Items where Subject is "TR Photography"

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Number of items at this level: 150.

B

Bick, Andrew M ORCID: 0000-0001-5688-6064, Dolven, A K, Besemer, Linda and Bier, Rolf (2002) Sight Mapping: a curated exhibition that merges painting, video and installation, the formal and informal, figuration and abstraction. [Show/Exhibition]

Bick, Andrew M ORCID: 0000-0001-5688-6064, Dolven, A K, Štrba, Annelies and Akkerman, Philip (2006) The Kingston Turnpike. [Show/Exhibition]

Billingham, Richard (2008) Landscapes 2001-2003. Dewi Lewis Publishing. ISBN 978-1904587385

Billingham, Richard (1996) Ray's a laugh. Scalo, Zurich. ISBN 3931141187

Billingham, Richard (2006) Zoo. VIVID, Birmingham. ISBN 978-0-9552483-1-3

Boyd, Jean (2018) Architectures of the Instant: glimpsing the utopian in the suspended moment. In: Moving Images, Static Spaces: Architectures, Art, Media, Film, Digital Art and Design, 12 - 13th March 2018, Altinbas University, Istanbul. (Unpublished)

C

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) 'Coleus'. [Artefact]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) 'Cornflowers'. [Artefact]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) 'Cyclamen'. [Artefact]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Digital Bouquet. [Artefact]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Garden Underground. [Show/Exhibition]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) The Plate Spinner. [Video]

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rock noise. [Video] (Unpublished)

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rocks - slowed down sound. [Audio] (Unpublished)

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Rocks and noises. [Video] (Submitted)

Clancy, Tony ORCID: 0000-0003-0525-6710 (2017) Trauma and Deadpan. Photography Dialogues Journal (1). pp. 25-34.

Clancy, Tony ORCID: 0000-0003-0525-6710 (2016) Trees in wind. [Audio] (Unpublished)

Clancy, Tony ORCID: 0000-0003-0525-6710 and Adcock, Mike (2017) 'Stone Ghosts'. In: ASLE UKI / LAND2 conference, 6- 8th September 2017, Sheffield Hallam Uni. (Unpublished)

Cross, Karen and Peck, Julia ORCID: 0000-0001-5134-2471 (2010) Editorial: Special Issue on Photography, Archive and Memory. Photographies, 3 (2). pp. 127-138. ISSN 1754-0763

Crow, Robert (2016) Reputations made and lost: the writing of histories of early twentieth-century British photography and the case of Walter Benington. PhD thesis, University of Gloucestershire.

D

Davison, Bob (2016) Borders. [Show/Exhibition]

Duke, Andrew (2017) The Old City. [Image]

G

Goodenough, Anne E ORCID: 0000-0002-7662-6670 and Goodenough, Andrew S. (2011) Development of a Rapid and Precise Method of Digital Image Analysis to Quantify Canopy Density and Structural Complexity. ISRN Ecology, 2012. pp. 1-11. ISSN 2090-4622

Goodenough, Anne E ORCID: 0000-0002-7662-6670, Smith, Angela L, Stubbs, Hannah, Williams, Rachel and Hart, Adam G ORCID: 0000-0002-4795-9986 (2012) Observer Variability in Measuring Animal Biometrics and Fluctuating Asymmetry when using Digital Analysis of Photographs. Annales Zoologici Fennici, 49 (1-2). pp. 81-92. ISSN 0003-455X

H

Harper, Sharon P (2016) The Commercial Elephant in the Room: The Curious Silence in the Discussions on Digital. Take on Art, 2 (1). pp. 1-8. ISSN 0976-4011

Harper, Sharon P (2016) Digitalisation and Commercial Photography: Addressing the Lacuna in Photography Theory. In: Helsinki Photomedia 2016: Photographic Agencies and Materialities, 30 March - 1 April 2016, Aalto University, Helsinki. (Unpublished)

Harper, Sharon P (2016) “Otherwise you’re just the button pusher”: Understanding changing structures of creativity in the commercial photography industry. In: MeCCSA 2017: Culture, Media, Equality and Freedom, 11-13 January 2017, University of Leeds. (Unpublished)

Harper, Sharon P (2015) Photography Theory Moving Forward. In: MeCCSA 2015: Generations, 7-9 January 2015, Northumbria University. (Unpublished)

Harper, Sharon P (2016) The Portrait Document. In: Photography: A Visual Language, 19 March 2016, The Natural History Museum, London, UK. (Unpublished)

Harper, Sharon P (2015) The World’s Most Amazing 100% Awesome Photography Theory. In: 21 Century Photography: Art, Philosophy, Technique, 5-6 June 2015, Central Saint Martins. (Unpublished)

Harper, Sharon P (2016) The World’s Most Amazing 100% Awesome Photography Theory. Photographies, 9 (3). pp. 327-348. ISSN 1754-0763

Hodgson, Vicky (2014) Still Working: Photograpahic Essay. Postgraduate Journal of Women, Ageing and Media (1). ISSN 2055-737X

Howie, Geraldine (2011) The Powell-Cotton Dioramas and the Re-interpretation of an Idyll. PhD thesis, University of Gloucestershire.

