Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
"Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery.
In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2020)
Brian Cliff, Irish Crime Fiction (Palgrave, 2018).
Irish Literary Supplement.
p. 4.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Centring Women of Colour: Decolonising the Literature
Curriculum with Kamila Shamsie’s Home Fire and Bolu
Babalola’s Love in Colour.
In:
Decolonising the Literature Curriculum.
Teaching the New English
.
Palgrave, pp. 45-64.
ISBN 978-3030912888
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
“Contemporary Crime Fiction: A Surfeit of Riches”.
In:
Contemporary Crime Fiction: Crossing Boundaries, Merging Genres.
Cambridge Scholars Publishing, pp. 1-17.
ISBN 9781527564060
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2020)
Crime Fiction and Migration.
In:
Routledge Companion to Crime Fiction.
Routledge, pp. 379-387.
ISBN 9781138320352
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
“I Stand Out Like a Raven”: The Female Detective and Tudor History in Nancy Bilyeau’s The Crown.
In:
Contemporary Crime Fiction: Crossing Boundaries, Merging Genres.
Cambridge Scholars Publishing, pp. 39-60.
ISBN 9781527564060
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
“Imagination or Memory?” The Search for Self in Paula Hawkins’ Crime Novel The Girl on the Train.
In: 7th "MEMORY, FORGETTING AND CREATING": International Interdisciplinary Conference, 18-19 January, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2023)
Intersectionality and Decolonisation in Contemporary British Crime Fiction.
Cambridge Scholars Publishing.
ISBN 9781527591585
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Introduction: Decolonising English.
In:
Decolonising the Literature Curriculum.
Teaching the New English
.
Palgrave, pp. 1-21.
ISBN 9783030912888
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction.
Clues: A Journal of Detection, 40 (2).
pp. 119-122.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Keynote: “TERF Wars”: Intersectionality and Decolonisation in Contemporary Crime Fiction.
In: Futures of Crime: Exploring the Evolving Terrain of Crime Fiction, 20 May 2022, Queen's University Belfast.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
Migrant Mothers and Diasporic Daughters: Tracing the Mother’s Story in the Black British Writer Andrea Levy’s Novels.
In: 7th "Migration, Adaptation and Memory": International Interdisciplinary Conference, 13-14 June, 2024, Gdansk, Poland.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
“Now Those Words Want to be Spoken:” Trauma and the Politics of Representation in Stella Duffy’s Crime Novel Mouths of Babes.
In: 7th "TRAUMA AND NIGHTMARE" International Interdisciplinary Conference, 14-15 March 2024, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
“Pedagogical strategies for teaching LGBTQ+ YA American Literature in the undergraduate classroom”.
In: British Association for American Studies Conference 2022, 21-23 April 2022, University of Hull, UK.
(Unpublished)
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2021)
“She Looked West”: Martha Grimes’ Environmental Crime Novel
Biting the Moon.
In:
Contemporary Crime Fiction: Crossing Boundaries, Merging Genres.
Cambridge Scholars Publishing, pp. 187-208.
ISBN 9781527564060
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2016)
“The Third Ireland”: Inheritance and Postcolonialism in Irish Crime Writing.
Journal of Commonwealth and Postcolonial Studies, 4 (1).
pp. 61-81.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
“The Trouble with Identity”: Contesting Racism and
Xenophobia with the British-Pakistani Author M.Y. Alam’s
Crime Novel Annie Potts Is Dead.
In: 7th Racism, Nationalism and Xenophobia: International Interdisciplinary Conference, 23-24 May 2024, Online.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2024)
Windrush Postmemory: Representations of Black British Identity and Intergenerational Trauma in Andrea Levy’s Every Light in the House Burnin’.
In: 5th "Postmemory and the Contemporary World:" International Interdisciplinary Conference, 22-23 February 2024, Online.
Beyer, Charlotte (Ed) ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Decolonising the Literature Curriculum.
Teaching the New English
.
Palgrave.
ISBN 9783030912895
Budd, Stacey A. (2010) Burning glass : Compulsive creativity, self-destruction and the woman artist, with reference to a selection of works by Margaret Attwood and A.S. Byatt. Masters thesis, University of Gloucestershire.
Coe, Kate (2016) High Flight & Flames. In: High Flight & Flames. Kristell Ink, pp. 1-5. ISBN 978-0993576638
Daly, Kirsten ORCID: https://orcid.org/0000-0002-0220-9559
(2020)
Dispossession in The Death of the Heart.
Essays in Criticism, 70 (4).
pp. 409-427.
doi:10.1093/escrit/cgaa022
Davie, Rosalind (2018) The Other Side of Silence: The Life and Work of Mary Webb. PhD thesis, University of Gloucestershire.
Dicks, Duncan ORCID: https://orcid.org/0000-0001-8098-8140
(2019)
Conexus: Crime Fiction and the State of the Nation.
PhD thesis, University of Gloucestershire.
doi:10.46289/EDHU2098
Greenfield, Stacey A (2006) Formal Techniques and Self/Other Relations in the Novels of Dirk Bogarde. PhD thesis, University of Gloucestershire.
Griffiths, Jason ORCID: https://orcid.org/0000-0002-4827-4508 and Deeks, Roger
ORCID: https://orcid.org/0000-0003-3012-8913
(2016)
"An evening of..." series of three public cultural history lectures each on a Forest of Dean author.
[Audio]
(Unpublished)
Hitchman, Beatrice ORCID: https://orcid.org/0000-0001-6088-6497
(2019)
'Minor Scandal': Lesbian Contexts for The Bell Jar.
In:
Sylvia Plath in Context.
Cambridge University Press, Cambridge, pp. 169-179.
ISBN 9781108470131
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2000)
The Affective World of Charlotte Brontë's Villette.
Studies in English Literature 1500-1900, 40 (4).
pp. 711-726.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2013)
Deleuze, Bergson and Woolf's Monday or Tuesday.
Deleuze Studies, 7 (4).
pp. 496-514.
doi:10.3366/dls.2013.0126
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2001)
'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy.
The Nineteenth Century Series
.
Ashgate.
ISBN 9781840146332
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2002)
"For Old Association's Sake": History and Hardy's The Woodlanders'.
Thomas Hardy Journal, xviii (2).
pp. 57-64.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(1997)
Hardy and Music.
English, 46 (185).
pp. 113-129.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2011)
Villette by Charlotte Brontë.
In:
Nineteenth-Century Literature Criticism.
Gale Literature Collections
.
Gale, Detroit, pp. 128-135.
Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.
Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
(2017)
Cervantes, the journey, and what it tells us
about becoming a writer.
Open Cultural Studies, 1.
pp. 391-394.
doi:10.1515/culture-2017-0036
Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
(2018)
Remnant.
Burlesque Press.
ISBN 9780996485081
Lloyd, Andy (2010) The Followers of Horus. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264275
Rontree, Mary Elizabeth (2004) Satire and parody in the fiction of Thomas Love Peacock and the early writings of William Makepeace Thackeray, 1815-1850. PhD thesis, University of Gloucestershire.
Saguaro, Shelley (2013) 'Something that would stand for the conception': the inseminating world in the last writings of Virginia Woolf. Green Letters: Studies in Ecocriticism. doi:10.1080/14688417.2013.800340