Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2017)
Contemporary Crime Fiction: A Surfeit of Riches.
    American, British and Canadian Studies, 28 (1).
     pp. 5-16.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2012)
Gayle Lynds’s Espionage Thrillers: An Interview.
    Paradoxa: Studies in World Literary Genres, 24.
     pp. 199-213.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2017)
“I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown.
    American, British and Canadian Studies, 28 (1).
     pp. 91-110.
     doi:10.1515/abcsj-2017-0006
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2022)
Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction.
    Clues: A Journal of Detection, 40 (2).
     pp. 119-122.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2012)
Religion and Spirituality in Willa Cather's Journalism.
    Nineteenth-Century Prose, 39 (1-2).
     pp. 455-480.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2011)
Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction.
    American, British and Canadian Studies, 16 (1).
     pp. 122-126.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2010)
Sara Paretsky, Writing in an Age of Silence.
    American, British and Canadian Studies, 15 (2).
     pp. 214-216.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2015)
Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon.
    Oscholars, N/A (N/A).
     pp. 1-20.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2015)
The Song of the Lark by Willa Cather; Ann Moseley and Kari A. Ronning.
    Modern Language Review, 110 (2).
     pp. 536-537.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2012)
'Spying Women: Gayle Lynds's Espionage Fiction'.
    Paradoxa: Studies in World Literary Genres, 24.
     pp. 107-125.
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2009)
The living fabric of the world: Willa Cather's travel journalism.
    European Journal of American Culture, 28 (3).
     pp. 207-223.
     doi:10.1386/ejac.28.3.207_1
  
  
    Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
  
(2009)
”Invisible Now”: Bob Dylan’s Art of Continual Becoming.
    Bridge, 35.
     pp. 83-103.
    
  
  
    Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
  
(2014)
The Only Blonde in the World: Pauline Boty and Bob Dylan’s 1962 London Visit.
    Bridge, 48.
     pp. 86-105.
    
  
  
    Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
  
(1999)
Poe's Resentful Soul.
    Poe Studies, 34 (1-2).
     pp. 20-28.
     doi:10.1111/j.1754-6095.1999.tb00107.x
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2016)
Blue Limitless Emptiness.
    Short Fiction.
     pp. 1-11.
    
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2016)
Crowded City, Tuesday.
    Quiddity, 9 (1).
     pp. 28-30.
    
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2016)
Drink Me.
    Literary Mama.
    
    
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2014)
I'm Touching You Now.
    Rumpus.
    
    
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2016)
Lift Off.
    Post Road (31).
    
    
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2019)
Susurration.
    Rattle.
    
    
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2017)
Swipe Right Poetry.
    Shooter Literary Magazine (6).
     pp. 76-82.
    
  
  
Randall, Martin C (2022) Book Review: Training for Catastrophe: Fictions of National Security after 9/11 by Lindsay Thomas. Literature and History, 31 (1). pp. 113-115. doi:10.1177/03061973221096310
Saguaro, Shelley (2000) 'Bosom Secrets': Decrypting Hawthorne's Blithedale Romance. European Journal of American Culture.
Saguaro, Shelley (2018) Cultivating Environmental Justice: A Literary History of U.S. Garden Writing. Green Letters, 22 (1). pp. 120-122. doi:10.1080/14688417.2018.1496663
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2021)
Chicago Crime, Blue Collar and White: Sara Paretsky’s V. I. Warshawski Novels.
    
      In:  
      Chicago: A Literary History.
    
    
    Cambridge University Press, Cambridge, pp. 356-369.
     ISBN 9781108763738
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2020)
Crime Fiction and Migration.
    
      In:  
      Routledge Companion to Crime Fiction.
    
    
    Routledge, pp. 379-387.
     ISBN 9781138320352
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2018)
Cut a Long Story Short:  Teaching the Crime Short Story.
    
      In:  
      Teaching Crime Fiction.
    
    
    Palgrave, Houndmills, pp. 99-114.
     ISBN 9783319906089
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2021)
“I Stand Out Like a Raven”: The Female Detective and Tudor History in Nancy Bilyeau’s The Crown.
    
      In:  
      Contemporary Crime Fiction: Crossing Boundaries, Merging Genres.
    