M

Morris, Nic ORCID: 0000-0001-9426-2172 (2006) Digital DP. In: The Guerilla Film Makers Handbook. Continuum, New York & London, pp. 270-277. ISBN 082647988X

Murray, Matthew (2007) Above the line Advertising Campaign for Eon - FA Cup - Eon Carbonfooty Print Campaign TBWA London Creative Director Graham Cappi Art Director James Gilliam Photography © Matthew Murray. [Artefact]

Murray, Matthew (2002) Beyond Disruption: Changing the Rules in the Marketplace. In: Beyond Disruption: Changing the Rules in the Marketplace. John Wiley & Sons, UK, pp. 205-213. ISBN 10: 0471218995 / 13: 9780471218999

Murray, Matthew (2017) De donkere wolken boven Saddleworth Moor. FD Magazine, Holland. pp. 20-25.

Murray, Matthew (2016) FILM/TALK: Photography A Visual Language: The Landscape Document Part 1. In: Photography A Visual language: A Day of Conversation, 22.3.2016, University of Gloucestershire.

Murray, Matthew (2006) Factor 15. [Show/Exhibition]

Murray, Matthew (2003) Front Cover Photograph & Interview for FREEYE Magazine. FREEYE Magazine - Dutch Quarterly For Exceptioanl International Photography, 02. pp. 50-51. ISSN 977156769900602

Murray, Matthew (2002) The Government Minimum Wage Campaign, an above the Line Print Advertising Campaign through Ogilvy & Mather Advertising Agency London. [Artefact]

Murray, Matthew (2014) International Photography Awards, 2014. [Artefact]

Murray, Matthew (2001) Knock Down Ginger 70 Years of Street Kids, Photographers' Gallery, London. [Show/Exhibition]

Murray, Matthew (2005) Made in Britain - Contemporary British Photography, Huis Marseille/Fotografie Museum, Amsterdam, Holland. [Show/Exhibition]

Murray, Matthew (2013) Matthew Murray - H5 Advertising Agency, Paris - A series of personal photography shot in Brazil, England and The South Of France. [Artefact]

Murray, Matthew (2004) Matthew Murray Commissioned to photograph eyewear brands, Chanel, Giorgio Armani, Hugo Boss, Jean Paul Gaultier for a fashion story in i-D magazine. i - D (220). pp. 55-60. ISSN 0262-3579

Murray, Matthew (2008) Matthew Murray Exhibits work at 'Through the Lens' exhibition at The Royal West of England Academy, Bristol. [Show/Exhibition]

Murray, Matthew (2012) Matthew Murray Finalist in The International Street Photography Awards 2012 Photography © Matthew Murray. [Show/Exhibition]

Murray, Matthew (2009) Matthew Murray Photographs above the line Advertising Campaign for Telstra Bigpond Sports - Australia -. [Artefact]

Murray, Matthew (2004) Matthew Murray Photographs and interviews Tribute Bands and Acts, photographed in Birmingham and the Black Country. i - D. pp. 109-115.

Murray, Matthew (2003) Matthew Murray Photographs and interviews Wrestlers at Holyhead Leisure Centre, Handsworth, Birmingham for a personal Project. i - D (232). pp. 45-49.

Murray, Matthew (1995) Matthew Murray finalist at The John Kobal Portrait Awards 1995. [Show/Exhibition]

Murray, Matthew (1997) Matthew Murray finalist in The John Kobal Portrait Awards 1997. [Show/Exhibition]

Murray, Matthew (2015) Matthew Murray finalist in the Association of Photographers Awards 2015 - Series and Single Image Category. [Show/Exhibition]

Murray, Matthew (2010) Matthew Murray shoots above the line advertising campaign for IKEA Kitchen Squad - BMB advertising Agency, London. Photography stills shot alongside TV commercials - Matthew Murray works directly with the creatives and writes treatments for each of the ads shot. Campaign Magazine.

