Items where Subject is "PR English literature"

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B

Bailey, Rebecca A (2012) James Shirley. In: The Encyclopedia of English Renaissance Literature (Wiley-Blackwell Encyclopedia of Literature). Wiley-Blackwell. ISBN 978-1405194495

Bailey, Rebecca A (2013) Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage. Theatre Journal, 65 (2). pp. 197-214. doi:10.1353/tj.2013.0051

Bailey, Rebecca A (2009) Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625-1642. Manchester University Press. ISBN 978-0719076732

Bailey, Rebecca A (2013) William Habington (1605-1654): New Biographical Information from a Previously Unremarked upon Document. Notes and Queries, 60 (1). pp. 40-41. doi:10.1093/notesj/gjs215

Barker, Simon (2009) ‘Like a Soldier to the Stage’ Field Commander Hamlet and the ends of tragedy. The Cyder Press, University of Gloucestershire, Cheltenham. ISBN 978-1-86174-197-4

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Andrew Nestingen and Paula Arvas, eds., Scandinavian Crime Fiction. American, British and Canadian Studies, 17 (2). pp. 149-152.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) “Angel Makers”: Recent True Crime Stories of Baby Farming. In: True Crime: Fact, Fiction, Ideology, 7 June 2014, Manchester. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) 'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection. Short Fiction in Theory and Practice, 3 (1). pp. 37-52.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Brian Cliff, Irish Crime Fiction (Palgrave, 2018). Irish Literary Supplement. (In Press)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) Crime Fiction and Migration. In: Routledge Companion to Crime Fiction. Routledge, pp. 379-387. ISBN 9781138320352

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Crime Writing: Exploring Gender and Genre. In: Teaching Elements of Crime Writing for AQA B A Level, 18 October 2017, English & Media Centre, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Cut a Long Story Short: Teaching the Crime Short Story. In: Teaching Crime Fiction. Palgrave, Houndmills, pp. 99-114. ISBN 9783319906089

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) “Darkness Speaks”: Blending Trauma, Domestic Noir, and Horror in Minette Walters’ The Cellar. Clues: A Journal of Detection. (In Press)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) 'Death of the Author’ - Maj Sjöwall and Per Wahlöö’s Police Procedurals. In: Crime Fictions, Crime Histories, Crime Films, 19 September 2009, University of Nottingham. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) Depictions of human trafficking in contemporary crime fiction. In: Networks and Connections in the Crime Genre, 26-27 May 2017, NUI Galway. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) Dolls and Dead Babies: May Sinclair’s Social Critique of Constructions of Motherhood in Life and Death in Harriett Frean. In: May Sinclair symposium, 18 July 2014, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Dolls and Dead Babies: Victorian Motherhood in May Sinclair's Life and Death of Harriett Frean. In: May Sinclair: Re-Thinking Bodies and Minds. University of Edinburgh Press, Edinburgh, pp. 156-176. ISBN 9781474415750

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2000) Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry. Literature and Theology, 14 (3). pp. 276-298. doi:10.1093/litthe/14.3.276

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “Four Lost Souls”: Crisis and Crime in Neville Thompson’s Writing. In: 2015 Annual British Association for Irish Studies Conference. Ireland: Agents of Social Transformation, 4th September – 5th September 2015, St Mary's University Twickenham, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (1995) From Violent Duality to Multi-culturalism: Margaret Atwood’s Post-Colonial Cultural and Sexual Politics. In: O Canada Essays on Canadian Literature and Culture. Aarhus Universitetsforlag, pp. 97-108. ISBN 8772883766

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Haunting the Text: Nicola Pierce’s Spirit of the Titanic and Irish Historical Children’s Fiction. Women's Studies: An Inter-disciplinary Journal, 44 (7). pp. 956-976. doi:10.1080/00497878.2015.1071615

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) “How could something as small as this sail such a long way”: Recent Irish and Australian Children’s Books Portraying Irish Migration in the Long Nineteenth Century. In: Travelling Irishness in the Long Nineteenth Century, 28-29 August 2014, University of Limerick, Ireland. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) "I, Too, Mourn The Loss": Mrs Hudson and the Absence of Sherlock Holmes. In: Sherlock Holmes in Context. Crime Files . Palgrave, Basingstoke, pp. 61-82. ISBN 9781137555946

