Items where Gloucestershire Author is "Beyer, Charlotte"

Article

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Using Creative Writing in English Literature Assessment: Diversity and Inclusion on an Undergraduate Crime Fiction Module. Clues: A Journal of Detection, 41 (2). pp. 107-110.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scenes in “The Blood-Stained Pavement” and “Ingots of Gold”. Clues: A Journal of Detection, 41 (1). pp. 95-105.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Investigating Privilege: Teaching Race, Gender, and Intersectionality through the Lens of Crime Fiction. Clues: A Journal of Detection, 40 (2). pp. 119-122.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) 'What are Words?' Symbolism and Romance in Agatha Christie’s Short Stories 'Within a Wall', 'The House of Dreams' and 'The Lonely God'. Short Fiction in Theory and Practice, 10 (1). pp. 27-42. doi:10.1386/fict_00012_1

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Brian Cliff, Irish Crime Fiction (Palgrave, 2018). Irish Literary Supplement. p. 4.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) “Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar. Clues: A Journal of Detection. pp. 69-79.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Resisting Invisibility: Mothers and Human Trafficking in Ruth Dugdall’s Nowhere Girl and Susanne Staun’s Skadestuen. Clues: A Journal of Detection, 38 (1). pp. 37-47.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “Seeing the Actual Physical Betty Kane”: Reading the Fille Fatale in Josephine Tey’s The Franchise Affair in the Age of #metoo. Open Library of Humanities, 5 (1). pp. 1-20. doi:10.16995/olh.470

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 and Ryan-Flood, Roisin (2019) Interview with Róisín Ryan-Flood. Feminist Encounters: A Journal of Critical Studies in Culture and Politics (Double Issue on Feminism and Motherhood in the 21st Century), 3 (1-2). pp. 1-9.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) Motherhood and 21st Century Feminism: Reaching out across the Divide. Feminist Encounters: A Journal of Critical Studies in Culture and Politics (Double Issue: Feminism and Motherhood in the 21st Century), 3 (1-2). pp. 1-6.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Contemporary Crime Fiction: A Surfeit of Riches. American, British and Canadian Studies, 28 (1). pp. 5-16.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Gender on the Agenda: The review of: Heather Duerre Humann, “Gender Bending Detective Fiction: A Critical Analysis of Selected Works” (McFarland, 2017, Kindle edition). American, British and Canadian Studies, 28 (1). pp. 156-159. doi:10.1515/abcsj-2017-0015

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) “I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown. American, British and Canadian Studies, 28 (1). pp. 91-110. doi:10.1515/abcsj-2017-0006

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Investigating Crime in Margaret Atwood’s Oeuvre. The review of: Shead, Jackie, “Margaret Atwood: Crime Fiction Writer: The Reworking of a Popular Genre”. American, British and Canadian Studies, 28 (1). pp. 149-152. doi:10.1515/abcsj-2017-0013

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) True Crime. American, British and Canadian Studies, 28 (1). pp. 131-132. doi:10.1515/abcsj-2017-0009

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) Nordic Noir: the Other Side of Hygge. Scandinavia On My Mind.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) “The Third Ireland”: Inheritance and Postcolonialism in Irish Crime Writing. Journal of Commonwealth and Postcolonial Studies, 4 (1). pp. 61-81.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) Performing Scottish Crime: Ian Rankin's Dark Road. Mystery Readers Journal, 31 (3). pp. 3-4.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) True Crime and Baby Farming: Representing Amelia Dyer. Human, 5. pp. 101-117.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) Haunting the Text: Nicola Pierce’s Spirit of the Titanic and Irish Historical Children’s Fiction. Women's Studies: An Inter-disciplinary Journal, 44 (7). pp. 956-976. doi:10.1080/00497878.2015.1071615

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) The Song of the Lark by Willa Cather; Ann Moseley and Kari A. Ronning. Modern Language Review, 110 (2). pp. 536-537.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon. Oscholars, N/A (N/A). pp. 1-20.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2013) The Stuff of Legend, or Unpacking Cultural Baggage? Introducing First-year English Literature and Humanities Students to Foundational Literary Texts. Changing English, 20 (4). pp. 395-403. doi:10.1080/1358684X.2013.855566

