Items where Subject is "P Language and Literature > PN Literature (General)"

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Number of items at this level: 164.

A

Andrejevic-Bullock, Senja (2014) A Figure of Speech. Brain, Child magazine.

Andrejevic-Bullock, Senja (2015) HALF. Lampeter Review: Journal of the Lampeter Creative Writing Centre (12). pp. 95-103. ISSN 2054-8257

Andrejevic-Bullock, Senja (2017) The Party. Storgy Literary Magazine. (In Press)

Andrejevic-Bullock, Senja (2016) The Queue. Wrong Quarterly.

Andrejevic-Bullock, Senja (2014) Sleeping on his own. Scary Mommy.

Andrejevic-Bullock, Senja (2016) Theotokos. Scrutiny.

Andrejevic-Bullock, Senja (2016) The Wall. [Artefact]

B

Bailey, Rebecca A (2009) Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625-1642. Manchester University Press. ISBN 978-0719076732

Bailey, Rebecca A (2013) William Habington (1605-1654): New Biographical Information from a Previously Unremarked upon Document. Notes and Queries, 60 (1). pp. 40-41. ISSN 0029-3970

Beyer, Charlotte (2010) Adventures and Affect: The Character of the Boy Detective and Orphan in Astrid Lindgren’s Rasmus and the Tramp. In: Boy Detectives: Essays on the Hardy Boys and Others. McFarland, pp. 120-131. ISBN 978-0786460335

Beyer, Charlotte (2013) 'Bags stuffed with the offal of their own history': Crime fiction and the short story in Crimespotting: An Edinburgh Crime Collection. Short Fiction in Theory and Practice, 3 (1). pp. 37-52. ISSN 2043-0701

Beyer, Charlotte (2011) Bernadine Evaristo and Daljit Nagra (Eds.), Ten New Poets: Spread the Word. Iota.

Beyer, Charlotte (2017) Contemporary Crime Fiction: A Surfeit of Riches. American, British and Canadian Studies, 28 (1). pp. 5-16. ISSN 1841-1487

Beyer, Charlotte (2012) Death of the Author’: Maj Sjöwall and Per Wahlöö’s Police Procedurals.”. In: Cross-Cultural Connections in Crime Fictions. Palgrave Macmillan, Basingstoke, pp. 141-159. ISBN 9781137016768

Beyer, Charlotte (2014) Dolls and Dead Babies: May Sinclair’s Social Critique of Constructions of Motherhood in Life and Death in Harriett Frean. In: May Sinclair symposium, 18 July 2014, Sheffield Hallam University. (Unpublished)

Beyer, Charlotte (2000) Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry. Literature and Theology, 14 (3). pp. 276-298. ISSN 0269-1205

Beyer, Charlotte (2015) “Four Lost Souls”: Crisis and Crime in Neville Thompson’s Writing. In: 2015 Annual British Association for Irish Studies Conference. Ireland: Agents of Social Transformation, 4th September – 5th September 2015, St Mary's University Twickenham, London. (Unpublished)

Beyer, Charlotte (2017) Gender on the Agenda: The review of: Heather Duerre Humann, “Gender Bending Detective Fiction: A Critical Analysis of Selected Works” (McFarland: 2017. Kindle Edition. ISBN 978-1-4766-2841-7). American, British and Canadian Studies, 28 (1). pp. 156-159. ISSN 1841-1489

Beyer, Charlotte (2014) “How could something as small as this sail such a long way”: Recent Irish and Australian Children’s Books Portraying Irish Migration in the Long Nineteenth Century. In: Travelling Irishness in the Long Nineteenth Century, 28-29 August 2014, University of Limerick, Ireland. (Unpublished)

Beyer, Charlotte (2017) “I Stand Out Like a Raven”: Depicting the Female Detective and Tudor History in Nancy Bilyeau’s The Crown. American, British and Canadian Studies, 28 (1). pp. 91-110. ISSN 1841-1487

Beyer, Charlotte (2017) ‘In the suitcase was a boy’: Representing transnational child trafficking in contemporary crime fiction. In: Symposium, 12 September, 2017, Carriageworks, Leeds. (Unpublished)

Beyer, Charlotte (2017) Investigating Crime in Margaret Atwood’s Oeuvre. The review of: Shead, Jackie, “Margaret Atwood: Crime Fiction Writer: The Reworking of a Popular Genre”. American, British and Canadian Studies, 28 (1). pp. 149-152. ISSN 1841-1489

Beyer, Charlotte (2010) Katharine Cockin and Jago Morrison, eds., The Post-War British Literature Handbook. American, British and Canadian Studies, 15 (2). pp. 207-209.

