Items where Subject is "PN0080 Criticism"

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Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Adventures and Affect: The Character of the Boy Detective and Orphan in Astrid Lindgren’s Rasmus and the Tramp. In: Boy Detectives: Essays on the Hardy Boys and Others. McFarland, pp. 120-131. ISBN 978-0786460335

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) "Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery. In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) BACLS book prize seminar: Charlotte Beyer, Decolonising the Literature Curriculum. In: BACLS Seminar, 31 May 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) 'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection. Short Fiction in Theory and Practice, 3 (1). pp. 37-52.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Bernadine Evaristo and Daljit Nagra (Eds.), Ten New Poets: Spread the Word. Iota.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Centring Women of Colour: Decolonising the Literature Curriculum with Kamila Shamsie’s Home Fire and Bolu Babalola’s Love in Colour. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 45-64. ISBN 978-3030912888

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Chicago Crime, Blue Collar and White: Sara Paretsky’s V. I. Warshawski Novels. In: Chicago: A Literary History. Cambridge University Press, Cambridge, pp. 356-369. ISBN 9781108763738

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Contemporary Children's and Young Adult Literature: Writing Back to History and Oppression. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527595965

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Contemporary Crime Fiction: A Surfeit of Riches. American, British and Canadian Studies, 28 (1). pp. 5-16.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “Contemporary Crime Fiction: A Surfeit of Riches”. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781527564060

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Crime Fiction and Migration. In: Routledge Companion to Crime Fiction. Routledge, pp. 379-387. ISBN 9781138320352

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) “Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar. Clues: A Journal of Detection. pp. 69-79.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2000) Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry. Literature and Theology, 14 (3). pp. 276-298. doi:10.1093/litthe/14.3.276

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Glocal Crime: Human Trafficking and Forced Migration in Crime Fiction. In: 4th "TRAVELLING, TRANSMISSION AND TRANSGRESSION" International Interdisciplinary Conference, 21-22 March 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) ‘Hungry ghosts’: Kirsty Murray’s Irish-Australian Children of the Wind Series. In: Internationalism in Children’s Series. Critical Approaches to Children's Literature . Palgrave Macmillan, pp. 174-193. ISBN 1137360305

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) “I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown. American, British and Canadian Studies, 28 (1). pp. 91-110. doi:10.1515/abcsj-2017-0006

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook. American, British and Canadian Studies, 15 (2). pp. 207-209.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Katie Donovan, Rootling: New and Selected Poems. Iota, 90.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Mediatization and mothers accused of murder in Sophie Hannah’s crime novel A Room Swept White. Northern Lights: Film and Media Studies Yearbook, 9 (1). pp. 79-93. doi:10.1386/nl.9.79_1

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Migrant Mothers and Diasporic Daughters: Tracing the Mother’s Story in the Black British Writer Andrea Levy’s Novels. In: 7th "Migration, Adaptation and Memory": International Interdisciplinary Conference, 13-14 June, 2024, Gdansk, Poland.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Murder in a Few Words: Gender, Genre and Location in the Crime Short Story. McFarland, Jefferson. ISBN 9781476673721

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “My Mama Had a Story”: Mothers and Intergenerational Relations in Andrea Levy’s Fiction. In: Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing. Demeter Press, Toronto, pp. 121-142. ISBN 9781926452708

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scenes in “The Blood-Stained Pavement” and “Ingots of Gold”. Clues: A Journal of Detection, 41 (1). pp. 95-105.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Pia Tafdrup, Tarkovsky's Horses and Other Poems. Iota, 88.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (1996) Re-Imagining Metropolis and Wilderness: Margaret Atwood's Life Before Man, Cat's Eye,Death by Landscape. London Journal of Canadian Studies, 12. pp. 69-94.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) Ruth Fainlight, New and Collected Poems. Iota, 93. pp. 128-131.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) "She Looked West": Eco Crime Fiction Hits the Road in Martha Grimes's Biting The Moon. In: New Wests and Post-Wests: Literature and Film of the American West. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 59-79. ISBN 9781443849647

