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Adkins, Kirsten A ORCID: 0000-0002-9907-6691 (2021) Zero Dark Thirty, Maya and the myth of the Calydonian Boar. New Review of Film and Television Studies, 19 (3). pp. 311-329. doi:10.1080/17400309.2021.1949205
Andrejevic-Bullock, Senja ORCID: 0000-0001-8228-7751 (2019) HALF. [Film / Video]
Bailey, Rebecca A (2013) Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage. Theatre Journal, 65 (2). pp. 197-214. doi:10.1353/tj.2013.0051
Brook, James (2015) Robert Wilson and an Aesthetic of Human Behaviour in the Performing Body. PhD thesis, University of Gloucestershire.
Coleman, David, Romao, Tico J, Villamin, Cedric, Sinnett, Scott, Jakobsen, Tanya and Kingstone, Alan (2013) Finding Meaning in All the Right Places: A Novel Measurement of Dramatic Structure in Film and Television Narratives. Projections: The Journal for Movies and Mind, 7 (2). pp. 92-110. doi:10.3167/proj.2013.070205
Cotterell, Laurence C. N. (2019) Suspect Device: British Subsidised Theatre’s Response to the Iraq War, 2003-2011. PhD thesis, University of Gloucestershire. doi:10.46289/ARTS5862
Dolan, Josephine ORCID: 0000-0002-7669-9060 and Tincknell, Estella (2012) Ageing Femininities: Troubling Representations. Cambridge Scholars Publishing. ISBN 9781443838832
Gilmore, Nicola A (2012) The Whole Play of Parts: a Study of Cued Parts in English Renaissance Drama 1590 – 1620. PhD thesis, University of Gloucestershire.
Innes, Paul ORCID: 0000-0001-5375-5341 (2019) Resources for Teaching and Studying Antony and Cleopatra. In: Antony and Cleopatra a Critical Reader. Arden Early Modern Drama Guides . Bloomsbury, pp. 201-227. ISBN 9781350049901
Jennings, Ros ORCID: 0000-0002-5852-9420 (2016) Ageing in, and with, popular culture. [Film / Video] (Unpublished)
Jennings, Ros ORCID: 0000-0002-5852-9420 (1996) Desire and Design: Ripley undressed’. In: Immortal invisible: lesbians and the moving image. Routledge, London, pp. 193-206. ISBN 978-0415107259
Jennings, Ros ORCID: 0000-0002-5852-9420 (1998) Prime Suspect. In: Museum of Broadcasting Encyclopedia of Television. Fitzroy Dearborn, London.
Keevil, Tyler (2016) Foul Is Fair. Black Static (50). pp. 46-58.
Lowe, Sarah Elizabeth (2008) Players and Performances in Early Modern Gloucester, Tewkesbury and Bristol. PhD thesis, University of Gloucestershire.
Saguaro, Shelley and Tyler, Lucy (2014) 'Nature Once More Had Taken Her Part': Recuperating Anon, the Common Voice and the Uncovered Theatre. In: Bloomsbury Influences: Papers from the Bloomsbury Adaptations Conference. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 205-226. ISBN 9781443854344
Stibbe, Arran ORCID: 0000-0002-3854-9854 (2004) Disability, gender and power in Japanese television drama. Japan Forum, 16 (1). pp. 21-36. doi:10.1080/0955580032000189311
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2012) Babble-A Site Specific PERFORMANCE in Second Life for the 121212 UpStage Festival of Cyberformance. [Show/Exhibition]
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2017) Film as Live Art – an examination of the changing roles of the spectator in intermedial performance and beyond. In: Elements of Success - rethinking audience and production studies as practice, 4 - 5 December 2017, Finnish Film Foundation, Helsinki. (Unpublished)
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2018) Frights and Delights - the history of the special effect in theatre. [Show/Exhibition]
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2014) The Hypertextual Experience: Digital Narratives, Spectator, Performance. PhD thesis, University of Exeter.
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2010) Losing the plot – an exploration of narrative collaboration and control in Second Life. International Journal of Performance Arts and Digital Media, 6 (2). pp. 171-192. doi:10.1386/padm.6.2.171_1
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2018) Not Drowning but Waving - an exploration of new spectatorial practices in the immersive worlds of digital theatre. In: Digital Research in the Humanities and Arts (DRHA) annual conference, 9 - 12 September 2018, Malta. (Unpublished)
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2009) The Performative Space In the Virtual World. In: The International Conference of Art and Society, September 2009, Venice. (Unpublished)
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2019) Practical Spectating – an exploration of meaning-making techniques in intermedial performance. In: The Audience Research in the Arts Conference, 3 - 5 July 2019, University of Sheffield. (Unpublished)
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2019) Practical spectating – an exploration of the multiple roles of the intermedial performance audience. International Journal of Performance Arts and Digital Media, 15 (2). pp. 166-182. doi:10.1080/14794713.2019.1638646
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2010) Really Doing It – An Exploration of Strategies for Interaction in Intermedial Performance. In: American Society for Theatre Research Conference: Work over Time, November 2010, Seattle US. (Unpublished)
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2016) What do Audiences Do? Negotiating the Possible Worlds of Participatory Theatre. Journal of Contemporary Drama in English, 4 (1). pp. 134-149. doi:10.1515/jcde-2016-0011
Walker, Miranda ORCID: 0000-0003-3925-6989 (2019) Across The Sky. [Performance] (Submitted)
Walker, Miranda ORCID: 0000-0003-3925-6989 (2015) Bandstand Park. N/A. (Unpublished)
Walker, Miranda ORCID: 0000-0003-3925-6989 (2015) Colin's Legend. N/A. (Unpublished)
Walker, Miranda ORCID: 0000-0003-3925-6989 (2016) Getting There. N/A. (Unpublished)
Walker, Miranda ORCID: 0000-0003-3925-6989 (2014) Invisible People. N/A. (Unpublished)
Walker, Miranda ORCID: 0000-0003-3925-6989 (2015) Learning & Development: Theatre - Going live. Nursery World.
Walker, Miranda ORCID: 0000-0003-3925-6989 (2015) Satirical Song Parodies - It's My Party & All About That Bass. N/A. (Unpublished)
Walker, Miranda ORCID: 0000-0003-3925-6989 (2015) Suffragettes. Miranda Walker. (Unpublished)
Walker, Miranda ORCID: 0000-0003-3925-6989 and Betteridge, Michael (2019) Across The Sky - Community Opera - A video about the writing process. [Film / Video]
Zinder, Paul ORCID: 0000-0002-9578-4009 (2013) Osama bin Laden Ain’t Here: Justified as a 9/11 Western. In: Contemporary Westerns: Film and Television Since 1990. Scarecrow Press, Lanham, Maryland. ISBN 978-0810892569