Items where Subject is "M Music"

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Number of items at this level: 47.

B

Brown, Alyssa E, Donne, Keith Edward, Fallon, Paul and Sharpley, Richard (2019) From headliners to hangovers: Digital media communication in the British rock music festival experience. Tourist Studies. ISSN 1468-7976

C

Carpenter, Simon (2019) Gurney, Howells and Novello in context: Sir Herbert Brewer and his articled pupils at Gloucester Cathedral. Local Historian, 49 (3). pp. 207-220. ISSN 0024-5585

Carpenter, Simon (2019) Ivor Gurney and Sir Herbert Brewer: A misunderstood relationship? The Ivor Gurney Society Journal, 24. pp. 10-22. ISSN 2633-0059

Carpenter, Simon (2018) An evaluation of the teaching career of Sir Herbert Brewer (Organist of Gloucester Cathedral, 1896 – 1928) with particular reference to his articled pupils. Masters thesis, University of Gloucestershire.

D

Deakin, Rich (2008) ABSURD! OUTRAGE! GROTESQUE! POOT! Shindig! Quarterly, 2 (5). pp. 40-41.

Deakin, Rich (2011) The Edgar Broughton Band - The Harvest Years 1969-1973, EMI 4-CD review. Shindig! Quarterly (1). p. 108.

Deakin, Rich (2011) Free To Be Stoned! Shindig! Quarterly (1). pp. 56-61. ISSN 978-0956736925

Deakin, Rich (2014) Spaced Out Cosmic Boogie. Interstellar Overdrive: The Shindig! Guide To Spacerock. pp. 52-61. ISSN 978-0992643423

Deakin, Rich (2013) Vinyl Art #24, The Deviants PTOOFF! Shindig! Quarterly (35). p. 90.

G

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2016) Ageing, Travelling Folk: Sam Lee and Songs across Time. In: IASPM Biennial Conference, 8-10 September 2016, Brighton. (Unpublished)

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2010) Archives, ambiguity and death: rethinking disruption in PJ Harvey’s music video performances. PhD thesis, University of Gloucestershire.

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2015) En’shrine’d – ushering Fela Kuti into the western ‘rock’ canon. In: Death and the Rock Star. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 135-148. ISBN 978-1-4724-3091-5

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2012) Framing Grace: Shock and Awe at the Ageless Black Body. In: Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 65-86. ISBN 978-1409428411

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2015) PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music . Ashgate, Farnham, Surrey. ISBN 978-1-4724-2418-1

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2015) The Queen is Dead, Long Live the Queen. Ashgate.

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2015) WAM. Let’s Dance! – an intergenerational music mapping project. In: MeCCSA 2015, January 7th 2015, Northumbria University. (Unpublished)

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2017) Whose Record is it Anyway? Musical 'crate digging' across Africa. Conversation.

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2016) YouTube and Ageing: The Same Old Story? In: YouTube conference, 23- 24 September 2016, Middlesex University. (Unpublished)

Gardner, Abigail S ORCID: 0000-0003-2994-741X (2019) YouTube, Ageing and PJ Harvey. Convergence, 25 (5-6). 1155 -1167. ISSN 1354-8565

H

Hughes, John D (2012) ”It’s not British Music, It’s American Music”: Bob Dylan and Britain. In: Transatlantic Roots Music Folk, Blues, and National Identities. University Press of Mississippi, Jackson, pp. 94-118. ISBN 978-1-61703-288-2

J

Jennings, Ros (2012) It’s all just a little bit of history repeating pop stars, audiences, performance and ageing. In: Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate, Farnham, pp. 35-52. ISBN 978-1409428411

Jennings, Ros (2015) Popular Music and Ageing. In: Routledge Handbook of Cultural Gerontology. Routledge International Handbooks . Routledge, Abingdon, Oxon. ISBN 978-0415631143

Jennings, Ros (2018) The soundtracks of my life: ageing, identity and remembered music. In: A Senior Moment:Cultural Mediations of Memory and Ageing. Aging Studies (X11). Transcript Verlag, Germany. ISBN 978-3-8376-3683-3

Jennings, Ros and Gardner, Abigail S ORCID: 0000-0003-2994-741X (2012) Rock On: Women, Ageing and Popular Music. Ashgate Popular and Folk Music . Ashgate. ISBN 978-1409428411

L

Large, William ORCID: 0000-0003-0447-5364 (2018) AFFECTS, INDEXES AND SIGNS Will Oldham and the authenticity of the voice in popular music. Angelaki, 23 (3). pp. 75-87. ISSN 0969-725X

