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Adkins, Kirsten ORCID: 0000-0002-9907-6691 (2014) Aesthetics, Authenticity and the Spectacle of the Real: How Do We Educate the Visual World We Live in Today? International Journal of Art and Design Education, 33 (3). pp. 326-334. doi:10.1111/jade.12062
Billington, Freya (2014) Bread and Butter. [Film / Video]
Cochran, Tanya, Ginn, Sherry and Zinder, Paul ORCID: 0000-0002-9578-4009 (2014) The Multiple Worlds of Fringe: Essays on the J.J. Abrams Science Fiction Series. McFarland & Co Inc. ISBN 9780786475674
Gardner, Abigail S ORCID: 0000-0003-2994-741X (2014) Vice TV’s cabinet of curios. In: MeCCSA annual conference January 2014. (Unpublished)
Griffiths, Robin M (2014) "A Journey Without Direction": Mapping British Queer Cinema Post-Jarman. In: Film After Thatcher: Gender and Sexuality in post-1990 British Cinema, 2nd July 2014, Liverpool Hope University. ISBN 978-0-415-56966-8 (Unpublished)
Griffiths, Robin M (2014) Transnational Encounters: Audience, Community and Identity-based Film Festivals. In: North American Association for the Study of Welsh Culture and History (NAASWCH) International Conference on Welsh Studies 2014, 23, 24, 25 July, 2014, Royal Military College of Canada, Kingston, Ontario. ISBN 978-0-415-56966-8 (Unpublished)
Hewis, Mark S (2014) 8 Minutes Idle. [Film / Video]
Romao, Tico J (2014) 'In Search of Space (Rock): The Generic Conventions of Sonic Exploration'. In: Cosmographies Conference, 24 - 25 July 2014, Falmouth University. (Unpublished)
Zinder, Paul ORCID: 0000-0002-9578-4009 (2014) “The Dream it’s Always Been: Fractured Narratives in Awake.”. In: National Conference Popular Culture Association American Culture Association, 16 - 19 April 2014, Chicago, Illinois. (Unpublished)
Zinder, Paul ORCID: 0000-0002-9578-4009 (2014) Nothing but Tech: Cyborgs and the Human Question. In: The Multiple Worlds of Fringe: Essays on the J.J. Abrams Science Fiction Series. McFarland & Co Inc. ISBN 9780786475674
Zinder, Paul ORCID: 0000-0002-9578-4009 (2014) “Strictly Come Dancing and the Postmodern Musical Aesthetic.”. In: The Guilty Pleasures of Contemporary Television, December 2014, University of Ulster, Coleraine, Northern Ireland. (Unpublished)