Items where Subject is "M Music"

B

Brown, Alyssa E, Donne, Keith Edward ORCID: https://orcid.org/0000-0001-6414-8133, Fallon, Paul and Sharpley, Richard (2020) From headliners to hangovers: Digital media communication in the British rock music festival experience. Tourist Studies, 20 (1). pp. 75-95. doi:10.1177/1468797619885954

Bühler, Michael (2021) Contemporary Audience Rituals at Classical Concerts. DBA thesis, University of Gloucestershire. doi:10.46289/MK54EE16

C

Carpenter, Simon (2019) Gurney, Howells and Novello in context: Sir Herbert Brewer and his articled pupils at Gloucester Cathedral. Local Historian, 49 (3). pp. 207-220.

Carpenter, Simon (2019) Ivor Gurney and Sir Herbert Brewer: A misunderstood relationship? Ivor Gurney Society Journal, 24. pp. 10-22.

Carpenter, Simon (2018) An evaluation of the teaching career of Sir Herbert Brewer (Organist of Gloucester Cathedral, 1896 – 1928) with particular reference to his articled pupils. Masters thesis, University of Gloucestershire.

Crowe, Sarah (2021) An examination of the challenges faced by female brass musicians in Britain, 1870-1920. Masters thesis, University of Gloucestershire. doi:10.46289/44TR55KS

D

Daman Thomas, M E ORCID: https://orcid.org/0000-0001-5795-7012 (2020) Digital performances Livestreaming music and the documentation of the creative process. In: The Future of Live Music. Bloomsbury Academic, pp. 83-96.

Deakin, Rich (2008) ABSURD! OUTRAGE! GROTESQUE! POOT! Shindig! Quarterly, 2 (5). pp. 40-41.

Deakin, Rich (2021) Acid Daze. Vive Le Rock! (86). pp. 66-71.

Deakin, Rich (2011) The Edgar Broughton Band - The Harvest Years 1969-1973, EMI 4-CD review. Shindig! Quarterly (1). p. 108.

Deakin, Rich (2015) A Fairytale Ending. Vive Le Rock! (31). pp. 70-75.

Deakin, Rich (2011) Free To Be Stoned! Shindig! Quarterly (1). pp. 56-61.

Deakin, Rich (2008) Mozic and the Revolution Revisited. In: Headpress 28: The Gospel According to Unpopular Culture. Headpress, London: UK, pp. 42-53. ISBN 9781900486644

Deakin, Rich (2017) Resistance Is (Not) Futile... JIM JONES & THE RIGHTEOUS MIND cast a ‘Super Natural’ spell over VLR’s Rich Deakin. Vive Le Rock! (45). pp. 30-32.

Deakin, Rich (2014) Spaced Out Cosmic Boogie. Interstellar Overdrive: The Shindig! Guide To Spacerock. pp. 52-61.

Deakin, Rich (2013) Vinyl Art #24, The Deviants PTOOFF! Shindig! Quarterly (35). p. 90.

Deakin, Rich and Needs, Kris (2024) Garageland: Get Into The Grove / Grove Is In The Heart. Vive Le Rock! (114). pp. 44-55.

E

Elliott, Richard and Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Editorial: Aging, Time, and Popular Music. IASPM Journal, 14 (1). pp. 1-4. doi:10.5429/2079-3871(2024)v14i1.1en

F

Fisher, James ORCID: https://orcid.org/0000-0003-0800-5175 (2015) Encountering the Spectre of Painting. Performance Research: A Journal of the Performing Arts, 20 (2). pp. 112-117.

G

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2016) Ageing, Travelling Folk: Sam Lee and Songs across Time. In: IASPM Biennial Conference, 8-10 September 2016, Brighton. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2010) Archives, ambiguity and death: rethinking disruption in PJ Harvey’s music video performances. PhD thesis, University of Gloucestershire.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) En’shrine’d – ushering Fela Kuti into the western ‘rock’ canon. In: Death and the Rock Star. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 135-148. ISBN 9781472430915

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2012) Framing Grace: Shock and Awe at the Ageless Black Body. In: Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 65-86. ISBN 978-1409428411

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Listening Belonging and Memory. In: Research Lecture, 11 March 2024, Guildhall School of Music and Drama.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2020) Mapping the Music of Migration website. CSC Danilo Dolci.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music . Ashgate, Farnham, Surrey. ISBN 9781472424181

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) The Queen is Dead, Long Live the Queen. Ashgate.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2022) Stories About Listening. [Film / Video]

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) WAM. Let’s Dance! – an intergenerational music mapping project. In: MeCCSA 2015, January 7th 2015, Northumbria University. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2017) Whose Record is it Anyway? Musical 'crate digging' across Africa. Conversation.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2016) YouTube and Ageing: The Same Old Story? In: YouTube conference, 23- 24 September 2016, Middlesex University. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2019) YouTube, Ageing and PJ Harvey. Convergence, 25 (5-6). 1155 -1167. doi:10.1177/1354856517750367

