Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2010)
Adventures and Affect: The Character of the Boy Detective and Orphan in Astrid Lindgren’s Rasmus and the Tramp.
In:
Boy Detectives: Essays on the Hardy Boys and Others.
McFarland, pp. 120-131.
ISBN 978-0786460335
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
"Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery.
In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
BACLS book prize seminar: Charlotte Beyer, Decolonising the Literature Curriculum.
In: BACLS Seminar, 31 May 2024, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2013)
'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection.
Short Fiction in Theory and Practice, 3 (1).
pp. 37-52.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2011)
Bernadine Evaristo and Daljit Nagra (Eds.), Ten New Poets: Spread the Word.
Iota.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Centring Women of Colour: Decolonising the Literature
Curriculum with Kamila Shamsie’s Home Fire and Bolu
Babalola’s Love in Colour.
In:
Decolonising the Literature Curriculum.
Teaching the New English
.
Palgrave, pp. 45-64.
ISBN 978-3030912888
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
Chicago Crime, Blue Collar and White: Sara Paretsky’s V. I. Warshawski Novels.
In:
Chicago: A Literary History.
Cambridge University Press, Cambridge, pp. 356-369.
ISBN 9781108763738
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
Contemporary Children's and Young Adult Literature: Writing Back to History and Oppression.
Cambridge Scholars Publishing, Newcastle upon Tyne.
ISBN 9781527595965
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2017)
Contemporary Crime Fiction: A Surfeit of Riches.
American, British and Canadian Studies, 28 (1).
pp. 5-16.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
“Contemporary Crime Fiction: A Surfeit of Riches”.
In:
Contemporary Crime Fiction: Crossing Boundaries, Merging Genres.
Cambridge Scholars Publishing, pp. 1-17.
ISBN 9781527564060
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2020)
Crime Fiction and Migration.
In:
Routledge Companion to Crime Fiction.
Routledge, pp. 379-387.
ISBN 9781138320352
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2020)
“Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar.
Clues: A Journal of Detection.
pp. 69-79.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2012)
Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”.
In:
Cross-Cultural Connections in Crime Fictions.
Palgrave Macmillan, Basingstoke, pp. 141-159.
ISBN 9781137016768
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2000)
Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry.
Literature and Theology, 14 (3).
pp. 276-298.
doi:10.1093/litthe/14.3.276
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
Glocal Crime: Human Trafficking and Forced Migration in Crime Fiction.
In: 4th "TRAVELLING, TRANSMISSION AND TRANSGRESSION" International Interdisciplinary Conference, 21-22 March 2024, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2014)
‘Hungry ghosts’: Kirsty Murray’s Irish-Australian Children of the Wind Series.
In:
Internationalism in Children’s Series.
Critical Approaches to Children's Literature
.
Palgrave Macmillan, pp. 174-193.
ISBN 1137360305
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2017)
“I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown.
American, British and Canadian Studies, 28 (1).
pp. 91-110.
doi:10.1515/abcsj-2017-0006
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2018)
Introduction: Crime Fiction.
In:
Teaching Crime Fiction.
Teaching the New English
.
Palgrave, pp. 1-15.
ISBN 9783319906089
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Introduction: Decolonising English.
In:
Decolonising the Literature Curriculum.
Teaching the New English
.
Palgrave, pp. 1-21.
ISBN 9783030912888
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2010)
Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook.
American, British and Canadian Studies, 15 (2).
pp. 207-209.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2011)
Katie Donovan, Rootling: New and Selected Poems.
Iota, 90.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2012)
Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes.
In:
Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'.
Palgrave Macmillan, London, pp. 209-223.
ISBN 9780230299771
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2011)
Mediatization and mothers accused of murder in Sophie Hannah’s crime novel A Room Swept White.
Northern Lights: Film and Media Studies Yearbook, 9 (1).
pp. 79-93.
doi:10.1386/nl.9.79_1
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
Migrant Mothers and Diasporic Daughters: Tracing the Mother’s Story in the Black British Writer Andrea Levy’s Novels.
In: 7th "Migration, Adaptation and Memory": International Interdisciplinary Conference, 13-14 June, 2024, Gdansk, Poland.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2020)
Murder in a Few Words: Gender, Genre and Location in the Crime Short Story.
McFarland, Jefferson.
ISBN 9781476673721
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2015)
“My Mama Had a Story”: Mothers and Intergenerational Relations in Andrea Levy’s Fiction.
In:
Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing.
Demeter Press, Toronto, pp. 121-142.
ISBN 9781926452708
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2023)
“No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scenes in “The Blood-Stained Pavement” and “Ingots of Gold”.
