Items where Gloucestershire Author is "Swift, Elizabeth"

Article

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2024) Narrative traditions of the digital st/age: learning from Indigenous cultures. New Techno Humanities / Science Direct. doi:10.1016/j.techum.2024.01.003 (In Press)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2023) Looking Back to Look Forward—How Ancient Storytelling Traditions Can Shed Light on Contemporary Practices of Spectating. Critical Stages, 27.

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2022) Narratives of the Future: Immersive Stories/Indigenous Roots. Body Space and Technology, 21. pp. 1-16. doi:10.16995/bst.7960

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2019) Practical spectating – an exploration of the multiple roles of the intermedial performance audience. International Journal of Performance Arts and Digital Media, 15 (2). pp. 166-182. doi:10.1080/14794713.2019.1638646

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2016) What do Audiences Do? Negotiating the Possible Worlds of Participatory Theatre. Journal of Contemporary Drama in English, 4 (1). pp. 134-149. doi:10.1515/jcde-2016-0011

Bostwick, Linsey, Lobel, Brian, Morrison, Elise, Oliver, Mary, Parker-Starbuck, Jennifer, Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472, Vinitski, Daniella and Chalmers, Jessica Peri (2012) The Live/Mediated Mash. International Journal of Performance Arts and Digital Media, 8 (2). pp. 237-240. doi:10.1386/padm.8.2.221_7

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2010) Losing the plot – an exploration of narrative collaboration and control in Second Life. International Journal of Performance Arts and Digital Media, 6 (2). pp. 171-192. doi:10.1386/padm.6.2.171_1

Book Section

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2017) Negotiating the Possible Worlds of Uninvited Guests’ Make Better Please: A Hypertextual Experience. In: Reframing Immersive Theatre The Politics and Pragmatics of Participatory Performance. Palgrave Macmillan, pp. 103-118. ISBN 9781137366030

Conference or Workshop Item

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2019) Practical Spectating – an exploration of meaning-making techniques in intermedial performance. In: The Audience Research in the Arts Conference, 3 - 5 July 2019, University of Sheffield. (Unpublished)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2018) Not Drowning but Waving - an exploration of new spectatorial practices in the immersive worlds of digital theatre. In: Digital Research in the Humanities and Arts (DRHA) annual conference, 9 - 12 September 2018, Malta. (Unpublished)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2017) Film as Live Art – an examination of the changing roles of the spectator in intermedial performance and beyond. In: Elements of Success - rethinking audience and production studies as practice, 4 - 5 December 2017, Finnish Film Foundation, Helsinki. (Unpublished)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2017) The Limits of Listening - an examination of the impact of interactivity on the experience of temporalities in music. In: Troubling Time, 1-2 June 2017, University of Manchester. (Unpublished)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2017) Sounding Spaces: Aurality, Atmospheres and Attention for 'Research in Real Time'. In: 'Research in Real Time', conference, May 5–6 2017, National University of Ireland, Galway.. (Unpublished)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2015) What Do Audiences Do and How Can Computers Help us to Understand Spectating as ‘Doing’? In: Theatre and Spectatorship. Annual Contemporary Drama in English Conference., May 15-17 2015, Barcelona.. (Unpublished)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2012) Negotiating Networks in Hypertext Fiction and Interactive Performance Work. In: 2012 TaPRA Conference, September 5-7, 2012, The University of Kent.

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2010) Really Doing It – An Exploration of Strategies for Interaction in Intermedial Performance. In: American Society for Theatre Research Conference: Work over Time, November 2010, Seattle US. (Unpublished)

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2009) The Performative Space In the Virtual World. In: The International Conference of Art and Society, September 2009, Venice. (Unpublished)

Thesis

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2014) The Hypertextual Experience: Digital Narratives, Spectator, Performance. PhD thesis, University of Exeter.

Show/Exhibition

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2018) Frights and Delights - the history of the special effect in theatre. [Show/Exhibition]

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2012) Babble-A Site Specific PERFORMANCE in Second Life for the 121212 UpStage Festival of Cyberformance. [Show/Exhibition]

Performance

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2016) The Two Sided Boy PART 2 a live/digital chamber opera selected by producers Second Movement for the ‘Rough for Opera’ platform at Cockpit Theatre, London. [Performance]

Swift, Elizabeth ORCID: https://orcid.org/0000-0002-9566-5472 (2014) Time Shifts: Possible Worlds. [Performance]