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon. Oscholars, N/A (N/A). pp. 1-20.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) The Sweet Transgressiveness of Female Rage and Revenge in Kim Moritsugu’s Crime Short Story “A Taste of Honey” (2008). In: Memory, Transgression, and Change: International Interdisciplinary Conference, 18-19 April 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Teaching Golden Age Crime Fiction in the Age of #MeToo. In: Culture, Continuity, and Transformation Conference: Academic research and cultural change, 13 - 14 June 2021, University of Gloucestershire.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) "There's nothing people won't do to one another, if the circumstances are right": Male Rape and the Politics of Representation in John Harvey's Police Procedural Easy Meat. Clues: A Journal of Detection, 31 (2). pp. 102-111. doi:10.3172/CLU.31.2.102

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “The Trouble with Identity”: Contesting Racism and Xenophobia with the British-Pakistani Author M.Y. Alam’s Crime Novel Annie Potts Is Dead. In: 7th Racism, Nationalism and Xenophobia: International Interdisciplinary Conference, 23-24 May 2024, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) The living fabric of the world: Willa Cather's travel journalism. European Journal of American Culture, 28 (3). pp. 207-223. doi:10.1386/ejac.28.3.207_1

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2007) 'A work and a purpose': Willa Cather’s Journalism. In: The Journalistic Imagination: Literary Journalists From Dafoe to Capote and Carte. Routledge, Abingdon, pp. 74-86. ISBN 978-0415417242

Beyer, Charlotte ORCID: 0000-0002-2701-5443 and Savarese, Josephine (2022) Uncovering the Complexities and Silences: Mothers Who Kill. In: Mothers Who Kill. Demeter, pp. 9-22. ISBN 9781772583571

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2021) Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527564060

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

Brown, Alan (1998) The persistence of practical criticism. PhD thesis, University of Gloucestershire.

Budd, Stacey A. (2010) Burning glass : Compulsive creativity, self-destruction and the woman artist, with reference to a selection of works by Margaret Attwood and A.S. Byatt. Masters thesis, University of Gloucestershire.

Burke, Alison and Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.

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Cobby, Heather M (2012) Paths to Glory :a study of Edward Thomas's journeys towards Epiphany. Masters thesis, University of Gloucestershire.

Cochran, Tanya, Ginn, Sherry and Zinder, Paul ORCID: 0000-0002-9578-4009 (2014) The Multiple Worlds of Fringe: Essays on the J.J. Abrams Science Fiction Series. McFarland & Co Inc. ISBN 9780786475674

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Dolan, Josephine ORCID: 0000-0002-7669-9060, Gordon, Suzy and Tincknell, Estella (2009) The "postfeminist" biopic: Re-telling the past in The Hours, Sylvia and Iris. In: Textual Infidelities: Adaptations in Print and Visual Cultures. Continuum. ISBN 9780826424648

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Gill, Joanna Ruth (2001) 'The cracked mirror': Anne Sexton's poetics of self-representation. PhD thesis, University of Gloucestershire.

Griffiths, Robin M (2017) "Bitches, Bullies and Brutes": Re-Viewing Gender in 1970s Canuxploitation Cinema. In: 'An Isolated Culture of Terror?' Symposium and Film Screening, 27/04/17, Queen Mary University of London. (Unpublished)

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Hall, Sian (2009) Thames: a Poetic Exploration. Masters thesis, University of Gloucestershire.

Hughes, John D ORCID: 0000-0002-2187-2911 (2000) The Affective World of Charlotte Brontë's Villette. Studies in English Literature 1500-1900, 40 (4). pp. 711-726.

Hughes, John D ORCID: 0000-0002-2187-2911 (2001) Charlotte Brontë's Art of Sensation. Transactions of the Brontë Society, 26 (1). pp. 19-26. doi:10.1179/030977601794173268

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Deleuze, Bergson and Woolf's Monday or Tuesday. Deleuze Studies, 7 (4). pp. 496-514. doi:10.3366/dls.2013.0126

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) Deleuze, Style and Literature. Lit: Literature Interpretation Theory, 21 (4). pp. 269-284. doi:10.1080/10436928.2010.523616

Hughes, John D ORCID: 0000-0002-2187-2911 (2006) "The Exile’s Harp”: Tennyson’s Lost World of Music. Nineteenth Century Music Review, 3 (2). pp. 113-135.

