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Anand, Aditi and Pooke, Grant F ORCID: 0000-0002-5043-6246 (2016) Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand. Harper Collins, New Delhi, India. ISBN 9789351772989
Benjamin, Karen (2016) ViPER Playway Playwork Principles. [Film / Video]
Bick, Andrew M ORCID: 0000-0001-5688-6064 (2016) Thinking Outside the Box/Um die Ecke denken Die Sammlung Museum Haus Konstruktiv (1986-2016) und Gastintervention. [Show/Exhibition]
Billingham, Richard ORCID: 0000-0002-6474-5656 (2016) Photographic Work Exhibited in '40 Years Part 2: Gender. Race. Identity,' Rhona Hoffman Gallery, Chicago (28 October - 23 December 2016). [Show/Exhibition]
Billingham, Richard ORCID: 0000-0002-6474-5656 (2016) Photographic Work Exhibited in 'An Ideal for Living, class, culture and Identity in Modern Britain', Beetles + Hutley Gallery, London, (27th Jul - 17th Sep 2016). [Show/Exhibition]
Billingham, Richard ORCID: 0000-0002-6474-5656 (2016) Photographic Work Exhibited in 'Counterpoints Photography, Through the Lens of Toronto Collections', Art Museum, University of Toronto Art Centre, Canada, (May 6–July 30, 2016) curated by Jessica Bradley. [Show/Exhibition]
Billingham, Richard ORCID: 0000-0002-6474-5656 (2016) Photographic Work Exhibited in 'Now for Tomorrow II', Nottingham Castle Museum and Art Gallery, Nottingham, (30 Jan-17 April 2016). [Show/Exhibition]
Billingham, Richard ORCID: 0000-0002-6474-5656 (2016) Solo Exhibition 'The Nineties', Frieze Art Fare, London. [Show/Exhibition]
Billingham, Richard ORCID: 0000-0002-6474-5656 and Mikkelsen, Mads (2016) CPH:DOX Work in Progress Session. In: CPH:DOX Work in Progress, May 15th 2016, Cannes Film Festival 2016.
Bradshaw, Tom ORCID: 0000-0003-0780-416X (2016) A Case Study Examining How the Use of a Module-Specific Hashtag Can Enhance Student Engagement Among Journalism Undergraduates. Online Journal of Communication and Media Technologies.
Buck, David N ORCID: 0000-0002-8656-2017 and Mitchell, Allan (2016) Urban Futures. University of Gloucestershire, Cheltenham. ISBN 9781861742216
Cable, Jonathan ORCID: 0000-0002-2585-3419 (2016) Protest Campaigns, Media and Political Opportunities. Protest, Media and Culture . Rowman & Littlefield International, London. ISBN 9781783488513
Cirella, Giuseppe T, Iyalomhe, Felix O and Russo, Alessio ORCID: 0000-0002-0073-7243 (2016) Vulnerability and risks related to climatic events in urban coastal environments: Overview of actuality and challenges of methodologies and approaches. UPLanD – Journal of Urban Planning, Landscape and Environmental Design, 1 (1). pp. 67-76.
Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Digital Bouquet. [Artefact]
Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Garden Underground. [Show/Exhibition]
Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Plate Spinner. [Film / Video]
Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rock noise. [Film / Video] (Unpublished)
Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rocks - slowed down sound. [Audio] (Unpublished)
Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rocks and noises. [Film / Video] (Submitted)
Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Tradescantia: 1 - 5. [Artefact]
Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Trees in wind. [Audio] (Unpublished)
Crockett, Brett, Tuffy, Mark and Shannon, James ORCID: 0000-0001-6976-9801, inventor(s); Dolby Laboratories Licensing Corporation, assignee. (2016) Overhead Speaker System. WO2016/048762A1.
Crow, Robert (2016) Reputations made and lost: the writing of histories of early twentieth-century British photography and the case of Walter Benington. PhD thesis, University of Gloucestershire.