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) "I, Too, Mourn the Loss": The Absence of Holmes in Neo-Victorian Representations. In: New Directions in Sherlock: Past and Present, 11 April 2014, UCL. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Imagining Mother: Representations of Contested Maternal Identities and Loss in Jackie Kay’s The Adoption Papers and Isha McKenzie-Mavinga’s “Yearning To Belong”. MP: An Online Feminist Journal, Vol.2, (6). pp. 72-83.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) In Memoriam Doris Lessing. American, British and Canadian Studies (2). pp. 5-7.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) “In the Suitcase was a Boy”: Representing Transnational Child Trafficking in Contemporary Crime Fiction. In: Representations of Transnational Human Trafficking: Present-day News Media, True Crime, and Fiction. Palgrave, Houndmills, pp. 89-115. ISBN 9783319782140

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) Introduction: Crime Fiction. In: Teaching Crime Fiction. Teaching the New English . Palgrave, pp. 1-15. ISBN 978-3-319-90608-9

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook. American, British and Canadian Studies, 15 (2). pp. 207-209.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “Last Girl Alive”: Kirsty Murray’s Dystopian YA Novel Vulture’s Gate. In: The Age of Dystopia: One Genre, Our Fears and Our Future. Cambridge Scholars Press, pp. 141-162. ISBN 9781443886949

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “Life Was a State in Which a War Was On”: A. S. Byatt’s Portrayal of War and Norse Mythology in Ragnarok: The End of the Gods. In: War, Myths and Fairy Tales. Palgrave, Basingstoke, pp. 195-218. ISBN 9789811026836

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) “Like the memory of an evil dream”: Tracing Nordic Noir and Crime History in Steen Steensen Blicher’s “The Rector of Veilbye” (1829). In: Crime Fiction or Fact: Blurring the Boundaries c. 1680-1880, 11 June 2018, Institute of Historical Research, School of Advanced Study, Senate House, London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (1995) Margaret Atwood’s Innovative Vision of Gender, Genre, Postmodernism and the City in The Robber Bride. British Journal of Canadian Studies, 10. pp. 146-55.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Mediatization and mothers accused of murder in Sophie Hannah’s crime novel A Room Swept White. Northern Lights: Film and Media Studies Yearbook, 9 (1). pp. 79-93. doi:10.1386/nl.9.79_1

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2020) “The Men Came Looking for Girls”: Transnational Female Sex Trafficking in Contemporary Crime Fiction. In: Mobility and Transgression in Contemporary Crime Narratives. Palgrave. (In Press)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “My Mama Had a Story”: Mothers and Intergenerational Relations in Andrea Levy’s Fiction. In: Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing. Demeter Press, Toronto, pp. 121-142. ISBN 9781926452708

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Not ‘the Scenic Route’ through Pain and Old Age: Representations of Old Age in Black British Writing. In: Pain and Old Age: Centuries of Suffering in Silence?, The Birkbeck Pain Project and the Birkbeck Institute for the Humanities, University of London. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) P.D.James. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, Farmington, MI, pp. 105-116. ISBN 9780787696528

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) "A Partial Autobiography and a Defence": PD James’ Life Writing. In: Writing Women's Lives, 25-16 April 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Performing Scottish Crime: Ian Rankin's Dark Road. Mystery Readers Journal, 31 (3). pp. 3-4.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) “A Pimple of So-Called Civilisation”: Annie Cossins’ Australian True Crime Story of Convicts and Baby-Farmers. In: Captivating Criminality: Crime Fiction, Traditions and Transgressions, 25-27 June 2015, Bath Spa University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) 'Putting back the voices that were left out’: Storytelling, Slavery and Spectres of the Past in Andrea Levy’s The Long Song’. In: Narrating the Caribbean Nation: A Celebration of Literature and Orature, 14-15 April 2012, Leeds Metropolitan University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) Reimagining Myth and the Maternal with Ruth Fainlight, Margaret Atwood and Katie Donovan. In: Women Versed in Myth: Essays on Modern Poets. McFarland, Detroit, MI, pp. 50-58. ISBN 9780786471928