Hughes, John D ORCID: 0000-0002-2187-2911 (2002) "For Old Association's Sake": History and Hardy's The Woodlanders'. Thomas Hardy Journal, xviii (2). pp. 57-64.

Hughes, John D ORCID: 0000-0002-2187-2911 (2007) “Hang there like fruit, my soul”: Tennyson’s Feminine Imaginings. Victorian Poetry, 45 (2). pp. 95-115. doi:10.1353/vp.2007.0024

Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Hardy and Music. English, 46 (185). pp. 113-129.

Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Hardy and the Life of Birds. Thomas Hardy Journal, xiv (3). pp. 68-77.

Hughes, John D ORCID: 0000-0002-2187-2911 (2009) ”Invisible Now”: Bob Dylan’s Art of Continual Becoming. Bridge, 35. pp. 83-103.

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) 'Metre and Context’: Hardy’s ‘Neutral Tones’. Victorian Poetry, 51 (1). pp. 81-97. doi:10.1353/vp.2013.0004

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) A Metrical Reading of Thomas Hardy’s “Afternoon Service at Mellstock”. Explicator, 69 (4). pp. 207-211. doi:10.1080/00144940.2011.640925

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) “Moments of Vision”: Hardy’s Visual Inspiration. In: Palgrave Advances in Thomas Hardy Studies. Palgrave Macmillan, pp. 229-254. ISBN 1403902577

Hughes, John D ORCID: 0000-0002-2187-2911 (2020) Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’. In: The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities . Edinburgh University Press, Edinburgh, pp. 447-452. ISBN 9780748693122

Hughes, John D ORCID: 0000-0002-2187-2911 (2006) Owen’s “Dulce et Decorum Est”. Explicator, 64 (3). pp. 160-162. doi:10.3200/EXPL.64.3.164-166

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) ‘Peter Widdowson’, ”Literature as History”:. In: Literature as History: Essays in Honour of Peter Widdowson. Continuum literary studies . Continuum International Publishing Group, London, pp. 173-175. ISBN 978-1441174314

Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Tennyson Revisited: Hardy’s “After a Journey". Thomas Hardy Journal, xxi (3). pp. 152-157.

Hughes, John D ORCID: 0000-0002-2187-2911 (2018) Towards a Reading of Wordsworth’s ‘Now ye meet in the cave’. Romanticism on the Net (71). pp. 1-24. doi:10.7202/1074534ar

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) "Tune and Thought”: The Uses of Music in Hardy’s Poetry. In: The Ashgate Research Companion to Thomas Hardy. Ashgate, Aldershot, pp. 269-284. ISBN 978-0-7546-6245-7

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) Villette by Charlotte Brontë. In: Nineteenth-Century Literature Criticism. Gale Literature Collections . Gale, Detroit, pp. 128-135.

Hughes, John D ORCID: 0000-0002-2187-2911 (2007) William Wordsworth, ‘A Slumber did my Spirit Seal’. Explicator, 65 (2). pp. 71-74. doi:10.3200/EXPL.65.2.71-75

Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Wittgenstein and Literature. Philosophical Inquiry, xxiv. pp. 13-21.

Hughes, John D ORCID: 0000-0002-2187-2911 (2008) Wordsworth’s Poetics of Orphanhood; ‘Tintern Abbey’, ‘The Vale of Esthwaite’ and ‘Salisbury Plain’. Romanticism, 14 (3). pp. 219-231.

Hughes, John D ORCID: 0000-0002-2187-2911 (2012) Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading. Studies in Romanticism, 51 (2).

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) Wordsworth’s “Catechizing” Sonnet and Family History. Explicator, 69 (4). pp. 184-188. doi:10.1080/00144940.2011.635610

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) Wordsworth’s “I Travell’d Among Unknown Men”: A Metrical Reading. Explicator, 68 (2). pp. 90-95. doi:10.1080/00144941003723733

Hughes, John D ORCID: 0000-0002-2187-2911 (2014) "A strange respect for the individual": Gilles Deleuze and Hardy the Novelist. In: Understanding Deleuze, Understanding Modernism. Bloomsbury, London, pp. 135-150. ISBN 9781623563493

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Innes, Paul ORCID: 0000-0001-5375-5341 (2019) Resources for Teaching and Studying Antony and Cleopatra. In: Antony and Cleopatra a Critical Reader. Arden Early Modern Drama Guides . Bloomsbury, pp. 201-227. ISBN 9781350049901

Innes, Paul ORCID: 0000-0001-5375-5341 (2016) Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello. Anglica. An International Journal of English Studies, 25 (3). pp. 69-80.