Beyer, Charlotte (2011) Katie Donovan, Rootling: New and Selected Poems. Iota, 90.

Beyer, Charlotte (2012) Life of Crime: Feminist Crime / Life Writing in Sara Paretsky, Writing in an Age of Silence, PD James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes. In: Constructing Crime: Discourse and Cultural Representations of Crime and 'Deviance'. Palgrave Macmillan, London, pp. 209-223. ISBN 9780230299771

Beyer, Charlotte (2016) Nordic Noir: the Other Side of Hygge. Scandinavia On My Mind.

Beyer, Charlotte (2017) Objects and Subjects: Exploring Representations of Amelia Dyer and Victorian Baby Farming Through True Crime Texts and Material History. In: Criminal Heritage: Crime, Fiction, and History, 5 September 2017, Leeds Beckett University. (Unpublished)

Beyer, Charlotte (2010) Pia Tafdrup, Tarkovsky's Horses and Other Poems. Iota, 88.

Beyer, Charlotte (1996) Re-Imagining Metropolis and Wilderness: Margaret Atwood's Life Before Man, Cat's Eye,Death by Landscape. London Journal of Canadian Studies, 12. pp. 69-94. ISSN 0267-2200

Beyer, Charlotte (2012) Representations of Ageing and Black British Identity in Andrea Levy’s Every Light in the House Burnin’and Joan Riley’s Waiting in the Twilight. Entertext, 9. pp. 105-121. ISSN 1472 3085

Beyer, Charlotte (2011) Rosemary Erickson Johnsen, Contemporary Feminist Historical Crime Fiction. American, British and Canadian Studies, 16 (1). pp. 122-126.

Beyer, Charlotte (2013) Ruth Fainlight, New and Collected Poems. Iota, 93. pp. 128-131.

Beyer, Charlotte (2012) ‘Someone else would come along soon’: Representations of Sexual Violence Against Men in Contemporary British Crime Fiction. In: Bodies of Evidence: Crime, Gender, and Representation, 2 April 2012, University of Newcastle. (Unpublished)

Beyer, Charlotte (2009) The living fabric of the world: Willa Cather's travel journalism. European Journal of American Culture, 28 (3). pp. 207-223. ISSN 14660407

Beyer, Charlotte and MacLennan, Janet and Smith Silva, Dorsía and Tesser, Marjorie (Eds) (2017) Travellin’ Mama: Mothers, Mothering and Travel. Demeter Press, Bradford. (In Press)

Bradshaw, Tom (2016) John Stuart Mill: Freedom of expression and harm in the 'post-truth' era. Ethical Space: The International Journal of Communication Ethics, 14 (1). pp. 15-25.

Burke, Alison and Innes, Paul (2007) Interviews as a methodology for performance research: Academic interviews - an invitation for discussion. Classical Receptions in Late Twentieth Century Drama and Poetry in English Essays on Documenting and Researching Modern Productions of Greek Drama: The Sources.

E

El Hajj, Sleiman Y (2017) I Am Not Naked: A Fictional and Theoretical Exploration of Home and the Flâneuse in 21st-Century Lebanon and Syria. PhD thesis, University of Gloucestershire.

Esler, Philip F (2012) The Great Sermon Tradition as a Fiscal Framework in 1 Corinthians: Towards a Pauline Theology of Material Possessions - Book Review. Review of Biblical Literature, 14. pp. 364-368.

F

France, Angela (2014) Gender Disparity in Poetry Publishing: it’s about more than the numbers. Litro.

France, Angela (2014) Growth. Wales Art Review.

France, Angela (2013) Hide. Nine Arches Press, Rugby, UK. ISBN 978-0957384712

France, Angela (2011) Lessons in Mallemaroking. Nine Arches Press, Rugby, UK. ISBN 978-0956551481

France, Angela (2014) Lir. In: 978-1-909208-18-6. Arachne Press, London, pp. 40-47.