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2013) In Memoriam Doris Lessing. American, British and Canadian Studies (2). pp. 5-7.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2013) "There's nothing people won't do to one another, if the circumstances are right": Male Rape and the Politics of Representation in John Harvey's Police Procedural Easy Meat. Clues: A Journal of Detection, 31 (2). pp. 102-111. doi:10.3172/CLU.31.2.102

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2013) Ruth Fainlight, New and Collected Poems. Iota, 93. pp. 128-131.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2013) 'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection. Short Fiction in Theory and Practice, 3 (1). pp. 37-52.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Gayle Lynds’s Espionage Thrillers: An Interview. Paradoxa: Studies in World Literary Genres, 24. pp. 199-213.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) 'Spying Women: Gayle Lynds's Espionage Fiction'. Paradoxa: Studies in World Literary Genres, 24. pp. 107-125.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Religion and Spirituality in Willa Cather's Journalism. Nineteenth-Century Prose, 39 (1-2). pp. 455-480.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Representations of Ageing and Black British Identity in Andrea Levy’s Every Light in the House Burnin’and Joan Riley’s Waiting in the Twilight. Entertext, 9. pp. 105-121.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) Andrew Nestingen and Paula Arvas, eds., Scandinavian Crime Fiction. American, British and Canadian Studies, 17 (2). pp. 149-152.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) Mediatization and mothers accused of murder in Sophie Hannah’s crime novel A Room Swept White. Northern Lights: Film and Media Studies Yearbook, 9 (1). pp. 79-93. doi:10.1386/nl.9.79_1

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) Bernadine Evaristo and Daljit Nagra (Eds.), Ten New Poets: Spread the Word. Iota.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) Katie Donovan, Rootling: New and Selected Poems. Iota, 90.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) See my Daughter. Women's Studies: An Inter-disciplinary Journal, 40 (3). pp. 351-352. doi:10.1080/00497878.2010.548431

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) Exploring Postcolonial and Feminist Issues: Rabbit‐Proof Fence in a Teaching Context. Changing English, 17 (1). pp. 93-101. doi:10.1080/13586840903557100

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) Imagining Mother: Representations of Contested Maternal Identities and Loss in Jackie Kay’s The Adoption Papers and Isha McKenzie-Mavinga’s “Yearning To Belong”. MP: An Online Feminist Journal, Vol.2, (6). pp. 72-83.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook. American, British and Canadian Studies, 15 (2). pp. 207-209.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) Pia Tafdrup, Tarkovsky's Horses and Other Poems. Iota, 88.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) Sara Paretsky, Writing in an Age of Silence. American, British and Canadian Studies, 15 (2). pp. 214-216.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2009) The living fabric of the world: Willa Cather's travel journalism. European Journal of American Culture, 28 (3). pp. 207-223. doi:10.1386/ejac.28.3.207_1

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2000) Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry. Literature and Theology, 14 (3). pp. 276-298. doi:10.1093/litthe/14.3.276

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (1996) Re-Imagining Metropolis and Wilderness: Margaret Atwood's Life Before Man, Cat's Eye,Death by Landscape. London Journal of Canadian Studies, 12. pp. 69-94.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (1995) Margaret Atwood’s Innovative Vision of Gender, Genre, Postmodernism and the City in The Robber Bride. British Journal of Canadian Studies, 10. pp. 146-55.

Book Section

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Centring Women of Colour: Decolonising the Literature Curriculum with Kamila Shamsie’s Home Fire and Bolu Babalola’s Love in Colour. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 45-64. ISBN 978-3030912888

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Introduction: Decolonising English. In: Decolonising the Literature Curriculum. Teaching the New English . Palgrave, pp. 1-21. ISBN 9783030912888

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) “I never made those marks on my girl”: Challenging Cultural Narratives about Mothers who Kill in Sara Paretsky’s Crime Novel Brush Back. In: Mothers who Kill. Demeter Press, Toronto, pp. 333-353. ISBN 9781772583571

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 and Savarese, Josephine (2022) Uncovering the Complexities and Silences: Mothers Who Kill. In: Mothers Who Kill. Demeter, pp. 9-22. ISBN 9781772583571

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) Chicago Crime, Blue Collar and White: Sara Paretsky’s V. I. Warshawski Novels. In: Chicago: A Literary History. Cambridge University Press, Cambridge, pp. 356-369. ISBN 9781108763738

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) “Contemporary Crime Fiction: A Surfeit of Riches”. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781527564060

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) “I Stand Out Like a Raven”: The Female Detective and Tudor History in Nancy Bilyeau’s The Crown. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 39-60. ISBN 9781527564060

