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Adkins, Kirsten A ORCID: 0000-0002-9907-6691 (2021) Zero Dark Thirty, Maya and the myth of the Calydonian Boar. New Review of Film and Television Studies, 19 (3). pp. 311-329. doi:10.1080/17400309.2021.1949205
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) Motherhood and 21st Century Feminism: Reaching out across the Divide. Feminist Encounters: A Journal of Critical Studies in Culture and Politics (Double Issue: Feminism and Motherhood in the 21st Century), 3 (1-2). pp. 1-6.
Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9
Billington, Freya (2016) HOW? LUCKY. [Film / Video] (Submitted)
Billington, Freya (2015) NOT WAVING. [Film / Video]
Brea, Jennifer, La Burthe, Amaury, Colinart, Arnaud and Dryden, Lindsey ORCID: 0000-0002-9658-6805 (2017) Unrest Virtual Reality. Tribeca Film Festival, Tribeca Film Festival.
Bühring, Lisa-Nike (2020) The Social Construction of Ageing Masculinities in Neoliberal Society – Reflections on Retired German Men. PhD thesis, University of Gloucestershire. doi:10.46289/MEDA0012
Clancy, Tony ORCID: 0000-0003-0525-6710 (2020) From Neolothic to Neoliberal. In: Creative Practice Research in the Age of Neoliberal Hopelessness. Edinburgh University Press, Edinburgh. ISBN 9781474463560
Coleman, David, Romao, Tico J, Villamin, Cedric, Sinnett, Scott, Jakobsen, Tanya and Kingstone, Alan (2013) Finding Meaning in All the Right Places: A Novel Measurement of Dramatic Structure in Film and Television Narratives. Projections: The Journal for Movies and Mind, 7 (2). pp. 92-110. doi:10.3167/proj.2013.070205
Crockett, Brett, Tuffy, Mark and Shannon, James ORCID: 0000-0001-6976-9801, inventor(s); Dolby Laboratories Licensing Corporation, assignee. (2016) Overhead Speaker System. WO2016/048762A1.
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2019) Aging, Stardom, and “The Economy of Celebrity”. In: Encyclopedia of Gerontology and Population Aging. Springer Nature, pp. 1-10.
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2018) Contemporary cinema and ‘old age’: gender and the silvering of stardom. Palgrave Macmillan, London. ISBN 9781137584014
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2013) Firm and hard: Popular culture, gendered stardom and the troubling embodiment of “successful aging”. In: De-Centring Cultural Studies: Past, Present and Future of Popular Culture. Cambridge Scholars Publishing, pp. 217-246. ISBN 9781443844765
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2020) Older Women and Cinema: Audiences, Stories, and Stars. In: The International Encyclopedia of Gender, Media, and Communication. The Wiley Blackwell-ICA International Encyclopedias of Communication . Wiley, pp. 1-9. ISBN 9781119429104
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2010) The Queen, aging femininity and the recuperation of the monarchy. In: Ageing, Perfomance and Stardom: Doing Age on the Stage of Consumerist Culture. Aging Studies in Europe (2). LIT Verlag, pp. 39-52. ISBN 9783643501875
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2019) Representations of Older Women and White Hegemony. In: Encyclopedia of Gerontology and Population Aging. Springer Nature, pp. 1-12.
