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Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) “Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar. Clues: A Journal of Detection. pp. 69-79.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction. Clues: A Journal of Detection, 40 (2). pp. 119-122.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scenes in “The Blood-Stained Pavement” and “Ingots of Gold”. Clues: A Journal of Detection, 41 (1). pp. 95-105.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Resisting Invisibility: Mothers and Human Trafficking in Ruth Dugdall’s Nowhere Girl and Susanne Staun’s Skadestuen. Clues: A Journal of Detection, 38 (1). pp. 37-47.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2013) "There's nothing people won't do to one another, if the circumstances are right": Male Rape and the Politics of Representation in John Harvey's Police Procedural Easy Meat. Clues: A Journal of Detection, 31 (2). pp. 102-111. doi:10.3172/CLU.31.2.102

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Using Creative Writing in English Literature Assessment: Diversity and Inclusion on an Undergraduate Crime Fiction Module. Clues: A Journal of Detection, 41 (2). pp. 107-110.