Barber, Lynn and Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Five Page Editorial - ‘Candid Camera’.
Observer Magazine.
pp. 10-17.
Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443
(2000)
Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry.
Literature and Theology, 14 (3).
pp. 276-298.
doi:10.1093/litthe/14.3.276
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
New Photographic Work Exhibited in 'WarningSHOTS', Royal Armouries, Leeds, (3 June - 3 September 2000) curated by Vaughan Allen.
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
New Work Commissioned for 'Ten Artists, Ten Images', Tate Modern, London, (2000).
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Photographic Work Exhibited in 'I Am a Camera', Saatchi Gallery, London. 2000.
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Photographic Work Exhibited in 'Quotidiana: The Continuity of the Everyday in 20th Century Art', Castello di Rivoli, Turin, Italy (5 February - 21 May 2000) curated by Nicholas Serota, Ida Gianelli, Giorgio Verzotti, Jonathan Watkins and David Ross.
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Photographic Work Exhibited in 'The Sleep of Reason' Norwich Gallery, (6 March - 20 April 2000), curated by Gerhard Stromberg.
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Photographic work exhibited in 'Through the Looking Glass: Artists Investigating Family Life', University of Essex, (6th March - 8th April 2000).
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Publication: 'Point d' Ironie issue number 16', published by Agnes B and Hans Ulrich Obrist, Paris, (2000).
[Artefact]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Richard Billingham International Solo Touring Exhibition: Ikon Gallery, Birmingham UK; Douglas Hyde Gallery, Dublin; Nikolaj Contemporary Art Centre, Copenhagen; Brno House of Arts, Czech Republic; Hasselblad Centre, Göteberg, Sweden and Kunsthalle Willhelmshaven, Germany.
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Video Work in 'Crossing Boundaries 2000' Film Festival, Danish Film Institute, Cinemateket, Copenhagen, Denmark (3 - 21 May 2000).
Danish Film Institute, Copenhagen.
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Video and Photographic Work Exhibited in 'Scene of Married Life', the third show in a series of four shows at The Villa Arson, Nice, France (25 November 2000 - 25 February 2001).
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Work Exhibited in 'Couples', Cheim and Read Gallery, New York (6 January 26 February 2000).
[Show/Exhibition]
Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Work exhibited in 'Bleibe – a project by ‘art in dialog’' (Jorg & Karen van der Berg, University of Witten/Herdecke), Academy of Arts, Berlin, (15 July - 20 August 2000).
[Show/Exhibition]
Craik, Laura and Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656
(2000)
Three Page Editorial - 'Doom with a View'.
Face, 3 (40).
pp. 110-112.
Dolan, Josephine ORCID: https://orcid.org/0000-0002-7669-9060
(2000)
'They Flew Alone' and the ‘Angel of the Air’: Crossings between Respectability, Nation and Empire.
Visual Culture in Britain, 1 (2).
pp. 25-42.
Hughes, John D ORCID: https://orcid.org/0000-0002-2187-2911
(2000)
The Affective World of Charlotte Brontë's Villette.
Studies in English Literature 1500-1900, 40 (4).
pp. 711-726.
Ilic, Melanie J ORCID: https://orcid.org/0000-0002-2219-9693
(2000)
The Great Terror in Leningrad: a Quantitative Analysis.
Europe-Asia Studies, 52 (8).
pp. 1515-1534.
Large, William ORCID: https://orcid.org/0000-0003-0447-5364
(2000)
The Difference Between Genealogy and Phenomenology: The Example of Religion in Nietzsche and Levinas.
Journal of Nietzsche Studies (19).
pp. 33-43.
Large, William ORCID: https://orcid.org/0000-0003-0447-5364
(2000)
God and the Philosophy of Emmanuel Levinas: A Nietzschean Response.
Literature and Theology, 14 (3).
pp. 335-349.
doi:doi: 10.1093/litthe/14.3.335
Martindale, Kym (2000) Seeking the Queer Self Along the Textual Continuum. PhD thesis, University of Gloucestershire.
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2000)
Borders.
[Artefact]
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2000)
Deora De.
[Artefact]
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2000)
Diminuendo, Caha, Stones and A New Language.
[Artefact]
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2000)
Firesides.
[Artefact]
McLoughlin, Nigel F ORCID: https://orcid.org/0000-0002-0382-6831
(2000)
Some Go Dancing.
[Artefact]
Murray, Matthew ORCID: https://orcid.org/0000-0001-8956-8062
(2000)
Work included in an article looking at Political Advertising.
Campaign.
p. 24.
doi:47
Peck, Julia ORCID: https://orcid.org/0000-0001-5134-2471
(2000)
Face.
In:
Shifting Horizons : Women's Landscape Photography Now. Edited By Liz Wells, Kate Newton and Catherine Fehily.
I. R. Tauris, pp. 18-23.
ISBN 9781860646355
Pitkänen, Pekka M A ORCID: https://orcid.org/0000-0003-0021-7579
(2000)
Central sanctuary and the centralization of worship in ancient Israel from the settlement to the building of Solomon's Temple : A historical and theological study of the biblical evidence in it's archaeological and ancient near eastern context.
PhD thesis, University of Gloucestershire.
Saguaro, Shelley (2000) 'Bosom Secrets': Decrypting Hawthorne's Blithedale Romance. European Journal of American Culture.