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) “She Looked West”: Martha Grimes’ Environmental Crime Novel Biting the Moon. In: Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, pp. 187-208. ISBN 9781527564060

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Transnational Female Sex Trafficking in Naja Marie Aidt’s “Women in Copenhagen,” Matt Johnson’s Deadly Game and Stuart Neville’s Stolen Souls. In: Transnational Crime Fiction Mobility, Borders and Detection. Crime Files . Palgrave, pp. 115-131. ISBN 9783030534127

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Crime Fiction and Migration. In: Routledge Companion to Crime Fiction. Routledge, pp. 379-387. ISBN 9781138320352

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Into the World Around Us and Into the World Within. In: Travellin’ Mama: Mothers, Mothering, and Travel. Demeter Press. ISBN 9781772581799

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “No Ship Is Going to Sink With My Family On It”: Motherhood and Travel in Jackie French’s Children’s Novel How the Finnegans Saved the Ship. In: Travellin’ Mama: Mothers, Mothering, and Travel. Demeter Press. ISBN 9781772581799

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) Introduction: Researching and Re-Imagining Mothers Without Their Children. In: Mothers Without Their Children. Demeter Press, pp. 11-23. ISBN 9781772581737

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “No Girl Could Keep Her Baby”: Depictions of Irish Mother and Baby Homes in June Goulding’s Memoirs The Light in the Window. In: Mothers Without Their Children. Demeter Press, pp. 93-110. ISBN 9781772581737

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) “In the Suitcase was a Boy”: Representing Transnational Child Trafficking in Contemporary Crime Fiction. In: Representations of Transnational Human Trafficking: Present-day News Media, True Crime, and Fiction. Palgrave, Houndmills, pp. 89-115. ISBN 9783319782140

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 9783319906089

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) What’s Eating Her? Anorexia and Female Identity in Ruth Rendell’s Domestic Noir Novella Heartstones. In: Blood on the Table: Essays on Food in International Crime Fiction. McFarland, Jefferson, pp. 75-86. ISBN 9781476671758

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) “Their Mother Was Waiting For Her”: Mother-Daughter Relations and Irish Identity in Deirdre Madden’s One by One in the Darkness. In: Mothers and Daughters. Demeter Press, Toronto, pp. 234-250. ISBN 9781772581331

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) "I, Too, Mourn The Loss": Mrs Hudson and the Absence of Sherlock Holmes. In: Sherlock Holmes in Context. Crime Files . Palgrave, Basingstoke, pp. 61-82. ISBN 9781137555946

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) “Life Was a State in Which a War Was On”: A. S. Byatt’s Portrayal of War and Norse Mythology in Ragnarok: The End of the Gods. In: War, Myths and Fairy Tales. Palgrave, Basingstoke, pp. 195-218. ISBN 9789811026836

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) Dolls and Dead Babies: Victorian Motherhood in May Sinclair's Life and Death of Harriett Frean. In: May Sinclair: Re-Thinking Bodies and Minds. University of Edinburgh Press, Edinburgh, pp. 156-176. ISBN 9781474415750

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) Reimagining Myth and the Maternal with Ruth Fainlight, Margaret Atwood and Katie Donovan. In: Women Versed in Myth: Essays on Modern Poets. McFarland, Detroit, MI, pp. 50-58. ISBN 9780786471928

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) "Still a Respected Man": Irish Masculinity in Crisis and Crime Fiction. In: Masculinity in Crisis: Depictions of Modern Male Trauma in Ireland. Carysfort Press, Dublin, Ireland, pp. 155-170. ISBN 9781909325883

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) “Last Girl Alive”: Kirsty Murray’s Dystopian YA Novel Vulture’s Gate. In: The Age of Dystopia: One Genre, Our Fears and Our Future. Cambridge Scholars Press, pp. 141-162. ISBN 9781443886949

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2016) “With Practised Eyes”: Feminine Identity in The Mysterious Mr. Quin. In: The Ageless Agatha Christie: Essays on the Mysteries and the Legacy. McFarland, Detroit, MI, pp. 61-80. ISBN 9781476663135

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) P.D.James. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, Farmington, MI, pp. 105-116. ISBN 9780787696528

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) Sarah Waters. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, pp. 336-343. ISBN 9780787696528

