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Keevil, Tyler (2017) Writing Kerouac’s bookmovie: cinematic influence and imagery in the modern road novel. New Writing: The International Journal for the Practice and Theory of Creative Writing, 14 (2). pp. 167-175. doi:10.1080/14790726.2016.1277764

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McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2009) Cellular Teaching: The Creation of a Flexible Curriculum Design and Mode of Delivery in Response to the Effects of Higher Education Policy on the Way we Teach Creative Writing. New Writing: The International Journal for the Practice and Theory of Creative Writing, 6 (2). pp. 124-132. doi:10.1080/14790720903215240

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2014) The Marvellous as We Know It: A text world analysis of Heaney’s Squarings: Lightenings VIII. New Writing: The International Journal for the Practice and Theory of Creative Writing, 11 (2). pp. 228-239. doi:10.1080/14790726.2013.837934

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2013) Negative Polarity in Eavan Boland's ‘The Famine Road’. New Writing: The International Journal for the Practice and Theory of Creative Writing, 10 (2). pp. 219-227. doi:10.1080/14790726.2013.777460

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2019) Resonance and Absence: A text world analysis of “Tuonela” by Philip Gross. New Writing: The International Journal for the Practice and Theory of Creative Writing, 16 (1). pp. 89-99. doi:10.1080/14790726.2018.1511735

McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831 (2010) Stress Weight: Unwilled Order, Clothes Lines & Crowned Teeth. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7 (3). pp. 226-234. doi:10.1080/14790726.2010.508838