Items where Subject is "PR481 21st century"

Article

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Using Creative Writing in English Literature Assessment: Diversity and Inclusion on an Undergraduate Crime Fiction Module. Clues: A Journal of Detection, 41 (2). pp. 107-110.

Keevil, Tyler (2016) Defamiliarised. HARTS and Minds: Journal of the Humanities and Arts, 2 (3). pp. 2-8.

Keevil, Tyler (2016) Foul Is Fair. Black Static (50). pp. 46-58.

Keevil, Tyler (2015) It's In You To Give. On Spec: The Canadian Magazine of the Fantastic (99).

Keevil, Tyler (2015) Samhain. Black Static (44). pp. 46-59.

Keevil, Tyler (2016) The Search. PRISM: International, 54 (4). pp. 91-100.

Keevil, Tyler (2016) Starlings. Interzone (264). pp. 14-33.

Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.

Keevil, Tyler (2017) Writing Kerouac’s bookmovie: cinematic influence and imagery in the modern road novel. New Writing: The International Journal for the Practice and Theory of Creative Writing, 14 (2). pp. 167-175. doi:10.1080/14790726.2016.1277764

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) The Marvellous as We Know It: A text world analysis of Heaney’s Squarings: Lightenings VIII. New Writing: The International Journal for the Practice and Theory of Creative Writing, 11 (2). pp. 228-239. doi:10.1080/14790726.2013.837934

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2020) Text-worlds, blending, and allegory in ‘Flamingos in Dudley Zoo’ by Emma Purshouse. Language and Literature, 29 (4). pp. 389-403. doi:10.1177/0963947020968664

Book Section

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) “Contemporary Crime Fiction: A Surfeit of Riches”. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781527564060

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) “I Stand Out Like a Raven”: The Female Detective and Tudor History in Nancy Bilyeau’s The Crown. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 39-60. ISBN 9781527564060

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888

Coe, Kate (2016) High Flight & Flames. In: High Flight & Flames. Kristell Ink, pp. 1-5. ISBN 978-0993576638

Keevil, Tyler (2015) Night Start. In: New Welsh Short Stories. Seren Books, Bridgen, pp. 7-19. ISBN 9781781722343

Keevil, Tyler (2016) The Weeds & The Wildness. In: Strangers Among Us: Tales of Underdogs and Outcasts. Laksaw Media Groups Inc., Calgary, Alberta, pp. 91-107. ISBN 9780993969607

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) Chekhov's Gun. In: Eating My Words: National Flash-Fiction Day 2014 Anthology. National Flash Fiction Day, Southampton, pp. 82-83. ISBN 9781500110871

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2003) Seven poems. In: New Soundings: An Anthology of New Writing from the North of Ireland. Blackstaff Press, Belfast, pp. 116-126. ISBN 0-85640-739-9

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2006) Ten poems. In: Magnetic North:The Emerging Poets. Lagan Press, Belfast, pp. 239-248. ISBN 9781898701606

