Items where Subject is "ML Literature of music"

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Deakin, Rich (2021) Acid Daze. Vive Le Rock! (86). pp. 66-71.

Deakin, Rich (2018) Come Down Heavy. Vive Le Rock! (52). pp. 66-71.

Deakin, Rich (2012) Everythang's Groovy Baby! Vive Le Rock! (7). pp. 62-65.

Deakin, Rich (2017) Jim Jones Uncensored! Super Naturally Super Charged / Resistance Is (Not) Futile. Vive Le Rock! (45).

Deakin, Rich (2017) Profiled: Julian Cope. Vive Le Rock! (42). pp. 20-22.

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Elliott, Richard and Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Editorial: Aging, Time, and Popular Music. IASPM Journal, 14 (1). pp. 1-4. doi:10.5429/2079-3871(2024)v14i1.1en

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Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2017) Ageing and Contemporary Female Musicians. In: Troubling Time, an Exploration of Temporality in the Arts, June 1 - 2 2017, University of Manchester. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2019) Ageing and Contemporary Female Musicians. Interdisciplinary Research in Gender . Routledge, Oxford. ISBN 9781138048065

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2016) All Mod Cons: Paul Weller's 'Successful Aging'. In: In Praise of Paul Weller…? Reflections on Popular Music Studies, 23.3.16, Birmingham City University. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2023) Cosey Fanni Tutti, Age and Place. In: Womens Rock Memoirs: Music, History, and Life-Writing. Oxford University Press, Oxford, pp. 225-241. ISBN 9780197659328 9780197659366

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2018) Dolly Parton, Gender and Country Music, by Leigh H. Edwards, Bloomington, IN: Indiana University Press, 2018. Popular Music, 37 (3). pp. 514-515. doi:10.1017/S0261143018000338

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) En’shrine’d – ushering Fela Kuti into the western ‘rock’ canon. In: Death and the Rock Star. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 135-148. ISBN 9781472430915

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2017) ‘Ghost Town’: a haunting 1981 protest song that still makes sense today. Conversation.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2018) The (Grand) Maternal Queenly Canon. In: Cross Town Traffic IASPM Biannual Conference, 3 - 5 September 2018, University of Huddersfield. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2019) Let's Talk about Music. In: Sonic Memory, September 5th 2019, University of Liverpool. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) Letting England Shake: PJ Harvey and Englishness. In: Englishness Rising, 6th January 2015, University of Sunderland. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2023) Listening, Belonging, and Memory. Sound Studies . Bloomsbury Academic, New York. ISBN 9781501376801

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) “Listening: Migration, Voice, and Place". In: Intermediality in Communication: Translation, Media, Discourse, 21-22/11/24, Kaunas, Lithuania.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2020) Mapping the Music of Migration. In: IASPM LONDON CALLING, 19th May - 31st July 2020, Online conference.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Mini-Hartley Residency “First Editions” Listening, Belonging, and Memory. In: University of Southampton's Department of Music’s online Mini-Hartley Residency “First Editions”, 01/05/24, University of Southampton.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2018) 'Out of Time: Anohni and transgendered/trans age transgression'. In: Holland, S. & Spracklen, K. (eds.) Alternativity and Marginalisation: Essays on Subcultures, Bodies and Spaces. Emerald Publishing, Bingley. ISBN 9781787565128

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2017) PJ Harvey and Remembering England. In: Mad Dogs and Englishness: Popular Music and English Identities. Bloomsbury, New York. ISBN 9781501311253

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) Performing Englishness: Identity and Politics in a Contemporary Folk Resurgence. By Trish Winter and Simon Keegan-Phipps. Manchester: Manchester University Press, 2013. Popular Music, 34 (01). pp. 145-147. doi:10.1017/S0261143014000762

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Récital 1961. By David L. Looseley, New York: Bloomsbury Academic, 2023. Popular Music. doi:10.1017/S0261143023000533

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Sound, Environment and Ageing: Bringing the Outside into Care Homes. Sage team.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2022) Storytelling and Disrupting Borders: A Sicilian Workshop. In: Troubling Inheritances: Memory, Music, and Aging. Bloomsbury, London, pp. 81-102.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2022) The Vapors, "Turning Japanese" (1980). In: One Hit Wonders: An Oblique History of Popular Music. Bloomsbury, London, pp. 119-128. ISBN 9781501368431