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X and Arne Hansen, Kai (2023) Mapping the music of migration: Emergent themes and challenges. European Journal of Cultural Studies. p. 136754942311561. doi:10.1177/13675494231156120 (In Press)

H

Harmer, Alison ORCID: https://orcid.org/0009-0007-9349-620X (2024) OOO, Guerrilla metaphysics, and the allure of children’s musical play. Music Education Research, 26 (3). pp. 361-372. doi:10.1080/14613808.2024.2337709

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2012) ”It’s not British Music, It’s American Music”: Bob Dylan and Britain. In: Transatlantic Roots Music Folk, Blues, and National Identities. University Press of Mississippi, Jackson, pp. 94-118. ISBN 978-1-61703-288-2

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2020) ‘That Pirate Radio Signal’: Dylan’s Rough and Rowdy Ways. Bridge, 67. pp. 85-93.

J

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2012) It’s all just a little bit of history repeating pop stars, audiences, performance and ageing. In: Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 35-52. ISBN 978-1409428411

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2015) Popular Music and Ageing. In: Routledge Handbook of Cultural Gerontology. Routledge International Handbooks . Routledge, Abingdon, Oxon. ISBN 9780415631143

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2018) The soundtracks of my life: ageing, identity and remembered music. In: A Senior Moment:Cultural Mediations of Memory and Ageing. Aging Studies (X11). Transcript Verlag, Germany. ISBN 9783837636833

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 and Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2012) Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate. ISBN 978-1409428411

L

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2021) The Future of UK Music Festivals (Supplementary Evidence). Other. Department of Digital, Culture, Media & Sport, UK.

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2021) The Future of UK Music Festivals. Other. Department of Digital, Culture, Media & Sport, UK.

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2019) Mental Health & Wellbeing Days: Course level interventions for music students. In: Music, Wellbeing and Mental Health, 11-12 May 2019, Hereford College of Arts. (Unpublished)

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2022) Reimagining where we live: cultural placemaking and the levelling up agenda. Documentation. UK Government.

Lansley, Andrew ORCID: https://orcid.org/0000-0002-8810-4263 (2019) Seven tips in seven minutes from a regional economy around the River Severn. In: Creative Entrepreneurship Forum - Ideas and Best Practice Exchange, 27 Mar 2019, London South Bank University. (Unpublished)

Large, William ORCID: https://orcid.org/0000-0003-0447-5364 (2018) AFFECTS, INDEXES AND SIGNS Will Oldham and the authenticity of the voice in popular music. Angelaki, 23 (3). pp. 75-87. doi:10.1080/0969725x.2018.1473928

Li, Ying ORCID: https://orcid.org/0000-0003-4296-2753 (2021) Landscape Architecture is Music. Landscape Matters (3). pp. 4-7.

Li, Ying ORCID: https://orcid.org/0000-0003-4296-2753 (2017) Landscape as Music: A New Approach to the Study the Spiritual Beauty in Landscape Design. In: WDS2017 ¬ World Design Summit, 16 - 25 October 2017, Canada. (Unpublished)

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2024) Artificial Creativity and Tools for Understanding: Music, Creative Labour and AI. In: Innovation in Music: Technology and Creativity. Focal Press Routledge, pp. 267-277. ISBN 9780367633363 (In Press)

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2015) Company of Trees. [Composition]

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2015) Company of Trees. [Show/Exhibition]

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2020) Directions in Music: Stakeholder perspectives on blockchain innovations in music streaming. Frontiers in Blockchain, 3. Art 506721. doi:10.3389/fbloc.2020.506721

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2019) Disruption as Contingency: Music, Blockchain, Wtf? In: Innovation In Music: performance, production, technology and business. Routledge, London. ISBN 9781138498198

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2019) Disruptive Blockworks: blockchains and networks / acceleration and collision. In: Blockchain and Web 3.0 Social, Economic, and Technological Challenges. Routledge Studies in Science, Technology and Society . Routledge. ISBN 9780367139841

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2023) Ecologies of Creative Music Practice: Mattering Music. Routledge, UK. ISBN 9781032127033 (In Press)

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2023) Measuring is Making: The Radical Indeterminacy of Music. Leonardo, 56 (2). pp. 194-198. doi:10.1162/leon_a_02300

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2017) Moor / Plastic. [Composition]

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2021) The Sonic Episteme: Acoustic Resonance, Neoliberalism and Biopolitics. By Robin James. Durham, NC: Duke University Press, 2019. 245 pp. ISBN 978-1478006640. Popular Music, 40 (1). pp. 165-167. doi:10.1017/S0261143021000179