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) Representations of Ageing and Black British Identity in Andrea Levy’s Every Light in the House Burnin’and Joan Riley’s Waiting in the Twilight. Entertext, 9. pp. 105-121.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) Requiems for the Departed: Contemporary Recasting of Irish Myth in the Crime Short Story. In: The 2nd Colloquium on Thinking About Celtic Mythology in the 21st Century, 8-9 November 2014, University of Edinburgh. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Sarah Waters. In: Dictionary of Literary Biography: 21st Century British Writers. Cengage Gale, pp. 336-343. ISBN 9780787696528

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “Seeing the actual physical Betty Kane”: Slut-shaming the victim in Josephine Tey’s The Franchise Affair. In: Literature, Law and Psychoanalysis, 1890-1950, 11-13 April 2019, University of Sheffield. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) Sherlock Holmes Reimagined: An Exploration of Selected Short Stories from A Study in Sherlock: Stories Inspired by the Holmes Canon. Oscholars, N/A (N/A). pp. 1-20.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) "Still a Respected Man": Irish Masculinity in Crisis and Crime Fiction. In: Masculinity in Crisis: Depictions of Modern Male Trauma in Ireland. Carysfort Press, Dublin, Ireland, pp. 155-170. ISBN 9781909325883

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2009) Still ‘An Unsuitable Job for a Woman’? Some Reflections on Feminist Crime Fiction in the 1990s and post-2000, and Strategies for Teaching and Learning. In: Crime Fiction and Women, Experiences and Functions (Invitation-only conference), 30 November - 1 December 2009, Mols, Denmark. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2010) The Stuff of Legend, or Unpacking Cultural Baggage: Introducing first-year Humanities students to foundational Western literary texts. In: Research in Education for Active Learning Conference, 17 June 2010, University of Gloucestershire. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2017) “Their Mother Was Waiting For Her”: Mother-Daughter Relations and Irish Identity in Deirdre Madden’s One by One in the Darkness. In: Mothers and Daughters. Demeter Press, Toronto, pp. 234-250. ISBN 9781772581331

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2013) "There's nothing people won't do to one another, if the circumstances are right": Male Rape and the Politics of Representation in John Harvey's Police Procedural Easy Meat. Clues: A Journal of Detection, 31 (2). pp. 102-111. doi:10.3172/CLU.31.2.102

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “The Third Ireland”: Inheritance and Postcolonialism in Irish Crime Writing. Journal of Commonwealth and Postcolonial Studies, 4 (1). pp. 61-81.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2015) True Crime and Baby Farming: Representing Amelia Dyer. Human, 5. pp. 101-117.

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2019) “What are Words?” Representing Consciousness Through Symbolism in Agatha Christie’s Early Short Stories. In: Agatha Christie - Investigating the Queen of Genre, 5-6 September 2019, Southampton Solent University. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2018) What’s Eating Her? Anorexia and Female Identity in Ruth Rendell’s Domestic Noir Novella Heartstones. In: Blood on the Table: Essays on Food in International Crime Fiction. McFarland, Jefferson, pp. 75-86. ISBN 9781476671758

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2014) ‘With Practised Eyes’: Reading Agatha Christie’s The Mysterious Mr Quin Short Stories and Gender. In: Agatha Christie: Crime, Culture, Celebrity, 14 April 2014, University of Exeter. (Unpublished)

Beyer, Charlotte ORCID: 0000-0002-2701-5443 (2016) “With Practised Eyes”: Feminine Identity in The Mysterious Mr. Quin. In: The Ageless Agatha Christie: Essays on the Mysteries and the Legacy. McFarland, Detroit, MI, pp. 61-80. ISBN 9781476663135

Beyer, Charlotte ORCID: 0000-0002-2701-5443, MacLennan, Janet, Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2019) Travellin’ Mama: Mothers, Mothering and Travel. Demeter Press, Bradford. ISBN 9781772581799

Beyer, Charlotte (Ed) ORCID: 0000-0002-2701-5443 and Robertson, Andrea (Ed) (2019) Mothers Without Their Children. Demeter Press. ISBN 9781772581737

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2021) Contemporary Crime Fiction: Crossing Boundaries, Merging Genres. Cambridge Scholars Publishing, Newcastle upon Tyne. (In Press)

Beyer, Charlotte (Ed.) ORCID: 0000-0002-2701-5443 (2018) Teaching Crime Fiction. Teaching the New English . Palgrave, Houndmills. ISBN 978-3-319-90608-9

Burke, Alison and Innes, Paul (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.

