Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) True Crime. American, British and Canadian Studies, 28 (1). pp. 131-132. doi:10.1515/abcsj-2017-0009
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Official URL: https://doi.org/10.1515/abcsj-2017-0009
Abstract
This poem is a creative response to contemporary true crime narratives about baby farming in Victorian times, namely Alison Rattle and Allison Vale’s The Woman Who Murdered Babies for Money: The Story of Amelia Dyer (London: André Deutsch, 2011); and the TV documentary, “Amelia Dyer: Martina Cole's Lady Killers.”
Item Type: | Article |
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Article Type: | Article |
Uncontrolled Keywords: | True crime, baby farming, infanticide, motherhood, documentary |
Subjects: | H Social Sciences > HV Social pathology. Social and public welfare. Criminology. > HV6001 Criminology P Language and Literature > PR English literature > PR500 Poetry |
Divisions: | Schools and Research Institutes > School of Creative Arts |
Research Priority Areas: | Culture, Continuity, and Transformation |
Depositing User: | Charlotte Beyer |
Date Deposited: | 22 May 2017 13:37 |
Last Modified: | 31 Aug 2023 08:55 |
URI: | https://eprints.glos.ac.uk/id/eprint/4633 |
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