (3). pp. 236-250.

Saguaro, Shelley (2010) 'Sway Between a Dance and a Fight': Black Religions in Toni Morrison's Paradise. In: Literature as History: Essays in Honour of Peter Widdowson. Continnuum-3PL, London, pp. 118-132. ISBN 9781441174314

Saguaro, Shelley (2009) Telling Trees: Eucalyptus, "Anon," and the Growth of Co-evolutionary Histories. Mosaic: A Journal for the Interdisciplinary Study of Literature, 42 (3). pp. 39-56.

Screech, Ben ORCID: 0000-0001-8644-9607 (2024) Book Review: How the ‘Just So’ Stories Were Made: The Brilliance and Tragedy behind Kipling’s Celebrated Tales for Little. Modern Language Review, 119 (2). pp. 261-262. doi:10.1353/mlr.2024.a923566

Stevenson, Roberta (2006) Old Men's Tales :an Exploration of Masculinity and Ageing Through Narrative and Story Telling. PhD thesis, University of Gloucestershire.

Stibbe, Arran ORCID: 0000-0002-3854-9854 (2019) Discovering the Weatherworld: Combining Ecolinguistics, Ecocriticism, and Lived Experience. In: Routledge Handbook of Ecocriticism and Environmental Communication. Routledge International Handbooks . Routledge, Abingdon, pp. 71-83. ISBN 9781138053137

Stibbe, Arran ORCID: 0000-0002-3854-9854 (2015) Issa and the Meaning of Animals: A Buddhist Poet's Perspective. Anthrozoös, 28 (3). pp. 517-518. doi:10.1080/08927936.2015.1064211

Stibbe, Arran ORCID: 0000-0002-3854-9854 (2020) Towards a grammar of ecocultural identity. In: Routledge Handbook of Ecocultural Identity. Routledge International Handbooks . Routledge, pp. 416-430. ISBN 9781138478411

Stibbe, Arran ORCID: 0000-0002-3854-9854 (2008) Zen and the Art of Environmental Education in the Japanese Animated Film Tonari no Totoro. Journal for the Study of Religion, Nature and Culture, 1 (4). pp. 468-488. doi:10.1558/jsrnc.v1i4.468

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Varotsi, Evangelia (2015) Conceptualisation and exposition: a paradigm of character creation. PhD thesis, University of Gloucestershire.

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Walker, Miranda ORCID: 0000-0003-3925-6989 (2015) Bandstand Park. N/A. (Unpublished)

Weeks, Hilary ORCID: 0000-0002-9845-016X (2006) Architectural poetics :configurations of space in nineteenth-century poetry. PhD thesis, University of Gloucestershire.

Williams, N H (2013) "He do the police in different voices" :the influence of His time in the Burma Police on George Orwell's writing. PhD thesis, University of Gloucestershire.

Wilson, Sean Michael and Obata, Fumio ORCID: 0000-0001-8548-9092 (2020) The Garden. Liminal 11. ISBN 9781912634163

Wilson-Copp, Frances (2008) Everyday objects and the evocation of the miraculous. PhD thesis, University of Gloucestershire.