France, Angela (2009) Occupation. Ragged Raven Press, Snitterfield, UK. ISBN 978-0955255267

France, Angela (2014) Poetry Makes Nothing Happen. Interpreter’s House (57). p. 22.

France, Angela (2014) Tailor's Chalk. International Journal for the Practice and Theory of Creative Writing, 11 (2). p. 167. ISSN 1479-0726

France, Angela (2014) Three Poems. Domestic Cherry (67). pp. 12-13.

France, Angela (2014) Three Poems. In: The Book of Love and Loss. Belgrave Press, Bath, pp. 131-132. ISBN 9780954621520

G

Gardner, Abigail S and Grist, Hannah and Jennings, Ros (2015) Editorial. Postgraduate Journal of Women, Ageing and Media (2). ISSN 2055-737X

Griffiths, Robin M (2002) The Modern Fantastic: The Films of David Cronenberg. Scope: An Online Journal of Film and Television Studies. ISSN 1465-9166

Griffiths, Robin M (2008) Queering Cinema in Europe. In: Iris Prize: Cardiff International Gay and Lesbian Short Film Festival, 3rd October 2008, ATRiuM Media Centre, Cardiff School of Creative and Cultural Industries. (Unpublished)

H

Hall, Grace (2015) Women with attitude: Photographic project. Postgraduate Journal of Women, Ageing and Media (2). pp. 15-25. ISSN 2055-737X

Hodgson, Vicky (2014) Still Working: Photograpahic Essay. Postgraduate Journal of Women, Ageing and Media (1). ISSN 2055-737X

Horne, Maxine (2015) Are you lonesome tonight? Exploring experiences of loneliness in older age through and with pop song lyrics. Postgraduate Journal of Women, Ageing and Media (2). ISSN 2055-737X

Hughes, John D (2013) 'Ain’t Gonna Go To Hell For Anybody': Bob Dylan’s Christian Years. Popular Music History, 8 (2). pp. 205-221. ISSN 1740-7133

Hughes, John D (2016) Bob Dylan, Nobel Laureate: Yah-Boo! Bridge (56).

Hughes, John D (2013) Deleuze, Bergson and Woolf's Monday or Tuesday. Deleuze Studies, 7 (4). pp. 496-514. ISSN 1750-2241

Hughes, John D (2010) Deleuze, Style and Literature. Lit: Literature Interpretation Theory, 21 (4). pp. 269-284. ISSN 1043-6928

Hughes, John D (2017) ‘Hardy’s Two Voices: A Metrical Reading of “The Oxen”. Hardy Review. ISSN 1934-8908

Hughes, John D (2016) ‘Hardy’s Two Voices: “The Oxen” and its Contexts. Hardy Review, XVIII (ii). pp. 41-50. ISSN 1934-8908

Hughes, John D (1997) Lines of Flight: Reading Deleuze with Hardy, Gissing, Conrad, Woolf. Sheffield Academic Press/Continuum. ISBN 9781850758075

Hughes, John D (2015) ‘Metre and Mourning: Thomas Hardy’s “The Going” and Poems of 1912-13. Hardy Review, XVII (i). pp. 19-34. ISSN 1934-8908

Hughes, John D (2004) “Moments of Vision”: Hardy’s Visual Inspiration. In: Palgrave Advances in Thomas Hardy Studies. Palgrave Macmillan, pp. 229-254. ISBN 1403902577

Hughes, John D (2014) The Only Blonde in the World: Pauline Boty and Bob Dylan’s 1962 London Visit. Bridge, 48. pp. 86-105.

Hughes, John D (2010) ‘Peter Widdowson’, ”Literature as History”:. In: Literature as History: Essays in Honour of Peter Widdowson. Continuum literary studies . Continuum International Publishing Group, London, pp. 173-175. ISBN 978-1441174314

Hughes, John D (2012) "There Was No In-Between”: Dylan’s Voice in the 1960s. Bridge, 43 (Summer).

