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Items where Subject is "M Music"

Library of Congress Subject Areas (8336)
- M Music and Books on Music (129)
  - M Music (85)
    - M5-1480 Instumental music (2)

Group by: Creators | Item Type

Number of items at this level: 84.

Article

Brown, Alyssa E, Donne, Keith Edward ORCID: https://orcid.org/0000-0001-6414-8133, Fallon, Paul and Sharpley, Richard (2020) From headliners to hangovers: Digital media communication in the British rock music festival experience. Tourist Studies, 20 (1). pp. 75-95. doi:10.1177/1468797619885954

Carpenter, Simon (2019) Gurney, Howells and Novello in context: Sir Herbert Brewer and his articled pupils at Gloucester Cathedral. Local Historian, 49 (3). pp. 207-220.

Carpenter, Simon (2019) Ivor Gurney and Sir Herbert Brewer: A misunderstood relationship? Ivor Gurney Society Journal, 24. pp. 10-22.

Deakin, Rich (2008) ABSURD! OUTRAGE! GROTESQUE! POOT! Shindig! Quarterly, 2 (5). pp. 40-41.

Deakin, Rich (2021) Acid Daze. Vive Le Rock! (86). pp. 66-71.

Deakin, Rich (2011) The Edgar Broughton Band - The Harvest Years 1969-1973, EMI 4-CD review. Shindig! Quarterly (1). p. 108.

Deakin, Rich (2015) A Fairytale Ending. Vive Le Rock! (31). pp. 70-75.

Deakin, Rich (2011) Free To Be Stoned! Shindig! Quarterly (1). pp. 56-61.

Deakin, Rich (2017) Resistance Is (Not) Futile... JIM JONES & THE RIGHTEOUS MIND cast a ‘Super Natural’ spell over VLR’s Rich Deakin. Vive Le Rock! (45). pp. 30-32.

Deakin, Rich (2014) Spaced Out Cosmic Boogie. Interstellar Overdrive: The Shindig! Guide To Spacerock. pp. 52-61.

Deakin, Rich (2013) Vinyl Art #24, The Deviants PTOOFF! Shindig! Quarterly (35). p. 90.

Deakin, Rich and Needs, Kris (2024) Garageland: Get Into The Grove / Grove Is In The Heart. Vive Le Rock! (114). pp. 44-55.

Elliott, Richard and Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Editorial: Aging, Time, and Popular Music. IASPM Journal, 14 (1). pp. 1-4. doi:10.5429/2079-3871(2024)v14i1.1en

Fisher, James ORCID: https://orcid.org/0000-0003-0800-5175 (2015) Encountering the Spectre of Painting. Performance Research: A Journal of the Performing Arts, 20 (2). pp. 112-117.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2017) Whose Record is it Anyway? Musical 'crate digging' across Africa. Conversation.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2019) YouTube, Ageing and PJ Harvey. Convergence, 25 (5-6). 1155 -1167. doi:10.1177/1354856517750367

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X and Arne Hansen, Kai (2023) Mapping the music of migration: Emergent themes and challenges. European Journal of Cultural Studies. p. 136754942311561. doi:10.1177/13675494231156120 (In Press)

Harmer, Alison ORCID: https://orcid.org/0009-0007-9349-620X (2024) OOO, Guerrilla metaphysics, and the allure of children’s musical play. Music Education Research, 26 (3). pp. 361-372. doi:10.1080/14613808.2024.2337709

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2020) ‘That Pirate Radio Signal’: Dylan’s Rough and Rowdy Ways. Bridge, 67. pp. 85-93.

Large, William ORCID: https://orcid.org/0000-0003-0447-5364 (2018) AFFECTS, INDEXES AND SIGNS Will Oldham and the authenticity of the voice in popular music. Angelaki, 23 (3). pp. 75-87. doi:10.1080/0969725x.2018.1473928

Li, Ying ORCID: https://orcid.org/0000-0003-4296-2753 (2021) Landscape Architecture is Music. Landscape Matters (3). pp. 4-7.

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2020) Directions in Music: Stakeholder perspectives on blockchain innovations in music streaming. Frontiers in Blockchain, 3. Art 506721. doi:10.3389/fbloc.2020.506721

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2023) Measuring is Making: The Radical Indeterminacy of Music. Leonardo, 56 (2). pp. 194-198. doi:10.1162/leon_a_02300

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2021) The Sonic Episteme: Acoustic Resonance, Neoliberalism and Biopolitics. By Robin James. Durham, NC: Duke University Press, 2019. 245 pp. ISBN 978-1478006640. Popular Music, 40 (1). pp. 165-167. doi:10.1017/S0261143021000179

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 and Thomas, Lee (2021) A fork in the road: Perspectives on sustainability and decentralised governance in digital institutions. First Monday, 26 (11). doi:10.5210/fm.v26i11.12357

