Tools
Tools
Pooke, Grant F 
ORCID: 0000-0002-5043-6246
(2010)
Contemporary British Art: An Introduction.
Routledge.
Abstract
The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape ? both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ?post-conceptual? generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of their professional practice. Contemporary British Art is an ideal introduction to the field. To guide the reader, the book is organised around genres or related practices ? painting; sculpture and installation; and film, video and performance. The first chapter explores aspects of the contemporary art market and some of the contexts within which art is made, supported and exhibited. The chapters that discuss various genres of art practice also mention books that may be useful to support further reading. Extensively illustrated with a wide range of work (both known, and less well-known) from artists such as Chris Ofili, Rachel Whiteread, Damien Hirst, Banksy, Anthony Gormley, Jack Vettriano, Sam Taylor-Wood, Steve McQueen and Tracey Emin, and many more.
| Item Type: | Book |
|---|---|
| Subjects: | N Fine Arts > NX Arts in general |
| Divisions: | Schools and Research Institutes > School of Creative Arts |
| Research Priority Areas: | Culture, Continuity, and Transformation Creative Practice and Theory |
| Depositing User: | Anne Pengelly |
| Date Deposited: | 15 Jun 2021 13:15 |
| Last Modified: | 31 Aug 2023 09:24 |
| URI: | https://eprints.glos.ac.uk/id/eprint/9827 |
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