Clues: A Journal of Detection, 41 (1).
pp. 95-105.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2010)
Pia Tafdrup, Tarkovsky's Horses and Other Poems.
Iota, 88.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(1996)
Re-Imagining Metropolis and Wilderness: Margaret Atwood's Life Before Man, Cat's Eye,Death by Landscape.
London Journal of Canadian Studies, 12.
pp. 69-94.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2011)
Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction.
American, British and Canadian Studies, 16 (1).
pp. 122-126.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2013)
Ruth Fainlight, New and Collected Poems.
Iota, 93.
pp. 128-131.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2013)
"She Looked West": Eco Crime Fiction Hits the Road in Martha Grimes's Biting The Moon.
In:
New Wests and Post-Wests: Literature and Film of the American West.
Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 59-79.
ISBN 9781443849647
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2015)
Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon.
Oscholars, N/A (N/A).
pp. 1-20.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
The Sweet Transgressiveness of Female Rage and Revenge in Kim Moritsugu’s Crime Short Story “A Taste of Honey” (2008).
In: Memory, Transgression, and Change: International Interdisciplinary Conference, 18-19 April 2024, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
Teaching Golden Age Crime Fiction in the Age of #MeToo.
In: Culture, Continuity, and Transformation Conference: Academic research and cultural change, 13 - 14 June 2021, University of Gloucestershire.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2013)
"There's nothing people won't do to one another, if the circumstances are right": Male Rape and the Politics of Representation in John Harvey's Police Procedural Easy Meat.
Clues: A Journal of Detection, 31 (2).
pp. 102-111.
doi:10.3172/CLU.31.2.102
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
“The Trouble with Identity”: Contesting Racism and
Xenophobia with the British-Pakistani Author M.Y. Alam’s
Crime Novel Annie Potts Is Dead.
In: 7th Racism, Nationalism and Xenophobia: International Interdisciplinary Conference, 23-24 May 2024, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2009)
The living fabric of the world: Willa Cather's travel journalism.
European Journal of American Culture, 28 (3).
pp. 207-223.
doi:10.1386/ejac.28.3.207_1
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2007)
'A work and a purpose': Willa Cather’s Journalism.
In:
The Journalistic Imagination: Literary Journalists From Dafoe to Capote and Carte.
Routledge, Abingdon, pp. 74-86.
ISBN 978-0415417242
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 and Savarese, Josephine
(2022)
Uncovering the Complexities and Silences: Mothers Who Kill.
In:
Mothers Who Kill.
Demeter, pp. 9-22.
ISBN 9781772583571
Beyer, Charlotte (Ed.) ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
Contemporary Crime Fiction: Crossing Boundaries, Merging Genres.
Cambridge Scholars Publishing, Newcastle upon Tyne.
ISBN 9781527564060
Beyer, Charlotte (Ed.) ORCID: https://orcid.org/0000-0002-2701-5443
(2018)
Teaching Crime Fiction.
Teaching the New English
.
Palgrave, Houndmills.
ISBN 978-3-319-90608-9
Brown, Alan (1998) The persistence of practical criticism. PhD thesis, University of Gloucestershire.
Budd, Stacey A. (2010) Burning glass : Compulsive creativity, self-destruction and the woman artist, with reference to a selection of works by Margaret Attwood and A.S. Byatt. Masters thesis, University of Gloucestershire.
Burke, Alison and Innes, Paul ORCID: https://orcid.org/0000-0001-5375-5341
(2007)
Interviews as a methodology for performance research: Academic interviews - an invitation for discussion.
Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.
Cobby, Heather M (2012) Paths to Glory :a study of Edward Thomas's journeys towards Epiphany. Masters thesis, University of Gloucestershire.
Cochran, Tanya, Ginn, Sherry and Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
(2014)
The Multiple Worlds of Fringe: Essays on the J.J. Abrams Science Fiction Series.
McFarland & Co Inc.
ISBN 9780786475674
Dolan, Josephine ORCID: https://orcid.org/0000-0002-7669-9060, Gordon, Suzy and Tincknell, Estella
(2009)
The "postfeminist" biopic: Re-telling the past in The Hours, Sylvia and Iris.
In:
Textual Infidelities: Adaptations in Print and Visual Cultures.
Continuum.
ISBN 9780826424648
Gill, Joanna Ruth (2001) 'The cracked mirror': Anne Sexton's poetics of self-representation. PhD thesis, University of Gloucestershire.
Griffiths, Robin M (2017) "Bitches, Bullies and Brutes": Re-Viewing Gender in 1970s Canuxploitation Cinema. In: 'An Isolated Culture of Terror?' Symposium and Film Screening, 27/04/17, Queen Mary University of London. (Unpublished)
Hall, Sian (2009) Thames: a Poetic Exploration. Masters thesis, University of Gloucestershire.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2000)
The Affective World of Charlotte Brontë's Villette.