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Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.

Knight, Lania ORCID: 0000-0003-1024-8889 (2017) Cervantes, the journey, and what it tells us about becoming a writer. Open Cultural Studies, 1. pp. 391-394. doi:10.1515/culture-2017-0036

Koval, Erin and Hackett, Paul M ORCID: 0000-0002-9365-8084 (2016) Hermeneutic Consistency, Structured Ontology and Mereology as embodied in Facet Theory and the Mapping Sentence. In: Structure and Measurement in Interdisciplinary Research Collaboration. Facet Theory Association, pp. 106-113.

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MacLean, Malcolm ORCID: 0000-0001-5750-4670 (2010) Ambiguity Within the Boundary: Re-reading CLR James' Beyond a Boundary. Journal of Sport History, 37 (1). pp. 99-117.

Martindale, Kym (2000) Seeking the Queer Self Along the Textual Continuum. PhD thesis, University of Gloucestershire.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) Being Gone: A Text-World Analysis of Ambiguity in Eavan Boland’s ‘Suburban Woman: A Detail’. In: Old and New, Tried and Untried: Creativity and Research in the 21st Century University. Common Ground Publishing., Champaign, IL. ISBN 9781612298405

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2020) Construal, Blending and Metaphoric Worlds in Francis Harvey’s "The Deaf Woman in the Glen". In: New Directions in Cognitive Grammar and Style. Bloomsbury, London.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) Emergences: Towards a Cognitive Affective Model for Creativity in the Arts. In: The Cognitive Humanities: Embodied Mind in Literature and Culture. Palgrave, London, pp. 169-189. ISBN 9781137593283

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2015) Interpretation, Affordance and Realised Intention: the transaction(s) between reader and writer. In: Creative Writing and Education. Multilingual Matters, Clevedon, pp. 107-119. ISBN 9781783093526

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) Into the Futures of their Makers: A cognitive poetic analysis of reversals, accelerations and shifts in time in the poems of Eavan Boland. In: World Building: Discourse in the Mind. Advances in Stylistics . Bloomsbury Academic, London, pp. 259-276. ISBN 9781472586537

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2021) Liminal islands: A cognitive stylistic analysis of “Beyond the Pale” and “Rathlin” by Derek Mahon. In: Place: Stylistic Perspectives on Landscape, Place and Environment. Linguistic Approaches to Literature (37). John Benjamins, Amsterdam. ISBN 9789027208415

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2020) Making creative use of cognitive stylistic frameworks in the revising process. In: Creative Writing: Drafting, Revising and Editing. Macmillan Education, London, pp. 83-95. ISBN 9781137609564

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2021) Making worlds out of silence: A text-world analysis of the unspoken in ‘Not an Ending’ by Andrew Waterhouse. In: Breaking the Silence. Routledge, London. ISBN 9780367467630

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2019) Resonance and Absence: A text world analysis of “Tuonela” by Philip Gross. New Writing: The International Journal for the Practice and Theory of Creative Writing, 16 (1). pp. 89-99. doi:10.1080/14790726.2018.1511735

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2017) Shape-shifting Instabilities: Using blending theory to understand metamorphosis as metaphor in Eavan Boland’s poetry. In: Inside History: The work of Eavan Boland. Arlen House, Dublin, pp. 195-218. ISBN 9781851321407

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2020) Text-worlds, blending, and allegory in ‘Flamingos in Dudley Zoo’ by Emma Purshouse. Language and Literature, 29 (4). pp. 389-403. doi:10.1177/0963947020968664

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Randall, Martin C (2011) 9/11 and the Literature of Terror. Edinburgh University Press Ltd, Edinburgh. ISBN 9780748638529

Randall, Martin C (2010) Giving Them Back Their History': Peter Widdowson and Literature. In: Literature as History: Essays in Honour of Peter Widdowson. Continuum literary studies . Continuum International Publishing Group, London, pp. 95-105. ISBN 978-1441174314

Rosser, Tim (2018) Reimagining the Golem: The Creation and Development of Daniel Silva’s Spiritually-Motivated Protagonist, Gabriel Allon. Masters thesis, University of Gloucestershire.