Hughes, John D (2016) “This Time We Shall Escape”: Bob Dylan’s Rolling Thunder Years. Rock Music Studies, 3 (1). pp. 62-79. ISSN 1940-1159

Hughes, John D (2017) You Must Not Think Me a Hard-Hearted Rationalist: Hardy’s Fiction and Music. In: The Edinburgh Companion to Literature and Music. Edinburgh University Press. (In Press)

Hughes, John D (2014) "A strange respect for the individual": Gilles Deleuze and Hardy the Novelist [Chapter 10]. In: Understanding Deleuze, Understanding Modernism. Bloomsbury Publishing, London, pp. 135-150.

I

Innes, Paul (2011) Harming Macbeth: A British Translation. In: Shakespeare and the Translation of Identity in Early Modern England. Continuum, London, pp. 103-130. ISBN 9780826441690

Innes, Paul (2011) “Out of the Repertoire: Women Beware Women and Performance History”. In: Women Beware Women: A Critical Guide. Continuum Renaissance Drama Guides . Continuum, pp. 43-58. ISBN 978-1-8470-6093-8

J

Jennings, Ros (2015) Popular Music and Ageing. In: Routledge Handbook of Cultural Gerontology. Routledge International Handbooks . Routledge, Abingdon, Oxon. ISBN 978-0415631143

Jennings, Ros and Krainitzki, Eva L (2015) Call the celebrity: Voicing the experience of women and ageing through the distinctive vocal presence of Vanessa Redgrave. In: Women, Celebrity and Cultures of Ageing: Freeze Frame. Palgrave Macmillan, pp. 178-196. ISBN 9781137495112

Johnstone, D D (2011) The Deconstruction of Professor Thrub. Barbican Press. ISBN 978-0956336460

Johnstone, D D (2012) The Invitation. Lampeter Review: Journal of the Lampeter Creative Writing Centre, 1 (6). pp. 89-96.

Johnstone, D D (2011) Peace, Love & Petrol Bombs. A K Press. ISBN 978-1849350617

Johnstone, D D (2015) The Secret Baby Room. Barbican Press. ISBN 978-1909954182

K

Keevil, Tyler (2014) Burrard Inlet. Parthian, Cardigan. ISBN 9781908946898

Keevil, Tyler (2015) Defamiliarised. HARTS and Minds: Journal of the Humanities and Arts, 2 (3). pp. 2-8.

Keevil, Tyler (2013) The Drive. Myriad Editions. ISBN 978-1908434319

Keevil, Tyler (2015) Fabrications. In: A Fiction Map of Wales. H'mm Foundation, Swansea. ISBN 9780992756062 (0992756065)

Keevil, Tyler (2010) Fireball. Parthian Books. ISBN 978-1908069788

Keevil, Tyler (2016) Foul Is Fair. Black Static (50). pp. 46-58. ISSN 9771753070015

Keevil, Tyler (2015) It's In You To Give. On Spec: The Canadian Magazine of the Fantastic (99). ISSN 0843-476X

Keevil, Tyler (2009) Knockout. New Welsh Review, 85. p. 47. ISSN 0954-2116

Keevil, Tyler (2014) Mangleface. In: Rarebit. Parthian Books, Cardigan, pp. 75-87. ISBN 978-909844-40-7

Keevil, Tyler (2015) Night Start. In: New Welsh Short Stories. Seren Books, Bridgen, pp. 7-19. ISBN 978-1-78172-234-3

Keevil, Tyler (2018) No Good Brother. Borough Press, London. (In Press)

Keevil, Tyler (2014) Sealskin. In: The Journey Prize Stories 26. McClelland & Stewart, Toronto. ISBN 13: 978-0771050503

Keevil, Tyler (2016) The Search. PRISM: International, 54 (4). pp. 91-100. ISSN 0032-8790

Keevil, Tyler (2016) Starlings. Interzone (264). pp. 14-33. ISSN 0264-3596

Keevil, Tyler (2008) Tokes From the Wild. In: Brace: A New Generation in Short Fiction (New Writer Showcase). Comma Press. ISBN 978-1905583225

Keevil, Tyler (2016) The Weeds & The Wildness. In: Strangers Among Us: Tales of Underdogs and Outcasts. Laksaw Media Groups Inc., Calgary, Alberta, pp. 91-107. ISBN 978-0-9939696-0-7

Keevil, Tyler (2015) A West Coast Canuck in the Land of Yankee Doodle Dandy: Bringing a Fresh Perspective to the Modern Road Novel. Writing in Practice, 2.

