Items where Subject is "TR Photography"

A

Adkins, Kirsten ORCID: 0000-0002-9907-6691 (2020) Military Photographer Captures Her Own Death. [Film / Video] (Unpublished)

Adkins, Kirsten ORCID: 0000-0002-9907-6691 (2020) Napoleon Dynamite By Me. [Film / Video] (Submitted)

B

Ballantyne, Trudie ORCID: 0000-0002-1667-9105 (2017) Ocean Edge: Photographic collection. [Show/Exhibition]

Ballantyne, Trudie ORCID: 0000-0002-1667-9105 and Williams, Michelle A (2017) Plastic Fantastic - Or is it? In: University of Gloucestershire Public lecture series, 30th November 2017, University of Gloucestershire, Park campus, Cheltenham, Glos, UK. (Unpublished)

Beaumont, Sheona (2017) The Bible in/as photography towards a photo-Biblical hermeneutic. PhD thesis, University of Gloucestershire.

Bick, Andrew M ORCID: 0000-0001-5688-6064, Dolven, A K, Besemer, Linda and Bier, Rolf (2002) Sight Mapping: a curated exhibition that merges painting, video and installation, the formal and informal, figuration and abstraction. [Show/Exhibition]

Bick, Andrew M ORCID: 0000-0001-5688-6064, Dolven, A K, Štrba, Annelies and Akkerman, Philip (2006) The Kingston Turnpike. [Show/Exhibition]

Billingham, Richard ORCID: 0000-0002-6474-5656 Illustrated Interviews. Various.

Billingham, Richard ORCID: 0000-0002-6474-5656 (2024) Photographic Work exhibited in 'Private lives, from the Bedroom to the Socials. From 18th Century to Now', Central Hall/Nave, Musée des Arts Décoratifs, Paris, Curated by Christine Macel and Fulvio Irace, (15th October 2024 - 30th March 2025). [Show/Exhibition]

Billingham, Richard ORCID: 0000-0002-6474-5656 (2024) Ray's a Laugh. Mack Books, London. ISBN 9781915743329

Billingham, Richard ORCID: 0000-0002-6474-5656 (2006) Zoo. VIVID, Birmingham. ISBN 978-0-9552483-1-3

Billingham, Richard ORCID: 0000-0002-6474-5656 and Jobey, Liz (Ed) (2024) Ray's a Laugh: A Reader. Mack Books, London. ISBN 9781915743367

Bouyerbou, Hafidha (2022) Towards a Semantic Understanding of very High- Resolution Satellite Images: the Case of Major Disasters. PhD thesis, University of Gloucestershire. doi:10.46289/KP51PK99

Boyd, Jean ORCID: 0000-0002-9343-6692 (2018) Architectures of the Instant: glimpsing the utopian in the suspended moment. In: Moving Images, Static Spaces: Architectures, Art, Media, Film, Digital Art and Design, 12 - 13th March 2018, Altinbas University, Istanbul. (Unpublished)

Boyd, Jean ORCID: 0000-0002-9343-6692 (2020) Architectures of the Suspended Moment. In: Narrating the City. Mediated City, 5 . Intellect Books, Bristol. ISBN 9781789382716

Boyd, Jean ORCID: 0000-0002-9343-6692 (2019) Patterns of Civil Imagination: drawing the Unshowable Photographs. Drawing: Research, Theory, Practice, 4 (1). pp. 145-157. doi:10.1386/drtp.4.1.145_1

Browne, Yvonne T. (2021) Rooted in Uncertainty: Affective Ambiguity as Enrichment of Text and Image. PhD thesis, University of Gloucestershire. doi:10.46289/MZ87DE11

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Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) 'Coleus'. [Artefact]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) 'Cornflowers'. [Artefact]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) 'Cyclamen'. [Artefact]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Digital Bouquet. [Artefact]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Garden Underground. [Show/Exhibition]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Plate Spinner. [Film / Video]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rock noise. [Film / Video] (Unpublished)

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rocks - slowed down sound. [Audio] (Unpublished)

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rocks and noises. [Film / Video] (Submitted)

Clancy, Tony ORCID: 0000-0003-0525-6710 (2017) Trauma and Deadpan. Photography Dialogues Journal (1). pp. 25-34.