    
    Cambridge Scholars Publishing, pp. 39-60.
     ISBN 9781527564060
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2022)
“I never made those marks on my girl”: Challenging Cultural Narratives about Mothers who Kill in Sara Paretsky’s Crime Novel Brush Back.
    
      In:  
      Mothers who Kill.
    
    
    Demeter Press, Toronto, pp. 333-353.
     ISBN 9781772583571
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2018)
Introduction: Crime Fiction.
    
      In:  
      Teaching Crime Fiction.
    
    
      Teaching the New English
      .
    
    Palgrave, pp. 1-15.
     ISBN 9783319906089
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2012)
Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside  the World of Women Private Eyes.
    
      In:  
      Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'.
    
    
    Palgrave Macmillan, London, pp. 209-223.
     ISBN 9780230299771
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2016)
Reimagining Myth and the Maternal with Ruth Fainlight, Margaret Atwood and Katie Donovan.
    
      In:  
      Women Versed in Myth: Essays on Modern Poets.
    
    
    McFarland, Detroit, MI, pp. 50-58.
     ISBN 9780786471928
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2015)
“She Decided to Kill Her Husband”: Housewives in Contemporary American Fictions of Crime.
    
      In:  
      Violence in American Popular Culture.
    
    
    Praeger / ABC CLIO, Westport, pp. 71-94.
     ISBN 9781440832055
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2013)
"She Looked West": Eco Crime Fiction Hits the Road in Martha Grimes's Biting The Moon.
    
      In:  
      New Wests and Post-Wests: Literature and Film of the American West.
    
    
    Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 59-79.
     ISBN 9781443849647
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2021)
“She Looked West”: Martha Grimes’ Environmental Crime Novel
Biting the Moon.
    
      In:  
      Contemporary Crime Fiction: Crossing Boundaries, Merging Genres.
    
    
    Cambridge Scholars Publishing, pp. 187-208.
     ISBN 9781527564060
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2015)
”This Really Isn’t a Job For a Girl to Take on Alone”:  Reappraising Feminism and Genre Fiction in Sara Paretsky’s Crime Novel Indemnity Only.
    
      In:  
      This Book is an Action:  Feminist Print Culture and Activist Aesthetics.
    
    
    University of Illinois Press, Baltimore, pp. 226-244.
     ISBN 9780252081347
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2007)
'A work and a purpose': Willa Cather’s Journalism.
    
      In:  
      The Journalistic Imagination: Literary Journalists From Dafoe to Capote and Carte.
    
    
    Routledge, Abingdon, pp. 74-86.
     ISBN 978-0415417242
  
  
    Collignon, Stéphane and Friend, Ian ORCID: https://orcid.org/0000-0002-0357-3811
  
(2021)
From Terrible Toreadors to Dwarfs and Princesses: Forging Disney's Style of Animation.
    
      In:  
      Snow White and the Seven Dwarfs New Perspectives on Production, Reception, Legacy.
    
    
      Animation: Key Films/Filmmakers, 1
      .
    
    Bloomsbury Academic.
     ISBN 9781501351228
  
  
    Hitchman, Beatrice ORCID: https://orcid.org/0000-0001-6088-6497
  
(2019)
'Minor Scandal': Lesbian Contexts for The Bell Jar.
    
      In:  
      Sylvia Plath in Context.
    
    
    Cambridge University Press, Cambridge, pp. 169-179.
     ISBN 9781108470131
  
  
    Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
  
(2012)
”It’s not British Music, It’s American Music”: Bob Dylan and Britain.
    
      In:  
      Transatlantic Roots Music Folk, Blues, and National Identities.
    
    
    University Press of Mississippi, Jackson, pp. 94-118.
     ISBN 978-1-61703-288-2
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2021)
An American Walks into a Bar (with her British Creative Writing Students).
    
      In:  
      The Place and the Writer: International Intersections of Teacher Lore and Creative Writing Pedagogy.
    
    
      Research in creative writing
      .
    
    Bloomsbury Academic, London.
     ISBN 9781350127159
  
  
    Middleton, Rowan ORCID: https://orcid.org/0000-0002-5729-0171
  
(2020)
Poetry and Potatoes: A Rhizomatic Approach to Teaching Creative Writing and Literature.
    