Keevil, Tyler (2017) Writing Kerouac’s bookmovie: cinematic influence and imagery in the modern road novel. New Writing: The International Journal for the Practice and Theory of Creative Writing, 14 (2). pp. 167-175. ISSN 1479-0726

Koval, Erin and Hackett, Paul M (2016) Hermeneutic Consistency, Structured Ontology and Mereology as embodied in Facet Theory and the Mapping Sentence. In: Structure and Measurement in Interdisciplinary Research Collaboration. Facet Theory Association, pp. 106-113.

Krainitzki, Eva L (2010) “Darling Judi’s” Transgressive Performance of Age and Gender. In: Screen Studies Conference, 2-4 July 2010, Glasgow.

Krainitzki, Eva L (2012) 'If These Walls Could Talk 2': The Prosthetic memory of lesbian Feminism and the Ageing Other. In: NECS Conference, Time Networks: Screen Media and Memory, ,21-23 June 2012, Lisbon.

Krainitzki, Eva L (2015) Unsettling heteronormativity: Abject ageing bodies and transgressive desire in 'Notes on a Scandal'. In: NANAS: Aging and Age Studies: Foundations and Formations, May 19 - 22, 2015, Miami University, Oxford Ohio. (Unpublished)

Krainitzki, Eva L (2009) ‘You should see a doctor’ – Aging, disease and contagion in Tony Scott’s The Hunger. In: Joint Conference of the National Popular Culture and American Culture Associations, April 8 – 11, 2009, New Orleans Marriott.

Krainitzki, Eva L (2013) A figura da “invertida” congénita em 'The Well of Loneliness' (1928) de Radclyffe Hall e as origens da lésbica “máscula”. LES Online: Publicação Digital Sobre Questões Lésbicas, 5 (1). ISSN 1647-3868

L

Latham, Kate (2015) Carnival and dementia: is it heresy? Postgraduate Journal of Women, Ageing and Media (2). pp. 26-33. ISSN 2055-737X

Liddy, Susan (2014) ‘Missing Persons’? Representations of Mature Female Sexuality in British and Irish Film 1998-2011. Postgraduate Journal of Women, Ageing and Media (1). ISSN 2055-737X

Lloyd, Andy (2008) Ezekiel One. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264251

Lloyd, Andy (2010) The Followers of Horus. Timeless Voyager Press, Santa Barbara, California. ISBN 978-1892264275

M

McLoughlin, Nigel F (2007) Anaesthesia. [Artefact]

McLoughlin, Nigel F (2009) At Bridge and Exodus. [Artefact]

McLoughlin, Nigel F (2016) Being Gone: A Text-World Analysis of Ambiguity in Eavan Boland’s ‘Suburban Woman: A Detail’. In: Old and New, Tried and Untried:Creativity and Research in the 21st Century University. Common Ground Publishing., Champaign, IL. ISBN 978-1612298405

McLoughlin, Nigel F (2012) Building a better elephant machine: A case-study in creative writing programme design. In: Key Issues in Creative Writing. Multilingual Matters, Clevedon, pp. 159-168. ISBN 978-1-84769-846-9

McLoughlin, Nigel F (2009) Cellular Teaching: The Creation of a Flexible Curriculum Design and Mode of Delivery in Response to the Effects of Higher Education Policy on the Way we Teach Creative Writing. New Writing: The International Journal for the Practice and Theory of Creative Writing, 6 (2). pp. 124-132. ISSN 1479-0726

McLoughlin, Nigel F (2007) Chorus. [Artefact]

McLoughlin, Nigel F (2008) Creating an integrated model for teaching creative writing - one approach. In: Creative Writing Studies: Practice, Research, Pedagogy. Multilingual Matters, Clevedon, pp. 88-100. ISBN 978-1847690197

McLoughlin, Nigel F (2006) Decentring Everything. Writing in Education (39). pp. 37-41. ISSN 1361-8539

McLoughlin, Nigel F (2007) Dissonances. Bluechrome, Bristol, pp. 1-79. ISBN 978-1-906061-14-2

McLoughlin, Nigel F (2015) 'Eels' and ‘Event Horizon 4, 9, 13 and 20’. Poetry Review, 9. ISSN 0032-2156

McLoughlin, Nigel F (2016) Emergences: Towards a Cognitive Affective Model for Creativity in the Arts. In: The Cognitive Humanities. Palgrave, London, pp. 169-189. ISBN 978-1-137-59328-3

McLoughlin, Nigel F (2014) Event Horizon 11. Honest Ulsterman.

