Murray, Matthew ORCID: 0000-0001-8956-8062 (2019) Matthew Murray's Evaluation of Arts Council of England Creative Development Award. [Experiment] (Submitted)
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Abstract
Murray was successful in gaining funding from Arts Council England which allowed him to 1. I attended a number of professional development activities - Photogravure Master class at the Centre for Fine Print Research Bristol, Lith, Cyanotype, alternative processing, workshop at The Centre for Art and Photography, photo etching and screen printing workshops These alternative process workshops have ensured a greater understanding of historical & alternative techniques. The chemistry, materials, handling of the techniques that are capable of realizing unique qualities of tone, texture, definition & presence. 2. Experiment with new collaborators, explore, investigate, research and understand a new methodology and inform and develop a new visual language. I was able to explore landscape through textural & tonal characteristics of early photography processes, referencing early 20th century paintings made at Arenig, Fawr, Wales and especially the work of J.D. Innes and Augustus John. 3. I was able to develop a dialogue and build new networks with prominent artists, curators, gallery directors and master printers in the UK & internationally including Roger Watson, Curator Fox Talbot Museum, Lacock Abbey, artist Richard Billingham, Nicola Shipley, Director of GRAIN Projects, Will Troughton Curator of Photography, National Library Wales and David Drake, Director Ffotogallery, Wales & Diffusion Festival, Hans Rooseboom Curator of Photography, Rijksmuseum, Maartje van den Heuvel, Curator of photography, Special Collections, Leiden Institute, Martin Barnes Senior Curator of Photographs at The V&A Museum, London, Addie Elliott, Director at ElliottHalls Gallery, Amsterdam. 4. The extended period of creative development for me as an artist and my practice was vital. I was able to free up valuable time from my academic & commercial projects. This gave me the opportunity to challenge my present methodology and introduce new working practices that were informed through research engagement with other practitioners, curators, writers and historians.
Item Type: | Experiment |
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Additional Information: | Developing your Creative Practice is a new development fund from Arts Council England and is designed to support independent creative practitioners to ensure excellence is thriving in the arts and culture sector. This fund will create more pathways for individuals from a range of creative practices and backgrounds. Arts Council England invest £3.6 million per year in creative practitioners, allowing them to do ambitious research and development and make a step-change in their practice. There are four rounds of funding per year, open to individuals working with our supported disciplines. There were over 900 applications for the first round of funding and only 101 were successful. |
Uncontrolled Keywords: | arts council England, alternative process, photography, Wales, landscape, fox Talbot, Fox Talbot Museum Lacock abbey. Research, development, creative, development. |
Related URLs: | |
Subjects: | G Geography. Anthropology. Recreation > G Geography (General) G Geography. Anthropology. Recreation > GB Physical geography G Geography. Anthropology. Recreation > GN Anthropology L Education > L Education (General) L Education > LF Individual institutions (Europe) N Fine Arts > ND Painting N Fine Arts > NE Print media N Fine Arts > NX Arts in general S Agriculture > S Agriculture (General) T Technology > TR Photography |
Divisions: | Schools and Research Institutes > School of Creative Arts |
Research Priority Areas: | Culture, Continuity, and Transformation Creative Practice and Theory |
Depositing User: | Matthew Murray |
Date Deposited: | 15 Mar 2019 14:48 |
Last Modified: | 31 Aug 2023 09:22 |
URI: | https://eprints.glos.ac.uk/id/eprint/6603 |
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