Burnett, Frances Hodgson, Walker, Miranda, Dzierzawska, Zosia and Gibbons, Dave (2016) The Secret Garden. Oxford University Press, Oxford. ISBN 9780198367574

C

Coe, Kate (2015) Green Sky & Sparks. Kristell Ink. ISBN 190984571X

Coe, Kate (2015) Grey Stone & Steel. Kristell Ink. ISBN 1909845906

Coe, Kate (2016) High Flight & Flames. In: High Flight & Flames. Kristell Ink, pp. 1-5. ISBN 978-0993576638

Cox, Rachael (2015) A Shoebox of One’s Own – Virginia Woolf: building feminist discourse on the foundations of modernist architecture in Hampstead. In: Literary London Society Annual Conference - London in Love, 22-­24 July 2015, Senate House, London. (Unpublished)

F

Fisher, James (2009) I came here a Stranger, as a Stranger I Depart: an Investigation into the Relationship between Drawing and Narrative of Place. PhD thesis, University of Gloucestershire.

France, Angela ORCID: 0000-0001-8308-4868 (2016) Finding Poetry in the Archives: Working with historical Documents. Artemis Poetry (17).

France, Angela ORCID: 0000-0001-8308-4868 (2014) Growth. Wales Art Review.

France, Angela ORCID: 0000-0001-8308-4868 (2013) Hide. Nine Arches Press, Rugby, UK. ISBN 978-0957384712

France, Angela ORCID: 0000-0001-8308-4868 (2011) Lessons in Mallemaroking. Nine Arches Press, Rugby, UK. ISBN 978-0956551481

France, Angela ORCID: 0000-0001-8308-4868 (2014) Lir. In: The other side of sleep. Arachne Press, London, pp. 40-47. ISBN 978-1-909208-18-6

France, Angela ORCID: 0000-0001-8308-4868 (2009) Occupation. Ragged Raven Press, Snitterfield, UK. ISBN 978-0955255267

France, Angela ORCID: 0000-0001-8308-4868 (2014) Poetry Makes Nothing Happen. Interpreter’s House (57). p. 22.

France, Angela ORCID: 0000-0001-8308-4868 (2018) Stratigraphies: The Long Poem of Place. Long Poem Magazine (20). pp. 1-9.

France, Angela ORCID: 0000-0001-8308-4868 (2008) Teaching Creative Writing: the role of the tutor. Writing in Education, 45.

France, Angela ORCID: 0000-0001-8308-4868 (2014) Three Poems. Domestic Cherry (67). pp. 12-13.

France, Angela ORCID: 0000-0001-8308-4868 (2014) Three Poems. In: The Book of Love and Loss. Belgrave Press, Bath, pp. 131-132. ISBN 9780954621520

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Gilmore, Nicola A (2012) The Whole Play of Parts: a Study of Cued Parts in English Renaissance Drama 1590 – 1620. PhD thesis, University of Gloucestershire.

Griffiths, Hywel M, Goodwin, Gavin, Keevil, Tyler, Salisbury, Eurig, Tooth, Stephen and Roberts, Dewey (2017) Searching for an Anthropo(s)cene in the Uplands of Mid Wales. Geohumanities, 3 (2). pp. 567-579. doi:10.1080/2373566X.2017.1329631

Griffiths, Jason ORCID: 0000-0002-4827-4508, Deeks, Roger and Cousins, Tom (2018) Forest Writers Mural Project. [Artefact]

H

Hitchman, Beatrice ORCID: 0000-0001-6088-6497 (2019) 'Minor Scandal': Lesbian Contexts for The Bell Jar. In: Sylvia Plath in Context. Cambridge University Press, Cambridge. ISBN 9781108470131

Hughes, John D ORCID: 0000-0002-2187-2911 (2000) The Affective World of Charlotte Brontë's Villette. Studies in English Literature 1500-1900, 40 (4). pp. 711-726.