McLoughlin, Nigel F (2014) Event Horizon 15 and Vanishing Point VII. [Artefact]

McLoughlin, Nigel F (2014) Event Horizon 5. Under the Radar (13). p. 36.

McLoughlin, Nigel F (2014) Event Horizon numbers 2, 8, 16 and 19. Black Light Engine Room Press (9). p. 21.

McLoughlin, Nigel F (2014) Event Horizon numbers 3, 6, 14 and 18. Blazevox (14).

McLoughlin, Nigel F (2014) Fire Rituals. Axon: Creative Explorations (online).

McLoughlin, Nigel F (2006) A Hill Farmer Speaks and Crosses. [Artefact]

McLoughlin, Nigel F (2007) Homecoming, Crab Apples and Poem. [Artefact]

McLoughlin, Nigel F (2007) Iced Over. [Artefact]

McLoughlin, Nigel F (2015) Interpretation, Affordance and Realised Intention: the transaction(s) between reader and writer. In: Creative Writing and Education. Multilingual Matters, Clevedon, pp. 107-119. ISBN 978-1783093526

McLoughlin, Nigel F (2016) Into the Futures of their Makers: A cognitive poetic analysis of reversals, accelerations and shifts in time in the poems of Eavan Boland. In: World Building: Discourse in the Mind. Advances in Stylistics . Bloomsbury Academic, London, pp. 259-276. ISBN 978-1472586537

McLoughlin, Nigel F (2007) Lighting the Tree. [Artefact]

McLoughlin, Nigel F (2014) The Marvellous as We Know It: A text world analysis of Heaney’s Squarings: Lightenings VIII. New Writing: The International Journal for the Practice and Theory of Creative Writing, 11 (2). pp. 228-239. ISSN 1479-0726

McLoughlin, Nigel F (2012) Minutes. In: Jawbreakers: An anthology of flash fictions. National Flash Fiction Day, Winchester, pp. 37-38.

McLoughlin, Nigel F (2013) Modelling Creativity: How Might It Help Us Understand What We Do? Axon: Creative Explorations (4). ISSN 1838-8973

McLoughlin, Nigel F (2013) Negative Polarity in Eavan Boland's ‘The Famine Road’. New Writing: The International Journal for the Practice and Theory of Creative Writing, 10 (2). pp. 219-227. ISSN 1479-0726

McLoughlin, Nigel F (2006) News. [Artefact]

McLoughlin, Nigel F (2007) Night Fire. [Artefact]

McLoughlin, Nigel F (2008) Room To Rhyme: Intellectual Space in Creative Writing. Writing in Education (44). pp. 59-62. ISSN 1361-8539

McLoughlin, Nigel F (2016) Shape-shifting Instabilities: Using blending theory to understand metamorphosis as metaphor in Eavan Boland’s poetry. In: Inside History: The work of Eavan Boland. Arlen House, Dublin. ISBN 9781851321407

McLoughlin, Nigel F (2010) Stress Weight: Unwilled Order, Clothes Lines & Crowned Teeth. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7 (3). pp. 226-234. ISSN 1479-0726

McLoughlin, Nigel F (2009) Theorising the Teaching of Creative Writing. Word Play (2). pp. 40-42. ISSN 2040-6754

McLoughlin, Nigel F (2007) Three poems. In: The Echoing Years: An Anthology of Poetry from Ireland and Canada. W.I.T. School of Humanities Publications, pp. 915-917. ISBN 978-0954028169

McLoughlin, Nigel F (2014) Vanishing Point I, II and III. [Artefact]

McLoughlin, Nigel F (2013) Writing Poetry. In: A Companion to Creative Writing. Wiley-Blackwell, pp. 40-55. ISBN 978-0-470-65693-8

McLoughlin, Nigel F (2014) from Event Horizon. Wolf (31). p. 23.

