Items where Subject is "PS American literature"

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Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Chicago Crime, Blue Collar and White: Sara Paretsky’s V. I. Warshawski Novels. In: Chicago: A Literary History. Cambridge University Press, Cambridge, pp. 356-369. ISBN 9781108763738

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Contemporary Crime Fiction: A Surfeit of Riches. American, British and Canadian Studies, 28 (1). pp. 5-16.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Crime Fiction and Migration. In: Routledge Companion to Crime Fiction. Routledge, pp. 379-387. ISBN 9781138320352

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Crime Fiction in the Age of #MeToo. Anthem Press, London. ISBN 9781785278556

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Gayle Lynds’s Espionage Thrillers: An Interview. Paradoxa: Studies in World Literary Genres, 24. pp. 199-213.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “I Act the Part of the Dutiful Daughter”: Human Sex Trafficking and Gender-Based Violence in Patricia McCormick’s Children’s Novel Sold (2006). In: Southwest Popular/American Culture Association summer salon, 8-9 June 2023, Online.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) “I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown. American, British and Canadian Studies, 28 (1). pp. 91-110. doi:10.1515/abcsj-2017-0006

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “I Stand Out Like a Raven”: The Female Detective and Tudor History in Nancy Bilyeau’s The Crown. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 39-60. ISBN 9781527564060

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) “I never made those marks on my girl”: Challenging Cultural Narratives about Mothers who Kill in Sara Paretsky’s Crime Novel Brush Back. In: Mothers who Kill. Demeter Press, Toronto, pp. 333-353. ISBN 9781772583571

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “I stand out like a raven”: Female Detection and the Tudor Period in Nancy Bilyeau’s Crime Fiction. In: Representing the Tudors: An Interdisciplinary Conference, 10-11 July 2015, University of South Wales. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction. Clues: A Journal of Detection, 40 (2). pp. 119-122.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Keynote: “TERF Wars”: Intersectionality and Decolonisation in Contemporary Crime Fiction. In: Futures of Crime: Exploring the Evolving Terrain of Crime Fiction, 20 May 2022, Queen's University Belfast.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Keynote: “The Men Came Looking for Girls”: Sex Trafficking in Contemporary Crime Fiction and the Politics of Representation. In: Carnal Crimes, 21-22 January 2022, Dublin City University, Ireland (online conference).

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) ‘The Living Fabric of the World’: Willa Cather's Travel Journalism. In: South West American Studies Forum, 19 May 2007, University of Exeter. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Murder in a Few Words: Gender, Genre and Location in the Crime Short Story. McFarland, Jefferson. ISBN 9781476673721

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “Outlaw In-Law”: Locating the Mother-in-Law in Domestic Noir. In: Girls, Girls, Girls!: Defining and Deconstructing ‘Domestic Noir’, 23 August 2019, Trinity College Dublin, Ireland..

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) “Pedagogical strategies for teaching LGBTQ+ YA American Literature in the undergraduate classroom”. In: British Association for American Studies Conference 2022, 21-23 April 2022, University of Hull, UK. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Reimagining Myth and the Maternal with Ruth Fainlight, Margaret Atwood and Katie Donovan. In: Women Versed in Myth: Essays on Modern Poets. McFarland, Detroit, MI, pp. 50-58. ISBN 9780786471928

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Religion and Spirituality in Willa Cather's Journalism. Nineteenth-Century Prose, 39 (1-2). pp. 455-480.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Resisting Marginalisation: Contemporary American Women’s Spy Fiction. In: The Marginalised Mainstream: Literature, Culture and Popularity, 8-9 November 2012, Institute of English Studies, University of London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Sara Paretsky, Writing in an Age of Silence. American, British and Canadian Studies, 15 (2). pp. 214-216.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “She Decided to Kill Her Husband”: Housewives in Contemporary American Fictions of Crime. In: Violence in American Popular Culture. Praeger / ABC CLIO, Westport, pp. 71-94. ISBN 9781440832055

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) "She Looked West": Eco Crime Fiction Hits the Road in Martha Grimes's Biting The Moon. In: New Wests and Post-Wests: Literature and Film of the American West. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 59-79. ISBN 9781443849647

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “She Looked West”: Martha Grimes’ Environmental Crime Novel Biting the Moon. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 187-208. ISBN 9781527564060

