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B

Bailey, Rebecca A (2012) James Shirley. In: The Encyclopedia of English Renaissance Literature (Wiley-Blackwell Encyclopedia of Literature). Wiley-Blackwell. ISBN 978-1405194495

Bailey, Rebecca A (2013) Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage. Theatre Journal, 65 (2). pp. 197-214. ISSN 1086-332X

Bailey, Rebecca A (2009) Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625-1642. Manchester University Press. ISBN 978-0719076732

Bailey, Rebecca A (2013) William Habington (1605-1654): New Biographical Information from a Previously Unremarked upon Document. Notes and Queries, 60 (1). pp. 40-41. ISSN 0029-3970

Barker, Simon (2009) ‘Like a Soldier to the Stage’ Field Commander Hamlet and the ends of tragedy. The Cyder Press, University of Gloucestershire, Cheltenham. ISBN 978-1-86174-197-4

Beyer, Charlotte (2011) Andrew Nestingen and Paula Arvas, eds., Scandinavian Crime Fiction. American, British and Canadian Studies, 17 (2). pp. 149-152. ISSN 1841-1487

Beyer, Charlotte (2014) “Angel Makers”: Recent True Crime Stories of Baby Farming. In: True Crime: Fact, Fiction, Ideology, 7 June 2014, Manchester. (Unpublished)

Beyer, Charlotte (2013) 'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection. Short Fiction in Theory and Practice, 3 (1). pp. 37-52. ISSN 2043-0701

Beyer, Charlotte (2009) 'Death of the Author’ - Maj Sjöwall and Per Wahlöö’s Police Procedurals. In: Crime Fictions, Crime Histories, Crime Films, 19 September 2009, University of Nottingham. (Unpublished)

Beyer, Charlotte (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte (2017) Depictions of human trafficking in contemporary crime fiction. In: Networks and Connections in the Crime Genre, 26-27 May 2017, NUI Galway. (Unpublished)

Beyer, Charlotte (2014) Dolls and Dead Babies: May Sinclair’s Social Critique of Constructions of Motherhood in Life and Death in Harriett Frean. In: May Sinclair symposium, 18 July 2014, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte (2016) Dolls and Dead Babies: Victorian Motherhood in May Sinclair's Life and Death of Harriett Frean. In: May Sinclair: Re-Thinking Bodies and Minds. University of Edinburgh Press, Edinburgh, pp. 156-176. ISBN 9781474415750

Beyer, Charlotte (2000) Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry. Literature and Theology, 14 (3). pp. 276-298. ISSN 0269-1205

Beyer, Charlotte (2015) “Four Lost Souls”: Crisis and Crime in Neville Thompson’s Writing. In: 2015 Annual British Association for Irish Studies Conference. Ireland: Agents of Social Transformation, 4th September – 5th September 2015, St Mary's University Twickenham, London. (Unpublished)

Beyer, Charlotte (1995) From Violent Duality to Multi-culturalism: Margaret Atwood’s Post-Colonial Cultural and Sexual Politics. In: O Canada Essays on Canadian Literature and Culture. Aarhus Universitetsforlag, pp. 97-108. ISBN 8772883766

Beyer, Charlotte (2015) Haunting the Text: Nicola Pierce’s Spirit of the Titanic and Irish Historical Children’s Fiction. Women's Studies: An Inter-disciplinary Journal, 44 (7). pp. 956-976. ISSN 0049-7878

Beyer, Charlotte (2014) “How could something as small as this sail such a long way”: Recent Irish and Australian Children’s Books Portraying Irish Migration in the Long Nineteenth Century. In: Travelling Irishness in the Long Nineteenth Century, 28-29 August 2014, University of Limerick, Ireland. (Unpublished)

Beyer, Charlotte (2017) "I, Too, Mourn The Loss": Mrs Hudson and the Absence of Sherlock Holmes. In: Sherlock Holmes in Context. Crime Files . Palgrave, Basingstoke, pp. 61-82. ISBN 9781137555946

Beyer, Charlotte (2014) "I, Too, Mourn the Loss": The Absence of Holmes in Neo-Victorian Representations. In: New Directions in Sherlock: Past and Present, 11 April 2014, UCL. (Unpublished)

Beyer, Charlotte (2010) Imagining Mother: Representations of Contested Maternal Identities and Loss in Jackie Kay’s The Adoption Papers and Isha McKenzie-Mavinga’s “Yearning To Belong”. MP: An Online Feminist Journal, Vol.2, (6). pp. 72-83. ISSN 1939-330X

Beyer, Charlotte (2013) In Memoriam Doris Lessing. American, British and Canadian Studies (2). pp. 5-7.