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) ”This Really Isn’t a Job For a Girl to Take on Alone”: Reappraising Feminism and Genre Fiction in Sara Paretsky’s Crime Novel Indemnity Only. In: This Book is an Action: Feminist Print Culture and Activist Aesthetics. University of Illinois Press, Baltimore, pp. 226-244. ISBN 9780252081347

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) “She Decided to Kill Her Husband”: Housewives in Contemporary American Fictions of Crime. In: Violence in American Popular Culture. Praeger / ABC CLIO, Westport, pp. 71-94. ISBN 9781440832055

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) “My Mama Had a Story”: Mothers and Intergenerational Relations in Andrea Levy’s Fiction. In: Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing. Demeter Press, Toronto, pp. 121-142. ISBN 9781926452708

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) ‘Hungry ghosts’: Kirsty Murray’s Irish-Australian Children of the Wind Series. In: Internationalism in Children’s Series. Critical Approaches to Children's Literature . Palgrave Macmillan, pp. 174-193. ISBN 1137360305

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2013) "She Looked West": Eco Crime Fiction Hits the Road in Martha Grimes's Biting The Moon. In: New Wests and Post-Wests: Literature and Film of the American West. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 59-79. ISBN 9781443849647

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) 30 November. In: The Robin Hood Book: Verse Versus Austerity. Caparison, King's Lynn, p. 15. ISBN 978-0-9567544-7-9

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Rob a Hoodie. In: The Robin Hood Book: Verse Versus Austerity. Caparison, King's Lynn, p. 13. ISBN 978-0-9567544-7-9

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) A Sickness. In: The Robin Hood Book: Verse Versus Austerity. Caparison, King's Lynn, p. 14. ISBN 978-0-9567544-7-9

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) Adventures and Affect: The Character of the Boy Detective and Orphan in Astrid Lindgren’s Rasmus and the Tramp. In: Boy Detectives: Essays on the Hardy Boys and Others. McFarland, pp. 120-131. ISBN 978-0786460335

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) Emergency Budget Storm of 2010. In: Emergency Verse: Poetry in Defence of the Welfare State. Caparison, pp. 21-23. ISBN 978-0956754400

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2007) 'A work and a purpose': Willa Cather’s Journalism. In: The Journalistic Imagination: Literary Journalists From Dafoe to Capote and Carte. Routledge, Abingdon, pp. 74-86. ISBN 978-0415417242

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (1995) From Violent Duality to Multi-culturalism: Margaret Atwood’s Post-Colonial Cultural and Sexual Politics. In: O Canada Essays on Canadian Literature and Culture. Aarhus Universitetsforlag, pp. 97-108. ISBN 8772883766