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Trees in wind. [Audio] (Unpublished)

Clancy, Tony ORCID: 0000-0003-0525-6710 and Adcock, Mike (2017) 'Stone Ghosts'. In: ASLE UKI / LAND2 conference, 6- 8th September 2017, Sheffield Hallam Uni. (Unpublished)

Cross, Karen and Peck, Julia ORCID: 0000-0001-5134-2471 (2010) Editorial: Special Issue on Photography, Archive and Memory. Photographies, 3 (2). pp. 127-138. doi:10.1080/17540763.2010.499631

Crow, Robert (2016) Reputations made and lost: the writing of histories of early twentieth-century British photography and the case of Walter Benington. PhD thesis, University of Gloucestershire.

D

Davison, Bob (2016) Borders. [Show/Exhibition]

Devoy, J and Rocco, Vito ORCID: 0000-0002-3809-5901 (2020) Tell Me About It: Audio Description as Ethical Participatory Creative Practice. [Show/Exhibition]

Duke, Andrew (2017) The Old City. [Image]

E

Edney, Alice J. (2020) Development of time-lapse photography for the population monitoring of a colonial seabird. Masters thesis, University of Gloucestershire. doi:10.46289/CI36CO13

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Goodenough, Anne E ORCID: 0000-0002-7662-6670 and Goodenough, Andrew S. (2011) Development of a Rapid and Precise Method of Digital Image Analysis to Quantify Canopy Density and Structural Complexity. ISRN Ecology, 2012. pp. 1-11. doi:10.5402/2012/619842

Goodenough, Anne E ORCID: 0000-0002-7662-6670, Smith, Angela L, Stubbs, Hannah, Williams, Rachel and Hart, Adam G ORCID: 0000-0002-4795-9986 (2012) Observer Variability in Measuring Animal Biometrics and Fluctuating Asymmetry when using Digital Analysis of Photographs. Annales Zoologici Fennici, 49 (1-2). pp. 81-92. doi:10.5735/086.049.0108

Gormley, Anna ORCID: 0009-0009-3009-6879 and Allan, Stuart (2019) Re-imagining human rights photography: Ariella Azoulays intervention. In: Reporting Human Rights, Conflicts, and Peacebuilding : Critical and Global Perspectives. Springer International Publishing AG, pp. 203-220. ISBN 9783030107185

Griffiths, Jason ORCID: 0000-0002-4827-4508 and Deeks, Roger ORCID: 0000-0003-3012-8913 (2018) A Fortunate Man remembered...50 Years On. [Show/Exhibition]

Griffiths, Jason ORCID: 0000-0002-4827-4508, Deeks, Roger ORCID: 0000-0003-3012-8913 and Peck, Julia ORCID: 0000-0001-5134-2471 (2019) A Fortunate Man: The Photographs of Jean Mohr. [Show/Exhibition]

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Harper, Sharon P (2016) The Commercial Elephant in the Room: The Curious Silence in the Discussions on Digital. Take on Art, 2 (1). pp. 1-8.

Harper, Sharon P (2016) Digitalisation and Commercial Photography: Addressing the Lacuna in Photography Theory. In: Helsinki Photomedia 2016: Photographic Agencies and Materialities, 30 March - 1 April 2016, Aalto University, Helsinki. (Unpublished)

Harper, Sharon P (2016) “Otherwise you’re just the button pusher”: Understanding changing structures of creativity in the commercial photography industry. In: MeCCSA 2017: Culture, Media, Equality and Freedom, 11-13 January 2017, University of Leeds. (Unpublished)

Harper, Sharon P (2015) Photography Theory Moving Forward. In: MeCCSA 2015: Generations, 7-9 January 2015, Northumbria University. (Unpublished)

Harper, Sharon P (2016) The Portrait Document. In: Photography: A Visual Language, 19 March 2016, The Natural History Museum, London, UK. (Unpublished)

Harper, Sharon P (2015) The World’s Most Amazing 100% Awesome Photography Theory. In: 21 Century Photography: Art, Philosophy, Technique, 5-6 June 2015, Central Saint Martins. (Unpublished)

Harper, Sharon P (2016) The World’s Most Amazing 100% Awesome Photography Theory. Photographies, 9 (3). pp. 327-348. doi:10.1080/17540763.2016.1202133

Hart, Adam G ORCID: 0000-0002-4795-9986, Dawson, Melissa, Fourie, Richard, MacTavish, Lynne and Goodenough, Anne E ORCID: 0000-0002-7662-6670 (2022) Comparing the effectiveness of camera trapping, driven transects and ad hoc records for surveying nocturnal mammals against a known species assemblage. Community Ecology, 23. pp. 27-39. doi:10.1007/s42974-021-00070-7

Hodgson, Vicky (2014) Still Working: Photograpahic Essay. Postgraduate Journal of Women, Ageing and Media (1).