Beyer, Charlotte (2010) Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook. American, British and Canadian Studies, 15 (2). pp. 207-209.

Beyer, Charlotte (2016) “Last Girl Alive”: Kirsty Murray’s Dystopian YA Novel Vulture’s Gate. In: The Age of Dystopia: One Genre, Our Fears and Our Future. Cambridge Scholars Press, pp. 141-162. ISBN 978-1443886949

Beyer, Charlotte (2016) “Life Was a State in Which a War Was On”: A. S. Byatt’s Portrayal of War and Norse Mythology in Ragnarok: The End of the Gods. In: War, Myths and Fairy Tales. Palgrave, pp. 195-218. ISBN 978-9811026836

Beyer, Charlotte (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte (1995) Margaret Atwood’s Innovative Vision of Gender, Genre, Postmodernism and the City in The Robber Bride. British Journal of Canadian Studies, 10. pp. 146-55. ISSN 0269-9222

Beyer, Charlotte (2011) Mediatization and mothers accused of murder in Sophie Hannah’s crime novel A Room Swept White. Northern Lights: Film and Media Studies Yearbook, 9 (1). pp. 79-93. ISSN 1601-829X

Beyer, Charlotte (2015) “My Mama Had a Story”: Mothers and Intergenerational Relations in Andrea Levy’s Fiction. In: Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing. Demeter Press, Toronto, pp. 121-142. ISBN 978-1-926452-70-8

Beyer, Charlotte (2012) ‘Not ‘the Scenic Route’ through Pain and Old Age: Representations of Old Age in Black British Writing. In: Pain and Old Age: Centuries of Suffering in Silence?, The Birkbeck Pain Project and the Birkbeck Institute for the Humanities, University of London. (Unpublished)

Beyer, Charlotte (2015) P.D.James. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, Farmington, MI, pp. 105-116. ISBN 9780787696528

Beyer, Charlotte (2015) "A Partial Autobiography and a Defence": PD James’ Life Writing. In: Writing Women's Lives, 25-16 April 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte (2015) Performing Scottish Crime: Ian Rankin's Dark Road. Mystery Readers Journal, 31 (3). pp. 3-4. ISSN 1034-3473

Beyer, Charlotte (2015) “A Pimple of So-Called Civilisation”: Annie Cossins’ Australian True Crime Story of Convicts and Baby-Farmers. In: Captivating Criminality: Crime Fiction, Traditions and Transgressions, 25-27 June 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte (2012) 'Putting back the voices that were left out’: Storytelling, Slavery and Spectres of the Past in Andrea Levy’s The Long Song’. In: Narrating the Caribbean Nation: A Celebration of Literature and Orature, 14-15 April 2012, Leeds Metropolitan University. (Unpublished)

Beyer, Charlotte (2016) Reimagining Myth and the Maternal with Ruth Fainlight, Margaret Atwood and Katie Donovan. In: Women Versed in Myth: Essays on Modern Poets. McFarland, Detroit, MI, pp. 50-58. ISBN 978-0-7864-7192-8

Beyer, Charlotte (2012) Representations of Ageing and Black British Identity in Andrea Levy’s Every Light in the House Burnin’and Joan Riley’s Waiting in the Twilight. Entertext, 9. pp. 105-121. ISSN 1472 3085

Beyer, Charlotte (2014) Requiems for the Departed: Contemporary Recasting of Irish Myth in the Crime Short Story. In: The 2nd Colloquium on Thinking About Celtic Mythology in the 21st Century, 8-9 November 2014, University of Edinburgh. (Unpublished)

Beyer, Charlotte (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte (2015) Sarah Waters. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, pp. 336-343. ISBN 9780787696528

Beyer, Charlotte (2015) Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon. Oscholars, N/A (N/A). pp. 1-20. ISSN 2045-0753