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon. Oscholars, N/A (N/A). pp. 1-20.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) The Song of the Lark by Willa Cather; Ann Moseley and Kari A. Ronning. Modern Language Review, 110 (2). pp. 536-537.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) 'Spying Women: Gayle Lynds's Espionage Fiction'. Paradoxa: Studies in World Literary Genres, 24. pp. 107-125.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) ‘Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction and Strategies for Teaching and Learning’. In: Research Seminar, 10 February 2010, Centre for Research in Crime, Violence, and Disorder, University of Gloucestershire. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction in the 1990s and post-2000, and Strategies for Teaching and Learning. In: Crime Fiction and Women, Experiences and Functions (Invitation-only conference), 30 November - 1 December 2009, Mols, Denmark. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) ”This Really Isn’t a Job For a Girl to Take on Alone”: Reappraising Feminism and Genre Fiction in Sara Paretsky’s Crime Novel Indemnity Only. In: This Book is an Action: Feminist Print Culture and Activist Aesthetics. University of Illinois Press, Baltimore, pp. 226-244. ISBN 9780252081347

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) The living fabric of the world: Willa Cather's travel journalism. European Journal of American Culture, 28 (3). pp. 207-223. doi:10.1386/ejac.28.3.207_1

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2007) 'A work and a purpose': Willa Cather’s Journalism. In: The Journalistic Imagination: Literary Journalists From Dafoe to Capote and Carte. Routledge, Abingdon, pp. 74-86. ISBN 978-0415417242

Beyer, Charlotte ORCID: 0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Travellin’ Mama: Mothers, Mothering and Travel. Demeter Press, Bradford. ISBN 9781772581799

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2021) Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527564060

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

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Collignon, Stéphane and Friend, Ian ORCID: 0000-0002-0357-3811 (2021) From Terrible Toreadors to Dwarfs and Princesses: Forging Disney's Style of Animation. In: Snow White and the Seven Dwarfs New Perspectives on Production, Reception, Legacy. Animation: Key Films/Filmmakers, 1 . Bloomsbury Academic. ISBN 9781501351228

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Gill, Joanna Ruth (2001) 'The cracked mirror': Anne Sexton's poetics of self-representation. PhD thesis, University of Gloucestershire.

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Hitchman, Beatrice ORCID: 0000-0001-6088-6497 (2019) 'Minor Scandal': Lesbian Contexts for The Bell Jar. In: Sylvia Plath in Context. Cambridge University Press, Cambridge, pp. 169-179. ISBN 9781108470131

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Invisible Now: Bob Dylan in the 1960s. Ashgate Popular and Folk Music Series . Ashgate. ISBN 978-1-4094-3002-5

Hughes, John D ORCID: 0000-0002-2187-2911 (2009) ”Invisible Now”: Bob Dylan’s Art of Continual Becoming. Bridge, 35. pp. 83-103.

Hughes, John D ORCID: 0000-0002-2187-2911 (2012) ”It’s not British Music, It’s American Music”: Bob Dylan and Britain. In: Transatlantic Roots Music Folk, Blues, and National Identities. University Press of Mississippi, Jackson, pp. 94-118. ISBN 978-1-61703-288-2

Hughes, John D ORCID: 0000-0002-2187-2911 (2014) The Only Blonde in the World: Pauline Boty and Bob Dylan’s 1962 London Visit. Bridge, 48. pp. 86-105.

Hughes, John D ORCID: 0000-0002-2187-2911 (1999) Poe's Resentful Soul. Poe Studies, 34 (1-2). pp. 20-28. doi:10.1111/j.1754-6095.1999.tb00107.x

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Knight, Lania ORCID: 0000-0003-1024-8889 (2021) An American Walks into a Bar (with her British Creative Writing Students). In: The Place and the Writer: International Intersections of Teacher Lore and Creative Writing Pedagogy. Research in creative writing . Bloomsbury Academic, London. ISBN 9781350127159

Knight, Lania ORCID: 0000-0003-1024-8889 (2016) Blue Limitless Emptiness. Short Fiction. pp. 1-11.

Knight, Lania ORCID: 0000-0003-1024-8889 (2016) Crowded City, Tuesday. Quiddity, 9 (1). pp. 28-30.

Knight, Lania ORCID: 0000-0003-1024-8889 (2016) Drink Me. Literary Mama.

Knight, Lania ORCID: 0000-0003-1024-8889 (2014) I'm Touching You Now. Rumpus.

Knight, Lania ORCID: 0000-0003-1024-8889 (2016) Lift Off. Post Road (31).

Knight, Lania ORCID: 0000-0003-1024-8889 (2018) Remnant. Burlesque Press. ISBN 9780996485081

Knight, Lania ORCID: 0000-0003-1024-8889 (2019) Susurration. Rattle.

Knight, Lania ORCID: 0000-0003-1024-8889 (2017) Swipe Right Poetry. Shooter Literary Magazine (6). pp. 76-82.