Howie, Geraldine (2011) The Powell-Cotton Dioramas and the Re-interpretation of an Idyll. PhD thesis, University of Gloucestershire.

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Ingledew, John, Cotterrell, David, Tang, Rose and Zhou, Shanglie (2006) Platform for Urban Investigation. [Show/Exhibition]

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Morris, Nic ORCID: 0000-0001-9426-2172 (2006) Digital DP. In: The Guerilla Film Makers Handbook. Continuum, New York & London, pp. 270-277. ISBN 082647988X

Murray, Matthew ORCID: 0000-0001-8956-8062 (2007) Above the line Advertising Campaign for Eon - FA Cup - Eon Carbonfooty Print Campaign TBWA London Creative Director Graham Cappi Art Director James Gilliam Photography © Matthew Murray. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2002) Beyond Disruption: Changing the Rules in the Marketplace. In: Beyond Disruption: Changing the Rules in the Marketplace. John Wiley & Sons, Chichester, pp. 205-213. ISBN 10: 0471218995 / 13: 9780471218999

Murray, Matthew ORCID: 0000-0001-8956-8062 (2017) De donkere wolken boven Saddleworth Moor. FD Magazine, Holland. pp. 20-25.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2016) FILM/TALK: Photography A Visual Language: The Landscape Document Part 1. In: Photography A Visual language: A Day of Conversation, 22.3.2016, University of Gloucestershire.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2006) Factor 15. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2003) Front Cover Photograph & Interview for FREEYE Magazine. FREEYE Magazine - Dutch Quarterly For Exceptional International Photography, 02. pp. 50-51. doi:977156769900602

Murray, Matthew ORCID: 0000-0001-8956-8062 (2002) The Government Minimum Wage Campaign, an above the Line Print Advertising Campaign through Ogilvy & Mather Advertising Agency London. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2014) International Photography Awards, 2014. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2001) Knock Down Ginger 70 Years of Street Kids, Photographers' Gallery, London. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2005) Made in Britain - Contemporary British Photography, Huis Marseille/Fotografie Museum, Amsterdam, Holland. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2013) Matthew Murray - H5 Advertising Agency, Paris - A series of personal photography shot in Brazil, England and The South Of France. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2018) Matthew Murray Awarded a Silver Award at The Tokyo International Photography Awards 2018 for the publication Saddleworth: Responding To A Landscape. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2004) Matthew Murray Commissioned to photograph eyewear brands, Chanel, Giorgio Armani, Hugo Boss, Jean Paul Gaultier for a fashion story in i-D magazine. i - D (220). pp. 55-60. doi:The Spectator Issue No.220

Murray, Matthew ORCID: 0000-0001-8956-8062 (2008) Matthew Murray Exhibits work at 'Through the Lens' exhibition at The Royal West of England Academy, Bristol. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2012) Matthew Murray Finalist in The International Street Photography Awards 2012 Photography © Matthew Murray. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2009) Matthew Murray Photographs above the line Advertising Campaign for Telstra Bigpond Sports - Australia -. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2004) Matthew Murray Photographs and interviews Tribute Bands and Acts, photographed in Birmingham and the Black Country. i - D. pp. 109-115. doi:1002 Eye

Murray, Matthew ORCID: 0000-0001-8956-8062 (2003) Matthew Murray Photographs and interviews Wrestlers at Holyhead Leisure Centre, Handsworth, Birmingham for a personal Project. i - D (232). pp. 45-49.

