Leal Filho, Walter ORCID: https://orcid.org/0000-0002-1241-5225, Begum, Halima
ORCID: https://orcid.org/0000-0002-6424-4966, Anholon, Rosley
ORCID: https://orcid.org/0000-0003-3163-6119, Quelhas, Osvaldo
ORCID: https://orcid.org/0000-0001-6816-1677, Rampasso, Izabela
ORCID: https://orcid.org/0000-0003-1633-6628, Sharifi, Ayyoob
ORCID: https://orcid.org/0000-0002-8983-8613, de Andrade Guerra, José Baltazar Salgueirinho Osório
ORCID: https://orcid.org/0000-0002-6709-406X, Gatto, Andrea
ORCID: https://orcid.org/0000-0003-1005-3571, Lovett, Matthew
ORCID: https://orcid.org/0000-0003-3599-7886, Velazquez, Luis
ORCID: https://orcid.org/0000-0002-3370-7761, Chávez Muñoz, Pastor David
ORCID: https://orcid.org/0000-0001-7012-2167, Alam, A. S. A. Ferdous
ORCID: https://orcid.org/0000-0003-2413-3046, Brandli, Luciana
ORCID: https://orcid.org/0000-0002-0763-7149, Salvia, Amanda Lange
ORCID: https://orcid.org/0000-0002-4549-7685, Amaro, Nelson and Eustachio, João Henrique Paulino Pires
ORCID: https://orcid.org/0000-0002-6782-3904
(2024)
Addressing the challenges posed by energy poverty in Latin American countries.
Discover Sustainability, 5.
art 262.
doi:10.1007/s43621-024-00426-9
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2023)
Measuring is Making: The Radical Indeterminacy of Music.
Leonardo, 56 (2).
pp. 194-198.
doi:10.1162/leon_a_02300
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886 and Thomas, Lee
(2021)
A fork in the road: Perspectives on sustainability and decentralised governance in digital institutions.
First Monday, 26 (11).
doi:10.5210/fm.v26i11.12357
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2021)
The Sonic Episteme: Acoustic Resonance, Neoliberalism and Biopolitics. By Robin James. Durham, NC: Duke University Press, 2019. 245 pp. ISBN 978-1478006640.
Popular Music, 40 (1).
pp. 165-167.
doi:10.1017/S0261143021000179
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2020)
Directions in Music: Stakeholder perspectives on blockchain innovations in music streaming.
Frontiers in Blockchain, 3.
Art 506721.
doi:10.3389/fbloc.2020.506721
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2024)
Artificial Creativity and Tools for Understanding: Music, Creative Labour and AI.
In:
Innovation in Music: Technology and Creativity.
Focal Press Routledge, pp. 267-277.
ISBN 9780367633363
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2021)
Towards a quantum theory of musical creativity.
In:
Innovation in Music: Future Opportunities.
Perspectives on Music Production
.
Routledge, London, pp. 389-402.
ISBN 9780367363352
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2019)
Disruptive Blockworks: blockchains and networks / acceleration and collision.
In:
Blockchain and Web 3.0 Social, Economic, and Technological Challenges.
Routledge Studies in Science, Technology and Society
.
Routledge.
ISBN 9780367139841
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2019)
Disruption as Contingency: Music, Blockchain, Wtf?
In:
Innovation In Music: performance, production, technology and business.
Routledge, London.
ISBN 9781138498198
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2023)
Ecologies of Creative Music Practice: Mattering Music.
Routledge, UK.
ISBN 9781032127033
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2015)
Company of Trees.
[Show/Exhibition]
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2017)
Moor / Plastic.
[Composition]
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2015)
Company of Trees.
[Composition]
Lovett, Matthew ORCID: https://orcid.org/0000-0003-3599-7886
(2016)
Twelve Drummers Drumming.
[Performance]