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Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2018) Dolly Parton, Gender and Country Music, by Leigh H. Edwards, Bloomington, IN: Indiana University Press, 2018. Popular Music, 37 (3). pp. 514-515. doi:10.1017/S0261143018000338

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2015) Performing Englishness: Identity and Politics in a Contemporary Folk Resurgence. By Trish Winter and Simon Keegan-Phipps. Manchester: Manchester University Press, 2013. Popular Music, 34 (01). pp. 145-147. doi:10.1017/S0261143014000762

Gardner, Abigail S ORCID: https://orcid.org/0000-0003-2994-741X (2024) Récital 1961. By David L. Looseley, New York: Bloomsbury Academic, 2023. Popular Music. doi:10.1017/S0261143023000533

Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 (2021) The Sonic Episteme: Acoustic Resonance, Neoliberalism and Biopolitics. By Robin James. Durham, NC: Duke University Press, 2019. 245 pp. ISBN 978-1478006640. Popular Music, 40 (1). pp. 165-167. doi:10.1017/S0261143021000179