McLoughlin, Nigel F (2016) ‘from Event Horizon’. English, 65 (248). pp. 36-37. ISSN 0013-8215

McLoughlin, Nigel F (2012) The workshop as a creative, critical and intellectual space. In: Beyond the Workshop. Kingston University Press, London, pp. 17-30. ISBN 978-1899999521

Middleton, Rowan (2016) Edward Thomas, Poetry and the Languages of Nature. English, 65 (251). pp. 310-329. ISSN 0013-8215

Monckton-Smith, Jane (2011) The Paradox of Cinematic Sexualized Violence as Entertainment. In: The Problem of Pleasure. Routledge, pp. 9-19. ISBN 978-0415672580

Moore, Kayleigh J (2012) Closer to home: a creative and critical autoethnographical analysis of the motivations and creative process behind writing violence. PhD thesis, University of Gloucestershire.

Moorey, Gerard (2014) Aging, Death, and Revival: Representations of the Music Industry in Two Contemporary Novels. Popular Music and Society, 37 (1). pp. 65-84. ISSN 0300-7766

O

Obata, Fumio and France, Angela and Morrison, Andrew and McLoughlin, Nigel F and Phelps, Kieren and McMillan, Ian and Phelps, Delores and Saunders, Anna and Evans, Emma and Hegley, John (2016) Duplex. [Show/Exhibition]

P

Peck, Julia (2016) Book review Eco-aesthetics: art, literature and architecture in a period of climate change. Visual Studies, 31 (2). pp. 172-173. ISSN 1472-586X

R

Randall, Martin C (2005) 'Appointments to keep in the past' : history, memory and representation in British fiction of the 1990s : writing about the Holocaust. PhD thesis, University of Gloucestershire.

Randall, Martin C (2008) The First Cuckoo You've Ever Heard. Aesthetica, 1 (20). p. 16. ISSN 1743-2715

Randall, Martin C (2010) Giving Them Back Their History': Peter Widdowson and Literature. In: Literature as History: Essays in Honour of Peter Widdowson. Continuum literary studies . Continuum International Publishing Group, London, pp. 95-105. ISBN 978-1441174314

Randall, Martin C (2013) Oostende (a novel fragment). American, British and Canadian Studies, 20. pp. 143-159. ISSN 1841-1489

Rowan, Middleton (2015) The East Wing. Ink Sweat and Tears.

S

Saguaro, Shelley (2000) 'Bosom Secrets': Decrypting Hawthorne's Blithedale Romance. European Journal of American Culture. ISSN 14660407

Saguaro, Shelley (2006) How Does your Cyber Garden Grow? International Journal of the Humanities, 3 (6). pp. 263-270. ISSN 1447-9508

Saguaro, Shelley (2013) 'The Republic of Arborea': Trees and the Perfect Society. Green Letters: Studies in Ecocriticism, 17 (3). pp. 236-250. ISSN 1468-8417

Saguaro, Shelley (2010) 'Sway Between a Dance and a Fight': Black Religions in Toni Morrison's Paradise. In: Literature as History: Essays in Honour of Peter Widdowson. Continnuum-3PL, London, pp. 118-132. ISBN 9781441174314

Saguaro, Shelley (2009) Telling Trees: Eucalyptus, "Anon," and the Growth of Co-evolutionary Histories. Mosaic: A Journal for the Interdisciplinary Study of Literature, 42 (3). pp. 39-56. ISSN 0027-1276

Saguaro, Shelley (2014) Walking to find the Wild Side: from Thoreau's Maine Woods to Contemporary Edgelands. In: Talking About Nature and Culture. CSP, Newcastle upon Tyne. (In Press)

V

Varotsi, Evangelia (2015) Conceptualisation and exposition: a paradigm of character creation. PhD thesis, University of Gloucestershire.

W

Walker, Miranda (2015) Bandstand Park. N/A. (Unpublished)

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University of Gloucestershire, The Park, Cheltenham, Gloucestershire, GL50 2RH. Telephone +44 (0)844 8010001.