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Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Brian Cliff, Irish Crime Fiction (Palgrave, 2018). Irish Literary Supplement. p. 4.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction. Clues: A Journal of Detection, 40 (2). pp. 119-122.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “The Third Ireland”: Inheritance and Postcolonialism in Irish Crime Writing. Journal of Commonwealth and Postcolonial Studies, 4 (1). pp. 61-81.
Daly, Kirsten ORCID: 0000-0002-0220-9559 (2020) Dispossession in The Death of the Heart. Essays in Criticism, 70 (4). pp. 409-427. doi:10.1093/escrit/cgaa022
Hughes, John D ORCID: 0000-0002-2187-2911 (2000) The Affective World of Charlotte Brontë's Villette. Studies in English Literature 1500-1900, 40 (4). pp. 711-726.
Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Deleuze, Bergson and Woolf's Monday or Tuesday. Deleuze Studies, 7 (4). pp. 496-514. doi:10.3366/dls.2013.0126
Hughes, John D ORCID: 0000-0002-2187-2911 (2002) "For Old Association's Sake": History and Hardy's The Woodlanders'. Thomas Hardy Journal, xviii (2). pp. 57-64.
Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Hardy and Music. English, 46 (185). pp. 113-129.
Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.
Knight, Lania ORCID: 0000-0003-1024-8889 (2017) Cervantes, the journey, and what it tells us about becoming a writer. Open Cultural Studies, 1. pp. 391-394. doi:10.1515/culture-2017-0036
Saguaro, Shelley (2013) 'Something that would stand for the conception': the inseminating world in the last writings of Virginia Woolf. Green Letters: Studies in Ecocriticism. doi:10.1080/14688417.2013.800340
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Centring Women of Colour: Decolonising the Literature Curriculum with Kamila Shamsie’s Home Fire and Bolu Babalola’s Love in Colour. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 45-64. ISBN 978-3030912888
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “Contemporary Crime Fiction: A Surfeit of Riches”. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781527564060
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Crime Fiction and Migration. In: Routledge Companion to Crime Fiction. Routledge, pp. 379-387. ISBN 9781138320352
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “I Stand Out Like a Raven”: The Female Detective and Tudor History in Nancy Bilyeau’s The Crown. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 39-60. ISBN 9781527564060
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “She Looked West”: Martha Grimes’ Environmental Crime Novel Biting the Moon. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 187-208. ISBN 9781527564060
Coe, Kate (2016) High Flight & Flames. In: High Flight & Flames. Kristell Ink, pp. 1-5. ISBN 978-0993576638
Hitchman, Beatrice ORCID: 0000-0001-6088-6497 (2019) 'Minor Scandal': Lesbian Contexts for The Bell Jar. In: Sylvia Plath in Context. Cambridge University Press, Cambridge, pp. 169-179. ISBN 9781108470131
Hughes, John D ORCID: 0000-0002-2187-2911 (2011) Villette by Charlotte Brontë. In: Nineteenth-Century Literature Criticism. Gale Literature Collections . Gale, Detroit, pp. 128-135.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) "Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery. In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “Imagination or Memory?” The Search for Self in Paula Hawkins’ Crime Novel The Girl on the Train. In: 7th "MEMORY, FORGETTING AND CREATING": International Interdisciplinary Conference, 18-19 January, Online.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Keynote: “TERF Wars”: Intersectionality and Decolonisation in Contemporary Crime Fiction. In: Futures of Crime: Exploring the Evolving Terrain of Crime Fiction, 20 May 2022, Queen's University Belfast.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Migrant Mothers and Diasporic Daughters: Tracing the Mother’s Story in the Black British Writer Andrea Levy’s Novels. In: 7th "Migration, Adaptation and Memory": International Interdisciplinary Conference, 13-14 June, 2024, Gdansk, Poland.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “Now Those Words Want to be Spoken:” Trauma and the Politics of Representation in Stella Duffy’s Crime Novel Mouths of Babes. In: 7th "TRAUMA AND NIGHTMARE" International Interdisciplinary Conference, 14-15 March 2024, Online.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) “Pedagogical strategies for teaching LGBTQ+ YA American Literature in the undergraduate classroom”. In: British Association for American Studies Conference 2022, 21-23 April 2022, University of Hull, UK. (Unpublished)
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “The Trouble with Identity”: Contesting Racism and Xenophobia with the British-Pakistani Author M.Y. Alam’s Crime Novel Annie Potts Is Dead. In: 7th Racism, Nationalism and Xenophobia: International Interdisciplinary Conference, 23-24 May 2024, Online.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Windrush Postmemory: Representations of Black British Identity and Intergenerational Trauma in Andrea Levy’s Every Light in the House Burnin’. In: 5th "Postmemory and the Contemporary World:" International Interdisciplinary Conference, 22-23 February 2024, Online.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Intersectionality and Decolonisation in Contemporary British Crime Fiction. Cambridge Scholars Publishing. ISBN 9781527591585
Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895
Hughes, John D ORCID: 0000-0002-2187-2911 (2001) 'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy. The Nineteenth Century Series . Ashgate. ISBN 9781840146332
Knight, Lania ORCID: 0000-0003-1024-8889 (2018) Remnant. Burlesque Press. ISBN 9780996485081
Lloyd, Andy (2010) The Followers of Horus. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264275
Budd, Stacey A. (2010) Burning glass : Compulsive creativity, self-destruction and the woman artist, with reference to a selection of works by Margaret Attwood and A.S. Byatt. Masters thesis, University of Gloucestershire.
Davie, Rosalind (2018) The Other Side of Silence: The Life and Work of Mary Webb. PhD thesis, University of Gloucestershire.
Dicks, Duncan ORCID: 0000-0001-8098-8140 (2019) Conexus: Crime Fiction and the State of the Nation. PhD thesis, University of Gloucestershire. doi:10.46289/EDHU2098
Greenfield, Stacey A (2006) Formal Techniques and Self/Other Relations in the Novels of Dirk Bogarde. PhD thesis, University of Gloucestershire.
Rontree, Mary Elizabeth (2004) Satire and parody in the fiction of Thomas Love Peacock and the early writings of William Makepeace Thackeray, 1815-1850. PhD thesis, University of Gloucestershire.
Griffiths, Jason ORCID: 0000-0002-4827-4508 and Deeks, Roger ORCID: 0000-0003-3012-8913 (2016) "An evening of..." series of three public cultural history lectures each on a Forest of Dean author. [Audio] (Unpublished)