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2012) ‘Stuff It’: Respectability and the Voice of Resistance in Letter to Brezhnev. Journal of British Cinema and Television, 9 (2). pp. 247-261. doi:10.3366/jbctv.2012.0082
Dolan, Josephine ORCID: 0000-0002-7669-9060 and Grist, Hannah ORCID: 0000-0001-9751-8014 (2017) Interview with Jean Rogers: Ageing, Gender, and Equity. Journal of British Cinema and Television, 14 (2). pp. 231-244. doi:10.3366/jbctv.2017.0362
Dolan, Josephine ORCID: 0000-0002-7669-9060 and Hallam, Julia (2017) Introduction: Screening Old Age. Journal of British Cinema and Television, 14 (2). pp. 119-124. doi:10.3366/jbctv.2017.0358
Dolan, Josephine ORCID: 0000-0002-7669-9060 and Spicer, Andrew (2010) On the margins: Anthony Simmons, 'The Optimists of Nine Elms' and 'Black Joy'. In: Don't Look Now: British Cinema in the 1970s. Film Studies . Intellect, pp. 79-91. ISBN 9781841503202
Dolan, Josephine ORCID: 0000-0002-7669-9060 and Spicer, Andrew (2008) The Outsider: Anthony Simmons. Journal of British Cinema and Television, 5 (1). pp. 132-145. doi:10.3366/E1743452108000113
Dolan, Josephine ORCID: 0000-0002-7669-9060 and Street, Sarah (2009) 20 million people can't be wrong: Anna Neagle and popular British stardom. In: British Women's Cinema. British Popular Cinema . Routledge, pp. 34-48. ISBN 9780415466967
Dolan, Josephine ORCID: 0000-0002-7669-9060 and Tincknell, Estella (2012) Ageing Femininities: Troubling Representations. Cambridge Scholars Publishing. ISBN 9781443838832
Dolan, Josephine ORCID: 0000-0002-7669-9060 and Tincknell, Estella (2013) Women Ageing & Media. Discussion Paper. Labour Party.
Dryden, Lindsey ORCID: 0000-0002-9658-6805 and Brea, Jennifer (2017) Unrest. [Film / Video]
Dryden, Lindsey ORCID: 0000-0002-9658-6805, Cronenwett, Cary and Kyi, Daresha (2018) Trans In America: Atlanta Drive (ep 3). [Film / Video]
Dryden, Lindsey ORCID: 0000-0002-9658-6805, Cronenwett, Cary and Kyi, Daresha (2018) Trans In America: Chicago Love (ep 2). [Film / Video]
Dryden, Lindsey ORCID: 0000-0002-9658-6805, Cronenwett, Cary and Kyi, Daresha (2018) Trans In America: Texas Strong (ep 1). [Film / Video]
Ferris-Taylor, Rita, Grant, Jane, Grist, Hannah ORCID: 0000-0001-9751-8014, Jennings, Ros ORCID: 0000-0002-5852-9420, Rosselson, Rina and Wiseman, Sylvia (2019) Reading Film with Age Through Collaborative Autoethnography: Old Age and Care, Encounters with Amour (Haneke, 2012), Chronic (Franco, 2015) and A Woman’s Tale (Cox, 1991). Life Writing, 16 (1). pp. 69-95. doi:10.1080/14484528.2019.1521260
Griffiths, Robin M (2014) "A Journey Without Direction": Mapping British Queer Cinema Post-Jarman. In: Film After Thatcher: Gender and Sexuality in post-1990 British Cinema, 2nd July 2014, Liverpool Hope University. ISBN 978-0-415-56966-8 (Unpublished)
Griffiths, Robin M (2016) "A Journey Without Direction: British Queer Cinema Post-Jarman". Journal of British Cinema and Television, 13 (4). pp. 590-609. doi:10.3366/jbctv.2016.0342
Griffiths, Robin M (2002) The Modern Fantastic: The Films of David Cronenberg. Scope: An Online Journal of Film and Television Studies.
Griffiths, Robin M (2008) Queering Cinema in Europe. In: Iris Prize: Cardiff International Gay and Lesbian Short Film Festival, 3rd October 2008, ATRiuM Media Centre, Cardiff School of Creative and Cultural Industries. (Unpublished)
Griffiths, Robin M (2014) Transnational Encounters: Audience, Community and Identity-based Film Festivals. In: North American Association for the Study of Welsh Culture and History (NAASWCH) International Conference on Welsh Studies 2014, 23, 24, 25 July, 2014, Royal Military College of Canada, Kingston, Ontario. ISBN 978-0-415-56966-8 (Unpublished)
Griffiths, Robin M (2018) “You miserable, no good, dirty sons of bitches!”: Queer(y)ing the Politics of Identity in 1970s Canuxploitation Cinema. In: Society for Cinema and Media Studies (SCMS) 59th Annual Conference, 14-18 March 2018, Toronto, Ontario, Canada. (Unpublished)
Hepworth, Ian A (2008) Gender, genre and representation: "Musculinity" and the body in the female boxing film. Masters thesis, University of Gloucestershire.