Conference or Workshop Item

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) “A Dreadful Wicked Woman”: Dorothy Sayers’ Strong Poison and #MeToo. In: Dorothy Sayers in the 21st Century, 11 October 2024, Institute of Advanced Studies, UCL, London.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Migrant Mothers and Diasporic Daughters: Tracing the Mother’s Story in the Black British Writer Andrea Levy’s Novels. In: 7th "Migration, Adaptation and Memory": International Interdisciplinary Conference, 13-14 June, 2024, Gdansk, Poland.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) BACLS book prize seminar: Charlotte Beyer, Decolonising the Literature Curriculum. In: BACLS Seminar, 31 May 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) The Supernatural Selkie in Una McCormack's Story "The Sea is Not Full". In: Romancing the Gothic (independent online education project), 25 May 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) “The Trouble with Identity”: Contesting Racism and Xenophobia with the British-Pakistani Author M.Y. Alam’s Crime Novel Annie Potts Is Dead. In: 7th Racism, Nationalism and Xenophobia: International Interdisciplinary Conference, 23-24 May 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) The Sweet Transgressiveness of Female Rage and Revenge in Kim Moritsugu’s Crime Short Story “A Taste of Honey” (2008). In: Memory, Transgression, and Change: International Interdisciplinary Conference, 18-19 April 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443, Eich, Sandro and Davison-Vecchione, Daniel (2024) Panel: The role of literature in the institutionalisation of emergent scholarly disciplines. In: International Conference of Three Societies on Literature and Science, 10-12 April 2024, University of Birmingham.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Glocal Crime: Human Trafficking and Forced Migration in Crime Fiction. In: 4th "TRAVELLING, TRANSMISSION AND TRANSGRESSION" International Interdisciplinary Conference, 21-22 March 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) “Now Those Words Want to be Spoken:” Trauma and the Politics of Representation in Stella Duffy’s Crime Novel Mouths of Babes. In: 7th "TRAUMA AND NIGHTMARE" International Interdisciplinary Conference, 14-15 March 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Windrush Postmemory: Representations of Black British Identity and Intergenerational Trauma in Andrea Levy’s Every Light in the House Burnin’. In: 5th "Postmemory and the Contemporary World:" International Interdisciplinary Conference, 22-23 February 2024, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) “Imagination or Memory?” The Search for Self in Paula Hawkins’ Crime Novel The Girl on the Train. In: 7th "MEMORY, FORGETTING AND CREATING": International Interdisciplinary Conference, 18-19 January, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Resisting the Seduction of “The Golden Age” and Nostalgia: Decolonising British Crime Fiction. In: 8th "MEMORY, MELANCHOLY AND NOSTALGIA": International Interdisciplinary Conference, 7 December 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Decolonising the Literature Curriculum Through British-Chinese Writing: Xiaolu Guo, Once upon a Time in the East. In: Uncovering British Chinese Cultures, 2-3 December 2023, Technische Universität Dresden, Germany.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) “Pain, Hurt and Dammit: ” Ken Bruen’s Exploration of the Supernatural and Irish Mythology in His Crime Short Story “She Wails Through the Fair”. In: 6th "DREAMS, PHANTASMS AND MEMORIES" International Interdisciplinary Conference, 23-24 November 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) #MeToo and Subverting the Ending: “Antti Tuomainen’s “The Script”. In: CLiC: To Exit – Literatures of Ending, 7 November 2023, University of Worcester, online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) “Who Can See into the Heart of a Man either Righteous or Wicked”: Guilt, Transgression, and Shame in John Wilson’s Crime Short Story “Tale of Expiation”. In: 5th "MEMORY, GUILT AND SHAME": International Interdisciplinary Conference, 26-27 October 2023.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) #MeToo and the Nordic Noir Crime Short Story: “Antti Tuomainen’s “The Script”. In: Northeast Popular Culture Association (NEPCA) Annual Conference, 12-14 October 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Minette Walters’ The Cellar: Conveying the Trauma of Human Trafficking in Crime Fiction. In: 4th “MEMORY, TRAUMA AND RECOVERY” International Interdisciplinary Conference, 21-22 September, 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Writing Back to History: Using Andrea Levy’s “Uriah’s War” as a Case Study for Decolonisation on a Level 4 Skills Module for English and Creative Writing Students. In: BACLS What Happens Now 2023, 6-8 September 2023, University of Birmingham.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) “I Act the Part of the Dutiful Daughter”: Human Sex Trafficking and Gender-Based Violence in Patricia McCormick’s Children’s Novel Sold (2006). In: Southwest Popular/American Culture Association summer salon, 8-9 June 2023, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Invited talk: Crime of Passion: Investigating Love and Agatha Christie. In: International Agatha Christie Festival, 10-17 September 2022, Torquay, UK.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) “No Picturesque Village is Safe”: Agatha Christie’s Cornish Crime Scene. In: The Golden Age of Crime: A Reappraisal, 22-23 June 2022, Bournemouth University.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Keynote: “TERF Wars”: Intersectionality and Decolonisation in Contemporary Crime Fiction. In: Futures of Crime: Exploring the Evolving Terrain of Crime Fiction, 20 May 2022, Queen's University Belfast.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) “Pedagogical strategies for teaching LGBTQ+ YA American Literature in the undergraduate classroom”. In: British Association for American Studies Conference 2022, 21-23 April 2022, University of Hull, UK. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Keynote: “The Men Came Looking for Girls”: Sex Trafficking in Contemporary Crime Fiction and the Politics of Representation. In: Carnal Crimes, 21-22 January 2022, Dublin City University, Ireland (online conference).