Beyer, Charlotte (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte (2016) "Still a Respected Man": Irish Masculinity in Crisis and Crime Fiction. In: Masculinity in Crisis: Depictions of Modern Male Trauma in Ireland. Carysfort Press, Dublin, Ireland, pp. 155-170. ISBN 978-1-909-425-88-3

Beyer, Charlotte (2009) Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction in the 1990s and post-2000, and Strategies for Teaching and Learning. In: Crime Fiction and Women, Experiences and Functions (Invitation-only conference), 30 November - 1 December 2009, Mols, Denmark. (Unpublished)

Beyer, Charlotte (2010) The Stuff of Legend, or Unpacking Cultural Baggage: Introducing first-year Humanities students to foundational Western literary texts. In: Research in Education for Active Learning Conference, 17 June 2010, University of Gloucestershire. (Unpublished)

Beyer, Charlotte (2017) “Their Mother Was Waiting For Her”: Mother-Daughter Relations and Irish Identity in Deirdre Madden’s One by One in the Darkness. In: Mothers and Daughters. Demeter Press, Toronto. ISBN 978-1-77258-133-1 (In Press)

Beyer, Charlotte (2013) "There's nothing people won't do to one another, if the circumstances are right": Male Rape and the Politics of Representation in John Harvey's Police Procedural Easy Meat. Clues: A Journal of Detection, 31 (2). pp. 102-111. ISSN 0742-4248

Beyer, Charlotte (2016) “The Third Ireland”: Inheritance and Postcolonialism in Irish Crime Writing. Journal of Commonwealth and Postcolonial Studies, 4 (1). pp. 61-81. ISSN 1073-1687

Beyer, Charlotte (2015) True Crime and Baby Farming: Representing Amelia Dyer. Human, 5. pp. 101-117. ISSN 2232-9935

Beyer, Charlotte (2014) ‘With Practised Eyes’: Reading Agatha Christie’s The Mysterious Mr Quin Short Stories and Gender. In: Agatha Christie: Crime, Culture, Celebrity, 14 April 2014, University of Exeter. (Unpublished)

Beyer, Charlotte (2016) “With Practised Eyes”: Feminine Identity in The Mysterious Mr. Quin. In: The Ageless Agatha Christie: Essays on the Mysteries and the Legacy. McFarland, Detroit, MI, pp. 61-80. ISBN 978-1-4766-6313-5

Burke, Alison and Innes, Paul (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.

Burnett, Frances Hodgson and Walker, Miranda and Dzierzawska, Zosia and Gibbons, Dave (2016) The Secret Garden. Oxford University Press, Oxford. ISBN 9780198367574

C

Coe, Kate (2015) Green Sky & Sparks. Kristell Ink. ISBN 190984571X

Coe, Kate (2015) Grey Stone & Steel. Kristell Ink. ISBN 1909845906

Coe, Kate (2016) High Flight & Flames. In: High Flight & Flames. Kristell Ink, pp. 1-5. ISBN 978-0993576638

Cox, Rachael (2015) A Shoebox of One’s Own – Virginia Woolf: building feminist discourse on the foundations of modernist architecture in Hampstead. In: Literary London Society Annual Conference - London in Love, 22-­24 July 2015, Senate House, London. (Unpublished)

F

Fisher, James (2009) I came here a Stranger, as a Stranger I Depart: an Investigation into the Relationship between Drawing and Narrative of Place. PhD thesis, University of Gloucestershire.

France, Angela (2016) Finding Poetry in the Archives: Working with historical Documents. Artemis Poetry (17). ISSN 2045-4686

France, Angela (2014) Growth. Wales Art Review.

France, Angela (2013) Hide. Nine Arches Press, Rugby, UK. ISBN 978-0957384712

France, Angela (2011) Lessons in Mallemaroking. Nine Arches Press, Rugby, UK. ISBN 978-0956551481

France, Angela (2014) Lir. In: 978-1-909208-18-6. Arachne Press, London, pp. 40-47.

France, Angela (2009) Occupation. Ragged Raven Press, Snitterfield, UK. ISBN 978-0955255267

France, Angela (2014) Poetry Makes Nothing Happen. Interpreter’s House (57). p. 22.