Hewis, Mark S (2014) 8 Minutes Idle. [Film / Video]
Hewis, Mark S (2015) Animotion. [Show/Exhibition]
Hogg, Anthony (2017) From “Can’t Buy Me Love” to “How Deep Is Your Love?”: An Analysis Examining Key Phases of Development of the Functions of Popular Music in U.K. and U.S. Films of the 1960s and 1970s. PhD thesis, University of Gloucestershire.
Jennings, Ros ORCID: 0000-0002-5852-9420 (2016) Ageing in, and with, popular culture. [Film / Video] (Unpublished)
Jennings, Ros ORCID: 0000-0002-5852-9420 (2004) Cagney & Lacey. In: Fifty Key Television Programmes. Bloomsbury Academic, London. ISBN 978-0340809433
Jennings, Ros ORCID: 0000-0002-5852-9420 (2004) Coronation Street. In: Fifty Key Television Programmes. Bloomsbury Academic, London. ISBN 978-0340809433
Jennings, Ros ORCID: 0000-0002-5852-9420 (2004) Dallas. In: Fifty Key Television Programmes. Bloomsbury Academic, London. ISBN 978-0340809433
Jennings, Ros ORCID: 0000-0002-5852-9420 (2004) Neighbours. In: Fifty Key Television Programmes. Bloomsbury Academic, London. ISBN 978-0340809433
Jennings, Ros ORCID: 0000-0002-5852-9420 (2003) Satellite and Cable Programmes in the UK (An All Aussie Weekender: Sky One Down Under). In: The Television History Book. Palgrave Macmillan, London. ISBN 9780851709888
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2010) “Darling Judi’s” Transgressive Performance of Age and Gender. In: Screen Studies Conference, 2-4 July 2010, Glasgow.
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2012) 'If These Walls Could Talk 2': The Prosthetic memory of lesbian Feminism and the Ageing Other. In: NECS Conference, Time Networks: Screen Media and Memory, ,21-23 June 2012, Lisbon.
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2014) Judi Dench's age-inappropriateness and the role of M: Challenging normative temporality. Journal of Aging Studies, 29. pp. 32-40. doi:10.1016/j.jaging.2014.01.001
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2016) “Older-wiser-lesbians” and “baby-dykes”: mediating age and generation in New Queer Cinema. Feminist Media Studies, 16 (4). pp. 631-647. doi:10.1080/14680777.2016.1193294
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2015) Unsettling heteronormativity: Abject ageing bodies and transgressive desire in 'Notes on a Scandal'. In: NANAS: Aging and Age Studies: Foundations and Formations, May 19 - 22, 2015, Miami University, Oxford Ohio. (Unpublished)
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2016) Unsettling heteronormativity: Abject ageing bodies and transgressive desire in Notes on a Scandal. In: Transgression in Anglo-American Cinema: Gender, Sex and the Deviant Body. Wallflower-Columbia, pp. 161-176. ISBN 9780231176057
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2009) ‘You should see a doctor’ – Aging, disease and contagion in Tony Scott’s The Hunger. In: Joint Conference of the National Popular Culture and American Culture Associations, April 8 – 11, 2009, New Orleans Marriott.
Li, Qiao (2010) Crossing Cultures: Investigating Chinese Language Cinemas within and beyond 'the National'. PhD thesis, University of Gloucestershire.