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) ‘Affective Worlds’: Writing, Feeling, Nineteenth-Century Literature. Sussex Academic Press. ISBN 978-1-84519-442-0

Hughes, John D ORCID: 0000-0002-2187-2911 (2001) Charlotte Brontë's Art of Sensation. Transactions of the Brontë Society, 26 (1). pp. 19-26.

Hughes, John D ORCID: 0000-0002-2187-2911 (2001) 'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy. The Nineteenth Century Series . Ashgate. ISBN 9781840146332

Hughes, John D ORCID: 0000-0002-2187-2911 (2006) "The Exile’s Harp”: Tennyson’s Lost World of Music. Nineteenth Century Music Review, 3 (2). pp. 113-135.

Hughes, John D ORCID: 0000-0002-2187-2911 (2017) The Expression of Things: Themes in Thomas Hardy's Fiction & Poetry. Sussex Academic Press, Brighton. ISBN 9781845198121

Hughes, John D ORCID: 0000-0002-2187-2911 (2002) "For Old Association's Sake": History and Hardy's The Woodlanders'. Thomas Hardy Journal, xviii (2). pp. 57-64.

Hughes, John D ORCID: 0000-0002-2187-2911 (2007) “Hang there like fruit, my soul”: Tennyson’s Feminine Imaginings. Victorian Poetry, 45 (2). pp. 95-115. doi:10.1353/vp.2007.0024

Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Hardy and Music. English, 46 (185). pp. 113-129.

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) Hardy and Music. In: Thomas Hardy in Context. Cambridge University Press, Cambridge, pp. 425-435. ISBN 978-0521196482

Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Hardy and the Life of Birds. Thomas Hardy Journal, xiv (3). pp. 68-77.

Hughes, John D ORCID: 0000-0002-2187-2911 (2015) Hardy's Music in a Snowy Street: Metrical Reading of the Opening Stanzas. Explicator, 73 (2). pp. 92-96. doi:10.1080/00144940.2015.1028876

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) Hardy’s Ambivalent Attitude Towards Music. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 114-118. ISBN 9780791078914

Hughes, John D ORCID: 0000-0002-2187-2911 (2017) ‘Hardy’s Two Voices: A Metrical Reading of “The Oxen”. Hardy Review.

Hughes, John D ORCID: 0000-0002-2187-2911 (2016) ‘Hardy’s Two Voices: “The Oxen” and its Contexts'. Hardy Review, XVIII (ii). pp. 41-50.

Hughes, John D ORCID: 0000-0002-2187-2911 (1997) Lines of Flight: Reading Deleuze with Hardy, Gissing, Conrad, Woolf. Sheffield Academic Press/Continuum. ISBN 9781850758075

Hughes, John D ORCID: 0000-0002-2187-2911 (2013) 'Metre and Context’: Hardy’s ‘Neutral Tones’. Victorian Poetry, 51 (1). pp. 81-97. doi:10.1353/vp.2013.0004

Hughes, John D ORCID: 0000-0002-2187-2911 (2015) ‘Metre and Mourning: Thomas Hardy’s “The Going” and Poems of 1912-13. Hardy Review, XVII (i). pp. 19-34.

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) A Metrical Reading of Thomas Hardy’s “Afternoon Service at Mellstock”. Explicator, 69 (4). pp. 207-211. doi:10.1080/00144940.2011.640925

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) “Moments of Vision”: Hardy’s Visual Inspiration. In: Palgrave Advances in Thomas Hardy Studies. Palgrave Macmillan, pp. 229-254. ISBN 1403902577

Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Music and Inspiration in Blake’s Poetry. In: The Figure of Music in Nineteenth-Century British Poetry. Music in Nineteenth-Century Britain . Ashgate, Aldershot, pp. 85-106. ISBN 978-0-7546-0547-8

Hughes, John D ORCID: 0000-0002-2187-2911 (2004) Music as a Link to the Transcendent. In: Thomas Hardy: Bloom’s Major Poets. Bloom's Major Poets . Chelsea House Publishers, New York, pp. 67-68. ISBN 9780791078914

Hughes, John D ORCID: 0000-0002-2187-2911 (2006) Owen’s “Dulce et Decorum Est”. Explicator, 64 (3). pp. 160-162. doi:10.3200/EXPL.64.3.164-166

Hughes, John D ORCID: 0000-0002-2187-2911 (2005) Tennyson Revisited: Hardy’s “After a Journey". Thomas Hardy Journal, xxi (3). pp. 152-157.

