Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2018)
Cut a Long Story Short: Teaching the Crime Short Story.
In:
Teaching Crime Fiction.
Palgrave, Houndmills, pp. 99-114.
ISBN 9783319906089
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2017)
"I, Too, Mourn The Loss": Mrs Hudson and the Absence of Sherlock Holmes.
In:
Sherlock Holmes in Context.
Crime Files
.
Palgrave, Basingstoke, pp. 61-82.
ISBN 9781137555946
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2018)
Introduction: Crime Fiction.
In:
Teaching Crime Fiction.
Teaching the New English
.
Palgrave, pp. 1-15.
ISBN 9783319906089
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Introduction: Decolonising English.
In:
Decolonising the Literature Curriculum.
Teaching the New English
.
Palgrave, pp. 1-21.
ISBN 9783030912888
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2023)
“Who Can See into the Heart of a Man either Righteous or Wicked”: Guilt, Transgression, and Shame in John Wilson’s Crime Short Story “Tale of Expiation”.
In: 5th "MEMORY, GUILT AND SHAME": International Interdisciplinary Conference, 26-27 October 2023.
Beyer, Charlotte (Ed) ORCID: https://orcid.org/0000-0002-2701-5443
(2022)
Decolonising the Literature Curriculum.
Teaching the New English
.
Palgrave.
ISBN 9783030912895
Bridges, James R (2001) Georgianism then and now: a recuperative study. PhD thesis, University of Gloucestershire.
Ferry, Emma ORCID: https://orcid.org/0000-0002-1295-8430
(2022)
‘“A pair of scissors, and one daring, if trembling snip-!” Making Mrs Oliphant’s Dress’.
Victorian Review.
(In Press)
Goodwin-Hawkins, Bryonny ORCID: https://orcid.org/0000-0002-9399-5486
(2019)
A deep lead-coloured cloud: smoke and Northern English space in the industrial novel.
Literary Geographies, 5 (1).
pp. 25-38.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2000)
The Affective World of Charlotte Brontë's Villette.
Studies in English Literature 1500-1900, 40 (4).
pp. 711-726.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2011)
‘Affective Worlds’: Writing, Feeling, Nineteenth-Century Literature.
Sussex Academic Press.
ISBN 978-1-84519-442-0
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2001)
Charlotte Brontë's Art of Sensation.
Transactions of the Brontë Society, 26 (1).
pp. 19-26.
doi:10.1179/030977601794173268
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2001)
'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy.
The Nineteenth Century Series
.
Ashgate.
ISBN 9781840146332
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2006)
"The Exile’s Harp”: Tennyson’s Lost World of Music.
Nineteenth Century Music Review, 3 (2).
pp. 113-135.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2002)
"For Old Association's Sake": History and Hardy's The Woodlanders'.
Thomas Hardy Journal, xviii (2).
pp. 57-64.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2007)
“Hang there like fruit, my soul”: Tennyson’s Feminine Imaginings.
Victorian Poetry, 45 (2).
pp. 95-115.
doi:10.1353/vp.2007.0024
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(1997)
Hardy and Music.
English, 46 (185).
pp. 113-129.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2013)
Hardy and Music.
In:
Thomas Hardy in Context.
Cambridge University Press, Cambridge, pp. 425-435.
ISBN 978-0521196482
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(1998)
Hardy and the Life of Birds.
Thomas Hardy Journal, xiv (3).
pp. 68-77.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2015)
Hardy's Music in a Snowy Street: Metrical Reading of the Opening Stanzas.
Explicator, 73 (2).
pp. 92-96.
doi:10.1080/00144940.2015.1028876
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2004)
Hardy’s Ambivalent Attitude Towards Music.
In:
Thomas Hardy: Bloom’s Major Poets.
Bloom's Major Poets
.
Chelsea House Publishers, New York, pp. 114-118.
ISBN 9780791078914
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2013)
'Metre and Context’: Hardy’s ‘Neutral Tones’.
Victorian Poetry, 51 (1).
pp. 81-97.
doi:10.1353/vp.2013.0004
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2011)
A Metrical Reading of Thomas Hardy’s “Afternoon Service at Mellstock”.
Explicator, 69 (4).
pp. 207-211.
doi:10.1080/00144940.2011.640925
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2005)
Music and Inspiration in Blake’s Poetry.
In:
The Figure of Music in Nineteenth-Century British Poetry.
Music in Nineteenth-Century Britain
.
Ashgate, Aldershot, pp. 85-106.
ISBN 978-0-7546-0547-8
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2004)
Music as a Link to the Transcendent.
In:
Thomas Hardy: Bloom’s Major Poets.
Bloom's Major Poets
.
Chelsea House Publishers, New York, pp. 67-68.
ISBN 9780791078914
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2020)
Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’.
In:
The Edinburgh Companion to Literature and Music.
Edinburgh Companions to Literature and the Humanities
.
Edinburgh University Press, Edinburgh, pp. 447-452.
ISBN 9780748693122
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2005)
Tennyson Revisited: Hardy’s “After a Journey".
Thomas Hardy Journal, xxi (3).
pp. 152-157.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2018)
Towards a Reading of Wordsworth’s ‘Now ye meet in the cave’.
Romanticism on the Net (71).
pp. 1-24.
doi:10.7202/1074534ar
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2010)
"Tune and Thought”: The Uses of Music in Hardy’s Poetry.
In:
The Ashgate Research Companion to Thomas Hardy.
Ashgate, Aldershot, pp. 269-284.
ISBN 978-0-7546-6245-7
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2011)
Villette by Charlotte Brontë.
In:
Nineteenth-Century Literature Criticism.
Gale Literature Collections
.
Gale, Detroit, pp. 128-135.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2007)
William Wordsworth, ‘A Slumber did my Spirit Seal’.
Explicator, 65 (2).
pp. 71-74.
doi:10.3200/EXPL.65.2.71-75
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2008)
Wordsworth’s Poetics of Orphanhood; ‘Tintern Abbey’, ‘The Vale of Esthwaite’ and ‘Salisbury Plain’.
Romanticism, 14 (3).
pp. 219-231.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2012)
Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading.
Studies in Romanticism, 51 (2).
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2011)
Wordsworth’s “Catechizing” Sonnet and Family History.
Explicator, 69 (4).
pp. 184-188.
doi:10.1080/00144940.2011.635610
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2010)
Wordsworth’s “I Travell’d Among Unknown Men”: A Metrical Reading.
Explicator, 68 (2).
pp. 90-95.
doi:10.1080/00144941003723733
Ockwell, Joanne (2004) Nineteenth century women's private correspondence as a problem in historical editing : a case study from the letters of Sophie B Herrick, 1870-1877. Masters thesis, University of Gloucestershire.
Rontree, Mary Elizabeth (2004) Satire and parody in the fiction of Thomas Love Peacock and the early writings of William Makepeace Thackeray, 1815-1850. PhD thesis, University of Gloucestershire.