Items where Research Priority Area is "Culture, Continuity, and Transformation" and Year is 2002

Article

Dolan, Josephine ORCID: https://orcid.org/0000-0002-7669-9060 (2002) Anchorage and Play in 'Frenchman's Creek': Children, Gender, and National Identity. Yearbook of English Studies, 32. pp. 95-109. doi:10.2307/3509050

Griffiths, Robin M (2002) The Modern Fantastic: The Films of David Cronenberg. Scope: An Online Journal of Film and Television Studies.

Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911 (2002) "For Old Association's Sake": History and Hardy's The Woodlanders'. Thomas Hardy Journal, xviii (2). pp. 57-64.

Lincoln, Andrew T ORCID: https://orcid.org/0000-0002-2334-7088 (2002) The Beloved Disciple as Eyewitness and the Fourth Gospel as Witness. Journal for the Study of the New Testament, 24 (3). pp. 3-26. doi:10.1177/0142064X0202400301

McConville, J Gordon ORCID: https://orcid.org/0000-0003-4789-100X (2002) Singular Address in the Deuteronomic Law and the Politics of Legal Administration. Journal for the Study of the Old Testament, 26 (3). pp. 19-36. doi:10.1177/030908920202600302

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2002) Portrait of author Steven Arnott at the Knightsbridge Hotel, London for Dwell Magazine, Los Angeles, USA. DWELL (2). pp. 28-30. doi:7189646597

Book Section

Jennings, Ros ORCID: https://orcid.org/0000-0002-5852-9420 (2002) Making movies that matter: Christine Vachon. In: Fifty Contemporary Filmmakers. London: Routledge, pp. 353-361. ISBN 0415189748

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2002) Beyond Disruption: Changing the Rules in the Marketplace. In: Beyond Disruption: Changing the Rules in the Marketplace. John Wiley & Sons, Chichester, pp. 205-213. ISBN 10: 0471218995 / 13: 9780471218999

Robertson, Iain J (2002) Their families had gone back in time hundreds of years at the same place': attitudes to land and landscape in the Scottish Highlands after 1918. In: Celtic Geographies. Routledge, pp. 37-52. ISBN 0415223962

Williams, Michelle A and Medland, A J (2002) An optimisation approach to ergonomic evaluation and motion analysis. In: Contemporary Eronomics. Taylor & Francis, London, pp. 157-161. ISBN 0-415-27734-5

Book

McLoughlin, Nigel F, Fluharty, Matthew and Sewell, Frank, eds. (2002) Breaking The Skin: 21st Century Irish Writing: New Poetry. Black Mountain Press, Belfast. ISBN 978-0953757022

McConville, J Gordon ORCID: https://orcid.org/0000-0003-4789-100X (2002) Deuteronomy. Apollos Old Testament Commentary, 5 . InterVarsity Press. ISBN 0830825053

McConville, JG ORCID: https://orcid.org/0000-0003-4789-100X (2002) Deuteronomy (Apollos Old Testament Commentary 5). Intervarsity Press. ISBN 0851117791

Thacker, Deborah Cogan and Webb, Jean (2002) Introducing Children's Literature from romanticism to postmodernism. Routledge, London. ISBN 0415204119

Thesis

Fryman, Jenny (2002) William Morris and Edward Carpenter: back to the land and the simple life, 1880-1910. PhD thesis, University of Gloucestershire.

Artefact

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2002) Breaking Clocks. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2002) Dusk, Lough Erne. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2002) High Water. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2002) Lines. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2002) Stones. [Artefact]

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2002) A Storming. [Artefact]

Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062 (2002) The Government Minimum Wage Campaign, an above the Line Print Advertising Campaign through Ogilvy & Mather Advertising Agency London. [Artefact]

Show/Exhibition

Bick, Andrew M ORCID: https://orcid.org/0000-0001-5688-6064, Dolven, A K, Besemer, Linda and Bier, Rolf (2002) Sight Mapping: a curated exhibition that merges painting, video and installation, the formal and informal, figuration and abstraction. [Show/Exhibition]