Murray, Matthew ORCID: 0000-0001-8956-8062 (1995) Matthew Murray finalist at The John Kobal Portrait Awards 1995. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (1997) Matthew Murray finalist in The John Kobal Portrait Awards 1997. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2015) Matthew Murray finalist in the Association of Photographers Awards 2015 - Series and Single Image Category. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2010) Matthew Murray shoots above the line advertising campaign for IKEA Kitchen Squad - BMB advertising Agency, London. Photography stills shot alongside TV commercials - Matthew Murray works directly with the creatives and writes treatments for each of the ads shot. Campaign Magazine.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2001) Matthew Murray winner of the Association of Photographers Awards Lifestyle Category 2001. In: The 17th Awards Hardcover. Association of Photographers (Great Britain), London, pp. 10-12. ISBN -10: 0190204915 ISBN-13: 978-0190204914

Murray, Matthew ORCID: 0000-0001-8956-8062 (2018) Matthew Murray wins Professional Book, Monograph at the International Photography Awards, 2018, in New York. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2019) Matthew Murray's Evaluation of Arts Council of England Creative Development Award. [Experiment] (Submitted)

Murray, Matthew ORCID: 0000-0001-8956-8062 (2017) Matthew Murray's atmospheric landscape images inspired by walks on Saddleworth Moor. British Journal of Photography: Journeys (7865). pp. 20-21. doi:9 770007 119135

Murray, Matthew ORCID: 0000-0001-8956-8062 (1998) Matthew Murray's photograph - Sean, 1996 included in the Coming to Light Exhibtion and Catalogue Birmingham Museum and Arts Gallery. In: Coming To Light. Birmingham Libraries and Birmingham Museum and Art Gallery, Birmingham, p. 125. ISBN 0709302282

Murray, Matthew ORCID: 0000-0001-8956-8062 (2018) Matthew Murray's work included in Hit the North A Celebration of Photography Across Five Decades. Aesthetica, 83. pp. 134-135.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2015) Matthew Murray: Pleasure In Leisure. Lenscratch.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2016) Matthew Murray’s photographs have been shortlisted for the final of the 2016 International Photography Awards (IPA). [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2017) Memories of Landscape - In print IMA Magazine. IMA Magazine, Japan. p. 40.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2012) 'Murray's World' Gallery Vassie. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2001) Paris Photo 2001 Catalogue - A selection of work exhibited at Paris Photo - Le Carrousel Du Loure - through the Photographers' Gallery, London. In: Paris Photo 2001. Paris Photo, Gent - Belgium, p. 138. ISBN 2912760062

Murray, Matthew ORCID: 0000-0001-8956-8062 (2012) Photo Essay: The Ska Parade. Dazed Digital.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2018) Photographic Alphabet - M is for Matthew Murray - Matthew Murray's Travel Feature. Musee Magazine, New York.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2014) Pleasure in Leisure. Port.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2002) Portrait of author Steven Arnott at the Knightsbridge Hotel, London for Dwell Magazine, Los Angeles, USA. DWELL (2). pp. 28-30. doi:7189646597

Murray, Matthew ORCID: 0000-0001-8956-8062 (2004) Print Campaign titled 'PANTOMINE HORSE' by Saatchi & Saatchi London advertising agency for Shreddies Cereal Bar in United Kingdom. Coloribus.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2017) Responding to a landscape: Symposium at MAC in association with the Matthew Murray Exhibition. In: Responding to a landscape: Symposium at MAC in association with the Matthew Murray Exhibition, 24/11/2017, MAC Birmingham. (Unpublished)

Murray, Matthew ORCID: 0000-0001-8956-8062 (2013) Saddleworth Moor, Unseen Amsterdam, 2013. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2017) Saddleworth, Responding to a Landscape. Other. Gallery Vassie - Pirate editions ISBN - 978-90-826894-0-2, Amsterdam, The Netherlands.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2018) Saddleworth: Responding To A Landscape - Exhibition Elliott Halls Gallery, Amsterdam, The Netherlands. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2017) Saddleworth: Responding to a Landscape. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2020) Selected photographs from the Arenig Fawr Exhibition at the Fox Talbot Museum, Lacock Abbey. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2004) Shreddies. An above the Line Print advertising Campaign through Saatchi & Saatchi. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2013) Ska 1:46 - Ska 4:03 The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam. In: The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam, Thursday 26th september, 2013, Unseen Living Room in het Machinegebouw Amsterdam, the Netherlands.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2004) Sony Playstation 2 and the video game 'The Getaway - wish you were here' print campaign ad. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2004) TBWA makes finances easy. Campaign.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2010) Thomson Holidays 'Sensatori' Advert - Matthew Murray Shoots above the line Stills advertising campaign and end frame for Thomson TV commercial Photography © Matthew Murray. Thomson.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2014) Unseen Amsterdam Exhibition Catalogue, 2014. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2000) Work included in an article looking at Political Advertising. Campaign. p. 24. doi:47