Hughes, John D ORCID: 0000-0002-2187-2911 (2018) Towards a Reading of Wordsworth’s ‘Now ye meet in the cave’. Romanticism on the Net (71). pp. 1-24.

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) "Tune and Thought”: The Uses of Music in Hardy’s Poetry. In: The Ashgate Research Companion to Thomas Hardy. Ashgate, Aldershot, pp. 269-284. ISBN 978-0-7546-6245-7

Hughes, John D ORCID: 0000-0002-2187-2911 (2007) William Wordsworth, ‘A Slumber did my Spirit Seal’. Explicator, 65 (2). pp. 71-74. doi:10.3200/EXPL.65.2.71-75

Hughes, John D ORCID: 0000-0002-2187-2911 (1998) Wittgenstein and Literature. Philosophical Inquiry, xxiv. pp. 13-21.

Hughes, John D ORCID: 0000-0002-2187-2911 (2008) Wordsworth’s Poetics of Orphanhood; ‘Tintern Abbey’, ‘The Vale of Esthwaite’ and ‘Salisbury Plain’. Romanticism, 14 (3). pp. 219-231.

Hughes, John D ORCID: 0000-0002-2187-2911 (2012) Wordsworth’s “Away, away, it is the air”’: A Textual, Intertextual, and Contextual Reading. Studies in Romanticism, 51 (2).

Hughes, John D ORCID: 0000-0002-2187-2911 (2011) Wordsworth’s “Catechizing” Sonnet and Family History. Explicator, 69 (4). pp. 184-188. doi:10.1080/00144940.2011.635610

Hughes, John D ORCID: 0000-0002-2187-2911 (2010) Wordsworth’s “I Travell’d Among Unknown Men”: A Metrical Reading. Explicator, 68 (2). pp. 90-95. doi:10.1080/00144941003723733

I

Innes, Paul (2013) Catherine Bates, The Cambridge Companion to The Epic & Chloe Wheatley, Epic, Epitome, and the Early Modern Historical Imagination. Notes and Queries, 60 (2). pp. 309-311. doi:10.1093/notesj/gjt003

Innes, Paul (2007) Class and Society in Shakespeare. Continuum Shakespeare Dictionaries . Bloomsbury, London. ISBN 978-0826477972

Innes, Paul (2007) Cymbeline and Empire. Critical Survey, 19 (2). pp. 1-18. doi:10.3167/cs.2007.190201

Innes, Paul (2011) David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford University Press, 2010 199 pp (+xviii) ISBN 9780804738569. Bryn Mawr Review of Comparative Literature.

Innes, Paul (2013) Epic (The New Critical Idiom). Routledge, London. ISBN 978-0415587396

Innes, Paul (2019) Resources for Teaching and Studying Antony and Cleopatra. In: Antony and Cleopatra a Critical Reader. Arden Early Modern Drama Guides . Bloomsbury, pp. 201-227. ISBN 9781350049901

Innes, Paul (2016) Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello. Anglica. An International Journal of English Studies, 25 (3). pp. 69-80.

Innes, Paul (2014) Sensory Confusion and the Generation Gap in Much Ado About Nothing. Critical Survey, 26 (2). pp. 1-20. doi:10.3167/cs.2014.260201

Innes, Paul (1997) Shakespeare and the English Renaissance Sonnet: Verses of Feigning Love. Palgrave Macmillan, Basingstoke. ISBN 9780333683712

Innes, Paul (2015) Shakespeare's Roman Plays. Palgrave Macmillan, Basingstoke. ISBN 9781137025913

Innes, Paul (1999) Shakespeare: The Barriers Removed. Studymates. ISBN 978-1842850510

Innes, Paul (2015) Some of the most important events in Shakespeare do not happen. English, 64 (247). pp. 254-267. doi:10.1093/english/efv024

Innes, Paul (2012) Titus Andronicus and the Violence of Tragedy. Journal of Literature and Trauma Studies, 1 (1). pp. 27-48. doi:10.1353/jlt.2012.0008

J

Johnstone, D D (2011) Liberty or death: a practical and theoretical exploration of alternatives to free will and determinism in contemporary historical fiction. PhD thesis, University of Gloucestershire.