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) "Any signs of mental instability in her family?“ The politics of representation in Agatha Christie's A Caribbean Mystery. In: The Golden Age of Crime and Investigating Agatha Christie, 17-18 July 2021, Eventbrite, Online.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) Teaching Golden Age Crime Fiction in the Age of #MeToo. In: Culture, Continuity, and Transformation Conference: Academic research and cultural change, 13 - 14 June 2021, University of Gloucestershire.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) “What are words?” Love, art and bondage in Agatha Christie’s short story “Within a Wall” (1925). In: Christie for Christmas: 100 Years of Crime Fiction with Style, 21 December 2020, University of Calabria, University of Lisbon, University of Turin.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Migration and Human Trafficking in Crime Fiction. In: Sustainable Development Challenges: An Online Conference for University of Gloucestershire Researchers, 16 December 2020, University of Gloucestershire.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “What are Words?” Representing Consciousness Through Symbolism in Agatha Christie’s Early Short Stories. In: Agatha Christie - Investigating the Queen of Genre, 5-6 September 2019, Southampton Solent University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “Outlaw In-Law”: Locating the Mother-in-Law in Domestic Noir. In: Girls, Girls, Girls!: Defining and Deconstructing ‘Domestic Noir’, 23 August 2019, Trinity College Dublin, Ireland..

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2019) “Seeing the actual physical Betty Kane”: Slut-shaming the victim in Josephine Tey’s The Franchise Affair. In: Literature, Law and Psychoanalysis, 1890-1950, 11-13 April 2019, University of Sheffield. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2018) “Like the memory of an evil dream”: Tracing Nordic Noir and Crime History in Steen Steensen Blicher’s “The Rector of Veilbye” (1829). In: Crime Fiction or Fact: Blurring the Boundaries c. 1680-1880, 11 June 2018, Institute of Historical Research, School of Advanced Study, Senate House, London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Crime Writing: Exploring Gender and Genre. In: Teaching Elements of Crime Writing for AQA B A Level, 18 October 2017, English & Media Centre, London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) ‘In the suitcase was a boy’: Representing transnational child trafficking in contemporary crime fiction. In: Symposium, 12 September, 2017, Carriageworks, Leeds. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Objects and Subjects: Exploring Representations of Amelia Dyer and Victorian Baby Farming Through True Crime Texts and Material History. In: Criminal Heritage: Crime, Fiction, and History, 5 September 2017, Leeds Beckett University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2017) Depictions of human trafficking in contemporary crime fiction. In: Networks and Connections in the Crime Genre, 26-27 May 2017, NUI Galway. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) “Four Lost Souls”: Crisis and Crime in Neville Thompson’s Writing. In: 2015 Annual British Association for Irish Studies Conference. Ireland: Agents of Social Transformation, 4th September – 5th September 2015, St Mary's University Twickenham, London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) “I stand out like a raven”: Female Detection and the Tudor Period in Nancy Bilyeau’s Crime Fiction. In: Representing the Tudors: An Interdisciplinary Conference, 10-11 July 2015, University of South Wales. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) “A Pimple of So-Called Civilisation”: Annie Cossins’ Australian True Crime Story of Convicts and Baby-Farmers. In: Captivating Criminality: Crime Fiction, Traditions and Transgressions, 25-27 June 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2015) "A Partial Autobiography and a Defence": PD James’ Life Writing. In: Writing Women's Lives, 25-16 April 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) Requiems for the Departed: Contemporary Recasting of Irish Myth in the Crime Short Story. In: The 2nd Colloquium on Thinking About Celtic Mythology in the 21st Century, 8-9 November 2014, University of Edinburgh. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) “How could something as small as this sail such a long way”: Recent Irish and Australian Children’s Books Portraying Irish Migration in the Long Nineteenth Century. In: Travelling Irishness in the Long Nineteenth Century, 28-29 August 2014, University of Limerick, Ireland. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) Dolls and Dead Babies: May Sinclair’s Social Critique of Constructions of Motherhood in Life and Death in Harriett Frean. In: May Sinclair symposium, 18 July 2014, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) “Angel Makers”: Recent True Crime Stories of Baby Farming. In: True Crime: Fact, Fiction, Ideology, 7 June 2014, Manchester. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) ‘With Practised Eyes’: Reading Agatha Christie’s The Mysterious Mr Quin Short Stories and Gender. In: Agatha Christie: Crime, Culture, Celebrity, 14 April 2014, University of Exeter. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2014) "I, Too, Mourn the Loss": The Absence of Holmes in Neo-Victorian Representations. In: New Directions in Sherlock: Past and Present, 11 April 2014, UCL. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) Resisting Marginalisation: Contemporary American Women’s Spy Fiction. In: The Marginalised Mainstream: Literature, Culture and Popularity, 8-9 November 2012, Institute of English Studies, University of London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) ‘Not ‘the Scenic Route’ through Pain and Old Age: Representations of Old Age in Black British Writing. In: Pain and Old Age: Centuries of Suffering in Silence?, The Birkbeck Pain Project and the Birkbeck Institute for the Humanities, University of London. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) 'Putting back the voices that were left out’: Storytelling, Slavery and Spectres of the Past in Andrea Levy’s The Long Song’. In: Narrating the Caribbean Nation: A Celebration of Literature and Orature, 14-15 April 2012, Leeds Metropolitan University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2011) ‘Bags stuffed with the offal of their own history’: Place and crime fiction in the short story collection Crimespotting: An Edinburgh Crime Collection. In: The Singer not the Song: Narration in the Short Story, 24 June 2011, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) The Stuff of Legend, or Unpacking Cultural Baggage: Introducing first-year Humanities students to foundational Western literary texts. In: Research in Education for Active Learning Conference, 17 June 2010, University of Gloucestershire. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2010) ‘Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction and Strategies for Teaching and Learning’. In: Research Seminar, 10 February 2010, Centre for Research in Crime, Violence, and Disorder, University of Gloucestershire. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2009) Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction in the 1990s and post-2000, and Strategies for Teaching and Learning. In: Crime Fiction and Women, Experiences and Functions (Invitation-only conference), 30 November - 1 December 2009, Mols, Denmark. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2009) 'Death of the Author’ - Maj Sjöwall and Per Wahlöö’s Police Procedurals. In: Crime Fictions, Crime Histories, Crime Films, 19 September 2009, University of Nottingham. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2009) Adopting Identities: Images and Fragments of the Maternal and Representations of Identity in Adoption and Growing up ‘in Care’ in Texts by Jackie Kay and Isha Mckenzie-Mavinga. In: M(o)ther Trouble, 30-31 May 2009, Birkbeck. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2009) ‘The Living Fabric of the World’: Willa Cather's Travel Journalism. In: South West American Studies Forum, 19 May 2007, University of Exeter. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2006) Rabbit-Proof Fence: Text and Film. In: For Love or Money? Contemporary Women's Fiction in the Marketplace’, Contemporary Women’s Writing Network, 21-23 April 2006, University of Bangor. (Unpublished)