Li, Ying ORCID: 0000-0003-4296-2753 (2017) Landscape as Music: A New Approach to the Study the Spiritual Beauty in Landscape Design. In: WDS2017 ¬ World Design Summit, 16 - 25 October 2017, Canada. (Unpublished)

Lovett, Matthew ORCID: 0000-0003-3599-7886 (2015) Company of Trees. [Composition]

Lovett, Matthew ORCID: 0000-0003-3599-7886 (2015) Company of Trees. [Show/Exhibition]

Lovett, Matthew ORCID: 0000-0003-3599-7886 (2018) Disruption as Contingency: Music, Blockchain, Wtf? In: Innovation In Music: performance, production, technology and business. Routledge. (In Press)

Lovett, Matthew ORCID: 0000-0003-3599-7886 (2019) Disruptive Blockworks: blockchains and networks / acceleration and collision. In: Blockchain and Web 3.0 Social, Economic, and Technological Challenges. Routledge Studies in Science, Technology and Society . Routledge. ISBN 9780367139841 (In Press)

Lovett, Matthew ORCID: 0000-0003-3599-7886 (2017) Moor / Plastic. [Composition]

Lovett, Matthew ORCID: 0000-0003-3599-7886 (2016) Twelve Drummers Drumming. [Performance]

M

MacLean, Malcolm ORCID: 0000-0001-5750-4670 (2010) Bouts of Kiwi Loyalty: Musical Frames and Televised Sport. In: Sporting Sounds. Routledge, London, pp. 237-250. ISBN 9780415443678

Murray, Matthew ORCID: 0000-0001-8956-8062 (2013) Ska. Other. Schilt Publishing, Amsterdam, the Netherlands.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2013) Ska 1:46 - Ska 4:03 The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam. In: The Unseen Living Room Film Screening in association with FOAM Museum for Photography, Amsterdam, Thursday 26th september, 2013, Unseen Living Room in het Machinegebouw Amsterdam, the Netherlands.

Murray, Matthew ORCID: 0000-0001-8956-8062 (2015) Under The Influence: 2 Tone Ska. [Video]

O

O'Connell, Christian ORCID: 0000-0001-5546-8389 (2015) Blues, How Do You Do? Paul Oliver and the Transatlantic Story of the Blues. University of Michigan Press, Michigan USA. ISBN 9780472052677

O'Connell, Christian ORCID: 0000-0001-5546-8389 (2015) Book review: Amy Absher , The Black Musician & the White City: Race and Music in Chicago, 1900–1967 (Ann Arbor: University of Michigan Press, 2014, $45.00). Pp. 216. ISBN 978 0 4721 1917 2. Journal of American Studies, 49 (4). ISSN 0021-8758

O'Connell, Christian ORCID: 0000-0001-5546-8389 (2013) The British ‘Bluesman’ Paul Oliver and the Nature of Transatlantic Blues Scholarship. PhD thesis, University of Gloucestershire.

O'Connell, Christian ORCID: 0000-0001-5546-8389 (2013) The Color of the Blues: Considering Revisionist Blues Scholarship. Southern Cultures, 19 (1). pp. 61-81. ISSN 1534-1488

O'Connell, Christian ORCID: 0000-0001-5546-8389 (2012) Dreaming Up the Blues: Transatlantic Blues Scholarship in the 1950s. In: Transatlantic Roots Music: Folk, Blues and National Identities. University of Michigan Press, Michigan USA, pp. 37-56. ISBN 978-1617032882

P

Parker, Andrew, Marturano, Naomi, Lewis, Gwen and Meek, Rosie (2018) Marginalised Youth, Criminal Justice and Performing Arts: Young people’s experiences of music-making. Journal of Youth Studies, 21 (8). pp. 1061-1076. ISSN 1367-6261

Prior, David, Reeder, Philip, Rofe, Michael, Biscoe, Ian and Murray, Samuel (2017) Designing a system for Online Orchestra: Peripheral equipment. Journal of Music, Technology and Education, 10 (2). pp. 197-212. ISSN 1752-7066

S

Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2017) The Limits of Listening - an examination of the impact of interactivity on the experience of temporalities in music. In: Troubling Time, 1-2 June 2017, University of Manchester. (Unpublished)

Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2014) Time Shifts: Possible Worlds. [Performance]

Swift, Elizabeth ORCID: 0000-0002-9566-5472 (2016) The Two Sided Boy PART 2 a live/digital chamber opera selected by producers Second Movement for the ‘Rough for Opera’ platform at Cockpit Theatre, London. [Performance]

W

Webster, David R (2007) Even Philosophers Get the Blues. In: Cross the Water Blues African American Music in Europe. University Press of Mississippi, Jackson, pp. 39-50. ISBN 9781604735468

This list was generated on Tue Dec 10 10:22:59 2019 UTC.

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