Studies in English Literature 1500-1900, 40 (4).
pp. 711-726.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2001)
Charlotte Brontë's Art of Sensation.
Transactions of the Brontë Society, 26 (1).
pp. 19-26.
doi:10.1179/030977601794173268
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2013)
Deleuze, Bergson and Woolf's Monday or Tuesday.
Deleuze Studies, 7 (4).
pp. 496-514.
doi:10.3366/dls.2013.0126
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2010)
Deleuze, Style and Literature.
Lit: Literature Interpretation Theory, 21 (4).
pp. 269-284.
doi:10.1080/10436928.2010.523616
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2006)
"The Exile’s Harp”: Tennyson’s Lost World of Music.
Nineteenth Century Music Review, 3 (2).
pp. 113-135.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2002)
"For Old Association's Sake": History and Hardy's The Woodlanders'.
Thomas Hardy Journal, xviii (2).
pp. 57-64.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2007)
“Hang there like fruit, my soul”: Tennyson’s Feminine Imaginings.
Victorian Poetry, 45 (2).
pp. 95-115.
doi:10.1353/vp.2007.0024
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(1997)
Hardy and Music.
English, 46 (185).
pp. 113-129.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(1998)
Hardy and the Life of Birds.
Thomas Hardy Journal, xiv (3).
pp. 68-77.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2009)
”Invisible Now”: Bob Dylan’s Art of Continual Becoming.
Bridge, 35.
pp. 83-103.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2013)
'Metre and Context’: Hardy’s ‘Neutral Tones’.
Victorian Poetry, 51 (1).
pp. 81-97.
doi:10.1353/vp.2013.0004
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2011)
A Metrical Reading of Thomas Hardy’s “Afternoon Service at Mellstock”.
Explicator, 69 (4).
pp. 207-211.
doi:10.1080/00144940.2011.640925
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2004)
“Moments of Vision”: Hardy’s Visual Inspiration.
In:
Palgrave Advances in Thomas Hardy Studies.
Palgrave Macmillan, pp. 229-254.
ISBN 1403902577
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2020)
Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’.
In:
The Edinburgh Companion to Literature and Music.
Edinburgh Companions to Literature and the Humanities
.
Edinburgh University Press, Edinburgh, pp. 447-452.
ISBN 9780748693122
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2006)
Owen’s “Dulce et Decorum Est”.
Explicator, 64 (3).
pp. 160-162.
doi:10.3200/EXPL.64.3.164-166
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2010)
‘Peter Widdowson’, ”Literature as History”:.
In:
Literature as History: Essays in Honour of Peter Widdowson.
Continuum literary studies
.
Continuum International Publishing Group, London, pp. 173-175.
ISBN 978-1441174314
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2005)
Tennyson Revisited: Hardy’s “After a Journey".
Thomas Hardy Journal, xxi (3).
pp. 152-157.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2018)
Towards a Reading of Wordsworth’s ‘Now ye meet in the cave’.
Romanticism on the Net (71).
pp. 1-24.
doi:10.7202/1074534ar
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2010)
"Tune and Thought”: The Uses of Music in Hardy’s Poetry.
In:
The Ashgate Research Companion to Thomas Hardy.
Ashgate, Aldershot, pp. 269-284.
ISBN 978-0-7546-6245-7
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2011)
Villette by Charlotte Brontë.
In:
Nineteenth-Century Literature Criticism.
Gale Literature Collections
.
Gale, Detroit, pp. 128-135.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2007)
William Wordsworth, ‘A Slumber did my Spirit Seal’.
Explicator, 65 (2).
pp. 71-74.
doi:10.3200/EXPL.65.2.71-75
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(1998)
Wittgenstein and Literature.
Philosophical Inquiry, xxiv.
pp. 13-21.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2008)
Wordsworth’s Poetics of Orphanhood; ‘Tintern Abbey’, ‘The Vale of Esthwaite’ and ‘Salisbury Plain’.
Romanticism, 14 (3).
pp. 219-231.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2012)
Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading.
Studies in Romanticism, 51 (2).
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2011)
Wordsworth’s “Catechizing” Sonnet and Family History.
Explicator, 69 (4).
pp. 184-188.
doi:10.1080/00144940.2011.635610
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2010)
Wordsworth’s “I Travell’d Among Unknown Men”: A Metrical Reading.
Explicator, 68 (2).
pp. 90-95.
doi:10.1080/00144941003723733
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2014)
"A strange respect for the individual": Gilles Deleuze and Hardy the Novelist.
In:
Understanding Deleuze, Understanding Modernism.