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2005) ‘Unbelonging’ and the Child’s Experience of Separation and Migration in Joan Riley’s The Unbelonging and Doris Pilkington's Rabbit-Proof Fence’. In: Literature Travels: Literature and Cross-Cultural Exchange, 12-14 September 2005, University of Wolverhampton. (Unpublished)

Book

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2024) Crime Fiction in the Age of #MeToo. Anthem Press, London. ISBN 9781785278556

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2023) Intersectionality and Decolonisation in Contemporary British Crime Fiction. Cambridge Scholars Publishing. ISBN 9781527591585

Beyer, Charlotte (Ed) ORCID: https://orcid.org/0000-0002-2701-5443 (2022) Decolonising the Literature Curriculum. Teaching the New English . Palgrave. ISBN 9783030912895

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 and Savarese, Josephine, eds. (2022) Mothers Who Kill. Demeter Press, Toronto. ISBN 9781772583571

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2021) Contemporary Children's and Young Adult Literature: Writing Back to History and Oppression. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527595965

Beyer, Charlotte (Ed.) ORCID: https://orcid.org/0000-0002-2701-5443 (2021) Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781527564060

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443 (2020) Murder in a Few Words: Gender, Genre and Location in the Crime Short Story. McFarland, Jefferson. ISBN 9781476673721

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443, ed. (2019) Feminist Encounters: A Journal of Critical Studies in Culture and Politics (Special Double Issue on Feminism and Motherhood in the 21st Century). Lectito ISSN: 2542-4920.

Beyer, Charlotte ORCID: https://orcid.org/0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Travellin’ Mama: Mothers, Mothering and Travel. Demeter Press, Bradford. ISBN 9781772581799

Beyer, Charlotte (Ed) ORCID: https://orcid.org/0000-0002-2701-5443 and Robertson, Andrea (Ed) (2019) Mothers Without Their Children. Demeter Press. ISBN 9781772581737

Beyer, Charlotte (Ed.) ORCID: https://orcid.org/0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

Beyer, Charlotte (Ed) ORCID: https://orcid.org/0000-0002-2701-5443 (2017) American, British and Canadian Studies. Special Issue: Contemporary Crime Fiction. The Academic Anglophone Society of Romania, Sibiu, Romania. ISBN 1841-1487