France, Angela (2008) Teaching Creative Writing: the role of the tutor. Writing in Education, 45. ISSN 1361-8539

France, Angela (2014) Three Poems. Domestic Cherry (67). pp. 12-13.

France, Angela (2014) Three Poems. In: The Book of Love and Loss. Belgrave Press, Bath, pp. 131-132. ISBN 9780954621520

G

Gilmore, Nicola A (2012) The Whole Play of Parts: a Study of Cued Parts in English Renaissance Drama 1590 – 1620. PhD thesis, University of Gloucestershire.

Griffiths, Hywel M and Goodwin, Gavin and Keevil, Tyler and Salisbury, Eurig and Tooth, Stephen and Roberts, Dewey (2017) Searching for an Anthropo(s)cene in the Uplands of Mid Wales. Geohumanities. pp. 1-13. ISSN 2373-566X (In Press)

H

Hughes, John D (2000) The Affective World of Charlotte Brontë's Villette. Studies in English Literature 1500-1900, 40 (4). pp. 711-726.

Hughes, John D (2011) ‘Affective Worlds’: Writing, Feeling, Nineteenth-Century Literature. Sussex Academic Press. ISBN 978-1-84519-442-0

Hughes, John D (2001) Charlotte Brontë's Art of Sensation. Transactions of the Brontë Society, 26 (1). pp. 19-26.

Hughes, John D (2001) 'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy. The Nineteenth Century Series . Ashgate. ISBN 9781840146332

Hughes, John D (2006) "The Exile’s Harp”: Tennyson’s Lost World of Music. Nineteenth Century Music Review, 3 (2). pp. 113-135.

Hughes, John D (2002) "For Old Association's Sake": History and Hardy's The Woodlanders'. Thomas Hardy Journal, xviii (2). pp. 57-64.

Hughes, John D (2007) “Hang there like fruit, my soul”: Tennyson’s Feminine Imaginings. Victorian Poetry, 45 (2). pp. 95-115. ISSN 15307190

Hughes, John D (1997) Hardy and Music. English, 46 (185). pp. 113-129. ISSN 0013-8215

Hughes, John D (2013) Hardy and Music. In: Thomas Hardy in Context. Cambridge University Press, Cambridge, pp. 425-435. ISBN 978-0521196482

Hughes, John D (1998) Hardy and the Life of Birds. Thomas Hardy Journal, xiv (3). pp. 68-77.

Hughes, John D (2015) Hardy's Music in a Snowy Street: Metrical Reading of the Opening Stanzas. Explicator, 73 (2). pp. 92-96. ISSN 0014-4940

Hughes, John D (2004) Hardy’s Ambivalent Attitude Towards Music. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 114-118. ISBN 9780791078914

Hughes, John D (2017) ‘Hardy’s Two Voices: A Metrical Reading of “The Oxen”. Hardy Review. ISSN 1934-8908

Hughes, John D (2016) ‘Hardy’s Two Voices: “The Oxen” and its Contexts. Hardy Review, XVIII (ii). pp. 41-50. ISSN 1934-8908

Hughes, John D (1997) Lines of Flight: Reading Deleuze with Hardy, Gissing, Conrad, Woolf. Sheffield Academic Press/Continuum. ISBN 9781850758075

Hughes, John D (2013) 'Metre and Context’: Hardy’s ‘Neutral Tones’. Victorian Poetry, 51 (1). pp. 81-97. ISSN 15307190

Hughes, John D (2015) ‘Metre and Mourning: Thomas Hardy’s “The Going” and Poems of 1912-13. Hardy Review, XVII (i). pp. 19-34. ISSN 1934-8908

Hughes, John D (2011) A Metrical Reading of Thomas Hardy’s “Afternoon Service at Mellstock”. Explicator, 69 (4). pp. 207-211. ISSN 0014-4940

Hughes, John D (2004) “Moments of Vision”: Hardy’s Visual Inspiration. In: Palgrave Advances in Thomas Hardy Studies. Palgrave Macmillan, pp. 229-254. ISBN 1403902577

Hughes, John D (2005) Music and Inspiration in Blake’s Poetry. In: The Figure of Music in Nineteenth-Century British Poetry. Music in Nineteenth-Century Britain . Ashgate, Aldershot, pp. 85-106. ISBN 978-0-7546-0547-8

Hughes, John D (2004) Music as a Link to the Transcendent. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 67-68. ISBN 9780791078914

Hughes, John D (2006) Owen’s “Dulce et Decorum Est”. Explicator, 64 (3). pp. 160-162. ISSN 0014-4940

Hughes, John D (2005) Tennyson Revisited: Hardy’s “After a Journey". Thomas Hardy Journal, xxi (3). pp. 152-157.

