Items where Research Priority Area is "Culture, Continuity, and Transformation" and Year is 2012

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Bailey, Rebecca A (2012) James Shirley. In: The Encyclopedia of English Renaissance Literature (Wiley-Blackwell Encyclopedia of Literature). Wiley-Blackwell. ISBN 978-1405194495

Barker, Tom (2012) Catalysing our Future Cities – Architecture as the New Alchemy of Enterprise. In: Re‐imagining the city: art, globalisation and urban spaces. Intellect Ltd. ISBN 9781841507316

Barker, Tom (2012) Learning from media studies theory and design practice: using the interpretive nature of film media for the communication of tacit knowledge in design research. Conference Proceedings: Volume 01 Design Research Society 2012: Bangkok. pp. 76-89.

Benyahia, Sarah C, Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X, Rayner, Phil and Wall, Peter (2012) Media Studies: The Essential Resource. Ashgate Popular and Folk Music . Routledge. ISBN 978-0415540155

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) 30 November. In: The Robin Hood Book: Verse Versus Austerity. Caparison, King's Lynn, p. 15. ISBN 978-0-9567544-7-9

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Gayle Lynds’s Espionage Thrillers: An Interview. Paradoxa: Studies in World Literary Genres, 24. pp. 199-213.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) ‘Not ‘the Scenic Route’ through Pain and Old Age: Representations of Old Age in Black British Writing. In: Pain and Old Age: Centuries of Suffering in Silence?, The Birkbeck Pain Project and the Birkbeck Institute for the Humanities, University of London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) 'Putting back the voices that were left out’: Storytelling, Slavery and Spectres of the Past in Andrea Levy’s The Long Song’. In: Narrating the Caribbean Nation: A Celebration of Literature and Orature, 14-15 April 2012, Leeds Metropolitan University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Religion and Spirituality in Willa Cather's Journalism. Nineteenth-Century Prose, 39 (1-2). pp. 455-480.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Representations of Ageing and Black British Identity in Andrea Levy’s Every Light in the House Burnin’and Joan Riley’s Waiting in the Twilight. Entertext, 9. pp. 105-121.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Resisting Marginalisation: Contemporary American Women’s Spy Fiction. In: The Marginalised Mainstream: Literature, Culture and Popularity, 8-9 November 2012, Institute of English Studies, University of London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Rob a Hoodie. In: The Robin Hood Book: Verse Versus Austerity. Caparison, King's Lynn, p. 13. ISBN 978-0-9567544-7-9

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) A Sickness. In: The Robin Hood Book: Verse Versus Austerity. Caparison, King's Lynn, p. 14. ISBN 978-0-9567544-7-9

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) 'Spying Women: Gayle Lynds's Espionage Fiction'. Paradoxa: Studies in World Literary Genres, 24. pp. 107-125.

Bostwick, Linsey, Lobel, Brian, Morrison, Elise, Oliver, Mary, Parker-Starbuck, Jennifer, Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472, Vinitski, Daniella and Chalmers, Jessica Peri (2012) The Live/Mediated Mash. International Journal of Performance Arts and Digital Media, 8 (2). pp. 237-240. doi:10.1386/padm.8.2.221_7

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Curran, Fiona ORCID: https://orcid.org/0000-0003-0409-9151 (2012) Clean (Excerpts). [Film / Video]

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Dolan, Josephine ORCID: https://orcid.org/0000-0002-7669-9060 (2012) 'It isn’t going to be like this, is it?': A celebration of age festival: Class, race and dis-identification. In: Aging Femininities: Troubling Representations. Cambridge Scholars Publishing, pp. 69-82. ISBN 9781443838832

Dolan, Josephine ORCID: https://orcid.org/0000-0002-7669-9060 (2012) ‘Stuff It’: Respectability and the Voice of Resistance in Letter to Brezhnev. Journal of British Cinema and Television, 9 (2). pp. 247-261. doi:10.3366/jbctv.2012.0082

Dolan, Josephine ORCID: https://orcid.org/0000-0002-7669-9060 and Tincknell, Estella (2012) Ageing Femininities: Troubling Representations. Cambridge Scholars Publishing. ISBN 9781443838832

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Esler, Philip F ORCID: https://orcid.org/0000-0002-4889-4889 (2012) Die historische Interpretation des Neuen Testaments als Kommunikation in der Gemeinschaft der Heiligen. Evangelische Theologie, 72 (4). doi:10.14315/evth-2012-72-4-260

Esler, Philip F ORCID: https://orcid.org/0000-0002-4889-4889 (2012) The Great Sermon Tradition as a Fiscal Framework in 1 Corinthians: Towards a Pauline Theology of Material Possessions. Review of Biblical Literature, 14. pp. 364-368.