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Saguaro, Shelley (2000) 'Bosom Secrets': Decrypting Hawthorne's Blithedale Romance. European Journal of American Culture.

Saguaro, Shelley (2020) Botanical Tentacles and the Chthulucene. In: Plants in Science Fiction Speculative Vegetation. New Dimensions in Science Fiction . University of Wales Press. ISBN 9781786835598

Saguaro, Shelley (2006) Garden Plots: The Politics and Poetics of Gardens. Ashgate. ISBN 9780754637530

Saguaro, Shelley (2006) How Does your Cyber Garden Grow? International Journal of the Humanities, 3 (6). pp. 263-270.

Saguaro, Shelley (2013) 'The Republic of Arborea': Trees and the Perfect Society. Green Letters: Studies in Ecocriticism, 17 (3). pp. 236-250.

Saguaro, Shelley (2013) 'Something that would stand for the conception': the inseminating world in the last writings of Virginia Woolf. Green Letters: Studies in Ecocriticism. doi:10.1080/14688417.2013.800340

Saguaro, Shelley (2010) 'Sway Between a Dance and a Fight': Black Religions in Toni Morrison's Paradise. In: Literature as History: Essays in Honour of Peter Widdowson. Continnuum-3PL, London, pp. 118-132. ISBN 9781441174314

Saguaro, Shelley (2009) Telling Trees: Eucalyptus, "Anon," and the Growth of Co-evolutionary Histories. Mosaic: A Journal for the Interdisciplinary Study of Literature, 42 (3). pp. 39-56.

Saguaro, Shelley and Tyler, Lucy (2014) 'Nature Once More Had Taken Her Part': Recuperating Anon, the Common Voice and the Uncovered Theatre. In: Bloomsbury Influences: Papers from the Bloomsbury Adaptations Conference. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 205-226. ISBN 9781443854344

Stevenson, Roberta (2006) Old Men's Tales :an Exploration of Masculinity and Ageing Through Narrative and Story Telling. PhD thesis, University of Gloucestershire.

Stibbe, Arran ORCID: 0000-0002-3854-9854 (2015) Ecolinguistic Discourse Analysis. In: The International Encyclopedia of Language and Social Interaction. Wiley, pp. 1-5.

Stibbe, Arran ORCID: 0000-0002-3854-9854 and Zunino, Francesca (2008) The discursive construction of biodiversity. In: Language, Signs and Nature: Ecolinguistic Dimensions of Environmental Discourse. Verlag, Berlin.

Stibbe, Arran (Ed) ORCID: 0000-0002-3854-9854 (2009) The Handbook of Sustainability Literacy: skills for a changing world. Green Books.

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Weeks, Hilary ORCID: 0000-0002-9845-016X (2015) Joseph De Sapio. Modernity and Meaning in Victorian London: Tourist Views of the Imperial Capital. Basingstoke, UK: Palgrave Macmillan, 2014. Journal of British Studies, 54 (03). pp. 768-770. doi:10.1017/jbr.2015.92

Wilson-Scott, Joanna (2018) Narratives of Water: Changing Places and Contested Spaces in Swedish Literature. In: Narratives of Place in Literature and Film. Taylor & Francis, London, pp. 216-229. ISBN 9781138499928

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Zinder, Paul ORCID: 0000-0002-9578-4009 (2015) Failed Patriarchs. In: Justified and Philosophy; Shoot First, Think Later. Popular Culture and Philosophy, 88 . Open Court Publishing Co ,U.S. ISBN 9780812698763

Zinder, Paul ORCID: 0000-0002-9578-4009 (2014) Nothing but Tech: Cyborgs and the Human Question. In: The Multiple Worlds of Fringe: Essays on the J.J. Abrams Science Fiction Series. McFarland & Co Inc. ISBN 9780786475674