Bloomsbury, London, pp. 135-150.
ISBN 9781623563493
Innes, Paul ORCID: https://orcid.org/0000-0001-5375-5341
(2019)
Resources for Teaching and Studying Antony and Cleopatra.
In:
Antony and Cleopatra a Critical Reader.
Arden Early Modern Drama Guides
.
Bloomsbury, pp. 201-227.
ISBN 9781350049901
Innes, Paul ORCID: https://orcid.org/0000-0001-5375-5341
(2016)
Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello.
Anglica. An International Journal of English Studies, 25 (3).
pp. 69-80.
Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.
Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
(2017)
Cervantes, the journey, and what it tells us
about becoming a writer.
Open Cultural Studies, 1.
pp. 391-394.
doi:10.1515/culture-2017-0036
Koval, Erin and Hackett, Paul M ORCID: https://orcid.org/0000-0002-9365-8084
(2016)
Hermeneutic Consistency, Structured Ontology and Mereology as embodied in Facet Theory and the Mapping Sentence.
In:
Structure and Measurement in Interdisciplinary Research Collaboration.
Facet Theory Association, pp. 106-113.
MacLean, Malcolm ORCID: https://orcid.org/0000-0001-5750-4670
(2010)
Ambiguity Within the Boundary: Re-reading CLR James' Beyond a Boundary.
Journal of Sport History, 37 (1).
pp. 99-117.
Martindale, Kym (2000) Seeking the Queer Self Along the Textual Continuum. PhD thesis, University of Gloucestershire.
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2016)
Being Gone: A Text-World Analysis of Ambiguity in Eavan Boland’s ‘Suburban Woman: A Detail’.
In:
Old and New, Tried and Untried: Creativity and Research in the 21st Century University.
Common Ground Publishing., Champaign, IL.
ISBN 9781612298405
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2020)
Construal, Blending and Metaphoric Worlds in Francis Harvey’s "The Deaf Woman in the Glen".
In:
New Directions in Cognitive Grammar and Style.
Bloomsbury, London.
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2016)
Emergences: Towards a Cognitive Affective Model for Creativity in the Arts.
In:
The Cognitive Humanities: Embodied Mind in Literature and Culture.
Palgrave, London, pp. 169-189.
ISBN 9781137593283
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2015)
Interpretation, Affordance and Realised Intention: the transaction(s) between reader and writer.
In:
Creative Writing and Education.
Multilingual Matters, Clevedon, pp. 107-119.
ISBN 9781783093526
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2016)
Into the Futures of their Makers: A cognitive poetic analysis of reversals, accelerations and shifts in time in the poems of Eavan Boland.
In:
World Building: Discourse in the Mind.
Advances in Stylistics
.
Bloomsbury Academic, London, pp. 259-276.
ISBN 9781472586537
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2021)
Liminal islands: A cognitive stylistic analysis of “Beyond the Pale” and “Rathlin” by Derek Mahon.
In:
Place: Stylistic Perspectives on Landscape, Place and Environment.
Linguistic Approaches to Literature
(37).
John Benjamins, Amsterdam.
ISBN 9789027208415
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2020)
Making creative use of cognitive stylistic frameworks in the revising process.
In:
Creative Writing: Drafting, Revising and Editing.
Macmillan Education, London, pp. 83-95.
ISBN 9781137609564
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2021)
Making worlds out of silence: A text-world analysis of the unspoken in ‘Not an Ending’ by Andrew Waterhouse.
In:
Breaking the Silence.
Routledge, London.
ISBN 9780367467630
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2019)
Resonance and Absence: A text world analysis of “Tuonela” by Philip Gross.
New Writing: The International Journal for the Practice and Theory of Creative Writing, 16 (1).
pp. 89-99.
doi:10.1080/14790726.2018.1511735
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2017)
Shape-shifting Instabilities: Using blending theory to understand metamorphosis as metaphor in Eavan Boland’s poetry.
In:
Inside History: The work of Eavan Boland.
Arlen House, Dublin, pp. 195-218.
ISBN 9781851321407
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2020)
Text-worlds, blending, and allegory in ‘Flamingos in Dudley Zoo’ by Emma Purshouse.
Language and Literature, 29 (4).
pp. 389-403.
doi:10.1177/0963947020968664
Randall, Martin C (2011) 9/11 and the Literature of Terror. Edinburgh University Press Ltd, Edinburgh. ISBN 9780748638529
Randall, Martin C (2010) Giving Them Back Their History': Peter Widdowson and Literature. In: Literature as History: Essays in Honour of Peter Widdowson. Continuum literary studies . Continuum International Publishing Group, London, pp. 95-105. ISBN 978-1441174314
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