Murray, Matthew ORCID: 0000-0001-8956-8062 (2001) An above the line advertising campaign for the Flowers and Plants Association, in association with The Canadian Institute For Mental Health. [Artefact]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2016) A selection of Matthew Murray's photographs included in An Exhibition by Five Contemporary Photographers at Gallery Vassie, Amsterdam. [Show/Exhibition]

Murray, Matthew ORCID: 0000-0001-8956-8062 (2017) A selection of Matthew Murray's photographs on Artsy - Artsy's mission is to make all the world’s art accessible to anyone with an Internet connection. Artsy are a resource for art collecting and education. [Artefact]

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Peck, Julia ORCID: 0000-0001-5134-2471 (2013) Amateur Ornithology and Amateur Photography: Readers’ Photographs in The Emu. Either/And.

Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Artwash and Influence: Photography and Climate Change in the Prix Pictet. In: Anthropology, Weather and Climate Change, 27th-29th May, British Museum, London. (Submitted)

Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Bringing the sublime back down to earth: Olaf Otto Becker’s renegotiation of the sublime in a neoliberalised and climate changing world. In: Northern Light: Landscape Photography and Evocations of the North, 4-5th July 2016, Sheffield Hallam University. (Submitted)

Peck, Julia ORCID: 0000-0001-5134-2471 (2000) Face. In: Shifting Horizons : Women's Landscape Photography Now. Edited By Liz Wells, Kate Newton and Catherine Fehily. I. R. Tauris, pp. 18-23. ISBN 9781860646355

Peck, Julia ORCID: 0000-0001-5134-2471 (2013) Family and Field Work: J.S.P. Ramsay’s Photograph Album. In: The Photograph and the Collection: Create | Preserve | Analyze | Present. Museums Etc., Edinburgh, pp. 60-95. ISBN 978-1-907697-85-2

Peck, Julia ORCID: 0000-0001-5134-2471 (2023) Imperial and geopolitical relationships in Iñupiaq climate change narratives: extinction and cultural survival in The Last Days of Shishmaref. In: Disturbed Ecologies: Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. Art and Visual Studies Series . Transcript Verlag, Bielefeld, Germany, pp. 231-256. ISBN 9783837660265

Peck, Julia ORCID: 0000-0001-5134-2471 (2021) In a World Fit for Humans? Posthumanism and the Nature-Culture Continuum in the Prix Pictet. Photography and Culture, 14 (2). pp. 233-251. doi:10.1080/17514517.2021.1890919

Peck, Julia ORCID: 0000-0001-5134-2471 (2013) J.S.P. Ramsay: amateur ornithological photography and the photo processing industry. In: Workers and Consumers: The Photographic Industry, 24-25th June 2013, De Montfort University, Leicester. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2014) James Balog’s Extreme Ice Survey publications and the absent stop motion photographs. In: Image-Movement-Story, Practice as Research Symposium,, 4th June 2014, University of Roehampton. (Submitted)

Peck, Julia ORCID: 0000-0001-5134-2471 (2007) John William Lindt’s Curious Engagement with New Guinea. In: Imperial Curiosity: Objects, Representations and Knowledges, 27th-29th June 2007, UTAS, Hobart, Tasmania, Autralia. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2008) Kruger, Johan Friedrich Carl (Fred). In: Encyclopedia of Nineteenth-Century Photography. Routledge, Abingdon, Oxon. ISBN 978-0415972352

Peck, Julia ORCID: 0000-0001-5134-2471 (2018) Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime. In: Northern Light: Landscape, Photography and Evocations of the North. Image . Transcript Verlag, Bielefeld. ISBN 978-3-8376-3975-9

Peck, Julia ORCID: 0000-0001-5134-2471 (2009) A Modern Vision: Charles Bayliss, Photographer, 1850-1897 Helen Ennis. National Library of Australia, Canberra 2008. History of Photography, 33 (1). pp. 94-105. doi:10.1080/03087290802583044

Peck, Julia ORCID: 0000-0001-5134-2471 (2007) New South Wales Government Printer. In: Encyclopedia of Nineteenth-Century Photography. Routledge, Abingdon, Oxon. ISBN 978-0415972352

Peck, Julia ORCID: 0000-0001-5134-2471 (2020) Olaf Otto Becker in conversation with Julia Peck. In: Proximity and Distance in Northern Landscape Photography: Contemporary Criticism, Curation and Practice. Transcript Verlag, Bielefeld.

