Zinder, Paul ORCID: 0000-0002-9578-4009 (2013) The World is Less than Perfect: Nontraditional Family Structures in Deadwood. In: The Last Western Deadwood and the End of American Empire. Bloomsbury Academic, New York. ISBN 9781441126306
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Abstract
Perhaps the most sophisticated and complex of shows in HBO's recent history, Deadwood has surprisingly little coverage in our current scholarship. Grounding contemporary anxieties about race and class, domesticity and American exceptionalism in its nineteenth-century setting, Deadwood revises our understanding of a formative period for the American nation through a re-examination of one of the main genres through which this national story has been transmitted: the Western. With contributions from scholars in American studies, literature, and film and television studies, The Last Western situates Deadwood in the context of both its nineteenth-century setting and its twenty-first-century audience. Together, these essays argue for the series as a provocative meditation on both the state and historical formation of U.S. empire, examining its treatment of sovereign power and political legitimacy, capital accumulation and dispossession, racial and gender identities, and social and family structures, while attending to the series' peculiar and evocative aesthetic forms. What emerges from this collection is the impressive range of Deadwood's often contradictory engagement with both nineteenth and twenty-first century America
Item Type: | Book Section |
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Additional Information: | Chapter 8 |
Subjects: | F History United States, Canada, Latin America > F001 United States local history P Language and Literature > PN Literature (General) > PN1992-1992.92 Television Broadcasts |
Divisions: | Schools and Research Institutes > School of Creative Arts |
Research Priority Areas: | Culture, Continuity, and Transformation |
Depositing User: | Anne Pengelly |
Date Deposited: | 31 May 2016 09:51 |
Last Modified: | 08 Aug 2023 20:25 |
URI: | https://eprints.glos.ac.uk/id/eprint/3559 |
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