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2015) Amy Absher , The Black Musician & the White City: Race and Music in Chicago, 1900–1967 (Ann Arbor: University of Michigan Press, 2014). Journal of American Studies, 49 (4). doi:10.1017/S0021875815001267

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2013) The Color of the Blues: Considering Revisionist Blues Scholarship. Southern Cultures, 19 (1). pp. 61-81. doi:10.1353/scu.2013.0007

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2020) Julia Simon, Time in the Blues, New York, Oxford University Press, 2017. Journal of American Studies, 54 (2). pp. 445-446. doi:10.1017/S0021875820000110

Parker, Andrew ORCID: https://orcid.org/0000-0001-6842-3067, Marturano, Naomi, Lewis, Gwen and Meek, Rosie (2018) Marginalised Youth, Criminal Justice and Performing Arts: Young people’s experiences of music-making. Journal of Youth Studies, 21 (8). pp. 1061-1076. doi:10.1080/13676261.2018.1445205

Prior, David, Reeder, Philip, Rofe, Michael, Biscoe, Ian and Murray, Samuel (2017) Designing a system for Online Orchestra: Peripheral equipment. Journal of Music, Technology and Education, 10 (2). pp. 197-212. doi:10.1386/jmte.10.2-3.197_1

Reeder, Philip ORCID: https://orcid.org/0000-0002-0557-1182 and Lamb, Johny (2016) ‘still every year they went’ Studio performance at sea. Performance Research, 21 (2). pp. 79-80. doi:10.1080/13528165.2016.1162513

Tatlow, Stephen ORCID: https://orcid.org/0000-0001-5138-4161 (2024) Finding The Old School Groove: History and Nostalgia in the Music of RuneScape. Journal of Sound and Music in Games. (In Press)

Book Section

Daman Thomas, M E ORCID: https://orcid.org/0000-0001-5795-7012 (2020) Digital performances Livestreaming music and the documentation of the creative process. In: The Future of Live Music. Bloomsbury Academic, pp. 83-96.

Deakin, Rich (2008) Mozic and the Revolution Revisited. In: Headpress 28: The Gospel According to Unpopular Culture. Headpress, London: UK, pp. 42-53. ISBN 9781900486644

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) En’shrine’d – ushering Fela Kuti into the western ‘rock’ canon. In: Death and the Rock Star. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 135-148. ISBN 9781472430915

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2012) Framing Grace: Shock and Awe at the Ageless Black Body. In: Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 65-86. ISBN 978-1409428411

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2012) ”It’s not British Music, It’s American Music”: Bob Dylan and Britain. In: Transatlantic Roots Music Folk, Blues, and National Identities. University Press of Mississippi, Jackson, pp. 94-118. ISBN 978-1-61703-288-2

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2012) It’s all just a little bit of history repeating pop stars, audiences, performance and ageing. In: Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 35-52. ISBN 978-1409428411

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2015) Popular Music and Ageing. In: Routledge Handbook of Cultural Gerontology. Routledge International Handbooks . Routledge, Abingdon, Oxon. ISBN 9780415631143

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2018) The soundtracks of my life: ageing, identity and remembered music. In: A Senior Moment:Cultural Mediations of Memory and Ageing. Aging Studies (X11). Transcript Verlag, Germany. ISBN 9783837636833

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2024) Artificial Creativity and Tools for Understanding: Music, Creative Labour and AI. In: Innovation in Music: Technology and Creativity. Focal Press Routledge, pp. 267-277. ISBN 9780367633363 (In Press)

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2019) Disruption as Contingency: Music, Blockchain, Wtf? In: Innovation In Music: performance, production, technology and business. Routledge, London. ISBN 9781138498198

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2019) Disruptive Blockworks: blockchains and networks / acceleration and collision. In: Blockchain and Web 3.0 Social, Economic, and Technological Challenges. Routledge Studies in Science, Technology and Society . Routledge. ISBN 9780367139841

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2021) Towards a quantum theory of musical creativity. In: Innovation in Music: Future Opportunities. Perspectives on Music Production . Routledge, London, pp. 389-402. ISBN 9780367363352

MacLean, Malcolm ORCID: https://orcid.org/0000-0001-5750-4670 (2010) Bouts of Kiwi Loyalty: Musical Frames and Televised Sport. In: Sporting Sounds. Routledge, London, pp. 237-250. ISBN 9780415443678

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2012) Dreaming Up the Blues: Transatlantic Blues Scholarship in the 1950s. In: Transatlantic Roots Music: Folk, Blues and National Identities. University of Michigan Press, Michigan USA, pp. 37-56. ISBN 978-1617032882

Webster, David R (2007) Even Philosophers Get the Blues. In: Cross the Water Blues African American Music in Europe. University Press of Mississippi, Jackson, pp. 39-50. ISBN 9781604735468

Monograph

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2021) The Future of UK Music Festivals (Supplementary Evidence). Other. Department of Digital, Culture, Media & Sport, UK.

