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Innes, Paul ORCID: 0000-0001-5375-5341 (2019) Resources for Teaching and Studying Antony and Cleopatra. In: Antony and Cleopatra a Critical Reader. Arden Early Modern Drama Guides . Bloomsbury, pp. 201-227. ISBN 9781350049901
Innes, Paul ORCID: 0000-0001-5375-5341 (2019) SHAKESPEARE AND REPUBLICAN ROME. (P.) Gray Shakespeare and the Fall of the Roman Republic. Selfhood, Stoicism and Civil War, Edinburgh, Edinburgh University Press, 2019. Classical Review, 69 (2). pp. 636-638. doi:10.1017/S0009840X1900091X
Innes, Paul ORCID: 0000-0001-5375-5341 (2016) The Merry Wives by William Shakespeare (review). Theatre Journal, 68 (4). pp. 664-665. doi:10.1353/tj.2016.0118
Innes, Paul ORCID: 0000-0001-5375-5341 (2016) Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello. Anglica. An International Journal of English Studies, 25 (3). pp. 69-80.
Innes, Paul ORCID: 0000-0001-5375-5341 (2016) National Poets, the Status of the Epic and the Strange Case of Master William Shakespeare. Multicultural Shakespeare, 13 (1). pp. 35-50. doi:10.1515/mstap-2016-0004
Innes, Paul ORCID: 0000-0001-5375-5341 (2015) Some of the most important events in Shakespeare do not happen. English, 64 (247). pp. 254-267. doi:10.1093/english/efv024
Innes, Paul ORCID: 0000-0001-5375-5341 (2015) Shakespeare's Roman Plays. Palgrave Macmillan, Basingstoke. ISBN 9781137025913
Innes, Paul ORCID: 0000-0001-5375-5341 (2014) Sensory Confusion and the Generation Gap in Much Ado About Nothing. Critical Survey, 26 (2). pp. 1-20. doi:10.3167/cs.2014.260201
Innes, Paul ORCID: 0000-0001-5375-5341 (2013) Epic (The New Critical Idiom). Routledge, London. ISBN 978-0415587396
Innes, Paul ORCID: 0000-0001-5375-5341 (2013) Catherine Bates, The Cambridge Companion to The Epic & Chloe Wheatley, Epic, Epitome, and the Early Modern Historical Imagination. Notes and Queries, 60 (2). pp. 309-311. doi:10.1093/notesj/gjt003
Innes, Paul ORCID: 0000-0001-5375-5341 (2012) Titus Andronicus and the Violence of Tragedy. Journal of Literature and Trauma Studies, 1 (1). pp. 27-48. doi:10.1353/jlt.2012.0008
Innes, Paul ORCID: 0000-0001-5375-5341 (2011) Harming Macbeth: A British Translation. In: Shakespeare and the Translation of Identity in Early Modern England. Continuum, London, pp. 103-130. ISBN 9780826441690
Innes, Paul ORCID: 0000-0001-5375-5341 (2011) “Out of the Repertoire: Women Beware Women and Performance History”. In: Women Beware Women: A Critical Guide. Continuum Renaissance Drama Guides . Continuum, pp. 43-58. ISBN 978-1-8470-6093-8
Innes, Paul ORCID: 0000-0001-5375-5341 (2011) David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford University Press, 2010. Bryn Mawr Review of Comparative Literature.
Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Class and Society in Shakespeare. Continuum Shakespeare Dictionaries . Bloomsbury, London. ISBN 978-0826477972
Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Cymbeline and Empire. Critical Survey, 19 (2). pp. 1-18. doi:10.3167/cs.2007.190201
Burke, Alison and Innes, Paul ORCID: 0000-0001-5375-5341 (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.
Innes, Paul ORCID: 0000-0001-5375-5341 (2005) ”Pluck but his name out of his heart”: A Caesarean cross-section. In: Refiguring Mimesis: Representation in Early Modern Literature. University of Hertfordshire Press, Hatfield, pp. 79-98. ISBN 1902806352
Innes, Paul ORCID: 0000-0001-5375-5341 (1999) Shakespeare: The Barriers Removed. Studymates. ISBN 978-1842850510
Innes, Paul ORCID: 0000-0001-5375-5341 (1997) Shakespeare and the English Renaissance Sonnet: Verses of Feigning Love. Palgrave Macmillan, Basingstoke. ISBN 9780333683712