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Ferry, Emma ORCID: 0000-0002-1295-8430 (2022) ‘“A pair of scissors, and one daring, if trembling snip-!” Making Mrs Oliphant’s Dress’. Victorian Review. (In Press)
Goodwin-Hawkins, Bryonny ORCID: 0000-0002-9399-5486 (2019) A deep lead-coloured cloud: smoke and Northern English space in the industrial novel. Literary Geographies, 5 (1). pp. 25-38.
Hughes, John D ORCID: 0000-0002-2187-2911 (2000) The Affective World of Charlotte Brontë's Villette. Studies in English Literature 1500-1900, 40 (4). pp. 711-726.
Hughes, John D ORCID: 0000-0002-2187-2911 (2001) Charlotte Brontë's Art of Sensation. Transactions of the Brontë Society, 26 (1). pp. 19-26. doi:10.1179/030977601794173268
Hughes, John D ORCID: 0000-0002-2187-2911 (2006) "The Exile’s Harp”: Tennyson’s Lost World of Music. Nineteenth Century Music Review, 3 (2). pp. 113-135.
Hughes, John D ORCID: 0000-0002-2187-2911 (2002) "For Old Association's Sake": History and Hardy's The Woodlanders'. Thomas Hardy Journal, xviii (2). pp. 57-64.
Hughes, John D ORCID: 0000-0002-2187-2911 (2007) “Hang there like fruit, my soul”: Tennyson’s Feminine Imaginings. Victorian Poetry, 45 (2). pp. 95-115. doi:10.1353/vp.2007.0024
Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Hardy and Music. English, 46 (185). pp. 113-129.
Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Hardy and the Life of Birds. Thomas Hardy Journal, xiv (3). pp. 68-77.
Hughes, John D ORCID: 0000-0002-2187-2911 (2015) Hardy's Music in a Snowy Street: Metrical Reading of the Opening Stanzas. Explicator, 73 (2). pp. 92-96. doi:10.1080/00144940.2015.1028876
Hughes, John D ORCID: 0000-0002-2187-2911 (2013) 'Metre and Context’: Hardy’s ‘Neutral Tones’. Victorian Poetry, 51 (1). pp. 81-97. doi:10.1353/vp.2013.0004
Hughes, John D ORCID: 0000-0002-2187-2911 (2011) A Metrical Reading of Thomas Hardy’s “Afternoon Service at Mellstock”. Explicator, 69 (4). pp. 207-211. doi:10.1080/00144940.2011.640925
Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Tennyson Revisited: Hardy’s “After a Journey". Thomas Hardy Journal, xxi (3). pp. 152-157.
Hughes, John D ORCID: 0000-0002-2187-2911 (2018) Towards a Reading of Wordsworth’s ‘Now ye meet in the cave’. Romanticism on the Net (71). pp. 1-24. doi:10.7202/1074534ar
Hughes, John D ORCID: 0000-0002-2187-2911 (2007) William Wordsworth, ‘A Slumber did my Spirit Seal’. Explicator, 65 (2). pp. 71-74. doi:10.3200/EXPL.65.2.71-75
Hughes, John D ORCID: 0000-0002-2187-2911 (2008) Wordsworth’s Poetics of Orphanhood; ‘Tintern Abbey’, ‘The Vale of Esthwaite’ and ‘Salisbury Plain’. Romanticism, 14 (3). pp. 219-231.
Hughes, John D ORCID: 0000-0002-2187-2911 (2012) Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading. Studies in Romanticism, 51 (2).
Hughes, John D ORCID: 0000-0002-2187-2911 (2011) Wordsworth’s “Catechizing” Sonnet and Family History. Explicator, 69 (4). pp. 184-188. doi:10.1080/00144940.2011.635610
Hughes, John D ORCID: 0000-0002-2187-2911 (2010) Wordsworth’s “I Travell’d Among Unknown Men”: A Metrical Reading. Explicator, 68 (2). pp. 90-95. doi:10.1080/00144941003723733
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) "I, Too, Mourn The Loss": Mrs Hudson and the Absence of Sherlock Holmes. In: Sherlock Holmes in Context. Crime Files . Palgrave, Basingstoke, pp. 61-82. ISBN 9781137555946
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888
Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Hardy and Music. In: Thomas Hardy in Context. Cambridge University Press, Cambridge, pp. 425-435. ISBN 978-0521196482
Hughes, John D ORCID: 0000-0002-2187-2911 (2004) Hardy’s Ambivalent Attitude Towards Music. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 114-118. ISBN 9780791078914
Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Music and Inspiration in Blake’s Poetry. In: The Figure of Music in Nineteenth-Century British Poetry. Music in Nineteenth-Century Britain . Ashgate, Aldershot, pp. 85-106. ISBN 978-0-7546-0547-8
Hughes, John D ORCID: 0000-0002-2187-2911 (2004) Music as a Link to the Transcendent. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 67-68. ISBN 9780791078914
Hughes, John D ORCID: 0000-0002-2187-2911 (2020) Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’. In: The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities . Edinburgh University Press, Edinburgh, pp. 447-452. ISBN 9780748693122
Hughes, John D ORCID: 0000-0002-2187-2911 (2010) "Tune and Thought”: The Uses of Music in Hardy’s Poetry. In: The Ashgate Research Companion to Thomas Hardy. Ashgate, Aldershot, pp. 269-284. ISBN 978-0-7546-6245-7
Hughes, John D ORCID: 0000-0002-2187-2911 (2011) Villette by Charlotte Brontë. In: Nineteenth-Century Literature Criticism. Gale Literature Collections . Gale, Detroit, pp. 128-135.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “Who Can See into the Heart of a Man either Righteous or Wicked”: Guilt, Transgression, and Shame in John Wilson’s Crime Short Story “Tale of Expiation”. In: 5th "MEMORY, GUILT AND SHAME": International Interdisciplinary Conference, 26-27 October 2023.
Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895
Hughes, John D ORCID: 0000-0002-2187-2911 (2011) ‘Affective Worlds’: Writing, Feeling, Nineteenth-Century Literature. Sussex Academic Press. ISBN 978-1-84519-442-0
Hughes, John D ORCID: 0000-0002-2187-2911 (2001) 'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy. The Nineteenth Century Series . Ashgate. ISBN 9781840146332
Bridges, James R (2001) Georgianism then and now: a recuperative study. PhD thesis, University of Gloucestershire.
Ockwell, Joanne (2004) Nineteenth century women's private correspondence as a problem in historical editing : a case study from the letters of Sophie B Herrick, 1870-1877. Masters thesis, University of Gloucestershire.
Rontree, Mary Elizabeth (2004) Satire and parody in the fiction of Thomas Love Peacock and the early writings of William Makepeace Thackeray, 1815-1850. PhD thesis, University of Gloucestershire.