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2021) The Future of UK Music Festivals. Other. Department of Digital, Culture, Media & Sport, UK.

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2022) Reimagining where we live: cultural placemaking and the levelling up agenda. Documentation. UK Government.

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2013) Ska. Other. Schilt Publishing, Amsterdam, the Netherlands.

Conference or Workshop Item

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2016) Ageing, Travelling Folk: Sam Lee and Songs across Time. In: IASPM Biennial Conference, 8-10 September 2016, Brighton. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Listening Belonging and Memory. In: Research Lecture, 11 March 2024, Guildhall School of Music and Drama.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) WAM. Let’s Dance! – an intergenerational music mapping project. In: MeCCSA 2015, January 7th 2015, Northumbria University. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2016) YouTube and Ageing: The Same Old Story? In: YouTube conference, 23- 24 September 2016, Middlesex University. (Unpublished)

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2019) Mental Health & Wellbeing Days: Course level interventions for music students. In: Music, Wellbeing and Mental Health, 11-12 May 2019, Hereford College of Arts. (Unpublished)

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2019) Seven tips in seven minutes from a regional economy around the River Severn. In: Creative Entrepreneurship Forum - Ideas and Best Practice Exchange, 27 Mar 2019, London South Bank University. (Unpublished)

Li, Ying ORCID: https://orcid.org/0000-0003-4296-2753 (2017) Landscape as Music: A New Approach to the Study the Spiritual Beauty in Landscape Design. In: WDS2017 ¬ World Design Summit, 16 - 25 October 2017, Canada. (Unpublished)

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2013) Ska 1:46 - Ska 4:03 The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam. In: The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam, Thursday 26th september, 2013, Unseen Living Room in het Machinegebouw Amsterdam, the Netherlands.

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2017) The Limits of Listening - an examination of the impact of interactivity on the experience of temporalities in music. In: Troubling Time, 1-2 June 2017, University of Manchester. (Unpublished)

Book

Wynn, Neil A, ed. (2007) Cross the Water Blues: African American Music in Europe. University Press of Mississippi, Jackson. ISBN 978-1-57806-960-6

Wynn, Neil A, ed. (2012) Transatlantic Roots Music Folk, Blues, and National Identities. University Press of Mississippi, Jackson. ISBN 978-1-61703-288-2

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music . Ashgate, Farnham, Surrey. ISBN 9781472424181

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 and Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2012) Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate. ISBN 978-1409428411

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2023) Ecologies of Creative Music Practice: Mattering Music. Routledge, UK. ISBN 9781032127033 (In Press)

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2015) Blues, How Do You Do? Paul Oliver and the Transatlantic Story of the Blues. University of Michigan Press, Michigan USA. ISBN 9780472052677

Thesis

Bühler, Michael (2021) Contemporary Audience Rituals at Classical Concerts. DBA thesis, University of Gloucestershire. doi:10.46289/MK54EE16

Carpenter, Simon (2018) An evaluation of the teaching career of Sir Herbert Brewer (Organist of Gloucester Cathedral, 1896 – 1928) with particular reference to his articled pupils. Masters thesis, University of Gloucestershire.

Crowe, Sarah (2021) An examination of the challenges faced by female brass musicians in Britain, 1870-1920. Masters thesis, University of Gloucestershire. doi:10.46289/44TR55KS

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2010) Archives, ambiguity and death: rethinking disruption in PJ Harvey’s music video performances. PhD thesis, University of Gloucestershire.

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2013) The British ‘Bluesman’ Paul Oliver and the Nature of Transatlantic Blues Scholarship. PhD thesis, University of Gloucestershire.

Show/Exhibition

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2015) Company of Trees. [Show/Exhibition]

Middleton, Sandie, Parker, David, Pitt, Bob, Middleton, Rowan ORCID: https://orcid.org/0000-0002-5729-0171 and Axelsen, Katie (2023) The Lie of the Land and the Call of the Sea. [Show/Exhibition]

Composition

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2015) Company of Trees. [Composition]

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2017) Moor / Plastic. [Composition]

Performance

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2016) Twelve Drummers Drumming. [Performance]

Rofe, Michael, Hargreaves, Jon, Pickard, John, Prior,, David, Aitchison, Jim, Biscoe, Ian, Geelhoed, Erik, Reuben, Federico, Rushton, Andrea and Reeder, Philip ORCID: https://orcid.org/0000-0002-0557-1182 (2015) Online Orchestra Performance. [Performance]