Peck, Julia ORCID: 0000-0001-5134-2471 (2010) Performing Aboriginality: Desiring Pre-contact Aboriginality in Victoria, 1886–1901. History of Photography, 34 (3). pp. 214-233. doi:10.1080/03087291003765802

Peck, Julia ORCID: 0000-0001-5134-2471 (2013) Petrochemical America by Richard Misrach and Kate Orff, New York, Aperture, 2012. Dandelion Journal, 4 (2).

Peck, Julia ORCID: 0000-0001-5134-2471 (2015) Photography’s Time Lag: Challenging the Pastness and Passivity in the Representation of Climate Change and Other Environmental Disasters. In: Bridging Divides: Spaces of Scholarship and Practice in Environmental Communication The Conference on Communication and Environment, 11-14 June 2015, Boulder, Colorado, USA.

Peck, Julia ORCID: 0000-0001-5134-2471 (2011) Pulletop and Thornthwaite: Photography, Taste and Class Mobility in 19th Century New South Wales. In: Changing the Subject, 2nd - 4th February 2011, Adelaide, South Australia. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2012) Pulletop and Thornthwaite: photographs of pastoral properties in nineteenth-century New South Wales. Journal of Australian Studies, 36 (2). pp. 155-175. doi:10.1080/14443058.2012.673502

Peck, Julia ORCID: 0000-0001-5134-2471 (2019) Spaces of the Anthropocene? Photography’s representations of environmental degradation and some progressive developments. In: Beyond Green: Rethinking Nature in Urban Public Spaces, 12th June 2019, University of Gloucestershire. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2012) Thornthwaite: Joseph and Ernest Docker’s melancholic wilderness. In: Imaging Nature II:, 20-22 June 2012, Tarraleah, Tasmania, Australia. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Vibrant Photographies: Photographs, actants and political ecology. Photographies, 9 (1). pp. 71-89. doi:10.1080/17540763.2016.1138996

Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Why it does not have to be in Focus: Modern Photography Explained. Visual Studies, 31 (1). pp. 78-79. doi:10.1080/1472586X.2014.941592

Peck, Julia ORCID: 0000-0001-5134-2471 (2017) An aesthetic regime of hope: reading Richard Misrach’s and Guillermo Galindo’s "Border Cantos". In: Democracy, Borders and Public/Political Engagement: Challenges for Environmental Communication, June 29th to July 2nd, University of Leicester. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2018) The documentary landscape and the representation of human-nature relationships: being ecological in the photographs of Lucas Foglia. In: Anthropocene Narratives: A Humanities Symposium, 28th September 2018, Trondheim, Norway. (Unpublished)

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Randall, Martin C (2014) The Spectacle of the Void: Photography and 9/11. In: Gloucestershire Philosophical Society, 21 May 2014, University of Gloucestershire. (Unpublished)

Ryan, Bob ORCID: 0000-0003-3855-9048 (2016) The master photographer: the journey from good to great. Bourchier, Cirencester. ISBN 9780993469213

Ryan, Bob ORCID: 0000-0003-3855-9048 and Price, Alison (2021) Object-oriented photography: A speculative essay on the photography of essence. Philosophy of Photography, 12 (1-2). pp. 129-147. doi:10.1386/pop_00051_1

Ryan, Robert J. ORCID: 0000-0003-3855-9048 (2019) Intuition, expertise and judgement in the capture and assessment of photographic images. PhD thesis, University of Gloucestershire. doi:10.46289/SSFA2043

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Salkeld, Richard J (2014) Reading Photographs: An Introduction to the Theory and Meaning of Images. Basics: Creative Photography . Bloomsbury: Fairchild, London. ISBN 9782940411894

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Becoming The Narrative…. Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2012) Conversation between Grant Scott and photographer Mary Ellen Mark focusing on her editorial work and project titled PROM. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2012) Conversation between Photographer Jane Bown and Grant Scott. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2011) Conversation between Rock Photographer James Fortune and Grant Scott. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2010) Conversation between photographer Brian Duffy and Grant Scott. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2013) Conversation between photographer/film director Dr.David Eustace and Grant Scott. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2012) Conversation with filmmaker Ben Shapiro discussing his film 'Brief Encounters' documenting the photographer Gregory Crewdson. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) Crash Happy. Cafe Royal. ISBN 9780415717540