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2014) Vice TV’s cabinet of curios. In: MeCCSA annual conference January 2014. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2017) ‘Viv and Patti look back: Musical memoirs, marking time’ for Female Creativity and Age in Popular Music panel. In: Women's work in Music, 4 –7 September, University of Bangor. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) WAM. Let’s Dance! – an intergenerational music mapping project. In: MeCCSA 2015, January 7th 2015, Northumbria University. (Unpublished)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2019) A Walk Down Jubilee Street with Nick Cave. Conversation.

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X and Arne Hansen, Kai (2023) Mapping the music of migration: Emergent themes and challenges. European Journal of Cultural Studies. p. 136754942311561. doi:10.1177/13675494231156120 (In Press)

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X and Flint-Nicol, Katarina (2016) Sleevenotes: PJ Harvey's Gothic World. Studies in Costume and Performance, 1 (2). pp. 163-178. doi:10.1386/scp.1.2.163_1

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X and Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2019) Aging and Popular Music in Europe. Routledge, New York. ISBN 9781138121478

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X and Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2019) ‘Shine on you Crazy Diamond/s’: Reversioning and Restorying Age and Race through Europe and across the Black Atlantic. In: Aging and Popular Music in Europe. Routledge, New York. ISBN 9781138121478

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X and Moorey, Gerard (2016) Raiders of the Lost Archives. Popular Communication, 14 (3). pp. 169-177. doi:10.1080/15405702.2016.1193181

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Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2004) Hardy’s Ambivalent Attitude Towards Music. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 114-118. ISBN 9780791078914

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2013) Invisible Now: Bob Dylan in the 1960s. Ashgate Popular and Folk Music Series . Ashgate. ISBN 978-1-4094-3002-5

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2005) Music and Inspiration in Blake’s Poetry. In: The Figure of Music in Nineteenth-Century British Poetry. Music in Nineteenth-Century Britain . Ashgate, Aldershot, pp. 85-106. ISBN 978-0-7546-0547-8

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2004) Music as a Link to the Transcendent. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 67-68. ISBN 9780791078914

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2020) Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’. In: The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities . Edinburgh University Press, Edinburgh, pp. 447-452. ISBN 9780748693122

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2012) "There Was No In-Between”: Dylan’s Voice in the 1960s. Bridge, 43 (Summer).

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2016) “This Time We Shall Escape”: Bob Dylan’s Rolling Thunder Years. Rock Music Studies, 3 (1). pp. 62-79. doi:10.1080/19401159.2015.1129830

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Moorey, Gerard (2014) Aging, Death, and Revival: Representations of the Music Industry in Two Contemporary Novels. Popular Music and Society, 37 (1). pp. 65-84. doi:10.1080/03007766.2012.726036

Moorey, Gerard (2014) ‘Fate songs’: musical agency and the literary soundtrack in D.B.C. Pierre’s Vernon God Little. In: Litpop: Writing and Popular Music. Ashgate Popular and Folk Music Series . Ashgate, Farnham, pp. 77-88. ISBN 9781472410979

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2013) Ska. Other. Schilt Publishing, Amsterdam, the Netherlands.

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2013) Ska 1:46 - Ska 4:03 The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam. In: The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam, Thursday 26th september, 2013, Unseen Living Room in het Machinegebouw Amsterdam, the Netherlands.

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2015) Under The Influence: 2 Tone Ska. [Film / Video]

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O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2019) Time Travelling in Dixie: Race, Music, and the Weight of the Past in the British ‘Televisual’ South. Journal of American Studies, 53 (1). pp. 197-222. doi:10.1017/S0021875817001335

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Screech, Ben ORCID: https://orcid.org/0000-0001-8644-9607 (2024) 'I obliterate myself in song': Music, selfhood and discovery in YA fiction. In: Ink on the Tracks: Rock and Roll Writing. Bloomsbury Academic, New York, pp. 93-105. ISBN 979-876510197-1, 979-876510195-7