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2021) Towards a quantum theory of musical creativity. In: Innovation in Music: Future Opportunities. Perspectives on Music Production . Routledge, London, pp. 389-402. ISBN 9780367363352

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2016) Twelve Drummers Drumming. [Performance]

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 and Thomas, Lee (2021) A fork in the road: Perspectives on sustainability and decentralised governance in digital institutions. First Monday, 26 (11). doi:10.5210/fm.v26i11.12357

M

MacLean, Malcolm ORCID: https://orcid.org/0000-0001-5750-4670 (2010) Bouts of Kiwi Loyalty: Musical Frames and Televised Sport. In: Sporting Sounds. Routledge, London, pp. 237-250. ISBN 9780415443678

Middleton, Sandie, Parker, David, Pitt, Bob, Middleton, Rowan ORCID: https://orcid.org/0000-0002-5729-0171 and Axelsen, Katie (2023) The Lie of the Land and the Call of the Sea. [Show/Exhibition]

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2013) Ska. Other. Schilt Publishing, Amsterdam, the Netherlands.

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2013) Ska 1:46 - Ska 4:03 The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam. In: The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam, Thursday 26th september, 2013, Unseen Living Room in het Machinegebouw Amsterdam, the Netherlands.

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2015) Under The Influence: 2 Tone Ska. [Film / Video]

O

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2015) Amy Absher , The Black Musician & the White City: Race and Music in Chicago, 1900–1967 (Ann Arbor: University of Michigan Press, 2014). Journal of American Studies, 49 (4). doi:10.1017/S0021875815001267

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2015) Blues, How Do You Do? Paul Oliver and the Transatlantic Story of the Blues. University of Michigan Press, Michigan USA. ISBN 9780472052677

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2013) The British ‘Bluesman’ Paul Oliver and the Nature of Transatlantic Blues Scholarship. PhD thesis, University of Gloucestershire.

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2013) The Color of the Blues: Considering Revisionist Blues Scholarship. Southern Cultures, 19 (1). pp. 61-81. doi:10.1353/scu.2013.0007

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2012) Dreaming Up the Blues: Transatlantic Blues Scholarship in the 1950s. In: Transatlantic Roots Music: Folk, Blues and National Identities. University of Michigan Press, Michigan USA, pp. 37-56. ISBN 978-1617032882

O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2020) Julia Simon, Time in the Blues, New York, Oxford University Press, 2017. Journal of American Studies, 54 (2). pp. 445-446. doi:10.1017/S0021875820000110

P

Parker, Andrew ORCID: https://orcid.org/0000-0001-6842-3067, Marturano, Naomi, Lewis, Gwen and Meek, Rosie (2018) Marginalised Youth, Criminal Justice and Performing Arts: Young people’s experiences of music-making. Journal of Youth Studies, 21 (8). pp. 1061-1076. doi:10.1080/13676261.2018.1445205

Prior, David, Reeder, Philip, Rofe, Michael, Biscoe, Ian and Murray, Samuel (2017) Designing a system for Online Orchestra: Peripheral equipment. Journal of Music, Technology and Education, 10 (2). pp. 197-212. doi:10.1386/jmte.10.2-3.197_1

R

Reeder, Philip ORCID: https://orcid.org/0000-0002-0557-1182 and Lamb, Johny (2019) Still Every Year They Went. [Audio]

Reeder, Philip ORCID: https://orcid.org/0000-0002-0557-1182 and Lamb, Johny (2016) ‘still every year they went’ Studio performance at sea. Performance Research, 21 (2). pp. 79-80. doi:10.1080/13528165.2016.1162513

Rofe, Michael, Hargreaves, Jon, Pickard, John, Prior,, David, Aitchison, Jim, Biscoe, Ian, Geelhoed, Erik, Reuben, Federico, Rushton, Andrea and Reeder, Philip ORCID: https://orcid.org/0000-0002-0557-1182 (2015) Online Orchestra Performance. [Performance]

S

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2017) The Limits of Listening - an examination of the impact of interactivity on the experience of temporalities in music. In: Troubling Time, 1-2 June 2017, University of Manchester. (Unpublished)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2014) Time Shifts: Possible Worlds. [Performance]

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2016) The Two Sided Boy PART 2 a live/digital chamber opera selected by producers Second Movement for the ‘Rough for Opera’ platform at Cockpit Theatre, London. [Performance]

T

Tatlow, Stephen ORCID: https://orcid.org/0000-0001-5138-4161 (2024) Finding The Old School Groove: History and Nostalgia in the Music of RuneScape. Journal of Sound and Music in Games. (In Press)

W

Webster, David R (2007) Even Philosophers Get the Blues. In: Cross the Water Blues African American Music in Europe. University Press of Mississippi, Jackson, pp. 39-50. ISBN 9781604735468