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Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) BACLS book prize seminar: Charlotte Beyer, Decolonising the Literature Curriculum. In: BACLS Seminar, 31 May 2024, Online.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “Contemporary Crime Fiction: A Surfeit of Riches”. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781527564060
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Crime Fiction in the Age of #MeToo. Anthem Press, London. ISBN 9781785278556
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) Invited talk: Crime of Passion: Investigating Love and Agatha Christie. In: International Agatha Christie Festival, 10-17 September 2022, Torquay, UK.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Migrant Mothers and Diasporic Daughters: Tracing the Mother’s Story in the Black British Writer Andrea Levy’s Novels. In: 7th "Migration, Adaptation and Memory": International Interdisciplinary Conference, 13-14 June, 2024, Gdansk, Poland.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “No Girl Could Keep Her Baby”: Depictions of Irish Mother and Baby Homes in June Goulding’s Memoirs The Light in the Window. In: Mothers Without Their Children. Demeter Press, pp. 93-110. ISBN 9781772581737
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2022) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scene. In: The Golden Age of Crime: A Reappraisal, 22-23 June 2022, Bournemouth University.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scenes in “The Blood-Stained Pavement” and “Ingots of Gold”. Clues: A Journal of Detection, 41 (1). pp. 95-105.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Not ‘the Scenic Route’ through Pain and Old Age: Representations of Old Age in Black British Writing. In: Pain and Old Age: Centuries of Suffering in Silence?, The Birkbeck Pain Project and the Birkbeck Institute for the Humanities, University of London. (Unpublished)
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) “She Looked West”: Martha Grimes’ Environmental Crime Novel Biting the Moon. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 187-208. ISBN 9781527564060
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2021) Teaching Golden Age Crime Fiction in the Age of #MeToo. In: Culture, Continuity, and Transformation Conference: Academic research and cultural change, 13 - 14 June 2021, University of Gloucestershire.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) “The Trouble with Identity”: Contesting Racism and Xenophobia with the British-Pakistani Author M.Y. Alam’s Crime Novel Annie Potts Is Dead. In: 7th Racism, Nationalism and Xenophobia: International Interdisciplinary Conference, 23-24 May 2024, Online.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2023) Using Creative Writing in English Literature Assessment: Diversity and Inclusion on an Undergraduate Crime Fiction Module. Clues: A Journal of Detection, 41 (2). pp. 107-110.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) “What are words?” Love, art and bondage in Agatha Christie’s short story “Within a Wall” (1925). In: Christie for Christmas: 100 Years of Crime Fiction with Style, 21 December 2020, University of Calabria, University of Lisbon, University of Turin.
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) What’s Eating Her? Anorexia and Female Identity in Ruth Rendell’s Domestic Noir Novella Heartstones. In: Blood on the Table: Essays on Food in International Crime Fiction. McFarland, Jefferson, pp. 75-86. ISBN 9781476671758
Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2024) Windrush Postmemory: Representations of Black British Identity and Intergenerational Trauma in Andrea Levy’s Every Light in the House Burnin’. In: 5th "Postmemory and the Contemporary World:" International Interdisciplinary Conference, 22-23 February 2024, Online.
Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895
Greenfield, Stacey A (2006) Formal Techniques and Self/Other Relations in the Novels of Dirk Bogarde. PhD thesis, University of Gloucestershire.
Griffiths, Jason ORCID: 0000-0002-4827-4508 and Deeks, Roger ORCID: 0000-0003-3012-8913 (2018) A Fortunate Man remembered...50 Years On. [Show/Exhibition]
Griffiths, Jason ORCID: 0000-0002-4827-4508 and Deeks, Roger ORCID: 0000-0003-3012-8913 (2016) "An evening of..." series of three public cultural history lectures each on a Forest of Dean author. [Audio] (Unpublished)
Griffiths, Jason ORCID: 0000-0002-4827-4508, Deeks, Roger ORCID: 0000-0003-3012-8913 and Peck, Julia ORCID: 0000-0001-5134-2471 (2019) A Fortunate Man: The Photographs of Jean Mohr. [Show/Exhibition]
Hitchman, Beatrice ORCID: 0000-0001-6088-6497 (2019) 'Minor Scandal': Lesbian Contexts for The Bell Jar. In: Sylvia Plath in Context. Cambridge University Press, Cambridge, pp. 169-179. ISBN 9781108470131
Hughes, John D ORCID: 0000-0002-2187-2911 (2006) Owen’s “Dulce et Decorum Est”. Explicator, 64 (3). pp. 160-162. doi:10.3200/EXPL.64.3.164-166
Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Wittgenstein and Literature. Philosophical Inquiry, xxiv. pp. 13-21.
Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.
Keevil, Tyler (2017) Writing Kerouac’s bookmovie: cinematic influence and imagery in the modern road novel. New Writing: The International Journal for the Practice and Theory of Creative Writing, 14 (2). pp. 167-175. doi:10.1080/14790726.2016.1277764
Kendall, Judy (2005) 'Out in the Dark': An Exploration of and Creative Response to the Process of Poetic Composition with Reference to Edward Thomas and a Self-reflexive Study. PhD thesis, University of Gloucestershire.
McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) The Marvellous as We Know It: A text world analysis of Heaney’s Squarings: Lightenings VIII. New Writing: The International Journal for the Practice and Theory of Creative Writing, 11 (2). pp. 228-239. doi:10.1080/14790726.2013.837934
Saguaro, Shelley (2013) 'Something that would stand for the conception': the inseminating world in the last writings of Virginia Woolf. Green Letters: Studies in Ecocriticism. doi:10.1080/14688417.2013.800340
Sidhe, Wren (2001) Bodies, Books and the Bucolic: Englishness, Literature and Sexuality, 1918-1939. PhD thesis, University of Gloucestershire.