MacLean, Malcolm ORCID: 0000-0001-5750-4670 (2017) ESPN: the making of a sports media empire by Travis Vogan, Urbana, University of Illinois Press, 2015. Sport in History, 37 (3). pp. 388-390. doi:10.1080/17460263.2017.1315023
MacLean, Malcolm ORCID: 0000-0001-5750-4670 (2017) Sports heroines on film: a critical study of cinematic women athletes, coaches and owners, by Viridiana Lieberman, Jefferson, NC, McFarland & Co., 2015. Sport in History, 37 (4). pp. 545-547. doi:10.1080/17460263.2017.1315022
MacLean, Malcolm ORCID: 0000-0001-5750-4670 (2014) Truth and Reality in Screening Sports’ Pasts: Sports and Truthfulness’. Journal of Sport History, 41 (1). pp. 47-54.
Monckton-Smith, Jane ORCID: 0000-0001-7925-5089 (2011) The Paradox of Cinematic Sexualized Violence as Entertainment. In: The Problem of Pleasure. Routledge, pp. 9-19. ISBN 978-0415672580
Morris, Nic ORCID: 0000-0001-9426-2172 (2006) Digital DP. In: The Guerilla Film Makers Handbook. Continuum, New York & London, pp. 270-277. ISBN 082647988X
Nevill, Alex ORCID: 0000-0002-2382-2053 (2021) Towards a Philosophy of Cinematography. Palgrave Macmillan, Cham. ISBN 9783030659349
Randall, Martin C (2011) 9/11 and the Literature of Terror. Edinburgh University Press Ltd, Edinburgh. ISBN 9780748638529
Rocco, Vito ORCID: 0000-0002-3809-5901 (2009) Faintheart. [Film / Video]
Romao, Tico J (2012) From auteur to filmmaking institution. LAP Lambert Academic Publishing. ISBN 978-3-8484-9357-9
Romao, Tico J (2019) The Mark of the Social: Stereotypes, Folk Psychology and Metonymy in Mainstream Film. In: Screening Characters: Characterization in Film, Television, and Interactive Media. AFI Film Readers . Routledge, London. ISBN 9781138391826
Romao, Tico J (2007) Soft Cinema: Navigating the Database.
Romao, Tico J (2006) Spectatorship and Social Cognition: Per Persson's Understanding Cinema. New Review of Film and Television Studies, 4 (1). pp. 53-61. doi:10.1080/17400300600577344 (Submitted)
Ryall, Emily S ORCID: 0000-0002-6050-4353 (2015) Sport and Film. Sport, Ethics and Philosophy, 9 (3). pp. 344-347. doi:10.1080/17511321.2015.1061046
Stibbe, Arran ORCID: 0000-0002-3854-9854 (2013) The Corporation as Person and Psychopath: Multimodal Metaphor, Rhetoric and Resistance. CADADD Journal, 6 (2).
Tusar, Rasheduzzaman (2021) The Bangladeshi film industry, ideas of national cinema and possible future directions for filmmakers: Video interview. PhD thesis, University of Gloucestershire. doi:10.46289/8GH4PX9R
Wilson-Scott, Joanna (2018) Narratives of Water: Changing Places and Contested Spaces in Swedish Literature. In: Narratives of Place in Literature and Film. Taylor & Francis, London, pp. 216-229. ISBN 9781138499928
Zinder, Paul ORCID: 0000-0002-9578-4009 (2009) Benediction of the Beasts (Benedizione delle Bestie). [Film / Video]
Zinder, Paul ORCID: 0000-0002-9578-4009 (2013) Osama bin Laden Ain’t Here: Justified as a 9/11 Western. In: Contemporary Westerns: Film and Television Since 1990. Scarecrow Press, Lanham, Maryland. ISBN 978-0810892569
Zinder, Paul ORCID: 0000-0002-9578-4009 (2001) Prince Albert Hurts. [Film / Video]
Zinder, Paul ORCID: 0000-0002-9578-4009 (2020) You’ve Got Something: Female Agency in Justified. In: Women in the Western. Edinburgh University Press. ISBN 9781474444132