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Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2012) Framing Grace: Shock and Awe at the Ageless Black Body. In: Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 65-86. ISBN 978-1409428411

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2012) Grit, Glitter and Glamour; Tracing Authenticity in the Aging Artifice of Dolly Parton. In: Aging Femininities: Troubling Representations. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 183-194. ISBN 9781443838832

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Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2012) ”It’s not British Music, It’s American Music”: Bob Dylan and Britain. In: Transatlantic Roots Music Folk, Blues, and National Identities. University Press of Mississippi, Jackson, pp. 94-118. ISBN 978-1-61703-288-2

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2012) "There Was No In-Between”: Dylan’s Voice in the 1960s. Bridge, 43 (Summer).

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2012) Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading. Studies in Romanticism, 51 (2).

Hutchinson, Mark A ORCID: https://orcid.org/0000-0003-1413-6382 (2012) Henry A. Jefferies. The Irish Church and the Tudor Reformations. Renaissance Quarterly, 65 (4). pp. 1263-4.

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Innes, Paul ORCID: https://orcid.org/0000-0001-5375-5341 (2012) Titus Andronicus and the Violence of Tragedy. Journal of Literature and Trauma Studies, 1 (1). pp. 27-48. doi:10.1353/jlt.2012.0008

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Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2012) It’s all just a little bit of history repeating pop stars, audiences, performance and ageing. In: Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 35-52. ISBN 978-1409428411

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 and Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2012) Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate. ISBN 978-1409428411

Johnston, D D ORCID: https://orcid.org/0000-0001-9989-6895 (2012) The Invitation. Lampeter Review: Journal of the Lampeter Creative Writing Centre, 1 (6). pp. 89-96.

Jones, Roy (2012) Time-specific Martyr or Enduring Symbol? In: Heritage from Below. Heritage, Culture and Identity . Ashgate Publishing Limited, Farnham, UK, pp. 197-208. ISBN 978-0754673569

Jones, Roy and Shaw, Brian (2012) Thinking locally, acting globally? Stakeholder conflicts over UNESCO World Heritage inscription in Western Australia. Journal of Heritage Tourism, 7 (1). pp. 83-96. doi:10.1080/1743873X.2011.632482

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Keating, Richard, Portman, Kel and Robertson, Iain J (2012) Walking the wateryscape: Exploring the liminal. Journal of Arts and Communities, 4 (1). pp. 10-31. doi:10.1386/jaac.4.1-2.10_1

Krainitzki, Eva L ORCID: https://orcid.org/0000-0003-1178-718X (2012) 'If These Walls Could Talk 2': The Prosthetic memory of lesbian Feminism and the Ageing Other. In: NECS Conference, Time Networks: Screen Media and Memory, ,21-23 June 2012, Lisbon.

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McConville, J Gordon ORCID: https://orcid.org/0000-0003-4789-100X (2012) Dictionary of the Old Testament: Prophets. InterVarsity Christian Fellowship, Downers Grove U S A. ISBN 978-1844745814

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2012) Building a better elephant machine: A case-study in creative writing programme design. In: Key Issues in Creative Writing. Multilingual Matters, Clevedon, pp. 159-168. ISBN 978-1-84769-846-9

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2012) Making Poems. In: In Their Own Words: Contemporary Poets on their Poetry,. Salt, London, pp. 102-106. ISBN 9781907773211

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2012) Minutes. In: Jawbreakers: An anthology of flash fictions. National Flash Fiction Day, Winchester, pp. 37-38.

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2012) The workshop as a creative, critical and intellectual space. In: Beyond the Workshop. Kingston University Press, London, pp. 17-30. ISBN 978-1899999521

Moore, Kayleigh J (2012) Closer to home: a creative and critical autoethnographical analysis of the motivations and creative process behind writing violence. PhD thesis, University of Gloucestershire.