Hughes, John D (2015) Towards a Reading of Wordsworth’s ‘Now ye meet in the cave’. Romanticism and Victorianism on the Net. ISSN 1916-1441 (In Press)

Hughes, John D (2010) "Tune and Thought”: The Uses of Music in Hardy’s Poetry. In: The Ashgate Research Companion to Thomas Hardy. Ashgate, Aldershot, pp. 269-284. ISBN 978-0-7546-6245-7

Hughes, John D (2007) William Wordsworth, ‘A Slumber did my Spirit Seal’. Explicator, 65 (2). pp. 71-74. ISSN 0014-4940

Hughes, John D (1998) Wittgenstein and Literature. Philosophical Inquiry, xxiv. pp. 13-21.

Hughes, John D (2008) Wordsworth’s Poetics of Orphanhood; ‘Tintern Abbey’, ‘The Vale of Esthwaite’ and ‘Salisbury Plain’. Romanticism, 14 (3). pp. 219-231.

Hughes, John D (2012) Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading. Studies in Romanticism, 51 (2).

Hughes, John D (2011) Wordsworth’s “Catechizing” Sonnet and Family History. Explicator, 69 (4). pp. 184-188. ISSN 0014-4940

Hughes, John D (2010) Wordsworth’s “I Travell’d Among Unknown Men”: A Metrical Reading. Explicator, 68 (2). pp. 90-95. ISSN 0014-4940

I

Innes, Paul (2013) Catherine Bates, The Cambridge Companion to The Epic & Chloe Wheatley, Epic, Epitome, and the Early Modern Historical Imagination. Notes and Queries, 60 (2). pp. 309-311. ISSN 0029-3970

Innes, Paul (2007) Class and Society in Shakespeare. Continuum Shakespeare Dictionaries . Bloomsbury, London. ISBN 978-0826477972

Innes, Paul (2007) Cymbeline and Empire. Critical Survey, 19 (2). pp. 1-18. ISSN 0011-1570

Innes, Paul (2011) David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford University Press, 2010 199 pp (+xviii) ISBN 9780804738569. Bryn Mawr Review of Comparative Literature. ISSN 1523-5734

Innes, Paul (2013) Epic (The New Critical Idiom). Routledge, London. ISBN 978-0415587396

Innes, Paul (2016) Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello. Anglica. An International Journal of English Studies, 25 (3). pp. 69-80. ISSN 0860-5734

Innes, Paul (2014) Sensory Confusion and the Generation Gap in Much Ado About Nothing. Critical Survey, 26 (2). pp. 1-20. ISSN 0011-1570

Innes, Paul (1997) Shakespeare and the English Renaissance Sonnet: Verses of Feigning Love. Palgrave Macmillan, Basingstoke. ISBN 978-0-333-68371-2

Innes, Paul (2015) Shakespeare's Roman Plays. Palgrave Macmillan, Basingstoke. ISBN 978-1137025913

Innes, Paul (1999) Shakespeare: The Barriers Removed. Studymates. ISBN 978-1842850510

Innes, Paul (2015) Some of the most important events in Shakespeare do not happen. English, 64 (247). pp. 254-267. ISSN 0013-8215

Innes, Paul (2012) Titus Andronicus and the Violence of Tragedy. Journal of Literature and Trauma Studies, 1 (1). pp. 27-48. ISSN 2162-3627

J

Johnstone, Michael (2011) Liberty or death: a practical and theoretical exploration of alternatives to free will and determinism in contemporary historical fiction. PhD thesis, University of Gloucestershire.

K

Keevil, Tyler (2015) Defamiliarised. HARTS and Minds: Journal of the Humanities and Arts, 2 (3). pp. 2-8.