Conference or Workshop Item

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) BACLS book prize seminar: Charlotte Beyer, Decolonising the Literature Curriculum. In: BACLS Seminar, 31 May 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) ‘Bags stuffed with the offal of their own history’: Place and crime fiction in the short story collection Crimespotting: An Edinburgh Crime Collection. In: The Singer not the Song: Narration in the Short Story, 24 June 2011, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Decolonising the Literature Curriculum Through British-Chinese Writing: Xiaolu Guo, Once upon a Time in the East. In: Uncovering British Chinese Cultures, 2-3 December 2023, Technische Universität Dresden, Germany.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Glocal Crime: Human Trafficking and Forced Migration in Crime Fiction. In: 4th "TRAVELLING, TRANSMISSION AND TRANSGRESSION" International Interdisciplinary Conference, 21-22 March 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) “Imagination or Memory?” The Search for Self in Paula Hawkins’ Crime Novel The Girl on the Train. In: 7th "MEMORY, FORGETTING AND CREATING": International Interdisciplinary Conference, 18-19 January, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) #MeToo and Subverting the Ending: “Antti Tuomainen’s “The Script”. In: CLiC: To Exit – Literatures of Ending, 7 November 2023, University of Worcester, online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Migrant Mothers and Diasporic Daughters: Tracing the Mother’s Story in the Black British Writer Andrea Levy’s Novels. In: 7th "Migration, Adaptation and Memory": International Interdisciplinary Conference, 13-14 June, 2024, Gdansk, Poland.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Migration and Human Trafficking in Crime Fiction. In: Sustainable Development Challenges: An Online Conference for University of Gloucestershire Researchers, 16 December 2020, University of Gloucestershire.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Minette Walters’ The Cellar: Conveying the Trauma of Human Trafficking in Crime Fiction. In: 4th “MEMORY, TRAUMA AND RECOVERY” International Interdisciplinary Conference, 21-22 September, 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) “Pain, Hurt and Dammit: ” Ken Bruen’s Exploration of the Supernatural and Irish Mythology in His Crime Short Story “She Wails Through the Fair”. In: 6th "DREAMS, PHANTASMS AND MEMORIES" International Interdisciplinary Conference, 23-24 November 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) 'Putting back the voices that were left out’: Storytelling, Slavery and Spectres of the Past in Andrea Levy’s The Long Song’. In: Narrating the Caribbean Nation: A Celebration of Literature and Orature, 14-15 April 2012, Leeds Metropolitan University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) The Supernatural Selkie in Una McCormack's Story "The Sea is Not Full". In: Romancing the Gothic (independent online education project), 25 May 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) The Sweet Transgressiveness of Female Rage and Revenge in Kim Moritsugu’s Crime Short Story “A Taste of Honey” (2008). In: Memory, Transgression, and Change: International Interdisciplinary Conference, 18-19 April 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Writing Back to History: Using Andrea Levy’s “Uriah’s War” as a Case Study for Decolonisation on a Level 4 Skills Module for English and Creative Writing Students. In: BACLS What Happens Now 2023, 6-8 September 2023, University of Birmingham.

Book

McLoughlin, Nigel F, Fluharty, Matthew and Sewell, Frank, eds. (2002) Breaking The Skin: 21st Century Irish Writing: New Poetry. Black Mountain Press, Belfast. ISBN 978-0953757022

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Crime Fiction in the Age of #MeToo. Anthem Press, London. ISBN 9781785278556

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Travellin’ Mama: Mothers, Mothering and Travel. Demeter Press, Bradford. ISBN 9781772581799

Beyer, Charlotte (Ed) ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895

Lloyd, Andy (2010) The Followers of Horus. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264275

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2001) At The Waters’ Clearing. Flambard Press & Black Mountain Press, Ballyclare. ISBN 1873226500

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2005) Blood. Bluechrome, Portishead. ISBN 1904781497

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2007) Dissonances. Bluechrome, Bristol, pp. 1-79. ISBN 978-1-906061-14-2

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2004) Songs For No Voices. Lagan Press, Belfast. ISBN 1904652158

Thesis

Dicks, Duncan ORCID: https://orcid.org/0000-0001-8098-8140 (2019) Conexus: Crime Fiction and the State of the Nation. PhD thesis, University of Gloucestershire. doi:10.46289/EDHU2098

France, Angela ORCID: https://orcid.org/0000-0001-8308-4868 (2015) Hide: A 21st century woman’s response to the first person in poetry. PhD thesis, University of Gloucestershire.

Pallant, Cheryl (2021) Somatic writing: a collection of articles, nonfiction and poetry on the body in motion. PhD thesis, University of Gloucestershire. doi:10.46289/TR42LE68

Artefact

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) Event Horizon 11. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) Event Horizon 15 and Vanishing Point VII. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) Event Horizon 5. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) Event Horizon numbers 2, 8, 16 and 19. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) Event Horizon numbers 3, 6, 14 and 18. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) Three Poems. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) Vanishing Point I, II and III. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) from Event Horizon. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2016) ‘from Event Horizon’. [Artefact]

Audio

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2013) Nigel McLoughlin: poems. [Audio]