Curran, Fiona ORCID: 0000-0003-0409-9151 (2016) BOXES (Excerpts). [Film / Video]
Curran, Fiona ORCID: 0000-0003-0409-9151 (2016) LID (Excepts). [Film / Video]
Dadea, Claudia, Casagrande Bacchiocchi, Sara, La Rocca, Nicoletta, Mimmo, Tanja, Russo, Alessio ORCID: 0000-0002-0073-7243 and Zerbe, Stefan (2016) Heavy metal accumulation in urban soils and deciduous trees in the City of Bolzano, N Italy. Waldökologie, Landschaftsforschung und Naturschutz (Forest Ecology, Landscape Research and Nature Protection).
Dalby, James R ORCID: 0000-0002-9948-3975 (2016) Immersed in Difficulty: The problem of suspension of disbelief in Transmedia and VR experiences. Online Journal of Communication and Media Technologies, 7 (Sep SI). pp. 67-85.
Davison, Bob (2016) Borders. [Show/Exhibition]
Dencik, Lina, Hintz, Arne and Cable, Jonathan ORCID: 0000-0002-2585-3419 (2016) Towards data justice? The ambiguity of anti-surveillance resistance in political activism. Big Data and Society, 3 (2). pp. 1-12. doi:10.1177/2053951716679678
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2016) ‘Old Age’ Films: Golden Retirement, Dispossession and Disturbance. Journal of British Cinema and Television, 13 (4). pp. 571-589. doi:10.3366/jbctv.2016.0341
Dolan, Josephine ORCID: 0000-0002-7669-9060 (2016) The cooking of friendships: Nora Ephron and the life-work of “mediated intimacy”. In: Literary Creativity and the Older Woman Writer: A Collection of Critical Essays. Critical Perspectives on English and American Literature, Communication and Culture . Peter Lang, Bern & Oxford, pp. 103-128. ISBN 9783034321990
Ferry, Emma ORCID: 0000-0002-1295-8430 (2016) Medievalism, Modernity and Memory: Cropthorne Church, 1892--1910. Interiors, 7 (1). pp. 27-54. doi:10.1080/20419112.2016.1173935
Fisher, James ORCID: 0000-0003-0800-5175 (2016) Doppelgänger. [Show/Exhibition]
Fisher, James ORCID: 0000-0003-0800-5175 (2016) Orpheus Ascending. [Show/Exhibition]
Fisher, James ORCID: 0000-0003-0800-5175 (2016) Towards Night. [Show/Exhibition]
Gardner, Abigail S ORCID: 0000-0003-2994-741X (2016) Ageing, Travelling Folk: Sam Lee and Songs across Time. In: IASPM Biennial Conference, 8-10 September 2016, Brighton. (Unpublished)
Gardner, Abigail S ORCID: 0000-0003-2994-741X (2016) All Mod Cons: Paul Weller's 'Successful Aging'. In: In Praise of Paul Weller…? Reflections on Popular Music Studies, 23.3.16, Birmingham City University. (Unpublished)
Gardner, Abigail S ORCID: 0000-0003-2994-741X (2016) My Jewish Story Book. http://myjewishstorybook.com/. (Unpublished)
Gardner, Abigail S ORCID: 0000-0003-2994-741X (2016) YouTube and Ageing: The Same Old Story? In: YouTube conference, 23- 24 September 2016, Middlesex University. (Unpublished)
Gardner, Abigail S ORCID: 0000-0003-2994-741X and Flint-Nicol, Katarina (2016) Sleevenotes: PJ Harvey's Gothic World. Studies in Costume and Performance, 1 (2). pp. 163-178. doi:10.1386/scp.1.2.163_1
Gardner, Abigail S ORCID: 0000-0003-2994-741X and Moorey, Gerard (2016) Raiders of the Lost Archives. Popular Communication, 14 (3). pp. 169-177. doi:10.1080/15405702.2016.1193181
Griffiths, Jason ORCID: 0000-0002-4827-4508 and Deeks, Roger ORCID: 0000-0003-3012-8913 (2016) "An evening of..." series of three public cultural history lectures each on a Forest of Dean author. [Audio] (Unpublished)
Griffiths, Robin M (2016) "A Journey Without Direction: British Queer Cinema Post-Jarman". Journal of British Cinema and Television, 13 (4). pp. 590-609. doi:10.3366/jbctv.2016.0342
Griffiths, Robin M (2016) "Kick[ing] Against the System: Queer(y)ing Masculinity, Stardom and 'Welshness' in the Films of Richard Burton". In: 'Surface and Substance: Reflections on the Male Star Symposium', 28th-29th May 2016, University of St. Andrews. (Unpublished)
Harper, Sharon P (2016) The Commercial Elephant in the Room: The Curious Silence in the Discussions on Digital. Take on Art, 2 (1). pp. 1-8.