Murray, Matthew (2001) Matthew Murray winner of the Association of Photographers Awards Lifestyle Category 2001. In: The 17th Awards Hardcover. Association of Photographers (Great Britain), London, pp. 10-12. ISBN -10: 0190204915 ISBN-13: 978-0190204914

Murray, Matthew (2018) Matthew Murray wins Professional Book, Monograph at the International Photography Awards, 2018, in New York. [Artefact]

Murray, Matthew (2017) Matthew Murray's atmospheric landscape images inspired by walks on Saddleworth Moor. British Journal of Photography: Journeys (7865). pp. 20-21. ISSN 0007-1-1196

Murray, Matthew (1998) Matthew Murray's photograph - Sean, 1996 included in the Coming to Light Exhibtion and Catalogue Birmingham Museum and Arts Gallery. In: Coming To Light. Birmingham Libraries and Birmingham Museum and Art Gallery, Birmingham, p. 125. ISBN 0709302282

Murray, Matthew (2018) Matthew Murray's work included in Hit the North A Celebration of Photography Across Five Decades. Aesthetica, 83. pp. 134-135. ISSN 1743-2715

Murray, Matthew (2015) Matthew Murray: Pleasure In Leisure. Lenscratch.

Murray, Matthew (2016) Matthew Murray’s photographs have been shortlisted for the final of the 2016 International Photography Awards (IPA). [Artefact]

Murray, Matthew (2012) 'Murray's World' Gallery Vassie. [Show/Exhibition]

Murray, Matthew (2001) Paris Photo 2001 Catalogue - A selection of work exhibited at Paris Photo - Le Carrousel Du Loure - through the Photographers' Gallery, London. In: Paris Photo 2001. Paris Photo, Gent - Belgium, p. 138. ISBN 2912760062

Murray, Matthew (2012) Photo Essay: The Ska Parade. Dazed Digital.

Murray, Matthew (2018) Photographic Alphabet - M is for Matthew Murray - Matthew Murray's Travel Feature. Musee Magazine, New York.

Murray, Matthew (2014) Pleasure in Leisure. Port.

Murray, Matthew (2002) Portrait of author Steven Arnott at the Knightsbridge Hotel, London for Dwell Magazine, Los Angeles, USA. DWELL (2). pp. 28-30. ISSN 71896465976

Murray, Matthew (2004) Print Campaign titled 'PANTOMINE HORSE' by Saatchi & Saatchi London advertising agency for Shreddies Cereal Bar in United Kingdom. Coloribus.

Murray, Matthew (2017) Responding to a landscape: Symposium at MAC in association with the Matthew Murray Exhibition. In: Responding to a landscape: Symposium at MAC in association with the Matthew Murray Exhibition, 24/11/2017, MAC Birmingham. (Unpublished)

Murray, Matthew (2013) Saddleworth Moor, Unseen Amsterdam, 2013. [Show/Exhibition]

Murray, Matthew (2017) Saddleworth, Responding to a Landscape. Other. Gallery Vassie - Pirate editions, Amsterdam, The Netherlands.

Murray, Matthew (2017) Saddleworth: Responding to a Landscape. [Show/Exhibition]

Murray, Matthew (2004) Shreddies. An above the Line Print advertising Campaign through Saatchi & Saatchi. [Artefact]

Murray, Matthew (2013) Ska 1:46 - Ska 4:03 The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam. In: The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam, Thursday 26th september, 2013, Unseen Living Room in het Machinegebouw Amsterdam, the Netherlands.

Murray, Matthew (2004) Sony Playstation 2 and the video game 'The Getaway - wish you were here' print campaign ad. [Artefact]

Murray, Matthew (2004) TBWA makes finances easy. Campaign.

Murray, Matthew (2010) Thomson Holidays 'Sensatori' Advert - Matthew Murray Shoots above the line Stills advertising campaign and end frame for Thomson TV commercial Photography © Matthew Murray. Thomson.

Murray, Matthew (2014) Unseen Amsterdam Exhibition Catalogue, 2014. [Show/Exhibition]

Murray, Matthew (2000) Work included in an article looking at Political Advertising. Campaign. p. 24.

Murray, Matthew (2001) An above the line advertising campaign for the Flowers and Plants Association, in association with The Canadian Institute For Mental Health. [Artefact]

Murray, Matthew (2016) A selection of Matthew Murray's photographs included in An Exhibition by Five Contemporary Photographers at Gallery Vassie, Amsterdam. [Show/Exhibition]

Murray, Matthew (2017) A selection of Matthew Murray's photographs on Artsy - Artsy's mission is to make all the world’s art accessible to anyone with an Internet connection. Artsy are a resource for art collecting and education. [Artefact]

P

Peck, Julia ORCID: 0000-0001-5134-2471 (2013) Amateur Ornithology and Amateur Photography: Readers’ Photographs in The Emu. Either/And.

Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Artwash and Influence: Photography and Climate Change in the Prix Pictet. In: Anthropology, Weather and Climate Change, 27th-29th May, British Museum, London. (Submitted)

Peck, Julia ORCID: 0000-0001-5134-2471 (2009) Book review A Modern Vision: Charles Bayliss, Photographer, 1850-1897 Helen Ennis. National Library of Australia, Canberra 2008. 68 pages, with 47 illustrations in black & white. AUS$34.95, ISBN 978-0-642-27667-4 [Book review]. History of Photography, 33 (1). pp. 94-105. ISSN 0308-7298

Peck, Julia ORCID: 0000-0001-5134-2471 (2013) Book review Petrochemical America by Richard Misrach and Kate Orff. Dandelion Journal, 4 (2).

Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Book review Why it does not have to be in Focus: Modern Photography Explained. Visual Studies, 31 (1). pp. 78-79. ISSN 1472-586X

Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Bringing the sublime back down to earth: Olaf Otto Becker’s renegotiation of the sublime in a neoliberalised and climate changing world. In: Northern Light: Landscape Photography and Evocations of the North, 4-5th July 2016, Sheffield Hallam University. (Submitted)

Peck, Julia ORCID: 0000-0001-5134-2471 (2013) Family and Field Work: J.S.P. Ramsay’s Photograph Album. In: The Photograph and the Collection: Create | Preserve | Analyze | Present. Museums Etc., Edinburgh, pp. 60-95. ISBN 978-1-907697-85-2

Peck, Julia ORCID: 0000-0001-5134-2471 (2013) J.S.P. Ramsay: amateur ornithological photography and the photo processing industry. In: Workers and Consumers: The Photographic Industry, 24-25th June 2013, De Montfort University, Leicester. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2014) James Balog’s Extreme Ice Survey publications and the absent stop motion photographs. In: Image-Movement-Story, Practice as Research Symposium,, 4th June 2014, University of Roehampton. (Submitted)

Peck, Julia ORCID: 0000-0001-5134-2471 (2007) John William Lindt’s Curious Engagement with New Guinea. In: Imperial Curiosity: Objects, Representations and Knowledges, 27th-29th June 2007, UTAS, Hobart, Tasmania, Autralia. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2008) Kruger, Johan Friedrich Carl (Fred). In: Encyclopedia of Nineteenth-Century Photography. Routledge, Abingdon, Oxon. ISBN 978-0415972352

Peck, Julia ORCID: 0000-0001-5134-2471 (2018) Landscape photography in the web of life: Olaf Otto Becker’s documentary sublime. In: Northern Light: Landscape, Photography and Evocations of the North. Image . Transcript Verlag, Bielefeld. ISBN 978-3-8376-3975-9

Peck, Julia ORCID: 0000-0001-5134-2471 (2007) New South Wales Government Printer. In: Encyclopedia of Nineteenth-Century Photography. Routledge, Abingdon, Oxon. ISBN 978-0415972352

Peck, Julia ORCID: 0000-0001-5134-2471 (2010) Performing Aboriginality: Desiring Pre-contact Aboriginality in Victoria, 1886–1901. History of Photography, 34 (3). pp. 214-233. ISSN 0308-7298

Peck, Julia ORCID: 0000-0001-5134-2471 (2015) Photography’s Time Lag: Challenging the Pastness and Passivity in the Representation of Climate Change and Other Environmental Disasters. In: Bridging Divides: Spaces of Scholarship and Practice in Environmental Communication The Conference on Communication and Environment, 11-14 June 2015, Boulder, Colorado, USA.

Peck, Julia ORCID: 0000-0001-5134-2471 (2011) Pulletop and Thornthwaite: Photography, Taste and Class Mobility in 19th Century New South Wales. In: Changing the Subject, 2nd - 4th February 2011, Adelaide, South Australia. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2012) Pulletop and Thornthwaite: photographs of pastoral properties in nineteenth-century New South Wales. Journal of Australian Studies, 36 (2). pp. 155-175. ISSN 1444-3058

Peck, Julia ORCID: 0000-0001-5134-2471 (2012) Thornthwaite: Joseph and Ernest Docker’s melancholic wilderness. In: Imaging Nature II:, 20-22 June 2012, Tarraleah, Tasmania, Australia. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2016) Vibrant Photographies: Photographs, actants and political ecology. Photographies, 9 (1). pp. 71-89. ISSN 1754-0763