K

Keevil, Tyler (2017) Cassandra to the Sea. Prairie Fire, 38 (1).

Keevil, Tyler (2016) Defamiliarised. HARTS and Minds: Journal of the Humanities and Arts, 2 (3). pp. 2-8.

Keevil, Tyler (2015) Fabrications. In: A Fiction Map of Wales. H'mm Foundation, Swansea. ISBN 9780992756062

Keevil, Tyler (2016) Foul Is Fair. Black Static (50). pp. 46-58.

Keevil, Tyler (2014) Hot Feet. Black Static, 39. pp. 1-17.

Keevil, Tyler (2015) It's In You To Give. On Spec: The Canadian Magazine of the Fantastic (99).

Keevil, Tyler (2015) Night Start. In: New Welsh Short Stories. Seren Books, Bridgen, pp. 7-19. ISBN 9781781722343

Keevil, Tyler (2015) Samhain. Black Static (44). pp. 46-59.

Keevil, Tyler (2014) Sealskin. In: The Journey Prize Stories 26. McClelland & Stewart, Toronto. ISBN 9780771050503

Keevil, Tyler (2016) The Search. PRISM: International, 54 (4). pp. 91-100.

Keevil, Tyler (2016) Starlings. Interzone (264). pp. 14-33.

Keevil, Tyler (2016) The Weeds & The Wildness. In: Strangers Among Us: Tales of Underdogs and Outcasts. Laksaw Media Groups Inc., Calgary, Alberta, pp. 91-107. ISBN 9780993969607

Keevil, Tyler (2016) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.

Knight, Lania ORCID: 0000-0003-1024-8889 (2019) An American Walks into a Bar (with her British Creative Writing Students). In: The Place and the Writer: International Intersections of Teacher Lore and Creative Writing Pedagogy. Bloomsbury Academic, UK. (In Press)

Knight, Lania (2016) Blue Limitless Emptiness. Short Fiction. pp. 1-11.

Knight, Lania ORCID: 0000-0003-1024-8889 (2020) I Find My Three Girls. Shooter Literary Magazine, 11. pp. 46-50.

Knight, Lania (2018) I Was Kissing Someone. Litro, N/A (N/A). N/A-N/A.

Knight, Lania (2018) Remnant. Burlesque Press. ISBN 9780996485081

L

Lloyd, Andy (2010) The Followers of Horus. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264275

M

McGrath, Niall (2012) Clay: a Poetic Exploration of the Transcendental and an Analysis of the Otherworldly in Contemporary Ulster Poetry. PhD thesis, University of Gloucestershire.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Anaesthesia. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) At Bridge and Exodus. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Chekhov's Gun. In: Eating My Words: National Flash-Fiction Day 2014 Anthology. National Flash Fiction Day, Southampton, pp. 82-83. ISBN 9781500110871

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) Chora: New & Selected Poems. Templar Poetry, Matlock. ISBN 9781906285395

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Chorus. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Dissonances. Bluechrome, Bristol, pp. 1-79. ISBN 978-1-906061-14-2

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2015) 'Eels' and ‘Event Horizon 4, 9, 13 and 20’. Poetry Review, 9.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 11. Honest Ulsterman.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 15 and Vanishing Point VII. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon 5. Under the Radar (13). p. 36.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon numbers 2, 8, 16 and 19. Black Light Engine Room Press (9). p. 21.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Event Horizon numbers 3, 6, 14 and 18. Blazevox (14).

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Fire Rituals. Axon: Creative Explorations (online).