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Do Not Bend: The Photographic Life of Bill Jay. [Film / Video]

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Don't Forget Photographers of The Immediate Past! Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2015) The Essential Student Guide to Professional Photography. Focal Press - Routledge. ISBN 9781138805323

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Interview with photographer Jim Mortram. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Is Instagram The New Gateway to Photography? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Is It Still Fashionable To Be A Fashion Photographer? United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) I’m a Photographer, Let Me In! : Opening The Door To Photo Education. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Kick Over the Statues! Are the Icons of Photography Still Relevant? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) The Loneliness of the Long-Distance Photographer. Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) The New Commercial Environment. In: Professional Photography: The New Global Landscape Explained. Focal Press, pp. 22-55. ISBN 9780415717540

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) The New Publishing Landscape: In Conversation with Iain Sarjeant of Another Place Press. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2018) OK Computer: Computational photography is here to stay! Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Oi! Don’t You Understand Copyright? PetaPixel.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Opening Up The Conversation: #CClasses, The Future of the Photographic Community? United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) The Photograph Taken and Not Taken. Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2018) A Photographic Life: Podcast. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) Photography Festivals: An Opportunity Repeatedly Missed? United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Portrait Photography Made Simple, or Not! United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Post-Production Should Be In The Past. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) Pro Photo Tips: For Students. [Film / Video]

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) Professional Photography: The New Global Landscape Explained. Focal Press (Taylor & Francis Group), London. ISBN 9780415717540

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) The Single Image Narrative: Sometimes It Chooses You. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Some Observations on What Photography Is Now…. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Teaching Photography as a Visual Language. Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Three Photobooks You Don’t Need to Buy or Own (Or Why Editors Matter…). United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Transformations and Convergences: The Tectonic Plates of Photography. Viewbook Online Journal.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) What Is the Role of the 21st Century Post Digital Photographer? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2015) What is Professional Photography? In: The Essential Student Guide to Professional Photography. Focal Press - Routledge, pp. 2-15. ISBN 9781138805323

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Where are we now with the moving image? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Why is narrative such a difficult concept for young photographers to master? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Why study photography? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Your Copyright Is Your Future, Control It! Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 and Scott-Jeffries, Samantha (2005) At Home with the Makers of Style. Thames & Hudson. ISBN 978-0500512340

Silverwood Taylor, Caroline (2020) Indecisive Moments: An Exploration of the Photograph in Relation to the Temporal Dimension of Liminality. PhD thesis, University of Gloucestershire. doi:10.46289/DS49PA66

Southern, Jack (2016) Are ‘traditional’ Drawing approaches merely an antidote to the digital world, or are original and authentic drawn responses more important than ever? In: AAH2017. Association of Art Historians, London. (In Press)

Sumner, Rachel C ORCID: 0000-0002-2421-7146 and Hughes, Samantha ORCID: 0000-0002-7715-9808 (2021) See with Fresh Eyes: Mindful Photography for Improved Mental Health: Programme evaluation report. Technical Report. University of Gloucestershire.

W

White, Darcy, Peck, Julia ORCID: 0000-0001-5134-2471 and Goldie, Chris (2023) Introduction. In: Disturbed Ecologies: Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. Art and Visual Studies Series . Transcript Verlag, Bielefeld, Germany, pp. 9-23. ISBN 9783837660265

White, Darcy, Peck, Julia ORCID: 0000-0001-5134-2471 and Goldie, Chris (2023) Preface and acknowledgements. In: Disturbed Ecologies: Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. Art and Visual Studies Series . Transcript Verlag, Bielefeld, Germany, p. 7. ISBN 9783837660265

White, Darcy (Ed), Peck, Julia (Ed) ORCID: 0000-0001-5134-2471 and Goldie, Chris (Ed) (2023) Disturbed Ecologies: Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. Art and Visual Studies Series . Transcript Verlag, Bielefeld, Germany. ISBN 9783837660265

Wilson-Copp, Frances (2008) Everyday objects and the evocation of the miraculous. PhD thesis, University of Gloucestershire.