Harper, Sharon P (2016) Digitalisation and Commercial Photography: Addressing the Lacuna in Photography Theory. In: Helsinki Photomedia 2016: Photographic Agencies and Materialities, 30 March - 1 April 2016, Aalto University, Helsinki. (Unpublished)
Harper, Sharon P (2016) “Otherwise you’re just the button pusher”: Understanding changing structures of creativity in the commercial photography industry. In: MeCCSA 2017: Culture, Media, Equality and Freedom, 11-13 January 2017, University of Leeds. (Unpublished)
Harper, Sharon P (2016) The Portrait Document. In: Photography: A Visual Language, 19 March 2016, The Natural History Museum, London, UK. (Unpublished)
Harper, Sharon P (2016) The World’s Most Amazing 100% Awesome Photography Theory. Photographies, 9 (3). pp. 327-348. doi:10.1080/17540763.2016.1202133
Jennings, Ros ORCID: 0000-0002-5852-9420 (2016) Ageing in, and with, popular culture. [Film / Video] (Unpublished)
Jennings, Ros ORCID: 0000-0002-5852-9420 and Oro-Piqueras, Maricel (2016) Heroine And/Or Caricature? The Older Woman in Desperate Housewives. In: Serializing Age: Aging and Old Age in TV Series. Aging Studies (VII). Transcript Verlag, Bielefeld Germany, pp. 69-86. ISBN 9783837632767
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2016) “Older-wiser-lesbians” and “baby-dykes”: mediating age and generation in New Queer Cinema. Feminist Media Studies, 16 (4). pp. 631-647. doi:10.1080/14680777.2016.1193294
Krainitzki, Eva L ORCID: 0000-0003-1178-718X (2016) Unsettling heteronormativity: Abject ageing bodies and transgressive desire in Notes on a Scandal. In: Transgression in Anglo-American Cinema: Gender, Sex and the Deviant Body. Wallflower-Columbia, pp. 161-176. ISBN 9780231176057
Li, Ying ORCID: 0000-0003-4296-2753 (2016) The assessment, planning and design of small public spaces in urban areas. PhD thesis, University of Greenwich.
Lovett, Matthew ORCID: 0000-0003-3599-7886 (2016) Twelve Drummers Drumming. [Performance]
Miles, Cyril and Griffiths, Jason ORCID: 0000-0002-4827-4508 (2016) Cyril Miles ex-collier Forest of Dean. [Audio] (Unpublished)
Murray, Matthew ORCID: 0000-0001-8956-8062 (2016) FILM/TALK: Photography A Visual Language: The Landscape Document Part 1. In: Photography A Visual language: A Day of Conversation, 22.3.2016, University of Gloucestershire.
Murray, Matthew ORCID: 0000-0001-8956-8062 (2016) FILM/TALK: Photography A Visual Language: The Landscape Document Part 2. In: FILM/TALK: Photography A Visual Language: The Landscape Document Part 2, 23/03/2016, Natural History Museum, London.