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2006) A Hill Farmer Speaks and Crosses. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Homecoming, Crab Apples and Poem. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Iced Over. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Lighting the Tree. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2012) Making Poems. In: In Their Own Words: Contemporary Poets on their Poetry,. Salt, London, pp. 102-106. ISBN 9781907773211

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2012) Minutes. In: Jawbreakers: An anthology of flash fictions. National Flash Fiction Day, Winchester, pp. 37-38.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2006) News. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2013) Nigel McLoughlin: poems. [Audio]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Night Fire. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) Rain and Names of Things. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Three Poems. New Writing International Journal for the Practice and Theory of Creative Writing, 11 (3). pp. 375-376. doi:10.1080/14790726.2014.923468

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Three poems. In: The Echoing Years: An Anthology of Poetry from Ireland and Canada. W.I.T. School of Humanities Publications, pp. 915-917. ISBN 978-0954028169

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2009) Topography. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) Vanishing Point I, II and III. [Artefact]

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2014) from Event Horizon. Wolf (31). p. 23.

McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2016) ‘from Event Horizon’. English, 65 (248). pp. 36-37. doi:10.1093/english/efw004

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2014) Connection, disconnection and the self in Alice Oswald’s Dart. Green Letters: Studies in Ecocriticism, 19 (2). pp. 157-169. doi:10.1080/14688417.2014.972427

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2016) Edward Thomas, Poetry and the Languages of Nature. English, 65 (251). pp. 310-329. doi:10.1093/english/efw044

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2015) Pine. Cordite (52.0). p. 1.

Middleton, Rowan ORCID: 0000-0002-5729-0171 (2014) 'St Cuthbert'. Shop, 46-47. pp. 43-44.

N

Nesvet, Rebecca. and McLoughlin, Nigel F ORCID: 0000-0002-0382-6831 (2007) Desire and madness : an anthology of work from the Creative Writing Programme at the University of Gloucestershire. Desire & madness . Boho Press,, Portishead, Bristol :. ISBN 9781904781998

O

Obata, Fumio ORCID: 0000-0001-8548-9092, France, Angela ORCID: 0000-0001-8308-4868, Morrison, Andrew, McLoughlin, Nigel F ORCID: 0000-0002-0382-6831, Phelps, Kieren, McMillan, Ian, Phelps, Dolores, Saunders, Anna, Evans, Emma and Hegley, John (2016) Duplex. [Show/Exhibition]

R

Randall, Martin C (2011) 9/11 and the Literature of Terror. Edinburgh University Press Ltd, Edinburgh. ISBN 9780748638529

Randall, Martin C (2005) 'Appointments to keep in the past' : history, memory and representation in British fiction of the 1990s : writing about the Holocaust. PhD thesis, University of Gloucestershire.

Randall, Martin C (2008) The First Cuckoo You've Ever Heard. Aesthetica, 1 (20). p. 16.

Randall, Martin C (2013) Oostende (a novel fragment). American, British and Canadian Studies, 20. pp. 143-159.

Rowan, Middleton ORCID: 0000-0002-5729-0171 (2015) The East Wing. Ink Sweat and Tears.

S

Saguaro, Shelley (2018) Cultivating Environmental Justice: A Literary History of U.S. Garden Writing. Green Letters, 22 (1). pp. 120-122. doi:10.1080/14688417.2018.1496663

Saguaro, Shelley (2006) Garden Plots: The Politics and Poetics of Gardens. Ashgate. ISBN 9780754637530

Saguaro, Shelley (2013) 'Something that would stand for the conception': the inseminating world in the last writings of Virginia Woolf. Green Letters: Studies in Ecocriticism. doi:10.1080/14688417.2013.800340

Saguaro, Shelley and Thacker, Deborah Cogan (2013) 'Tolkien and Trees'. In: J.R.R. Tolkien. New Casebook . Palgrave Macmillan. ISBN 978-1-137-26399-5

Saguaro, Shelley and Tyler, Lucy (2014) 'Nature Once More Had Taken Her Part': Recuperating Anon, the Common Voice and the Uncovered Theatre. In: Bloomsbury Influences: Papers from the Bloomsbury Adaptations Conference. Cambridge Scholars Press, Newcastle-upon-Tyne, pp. 205-226. ISBN 9781443854344

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Weeks, Hilary (2014) Acts of Translation: George Borrow's Letters to the British and Foreign Bible Society, 1833-40. In: Foreign Correspondence. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 150-164. ISBN 9781443862110

This list was generated on Tue Jun 2 06:09:48 2020 UTC.

University Of Gloucestershire

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University of Gloucestershire, The Park, Cheltenham, Gloucestershire, GL50 2RH. Telephone +44 (0)844 8010001.