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Middleton, Rowan ORCID: 0000-0002-5729-0171 (2020) Poetry and Potatoes: A Rhizomatic Approach to Teaching Creative Writing and Literature. In: Responding to Creative Writing. Cambridge Scholars Press, Newcastle upon Tyne, pp. 27-39.

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Randall, Martin C (2011) 9/11 and the Literature of Terror. Edinburgh University Press Ltd, Edinburgh. ISBN 9780748638529

Randall, Martin C (2022) Book Review: Training for Catastrophe: Fictions of National Security after 9/11 by Lindsay Thomas. Literature and History, 31 (1). pp. 113-115. doi:10.1177/03061973221096310

Romao, Tico J (2015) 'Film, Ideology, and Social Cognition: The Unfinished Project'. In: SCSMI Conference, 17 - 20 June 2015, London. (Unpublished)

Romao, Tico J (2009) 'Film, Ideology, and Social Cognition: The Unfinished Project'. In: SCSMI Conference, 24 - 27 June 2009, Copenhagen.

Romao, Tico J (2014) 'In Search of Space (Rock): The Generic Conventions of Sonic Exploration'. In: Cosmographies Conference, 24 - 25 July 2014, Falmouth University. (Unpublished)

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Saguaro, Shelley (2000) 'Bosom Secrets': Decrypting Hawthorne's Blithedale Romance. European Journal of American Culture.

Saguaro, Shelley (2018) Cultivating Environmental Justice: A Literary History of U.S. Garden Writing. Green Letters, 22 (1). pp. 120-122. doi:10.1080/14688417.2018.1496663

Saguaro, Shelley (2006) Garden Plots: The Politics and Poetics of Gardens. Ashgate. ISBN 9780754637530

Saguaro, Shelley (2010) 'Sway Between a Dance and a Fight': Black Religions in Toni Morrison's Paradise. In: Literature as History: Essays in Honour of Peter Widdowson. Continnuum-3PL, London, pp. 118-132. ISBN 9781441174314

Schulenburg, Darlene (2001) Identity and dislocation in Caribbean women's literature: a study of the writings of Velma Pollard. Masters thesis, University of Gloucestershire.

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Zinder, Paul ORCID: 0000-0002-9578-4009 (2014) “The Dream it’s Always Been: Fractured Narratives in Awake”. In: National Conference Popular Culture Association American Culture Association, 16 - 19 April 2014, Chicago, Illinois. (Unpublished)

Zinder, Paul ORCID: 0000-0002-9578-4009 (2016) “Harlan Roulette: Cowboys, Gangsters, and Generic Construction in Justified”. In: National Conference Popular Culture Association American Culture Association, 22 - 25 March 2016, Seattle, Washington. (Unpublished)

Zinder, Paul ORCID: 0000-0002-9578-4009 (2015) “My Father’s Son: Patriarchal Deconstruction in Justified”. In: National Conference Popular Culture Association American Culture Association, 1 - 4 April 2015, New Orleans, Louisiana.

Zinder, Paul ORCID: 0000-0002-9578-4009 (2012) “Osama bin Laden Ain’t Here: Justified as a Post-9/11 Western". In: National Conference Popular Culture Association American Culture Association, 11 - 14 April 2012, Boston, Massachusetts.

Zinder, Paul ORCID: 0000-0002-9578-4009 (2010) “The Postmodern Final Girl: Terrible Babies, Killer Mothers, and The Descent”. In: National Conference Popular Culture Association American Culture Association, 31 March - 3 April 2010, St. Louis, Missouri. (Unpublished)

Zinder, Paul ORCID: 0000-0002-9578-4009 (2017) “Raylan meets Bullock: Narrative Progenies in Justified”. In: National Conference Popular Culture Association American Culture Association, 12 - 15 April 2017, San Diego, California. (Unpublished)

Zinder, Paul ORCID: 0000-0002-9578-4009 (2011) “Splendor in the Blood: Mass Murder, True Love, and Unforgiven”. In: The 2011 Joint Conference of the National Popular Culture & American Culture Association and the Southwest/Texas Popular Culture & American Culture Association, 20 - 23 April 2011, San Antonio, Texas. (Unpublished)

Zinder, Paul ORCID: 0000-0002-9578-4009 (2013) “They’re Not Even Human: Cyborg Identities in Fringe”. In: National Conference Popular Culture Association American Culture Association, 27 - 30 March 2013, Washington DC.

Zinder, Paul ORCID: 0000-0002-9578-4009 (2010) “Your So-Called Dance: Combative Narrative in Battlestar Galactica". In: Conference of the Popular Culture Association/American Culture Association of the Southwest and Texas, 10 - 13 February 2010, Albuquerque, New Mexico. (Unpublished)