      In:  
      Responding to Creative Writing.
    
    
    Cambridge Scholars Press, Newcastle upon Tyne, pp. 27-39.
    
  
  
Saguaro, Shelley (2010) 'Sway Between a Dance and a Fight': Black Religions in Toni Morrison's Paradise. In: Literature as History: Essays in Honour of Peter Widdowson. Continnuum-3PL, London, pp. 118-132. ISBN 9781441174314
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2023)
“I Act the Part of the Dutiful Daughter”: Human Sex Trafficking and Gender-Based Violence in Patricia McCormick’s Children’s Novel Sold (2006).
    In: Southwest Popular/American Culture Association summer salon, 8-9 June 2023, Online.
    
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2015)
“I stand out like a raven”: Female Detection and the Tudor Period in Nancy Bilyeau’s Crime Fiction.
    In: Representing the Tudors: An Interdisciplinary Conference, 10-11 July 2015, University of South Wales.
    
    
  
   (Unpublished)
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2022)
Keynote: “TERF Wars”:  Intersectionality and Decolonisation in Contemporary Crime Fiction.
    In: Futures of Crime: Exploring the Evolving Terrain of Crime Fiction, 20 May 2022, Queen's University Belfast.
    
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2022)
Keynote: “The Men Came Looking for Girls”: Sex Trafficking in Contemporary Crime Fiction and the Politics of Representation.
    In: Carnal Crimes, 21-22 January 2022, Dublin City University, Ireland (online conference).
    
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2009)
‘The Living Fabric of the World’: Willa Cather's Travel Journalism.
    In: South West American Studies Forum, 19 May 2007, University of Exeter.
    
    
  
   (Unpublished)
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2019)
“Outlaw In-Law”:  Locating the Mother-in-Law in Domestic Noir.
    In: Girls, Girls, Girls!: Defining and Deconstructing ‘Domestic Noir’, 23 August 2019, Trinity College Dublin, Ireland..
    
    
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2022)
“Pedagogical strategies for teaching LGBTQ+ YA American Literature in the undergraduate classroom”.
    In: British Association for American Studies Conference 2022, 21-23 April 2022, University of Hull, UK.
    
    
  
   (Unpublished)
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2012)
Resisting Marginalisation:  Contemporary American Women’s Spy Fiction.
    In: The Marginalised Mainstream: Literature, Culture and Popularity, 8-9 November 2012, Institute of English Studies, University of London.
    
    
  
   (Unpublished)
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2010)
‘Still ‘An Unsuitable Job for a Woman’?  Some Reflections on Feminist Crime Fiction and Strategies for Teaching and Learning’.
    In: Research Seminar, 10 February 2010, Centre for Research in Crime, Violence, and Disorder, University of Gloucestershire.
    
    
  
   (Unpublished)
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2009)
Still ‘An Unsuitable Job for a Woman’?  Some Reflections on Feminist Crime Fiction in the 1990s and post-2000, and Strategies for Teaching and Learning.
    In: Crime Fiction and Women, Experiences and Functions (Invitation-only conference), 30 November - 1 December 2009, Mols, Denmark.
    
    
  
   (Unpublished)
Romao, Tico J (2015) 'Film, Ideology, and Social Cognition: The Unfinished Project'. In: SCSMI Conference, 17 - 20 June 2015, London. (Unpublished)
Romao, Tico J (2009) 'Film, Ideology, and Social Cognition: The Unfinished Project'. In: SCSMI Conference, 24 - 27 June 2009, Copenhagen.
Romao, Tico J (2014) 'In Search of Space (Rock): The Generic Conventions of Sonic Exploration'. In: Cosmographies Conference, 24 - 25 July 2014, Falmouth University. (Unpublished)
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2014)
“The Dream it’s Always Been: Fractured Narratives in Awake”.
    In: National Conference Popular Culture Association American Culture Association, 16 - 19 April 2014, Chicago, Illinois.
    
    
  
   (Unpublished)
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2016)
“Harlan Roulette: Cowboys, Gangsters, and Generic Construction in Justified”.
    In: National Conference Popular Culture Association American Culture Association, 22 - 25 March 2016, Seattle, Washington.
    