Keevil, Tyler (2015) Fabrications. In: A Fiction Map of Wales. H'mm Foundation, Swansea. ISBN 9780992756062 (0992756065)

Keevil, Tyler (2016) Foul Is Fair. Black Static (50). pp. 46-58. ISSN 9771753070015

Keevil, Tyler (2014) Hot Feet. Black Static, 39.

Keevil, Tyler (2015) It's In You To Give. On Spec: The Canadian Magazine of the Fantastic (99). ISSN 0843-476X

Keevil, Tyler (2015) Night Start. In: New Welsh Short Stories. Seren Books, Bridgen, pp. 7-19. ISBN 978-1-78172-234-3

Keevil, Tyler (2015) Samhain. Black Static (44). pp. 46-59. ISSN 1753-0709

Keevil, Tyler (2014) Sealskin. In: The Journey Prize Stories 26. McClelland & Stewart, Toronto. ISBN 13: 978-0771050503

Keevil, Tyler (2016) The Search. PRISM: International, 54 (4). pp. 91-100. ISSN 0032-8790

Keevil, Tyler (2016) Starlings. Interzone (264). pp. 14-33. ISSN 0264-3596

Keevil, Tyler (2016) The Weeds & The Wildness. In: Strangers Among Us: Tales of Underdogs and Outcasts. Laksaw Media Groups Inc., Calgary, Alberta, pp. 91-107. ISBN 978-0-9939696-0-7

Keevil, Tyler (2015) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.

Knight, Lania (2016) Blue Limitless Emptiness. Short Fiction.

Knight, Lania (2016) Remnant. Burlesque Press. (In Press)

L

Lloyd, Andy (2010) The Followers of Horus. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264275

M

McGrath, Niall (2012) Clay: a Poetic Exploration of the Transcendental and an Analysis of the Otherworldly in Contemporary Ulster Poetry. PhD thesis, University of Gloucestershire.

McLoughlin, Nigel F (2007) Anaesthesia. [Artefact]

McLoughlin, Nigel F (2009) At Bridge and Exodus. [Artefact]

McLoughlin, Nigel F (2014) Chekhov's Gun. In: Eating My Words: National Flash-Fiction Day 2014 Anthology. National Flash Fiction Day, Southampton, pp. 82-83. ISBN 9781500110871

McLoughlin, Nigel F (2009) Chora: New & Selected Poems. Templar Poetry, Matlock. ISBN 9781906285395

McLoughlin, Nigel F (2007) Chorus. [Artefact]

McLoughlin, Nigel F (2007) Dissonances. Bluechrome, Bristol, pp. 1-79. ISBN 978-1-906061-14-2

McLoughlin, Nigel F (2015) 'Eels' and ‘Event Horizon 4, 9, 13 and 20’. Poetry Review, 9. ISSN 0032-2156

McLoughlin, Nigel F (2014) Event Horizon 11. Honest Ulsterman.

McLoughlin, Nigel F (2014) Event Horizon 15 and Vanishing Point VII. [Artefact]

McLoughlin, Nigel F (2014) Event Horizon 5. Under the Radar (13). p. 36.

McLoughlin, Nigel F (2014) Event Horizon numbers 2, 8, 16 and 19. Black Light Engine Room Press (9). p. 21.

McLoughlin, Nigel F (2014) Event Horizon numbers 3, 6, 14 and 18. Blazevox (14).

McLoughlin, Nigel F (2014) Fire Rituals. Axon: Creative Explorations (online).

McLoughlin, Nigel F (2006) A Hill Farmer Speaks and Crosses. [Artefact]

McLoughlin, Nigel F (2007) Homecoming, Crab Apples and Poem. [Artefact]

McLoughlin, Nigel F (2007) Iced Over. [Artefact]

McLoughlin, Nigel F (2007) Lighting the Tree. [Artefact]

McLoughlin, Nigel F (2012) Making Poems. In: In Their Own Words: Contemporary Poets on their Poetry,. Salt, London, pp. 102-106. ISBN 9781907773211

McLoughlin, Nigel F (2012) Minutes. In: Jawbreakers: An anthology of flash fictions. National Flash Fiction Day, Winchester, pp. 37-38.