Peck, Julia ORCID: 0000-0001-5134-2471 (2017) An aesthetic regime of hope: reading Richard Misrach’s and Guillermo Galindo’s "Border Cantos". In: Democracy, Borders and Public/Political Engagement: Challenges for Environmental Communication, June 29th to July 2nd, University of Leicester. (Unpublished)

Peck, Julia ORCID: 0000-0001-5134-2471 (2018) The documentary landscape and the representation of human-nature relationships: being ecological in the photographs of Lucas Foglia. In: Anthropocene Narratives: A Humanities Symposium, 28th September 2018, Trondheim, Norway. (Unpublished)

R

Randall, Martin C (2014) The Spectacle of the Void: Photography and 9/11. In: Gloucestershire Philosophical Society, 21 May 2014, University of Gloucestershire. (Unpublished)

Ryan, Bob (2016) The master photographer: the journey from good to great. Bourchier, Cirencester. ISBN 9780993469213

S

Salkeld, Richard J (2014) Reading Photographs: An Introduction to the Theory and Meaning of Images. Basics: Creative Photography . Bloomsbury: Fairchild, London. ISBN 9782940411894

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Becoming The Narrative…. Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2012) Conversation between Grant Scott and photographer Mary Ellen Mark focusing on her editorial work and project titled PROM. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2012) Conversation between Photographer Jane Bown and Grant Scott. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2011) Conversation between Rock Photographer James Fortune and Grant Scott. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2010) Conversation between photographer Brian Duffy and Grant Scott. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2013) Conversation between photographer/film director Dr.David Eustace and Grant Scott. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2012) Conversation with filmmaker Ben Shapiro discussing his film 'Brief Encounters' documenting the photographer Gregory Crewdson. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) Crash Happy. Cafe Royal. ISBN 978-0415717540

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Do Not Bend: The Photographic Life of Bill Jay. [Video]

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Don't Forget Photographers of The Immediate Past! Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2015) The Essential Student Guide to Professional Photography. Focal Press - Routledge. ISBN 978-1138805323

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Interview with photographer Jim Mortram. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Is Instagram The New Gateway to Photography? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Is It Still Fashionable To Be A Fashion Photographer? United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) I’m a Photographer, Let Me In! : Opening The Door To Photo Education. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Kick Over the Statues! Are the Icons of Photography Still Relevant? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) The Loneliness of the Long-Distance Photographer. Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) The New Commercial Environment. In: Professional Photography: The New Global Landscape Explained. Focal Press, pp. 22-55. ISBN 978-0415717540

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) The New Publishing Landscape: In Conversation with Iain Sarjeant of Another Place Press. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2018) New Ways of Seeing: The Democratic Language of Photography. Bloomsbury. (In Press)

Scott, Grant ORCID: 0000-0003-2882-1380 (2018) OK Computer: Computational photography is here to stay! Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Oi! Don’t You Understand Copyright? PetaPixel.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Opening Up The Conversation: #CClasses, The Future of the Photographic Community? United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) The Photograph Taken and Not Taken. Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2018) A Photographic Life: Podcast. [Audio]

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) Photography Festivals: An Opportunity Repeatedly Missed? United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Portrait Photography Made Simple, or Not! United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Post-Production Should Be In The Past. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) Pro Photo Tips: For Students. [Video]

Scott, Grant ORCID: 0000-0003-2882-1380 (2014) Professional Photography: The New Global Landscape Explained. Focal Press (Taylor & Francis Group), London. ISBN 978-0415717540

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) The Single Image Narrative: Sometimes It Chooses You. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Some Observations on What Photography Is Now…. United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Teaching Photography as a Visual Language. Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Three Photobooks You Don’t Need to Buy or Own (Or Why Editors Matter…). United Nations of Photography.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Transformations and Convergences: The Tectonic Plates of Photography. Viewbook Online Journal.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) What Is the Role of the 21st Century Post Digital Photographer? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2015) What is Professional Photography? In: The Essential Student Guide to Professional Photography. Focal Press - Routledge, pp. 2-15. ISBN 978-1138805323

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Where are we now with the moving image? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Why is narrative such a difficult concept for young photographers to master? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2016) Why study photography? Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 (2017) Your Copyright Is Your Future, Control It! Witness.

Scott, Grant ORCID: 0000-0003-2882-1380 and Scott-Jeffries, Samantha (2005) At Home with the Makers of Style. Thames & Hudson. ISBN 978-0500512340

Southern, Jack (2016) Are ‘traditional’ Drawing approaches merely an antidote to the digital world, or are original and authentic drawn responses more important than ever? In: AAH2017. Association of Art Historians, London. (In Press)

This list was generated on Wed Dec 19 02:59:25 2018 UTC.

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