Murray, Matthew ORCID: 0000-0001-8956-8062 (2016) Matthew Murray’s photographs have been shortlisted for the final of the 2016 International Photography Awards (IPA). [Artefact]
Murray, Matthew ORCID: 0000-0001-8956-8062 (2016) A selection of Matthew Murray's photographs included in An Exhibition by Five Contemporary Photographers at Gallery Vassie, Amsterdam. [Show/Exhibition]
Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Artwash and Influence: Photography and Climate Change in the Prix Pictet. In: Anthropology, Weather and Climate Change, 27th-29th May, British Museum, London. (Submitted)
Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Bringing the sublime back down to earth: Olaf Otto Becker’s renegotiation of the sublime in a neoliberalised and climate changing world. In: Northern Light: Landscape Photography and Evocations of the North, 4-5th July 2016, Sheffield Hallam University. (Submitted)
Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Eco-aesthetics: art, literature and architecture in a period of climate change. Visual Studies, 31 (2). pp. 172-173. doi:10.1080/1472586X.2015.1024516
Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Vibrant Photographies: Photographs, actants and political ecology. Photographies, 9 (1). pp. 71-89. doi:10.1080/17540763.2016.1138996
Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Why it does not have to be in Focus: Modern Photography Explained. Visual Studies, 31 (1). pp. 78-79. doi:10.1080/1472586X.2014.941592
Phelps, Kieren (2016) Two Brothers. Cannop Workings, UK.
Pratt, Katie (2016) Upsom Downs. [Show/Exhibition]
Pratt, Katie, Lasker, Jonathan and King, Philip (2016) Katie Pratt in Conversation with Jonathan Lasker. Turps Banana Magazine (16). pp. 4-13.
Reeder, Philip ORCID: 0000-0002-0557-1182 and Lamb, Johny (2016) ‘still every year they went’ Studio performance at sea. Performance Research, 21 (2). pp. 79-80. doi:10.1080/13528165.2016.1162513
Russo, Alessio ORCID: 0000-0002-0073-7243, J Escobedo, Francisco and Zerbe, Stefan (2016) Quantifying the local-scale ecosystem services provided by urban treed streetscapes in Bolzano, Italy. AIMS Environmental Science, 3 (1). pp. 58-76. doi:10.3934/environsci.2016.1.58
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Becoming The Narrative…. Witness.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Is It Still Fashionable To Be A Fashion Photographer? United Nations of Photography.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) I’m a Photographer, Let Me In! : Opening The Door To Photo Education. United Nations of Photography.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Opening Up The Conversation: #CClasses, The Future of the Photographic Community? United Nations of Photography.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Portrait Photography Made Simple, or Not! United Nations of Photography.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Post-Production Should Be In The Past. United Nations of Photography.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) The Single Image Narrative: Sometimes It Chooses You. United Nations of Photography.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Some Observations on What Photography Is Now…. United Nations of Photography.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Teaching Photography as a Visual Language. Witness.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Transformations and Convergences: The Tectonic Plates of Photography. Viewbook Online Journal.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Why is narrative such a difficult concept for young photographers to master? Witness.
Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Why study photography? Witness.
Southern, Jack (2016) Are ‘traditional’ Drawing approaches merely an antidote to the digital world, or are original and authentic drawn responses more important than ever? In: AAH2017. Association of Art Historians, London. (In Press)
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2016) The Two Sided Boy PART 2 a live/digital chamber opera selected by producers Second Movement for the ‘Rough for Opera’ platform at Cockpit Theatre, London. [Performance]
Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2016) What do Audiences Do? Negotiating the Possible Worlds of Participatory Theatre. Journal of Contemporary Drama in English, 4 (1). pp. 134-149. doi:10.1515/jcde-2016-0011
Williamson, Amanda (2016) Reflections on phenomenology, spirituality, dance and movement-based somatics. Journal of Dance and Somatic Practices, 8 (2). pp. 275-301. doi:10.1386/jdsp.8.2.275_1
Zinder, Paul ORCID: 0000-0002-9578-4009 (2016) “Harlan Roulette: Cowboys, Gangsters, and Generic Construction in Justified”. In: National Conference Popular Culture Association American Culture Association, 22 - 25 March 2016, Seattle, Washington. (Unpublished)