McLoughlin, Nigel F (2006) News. [Artefact]

McLoughlin, Nigel F (2013) Nigel McLoughlin: poems. [Audio]

McLoughlin, Nigel F (2007) Night Fire. [Artefact]

McLoughlin, Nigel F (2009) Rain and Names of Things. [Artefact]

McLoughlin, Nigel F (2014) Three Poems. International Journal for the Practice and Theory of Creative Writing, 11 (3). pp. 375-376. ISSN 1479-0726

McLoughlin, Nigel F (2007) Three poems. In: The Echoing Years: An Anthology of Poetry from Ireland and Canada. W.I.T. School of Humanities Publications, pp. 915-917. ISBN 978-0954028169

McLoughlin, Nigel F (2009) Topography. [Artefact]

McLoughlin, Nigel F (2014) Vanishing Point I, II and III. [Artefact]

McLoughlin, Nigel F (2014) from Event Horizon. Wolf (31). p. 23.

McLoughlin, Nigel F (2016) ‘from Event Horizon’. English, 65 (248). pp. 36-37. ISSN 0013-8215

Middleton, Rowan (2014) Connection, disconnection and the self in Alice Oswald’s Dart. Green Letters: Studies in Ecocriticism, 19 (2). pp. 157-169. ISSN 1468-8417

Middleton, Rowan (2016) Edward Thomas, Poetry and the Languages of Nature. English, 65 (251). pp. 310-329. ISSN 0013-8215

Middleton, Rowan (2015) Pine. Cordite (52).

Middleton, Rowan (2014) 'St Cuthbert'. Shop, 46-47. pp. 43-44.

N

Nesvet, Rebecca. and McLoughlin, Nigel F (2007) Desire and madness : an anthology of work from the Creative Writing Programme at the University of Gloucestershire. Desire & madness . Boho Press,, Portishead, Bristol :. ISBN 9781904781998

O

Obata, Fumio and France, Angela and Morrison, Andrew and McLoughlin, Nigel F and Phelps, Kieren and McMillan, Ian and Phelps, Delores and Saunders, Anna and Evans, Emma and Hegley, John (2016) Duplex. [Show/Exhibition]

R

Randall, Martin C (2011) 9/11 and the Literature of Terror. Edinburgh University Press Ltd, Edinburgh. ISBN 9780748638529

Randall, Martin C (2005) 'Appointments to keep in the past' : history, memory and representation in British fiction of the 1990s : writing about the Holocaust. PhD thesis, University of Gloucestershire.

Randall, Martin C (2008) The First Cuckoo You've Ever Heard. Aesthetica, 1 (20). p. 16. ISSN 1743-2715

Randall, Martin C (2013) Oostende (a novel fragment). American, British and Canadian Studies, 20. pp. 143-159. ISSN 1841-1489

Rowan, Middleton (2015) The East Wing. Ink Sweat and Tears.

S

Saguaro, Shelley (2006) Garden Plots: The Politics and Poetics of Gardens. Ashgate. ISBN 9780754637530

Saguaro, Shelley (2013) 'Something that would stand for the conception': the inseminating world in the last writings of Virginia Woolf. Green Letters: Studies in Ecocriticism. ISSN 1468-8417

Saguaro, Shelley and Thacker, Deborah Cogan (2013) 'Tolkien and Trees'. In: J.R.R. Tolkien. New Casebook . Palgrave Macmillan. ISBN 978-1-137-26399-5

Saguaro, Shelley and Tyler, Lucy (2014) 'Nature Once More Had Taken Her Part': Recuperating Anon, the Common Voice and the Uncovered Theatre. In: Bloomsbury Influences: Papers from the Bloomsbury Adaptations Conference. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 205-226. ISBN 9781443854344

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Weeks, Hilary (2014) Acts of Translation: George Borrow's Letters to the British and Foreign Bible Society, 1833-40. In: Foreign Correspondence. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 150-164. ISBN 978-1-4438-6211-0

This list was generated on Fri Oct 20 05:12:32 2017 UTC.

University Of Gloucestershire

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University of Gloucestershire, The Park, Cheltenham, Gloucestershire, GL50 2RH. Telephone +44 (0)844 8010001.