Moore, Kayleigh J (2012) Dolls. In: Dolls. Blood Bound Books, Arizona, pp. 1-5. ISBN 0984978224

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2012) Matthew Murray Finalist in The International Street Photography Awards 2012 Photography © Matthew Murray. [Show/Exhibition]

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2012) 'Murray's World' Gallery Vassie. [Show/Exhibition]

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2012) Photo Essay: The Ska Parade. Dazed Digital.

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O'Connell, Christian ORCID: https://orcid.org/0000-0001-5546-8389 (2012) Dreaming Up the Blues: Transatlantic Blues Scholarship in the 1950s. In: Transatlantic Roots Music: Folk, Blues and National Identities. University of Michigan Press, Michigan USA, pp. 37-56. ISBN 978-1617032882

O'Mahony, Marie and Barker, Tom (2012) The role of the textile materials library: Providing access to multimodal knowledge in design research. Art, Design and Communication in Higher Education, 10 (2). pp. 199-215. doi:10.1386/adch.10.2.199_1

O'Mahony, Marie and Barker, Tom (2012) The role of the textile materials library: Providing access to multimodal knowledge in design research. In: SkinDeep - experiential knowledge and multi sensory communication, 23 - 24 June 2011, University for the Creative Arts, Farnham Castle, UK. ISSN 1474273X

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Parker, Charlie ORCID: https://orcid.org/0000-0002-4569-7580 (2012) ‘An Island Between’: Multiple Migrations and the Repertoires of a St Helenian Identity. PhD thesis, University of Warwick.

Peck, Julia ORCID: https://orcid.org/0000-0001-5134-2471 (2012) Pulletop and Thornthwaite: photographs of pastoral properties in nineteenth-century New South Wales. Journal of Australian Studies, 36 (2). pp. 155-175. doi:10.1080/14443058.2012.673502

Peck, Julia ORCID: https://orcid.org/0000-0001-5134-2471 (2012) Thornthwaite: Joseph and Ernest Docker’s melancholic wilderness. In: Imaging Nature II:, 20-22 June 2012, Tarraleah, Tasmania, Australia. (Unpublished)

Pooke, Grant F ORCID: https://orcid.org/0000-0002-5043-6246 and Newall, Diana M (2012) Fifty Key Texts in Art History. Routledge Key Guides . Routledge. ISBN 9780415497701

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Romao, Tico J (2012) From auteur to filmmaking institution. LAP Lambert Academic Publishing. ISBN 978-3-8484-9357-9

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Scott, Grant ORCID: https://orcid.org/0000-0003-2882-1380 (2012) Conversation between Grant Scott and photographer Mary Ellen Mark focusing on her editorial work and project titled PROM. [Audio]

Scott, Grant ORCID: https://orcid.org/0000-0003-2882-1380 (2012) Conversation between Photographer Jane Bown and Grant Scott. [Audio]

Scott, Grant ORCID: https://orcid.org/0000-0003-2882-1380 (2012) Conversation with filmmaker Ben Shapiro discussing his film 'Brief Encounters' documenting the photographer Gregory Crewdson. [Audio]

Stibbe, Arran ORCID: https://orcid.org/0000-0002-3854-9854 (2012) Animals erased : discourse, ecology, and reconnection with the natural world. Wesleyan University Press,, Middletown, Conn. :. ISBN 9780819572318

Stibbe, Arran ORCID: https://orcid.org/0000-0002-3854-9854 (2012) Ecolinguistics and Globalization. In: The Handbook of Language and Globalization. John Wiley & Sons, pp. 413-418. ISBN 978-1118347171

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2012) Babble-A Site Specific PERFORMANCE in Second Life for the 121212 UpStage Festival of Cyberformance. [Show/Exhibition]

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2012) Negotiating Networks in Hypertext Fiction and Interactive Performance Work. In: 2012 TaPRA Conference, September 5-7, 2012, The University of Kent.

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Webster, David R (2012) Dispirited: How Contemporary Spirituality Makes Us Stupid, Selfish and Unhappy. Zero, Winchester. ISBN 978-1-84694-702-5.

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Zinder, Paul ORCID: https://orcid.org/0000-0002-9578-4009 (2012) “Osama bin Laden Ain’t Here: Justified as a Post-9/11 Western". In: National Conference Popular Culture Association American Culture Association, 11 - 14 April 2012, Boston, Massachusetts.