    
  
   (Unpublished)
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2015)
“My Father’s Son: Patriarchal Deconstruction in Justified”.
    In: National Conference Popular Culture Association American Culture Association, 1 - 4 April 2015, New Orleans, Louisiana.
    
    
  
  
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2012)
“Osama bin Laden Ain’t Here: Justified as a Post-9/11 Western".
    In: National Conference Popular Culture Association American Culture Association, 11 - 14 April 2012, Boston, Massachusetts.
    
    
  
  
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2010)
“The Postmodern Final Girl: Terrible Babies, Killer Mothers, and 
The Descent”.
    In: National Conference Popular Culture Association American Culture Association, 31 March  - 3 April 2010, St. Louis, Missouri.
    
    
  
   (Unpublished)
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2017)
“Raylan meets Bullock: Narrative Progenies in Justified”.
    In: National Conference Popular Culture Association American Culture Association, 12 - 15 April 2017, San Diego, California.
    
    
  
   (Unpublished)
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2011)
“Splendor in the Blood: Mass Murder, True Love, and Unforgiven”.
    In: The 2011 Joint Conference of the National Popular Culture & American Culture Association and the Southwest/Texas Popular Culture & American Culture Association, 20 - 23 April 2011, San Antonio, Texas.
    
    
  
   (Unpublished)
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2013)
“They’re Not Even Human: Cyborg Identities in Fringe”.
    In: National Conference Popular Culture Association American Culture Association, 27 - 30 March 2013, Washington DC.
    
    
  
  
    Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009
  
(2010)
“Your So-Called Dance: Combative Narrative in Battlestar Galactica".
    In: Conference of the Popular Culture Association/American Culture Association of the Southwest and Texas, 10 - 13 February 2010, Albuquerque, New Mexico.
    
    
  
   (Unpublished)
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2024)
Crime Fiction in the Age of #MeToo.
    
    
    Anthem Press, London.
     ISBN 9781785278556
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
  
(2020)
Murder in a Few Words: Gender, Genre and Location in the Crime Short Story.
    
    
    McFarland, Jefferson.
     ISBN 9781476673721
  
  
    Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds)
  
(2019)
Travellin’ Mama:  Mothers, Mothering and Travel.
    
    
    Demeter Press, Bradford.
     ISBN 9781772581799
  
  
    Beyer, Charlotte (Ed) ORCID: https://orcid.org/0000-0002-2701-5443
  
(2022)
Decolonising the Literature Curriculum.
    
    
      Teaching the New English
      .
    
    Palgrave.
     ISBN 9783030912895
  
  
    Beyer, Charlotte (Ed.) ORCID: https://orcid.org/0000-0002-2701-5443
  
(2021)
Contemporary Crime Fiction: Crossing Boundaries, Merging Genres.
    
    
    Cambridge Scholars Publishing, Newcastle upon Tyne.
     ISBN 9781527564060
  
  
    Beyer, Charlotte (Ed.) ORCID: https://orcid.org/0000-0002-2701-5443
  
(2018)
Teaching Crime Fiction.
    
    
      Teaching the New English
      .
    
    Palgrave, Houndmills.
     ISBN 978-3-319-90608-9
  
  
    Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
  
(2013)
Invisible Now: Bob Dylan in the 1960s.
    
    
      Ashgate Popular and Folk Music Series
      .
    
    Ashgate.
     ISBN 978-1-4094-3002-5
  
  
    Knight, Lania ORCID: https://orcid.org/0000-0003-1024-8889
  
(2018)
Remnant.
    
    
    Burlesque Press.
     ISBN 9780996485081
  
  
Randall, Martin C (2011) 9/11 and the Literature of Terror. Edinburgh University Press Ltd, Edinburgh. ISBN 9780748638529
Saguaro, Shelley (2006) Garden Plots: The Politics and Poetics of Gardens. Ashgate. ISBN 9780754637530
Gill, Joanna Ruth (2001) 'The cracked mirror': Anne Sexton's poetics of self-representation. PhD thesis, University of Gloucestershire.
Schulenburg, Darlene (2001) Identity and dislocation in Caribbean women's literature: a study of the writings of Velma Pollard. Masters thesis, University of Gloucestershire.