Hughes, John D ORCID: 0000-0002-2187-2911 (2016) “This Time We Shall Escape”: Bob Dylan’s Rolling Thunder Years. Rock Music Studies, 3 (1). pp. 62-79. doi:10.1080/19401159.2015.1129830
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Abstract
Bob Dylan’s Rolling Thunder period—the two tours of 1975 and 1976 and Desire—manifests a significant shift in the subjective and cultural values of Dylan’s creativity. The forward-looking ratios of critique and emancipation that had commonly marked the different phases of his 1960s’ work have been replaced by themes and tropes of fate and escape. This betrays a certain belatedness that is all at once personal, cultural, and political in origin, and that reveals through Dylan’s work at this time a politically significant and prevalent sense of subjectivity as a predicament rather than an opportunity.
Item Type: | Article |
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Article Type: | Article |
Subjects: | M Music and Books on Music > ML Literature of music P Language and Literature > PN Literature (General) |
Divisions: | Schools and Research Institutes > School of Creative Arts |
Research Priority Areas: | Culture, Continuity, and Transformation |
Depositing User: | Anne Pengelly |
Date Deposited: | 24 Feb 2016 14:08 |
Last Modified: | 31 Aug 2023 08:55 |
URI: | https://eprints.glos.ac.uk/id/eprint/3122 |
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